Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
Previous
Next

Sign Up

Get the latest ipsum dolor sit amet, consectetur adipiscing elit.

All Mystery Coverage

Filter by genre
Review by

Fans of Alex Michaelides’ blockbuster debut The Silent Patient will eagerly dive into his newest thriller, The Maidens, which will immerse them in the world of Mariana Andros, a 36-year-old group therapist living in London and mourning the strange drowning of her husband Sebastian a year ago in Greece. (Mariana trained alongside Theo Faber, the criminal psychotherapist who unraveled the strange case of Alicia Berenson in Michaelides’ debut, and he makes an appearance or two here.)

Mariana is still overwhelmed by her grief when she is suddenly called to her alma mater, Cambridge University, after her niece Zoe’s friend is murdered. Mariana and Sebastian raised Zoe, whose parents died in a car accident. The distraught girl shares that her late friend, Tara, was part of a group of university students known as “The Maidens,” who are all devoted to their dashing American professor of Greek tragedy, Edward Fosca. The police have arrested a suspect, but Zoe proclaims his innocence. Mariana quickly gets swept up in the case, and soon is on the track of a serial killer as more Maidens are murdered. Each time, a strange postcard with a Greek quotation from a classical tragedy is found in the victim's rooms, and Mariana becomes increasingly convinced that the arrogant Fosca is the murderer.


ALSO IN BOOKPAGE: Actors Louise Brealey and Kobna Holdbrook-Smith narrate as investigator and killer in the audio edition of The Maidens.


Michaelides’ page turner cleverly weaves together Mariana’s difficult and haunted past, her group therapy patients, Greek mythology and the increasing local tension as more girls are killed. He makes excellent use of the Cambridge University setting, with its Gothic architecture, traditions and hierarchy of students, professors and staff. As clues emerge and danger grows, Mariana becomes more and more sure of her sleuthing, although frustrated readers may often want to shake her and point her in other directions. A particularly needy patient named Henry seems obsessed with her. And then there’s Fred, a physics student whom Mariana meets on the train, who has fallen in love with her and keeps popping up—perhaps as friend, perhaps as foe.

The Maidens is a well-paced, suspenseful and easy-to-digest thriller. The Greek tragedy aspect is intriguing and Michaelides explains the mythology, so there’s no need to brush up beforehand. Be forewarned, however: There’s a supremely unsettling, sure-to-be-divisive twist at the end of this cliffhanger.

Fans of Alex Michaelides’ blockbuster debut The Silent Patient will eagerly dive into his newest thriller, The Maidens.

Review by

With twists worthy of a season finale of “Law & Order: SVU,” The Damage explores a family’s struggle in the aftermath of a sexual assault.

College student Nick Hall meets a handsome stranger in a bar and leaves with him for a one-night stand, only to find himself the victim of a violent attack. Hospitalized and in shock, Nick turns to his much older brother, Tony, for support. Tony and his wife, Julia, have always been parental figures to Nick, and they find themselves reeling from the reality of his rape.

Overwhelmed by shame and trauma, Nick sinks into a suicidal depression while Tony, desperate for a sense of control and justice, turns his rage toward the man arrested for attacking Nick. Julia, a former defense attorney, sees her family fracturing and realizes she must go to extreme lengths to save them all.

Unlike a traditional mystery, we know who Nick’s attacker is within the first few chapters. The real mystery in The Damage is what happens after the assault. The book jumps between the months after the 2015 attack to 2019, when the detective assigned to the case, now facing a terminal diagnosis, looks for answers as to what really happened in the aftermath. The man suspected of Nick’s attack has long since vanished, and the detective believes Julia may know the truth.

The Damage stands out for its depiction of the still taboo subject of male rape. Female sexual assault victims are commonplace in thrillers, but there is still a stigma surrounding male victims of sexual violence. Nick is aware of this stigma, and we see him work through the toxic shame surrounding his attack as he struggles to accept that he was not at fault for what happened to him.

This study of a family in crisis is empathetic and never gratuitous, but still doesn’t shy away from the realities of sexual violence. The Damage carefully and expertly captures the collective trauma of a close-knit family when one of its members is victimized, and the lengths to which they’ll go to find justice and healing.

With twists worthy of a season finale of “Law & Order: SVU,” The Damage explores a family’s struggle in the aftermath of a violent sexual assault.

It’s not uncommon for neighbors or co-workers to consider themselves family, and in bestselling author Megan Miranda’s Such a Quiet Place, the residents of Hollow’s Edge feel that pressure from both sides. A picturesque community of close-set homes, Hollow’s Edge is mainly populated by employees of the nearby College of Lake Hollow. But something malevolent lurks beneath the community’s pretty surface, and close bonds are frayed, even broken, in the wake of a shocking murder.

It’s been 18 months since Brandon and Fiona Truett were found dead, and 14 months since Ruby Fletcher was convicted of the crime. The community heaved a collective sigh of relief when she began her 20-year prison sentence, but as the book opens, they’re gasping in righteous horror. Ruby’s conviction was overturned, and she’s back in Hollow’s Edge, charismatic as ever and with a vengeful gleam in her eye.


ALSO IN BOOKPAGE: Why Megan Miranda is always drawn to dark, deep woods.


After all, despite the neighborhood watch, security cameras and homeowners association message board, somebody killed the Truetts. The neighbors, convinced it was Ruby, testified against her. Only her housemate, narrator Harper Nash, seems open to the possibility that it wasn’t Ruby—and even she’s not 100% sure. But what if Ruby really didn’t do it? Who among them is the actual killer? The residents of Hollow’s Edge face a highly disturbing and dangerous state of affairs, no matter how you look at it.

Playing with perspective is a Miranda specialty, and she does so spectacularly in Such a Quiet Place, exploring how speculation can transform from idle entertainment to actual condemnation. She also touches on a favored theme of manipulative friendships, as Harper’s persistent self-doubt and empathetic nature leave her vulnerable, coloring her worldview and behavior toward Ruby. But Harper is determined to suss out the truth, and readers will enjoy riding along as she tempts fate via some daring amateur sleuthing around the woods, lake and streets of Hollow’s Edge.

Miranda has created a claustrophobic and suspenseful whodunit—a pressure cooker brimming with a host of plausible suspects, toxic HOA groupthink and plenty of finger-pointing among supposed friends—that ponders the eternal question of how well we really know those closest to us.

This claustrophobic, suspenseful whodunit ponders the eternal question of how well we really know those closest to us.

A year after his acclaimed bestseller, Blacktop Wasteland, S.A. Cosby returns with the equally gripping but more complex Razorblade Tears. Set in rural and urban Virginia, the story centers on the thorny partnership between ex-convicts Ike, who is Black, and Buddy Lee, who is white. The duo is drawn together by the unfathomable murder of their sons, Isiah and Derek, a married couple who lived a relatively innocuous life. Fueled by law enforcement’s lack of interest in solving the case, as well as by their own personal guilt, Ike and Buddy Lee set off to uncover who killed their sons and unleash their own brand of vigilante justice.

Razorblade Tears is simultaneously a contemplative mystery and a stunning thrill ride. A master of his craft, Cosby balances incredibly complicated characters with enveloping suspense and some of the most captivatingly violent scenes that you will ever read. At the same time, Razorblade Tears features poignant, purposeful social commentary as Cosby takes a critical yet sensitive look at homophobia, racism, classicism and toxic masculinity. Ike and Buddy Lee’s quest puts their lives at risk but also challenges their senses of self and understanding of the world. Their self-interrogation and personal transformation prompt readers to examine their own sociopolitical standpoints.


ALSO IN BOOKPAGE: S.A. Cosby on writing the literary blues.


Cosby’s writing is both fearless and sympathetic, exhibiting his formidable intellect alongside vivid imagery, sharp wit and intricate plot lines. Razorblade Tears transcends genre boundaries and is a must-read for anyone looking for a mystery that provokes and thrills in equal measure.

A year after his acclaimed bestseller, Blacktop Wasteland, S.A. Cosby returns with the equally gripping but more complex Razorblade Tears.

The advertisement is simple and honest: “Teacher wanted at the edge of the world.” And for Una, the main character of Ragnar Jonasson’s The Girl Who Died, it is the perfect enticement to leave her drab life behind and start a new chapter.

The “edge of the world” is actually the isolated fishing village of Skálar, located on the northeastern tip of Iceland. But with her father recently passed away, no job and no love interest to keep her in the larger city of Reykjavík, a season away is just the thing Una needs for a complete reset.

At first, the idyllic community of just 10 people, including two young girls whom Una is hired to tutor for the year, seems like something out of a storybook. It’s not long, however, before the remoteness of the community and the tight-lipped nature of its residents begin to weigh on her, forcing her to question if she’s made a serious mistake. When she begins to see a young girl’s visage in the residence where she’s staying and hears the ghost girl singing an old lullaby, things take on an even more ominous tone.

The mystery of what exactly is going on in Skálar will hook Jonasson’s readers as much as it does Una, and the author expertly builds intrigue and suspense with each passing page. The sudden death of one of Una’s students during a Christmas musical and the disappearance of a mysterious stranger in town further complicates things. And when Una begins asking too many questions, the locals turn the tables and leave her to wonder if her alcoholism has her jumping at shadows.

Known for his grittier Dark Iceland series of crime thrillers, Jonasson opts for a more moody, surreal tone in The Girl Who Died. While the novel, translated from Icelandic by Victoria Cribb, lacks his usual pileup of bodies and violence, the slow-building sense of dread and unease Jonasson creates more than compensates.

The advertisement is simple and honest: “Teacher wanted at the edge of the world.”

Review by

When Oliver Park visits a gay bathhouse in search of an anonymous hookup, he’s putting a lot at risk: his comfortable relationship with Nathan, his upper middle-class life, even his hard-won sobriety. The encounter takes a violent turn that he’s lucky to survive, but his bruises demand an explanation. While Nathan worries about Oliver’s safety, Oliver equivocates and dodges. Bath Haus starts out as a cat-and-mouse thriller, but by the end you’ll realize that everyone is both cat and mouse. You’ll also be a breathless wreck, because this book is not fooling around.


ALSO IN BOOKPAGE: Summer reading 2021: 9 books to soak in this season


Author P.J. Vernon’s (When You Find Me) concoction moves with can’t-put-it-down quickness, but you may find yourself lingering over it nonetheless. The writing is economical when it needs to be, but descriptions of the couple’s swanky Georgetown home are full of visual pops. Nathan’s mother serves cutting lines with stiletto precision; she’s a villain to hate while secretly wishing you were her. (Just me? I’ll own it.) Sharp observations about addiction, relationship stagnation and the homogeneity of gay club culture fill in the story’s world while never slowing it down.

Shifts in points of view let readers see that there’s more at play than Oliver’s assault and the possibility that he’s being stalked. Nathan pays for both of their phones and has access to the passcodes. He clearly knows more than he’s letting on. Things come to a head in a finale that initially feels like a collision between The Boys in the Band and Who’s Afraid of Virginia Woolf? but quickly spirals into genuine nail-biting terror. 

Don’t miss Bath Haus. It’s intricate, speedy and scary.

When Oliver Park visits a gay bathhouse in search of an anonymous hookup, he’s putting a lot at risk: his comfortable relationship with Nathan, his upper middle-class life, even his hard-won sobriety.

Of all the experiences we’ve craved over the last year, high among them is to spend an aimless afternoon browsing in a bookstore or library. When was the last time we thumbed through an overstuffed shelf and found ourselves nose-deep in a book we never would’ve expected? Here are five books we stumbled across and ended up loving.


The Big Rewind

When a novel is described as “Raymond Chandler meets Nick Hornby,” you expect a certain kind of book. So I might’ve picked up Libby Cudmore’s debut looking for a hard-boiled music mystery, but instead I found myself bopping along to a Gen-X cozy mystery, as self-deprecating Brooklynite and wannabe music journalist Jett Bennett scrambles to solve the murder of her beloved neighbor, KitKat, and ends up digging into her own relationship history by way of a box of mix tapes. The Big Rewind has plenty of nostalgic 1980s and ’90s music references (The Smiths! Talking Heads! Cyndi Lauper!), a little bit of romance, great secondary characters, some too-cool New Yorker griping and, best of all, the comforting arc of a cozy, in which there’s a murder but it’s barely the point. Because what is a murder investigation, anyway, but an investigation into yourself? (Or something like that.) This is a punk grandma of a book, and I think we can all agree there’s nothing cooler than punk grandmas.

—Cat, Deputy Editor


Mrs. Bridge

Evan S. Connell’s Mrs. Bridge was originally published in 1959, and since then it’s gained a reputation as an underrated masterpiece. In 2012, the Guardian called it an “overlooked classic.” In 2020, Lit Hub called it a “perfect novel.” Meg Wolitzer and James Patterson have praised it in the New York Times and on NPR—but I didn’t know any of that when I checked it out from the library. As I dug into this strange, engrossing novel about an utterly conventional Kansas City housewife, I didn’t know what to expect. India Bridge’s life moves steadily by, with rare flashes of the extraordinary. Other characters experiment and act out, but Mrs. Bridge only occasionally flirts with action before deciding to stay the course of her conformist, upper-middle class, conservative way of life. If that sounds boring, it isn’t—but it’s difficult to explain why not. Connell’s keen insight into the mind of this midcentury woman is compelling, moving and ultimately masterful.

—Christy, Associate Editor


The Diana Chronicles

For the absolute life of me, I could not tell you why or how my middle school-aged self picked up a copy of Tina Brown’s seminal, definition-of-dishy biography of the late Princess Diana. Perhaps I wanted a more modern princess after finishing my umpteenth reread of every Royal Diaries book my library had on the shelves. What I do remember is that I inhaled this book with the rapture of a sheltered young history buff who had never encountered media more dramatic than a Disney Channel Original Movie. Brown, who covered and commented upon Diana’s life while serving as editor-in-chief of Tatler and then Vanity Fair, tells Diana’s story with witty relish and juicy details galore. But under all the tabloid fizz, Brown also paints a refreshingly complicated portrait of her iconic subject. Her Diana is not a sainted martyr or a hysteric with a victim complex, but a woman trying to vanquish her inner demons, who is on the verge of finding equilibrium when her life is cut unfairly short.

—Savanna, Associate Editor


Sloppy Firsts

Fall 2001, suburban New Jersey. I was 15, a sophomore in high school. My best friend had moved across the country over the summer, and the twin towers had come down on the fifth day of school. It’s almost always a weird time to be a teenager, but that year felt like an especially weird time. And then, on a shelf in the little bookstore next to the ShopRite, a lime green spine caught my eye. Jessica Darling, Megan McCafferty’s heroine, was also a sophomore in suburban New Jersey whose best friend had just moved away. (“I guess your move wasn’t a sign of the Y2K teen angst apocalypse after all,” Jessica writes to her in the letter that opens the book.) It felt like a sign. McCafferty’s funny, heartbreaking, often profane and deeply honest novel, in which Jessica grieves her friendship, grapples with mental illness and even falls in love, was exactly the book I needed at that moment to make 15 feel a little less weird.

—Stephanie, Associate Editor 


Peter the Great

I could have chosen any biography of a European leader to read for my college history class. Why I decided to go for a 1,000-page book about a Russian czar that was written before I could walk has been lost to time, but the ripple effect has been huge. Robert K. Massie won the Pulitzer for this biography, and his deep understanding of his curious, mercurial subject and 17th-century Russia made me feel like I knew Peter personally. That’s probably why I peppered my conversations with anecdotes about him for weeks. (Your dorm room is too small? Peter’s cabin was only about 700 square feet, and his bedroom was barely large enough for him to lie down! Hate your boyfriend’s beard? Take a cue from Peter and tell him if he enters your presence wearing one, you’ll rip it out!) In the years since, I’ve read the book twice more, as well as everything else Massie has ever published, and have found each of his books as immersive.

—Trisha, Publisher

When was the last time we thumbed through an overstuffed shelf and found ourselves nose-deep in a book we never would’ve expected? Here are five books we stumbled across and ended up loving.
Review by

Chris Bohjalian (The Guest Room) blends historical fiction with a thrilling courtroom drama in his latest novel, Hour of the Witch. Its narrator’s unique voice and perspective make this a fascinating and immersive read.

Mary Deerfield is a young Puritan woman who lives in Boston in 1662 and whose faith guides every aspect of her life. She’s constantly watching for signs—from both God and the devil. When her husband Thomas' physical abuse becomes too much to bear, she breaks from tradition and makes an unprecedented request to be granted a divorce on the grounds of cruelty. Mary’s decision to assert herself rather than submit to the will of her husband and the Church causes a cascade of unexpected events, the most terrifying of which is Mary being accused of witchcraft, a charge that could lead to her execution.

The themes in Hour of the Witch are universal: A young woman seeks to escape her husband's abuse and also the patriarchal culture that allows such abuse to persist. By demanding to be released from her marriage, Mary faces judgement that victims of violence from intimate partners still experience today. What makes this novel remarkable and compulsively readable is Bohjalian’s uncanny ability to capture the Puritan perspective. Mary’s manner of thinking is heavily informed by her religion and also by superstition; ultimately, she must break away from those structures in order to survive.


ALSO IN BOOKPAGE: Chris Bohjalian explores the eerie similarities between the Puritans' time and our own.


As Mary’s community searches for supernatural evil and analyzes her every action for signs of witchcraft, true evil, in the form of Thomas’ abuse, is allowed to flourish due to his standing in the community. The reader will acutely feel Mary’s justifiable paranoia as she becomes the scapegoat for all of her community’s woes. Her fear of both Thomas and the people she is supposed to be able to trust make the tension in this novel almost claustrophobic.

Hour of the Witch is at once brilliantly idiosyncratic while also recognizable. This genre-defying thriller is sure to become a staple of book clubs and a favorite of historical mystery fans.

Chris Bohjalian blends historical fiction with a thrilling courtroom drama in his latest novel, Hour of the Witch.

Review by

Alma Katsu, known for her spooky historical novels, showcases her versatility in Red Widow, an espionage thriller.

A rising star in the CIA, Lyndsey Duncan finds herself in hot water for dating another intelligence officer. She’s given the chance to redeem herself by sniffing out a mole in the Russia division. Three high-level Russian assets are either missing or dead, and it appears the FSB (the contemporary successor to the KGB, Russia’s secret police and intelligence agency) is being fed information from inside the CIA. For Lyndsey, it’s personal. She was the former handler for one of the assets, and she can’t help but feel as though the agency let him down.

Theresa Warner, one of Lyndsey’s colleagues at the CIA headquarters in Langley, Virginia, is called the Red Widow behind her back. Theresa’s late husband, Richard, was rising up the ranks of “the company” before he was killed in Russia during an operation that went catastrophically wrong. Theresa’s allegiance to the Russia division after her husband’s tragic death makes her a legendary figure in the CIA, but Lyndsey, known as the “human lie detector,” can’t help but feel something is off with the other agent.

Katsu spent 35 years as a senior intelligence analyst for both the CIA and the National Security Agency, and her insider perspective lends nuance and depth to the plot. Many spy thrillers depend on globe-trotting adventures, car chases or action sequences, but Red Widow zeroes in on the inner workings of the CIA and the FSB. Lyndsey never leaves Langley, which could have made the story feel airless and limited, but Katsu’s extensive knowledge of this world creates a deeply immersive experience instead.

As Lyndsey’s and Theresa’s stories become more entwined, a shocking betrayal forces both of them to question their allegiance to an agency that specializes in manipulation—even of its own professionals. The proverbial call is coming from inside the house, and that jolt of paranoia ratchets up suspense since it gives both characters, and by extension the reader, absolutely nowhere to feel grounded and no one to trust.

Katsu’s real-life experience and skill at maintaining taut, nail-biting tension make Red Widow a standout espionage thriller.

Alma Katsu’s real-life experience and skill at maintaining taut, nail-biting tension make Red Widow a standout espionage thriller.
Review by

In Caroline Kepnes’ third You novel, Joe Goldberg is ready to settle down. Volunteering at a library on Bainbridge Island, he’s keeping things squeaky clean while also falling in love with his boss, Mary Kay. Her social and family ties distract her from Joe—the real thing, staring her in the face across the circulation desk—but this time, he’s committed to doing no harm. If he gently thumbs the scales of justice (and true love) in his favor, surely that will be OK, right? Of course, this new beginning is dogged by loose ends from his last known address that refuse to be neatly tied off.

You Love Me is a wild ride, full of twists and slapstick gore. It's also a metatext in some ways. Joe’s obsession with Mary Kay is true to what we know of him, and his interior monologue full of TV, music, film and book references make him a compelling antihero. Mary Kay’s relationship with a rocker from the heyday of Seattle’s grunge scene feels realistic, while her female friends are more like caricatures, overdrawn in a way that’s often hilarious. A plot thread featuring a screenplay based on Joe’s life is both a callback to Hidden Bodies and a wink at the Netflix series based on the books.

Kepnes makes Joe compelling in a way that allows for some brilliant sleight of hand. Surprises seem to come from out of nowhere, and the end is truly shocking, yet there’s a relaxed flow as it all unfolds. You Love Me is more broadly funny than You; Joe’s restraint from violence does not mean the body count is low, and some of the deaths are, to put it mildly, absolutely bonkers. The reader has to wrestle with a character who is charming, funny, well read, accommodating to a fault—and also a monster. Start here if you like, but be prepared to read the whole series. It will really get under your skin.

In Caroline Kepnes’ third You novel, Joe Goldberg is ready to settle down. Volunteering at a library on Bainbridge Island, he’s keeping things squeaky clean while also falling in love with his boss, Mary Kay.

Review by

In Jeff VanderMeer’s eco-thriller Hummingbird Salamander, security analyst Jane Smith receives an envelope containing a key and a short list of animals. The contents of the envelope seem to be random, but Jane investigates them anyway and ends up at a storage unit where she finds a taxidermied hummingbird. After prying out the eyes of the bird, she finds another clue, which leads to an unraveling, deadly mystery that unravels Jane as well.

Jane has an exceptionally unique voice. Even from her first-person point of view, it’s apparent that she is selfish, brazen and highly unusual. She gives strange nicknames to her belongings, such as “Shovel Pig” the purse and “Bog” the cellphone. She is closer friends with her purse than with her husband.

Though Jane has “made it”—she has a high-paying job, a family, a nice house—she seems to experience life as an outsider. Perhaps that’s why it’s easy for her to throw it all away, though the reader must take certain leaps to understand this motivation: The story falls short when it comes to establishing why Jane would go to such excruciating lengths to solve the mystery. The reader’s questions are ultimately answered, though only in a sense, and far too late.

VanderMeer is a well-established, highly acclaimed author who is known for weird, inventive fiction, including his Southern Reach Trilogy, the first novel of which (Annihilation) was adapted to film. Hummingbird Salamander is not a great introduction to his style, but his existing fans will likely be carried through by its intriguing, propulsive plot.

The intriguing opening of Jeff VanderMeer’s eco-thriller leads to an unraveling, deadly mystery.
Review by

Freya Lyell is apprehensive about attending a wedding on the grounds of Byrne Hall; her sister Stella’s body was found not far away, and that loss still stings five years later. But when she sees a painting hanging in the main house that surely must be of Stella, her curiosity takes over. She returns to Byrne Hall alone and is rapidly absorbed into the world of Cory Byrne, his ailing mother, Diana, and the house itself, which is eerily attuned to its occupants.

The Whispering House is a gothic mystery whose ethereal tone and atmospheric detail allow it to step lightly between heavy revelations. Author Elizabeth Brooks (The Orphan of Salt Winds) establishes early on that Freya is still submerged in grief and guilt over her sister’s presumed suicide, despite the fact that many of her memories of Stella are of an impulsive young woman whose demands for attention tended to eclipse the rest of the family altogether.

Amid this grief, Freya’s numb quality makes her passive involvement with Cory, and her half-formed ideas of what their life together might be, poignant as well as also a great source of tension for the reader as more information about the house and its history come to light. It’s an odd feeling, being happy for Freya while also internally screaming for her to get out while she can.

As the story unfolds from varied points of view and different time periods, Diana’s role shifts from one at the fringes to something more central and frightening. She’s a matriarch to be reckoned with, to put it mildly. Peripheral characters—Freya’s father, a woman she meets while swimming, a man she loves but thinks she lost to Stella—are well rounded and figure into the plot in intricate ways.

Brooks’ gentle, depressive pace allows The Whispering House’s revelations to be truly shocking—the fallout from a missed phone call can feel as though the world hangs in the balance.

Freya Lyell is apprehensive about attending a wedding on the grounds of Byrne Hall; her sister Stella’s body was found not far away, and that loss still stings five years later.

Who among us—perhaps after binge-watching “Murder, She Wrote” or finishing yet another murder-mystery novel—hasn’t thought we’d be passable crime-solvers, if ever called upon to ferret out clues or mull over motives?

In Elly Griffiths’ The Postscript Murders, a motley and charming trio of amateur sleuths gets their chance for the saddest of reasons: Their friend, the intelligent and gregarious Peggy, is found dead in her home. Healthcare aide Natalka discovers 90-year-old Peggy in her armchair, where she liked to look out the bay window at her Shoreham-by-Sea, England, neighborhood and seafront. There is a notebook, binoculars and mystery novel by her side, as well as a business card that reads, “Mrs. M. Smith, Murder Consultant.”

That surprising job title seems even stranger when Natalka, Benedict (coffee shop owner and ex-monk) and Edwin (retired after many years at the BBC) sort through Peggy’s extensive collection of crime novels and realize the vast majority are dedicated to her. What, they wonder, does “Thanks for the murders” mean?

The trio runs their theories by Detective Sergeant Harbinder Kaur, whom Griffiths fans will remember from 2019’s Edgar Award-winning The Stranger Diaries. Here, Kaur reluctantly considers the trio’s speculation about Peggy’s demise, ultimately partnering with them when a literary festival in Aberdeen, Scotland, becomes the site of additional untimely deaths and other assorted dangers.

Griffiths’ strong sense of place—the sea is sparkling yet unsettling, Aberdeen’s cliffs beautiful yet unforgiving—provides a rich foundation for a cleverly constructed story with complex, memorable characters. Each is granted multiple turns to share their innermost thoughts, from feverish yet fearful interest in their detective work to poignant musings on years past. Through them, the societal tendency to underestimate the elderly is examined and defied time and again.

The Postscript Murders is a cozy bibliophile’s delight of a mystery that turns writerly research and acknowledgments into fodder for pivotal plot points, offers a tongue-in-cheek peek at the publishing business and pays tribute to friendships that transform into chosen families.

Who among us—perhaps after binge-watching “Murder, She Wrote” or finishing yet another murder-mystery novel—hasn’t thought we’d be passable crime-solvers, if ever called upon to ferret out clues or mull over motives?

Want more BookPage?

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Trending Mystery & Suspense

There’s no going back in this apocalyptic home-invasion thriller

Praised by horrormeister Stephen King, Paul Tremblay’s shocking new novel, The Cabin at the End of the World, is an often graphic account of one family’s ordeal when their vacation is shattered in a cult-like home invasion. We asked Tremblay about the book’s origins, its dark path and his inner fears that helped forge the novel.

Author Interviews

Recent Features