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Heather Chavez’s No Bad Deed is a fast-paced, high-anxiety tale of a good Samaritan’s offer of assistance gone very, very wrong. On her drive home from work after a 12-hour shift at her veterinarian practice, Cassie Larkin pulls over to mop up a spilled drink—and sees a man throw a woman into a ravine.

A shocked Cassie calls 911 and, despite the dispatcher’s exhortations to stay in her minivan, she gets out and stumbles down a steep hill in an attempt to save the woman. The attacker offers a terrifying bargain—“Let her die and I’ll let you live”—before running off, stealing Cassie’s van (as well as her wallet and keys) along the way. The woman lives, and Cassie pushes through her shock and fear to give a statement to Detective Ray Rico, who tells her, “Every crime is personal, even the random ones.” But Cassie can’t imagine how on earth this crime could have anything to do with her, nor can she figure out why Rico seems to be regarding her with skepticism rather than focusing on catching the criminal who knows where she lives and has the keys to her house.

Exhausted and distraught, she pushes the weirdness aside and goes home, hoping the police will soon catch said criminal and resolving to start fresh tomorrow. Alas, rather than a festive day with a candy-filled finale, Cassie’s Halloween ends on a strange and terrifying note. Her husband Sam takes their 6-year-old daughter trick-or-treating and then disappears. Cassie wonders if he’s having an affair, but can’t believe that he would abandon their child.

Chavez, a former newspaper reporter, does an excellent job of pulling the reader along with Cassie as she tears around town assembling clues in an effort to figure out what the hell is going on. Thanks to the uncanny timing, Cassie wonders if Sam’s disappearance is related to the bizarre assault she witnessed. That would be a wild coincidence, but as the hours pass and the danger and strangeness increases, Cassie’s sense of reality warps and changes, and her instincts are increasingly at odds with what she’s seeing and hearing.

No Bad Deed is an exciting exploration of what might happen when a person’s ordinary life is suddenly thrown into chaos, and knowing whom or what to trust is no longer possible. It’s also a delightfully Harlan Coben-esque tale of the ways in which the past can influence the present—for better or much, much worse.

Heather Chavez’s No Bad Deed is a fast-paced, high-anxiety tale of a good Samaritan’s offer of assistance gone very, very wrong.

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The crime scene is the stuff of nightmares: A blood-drenched bed in a posh, pristine home on a family’s private island. Worse yet, the victim is missing. Called to the scene in the midst of a ferocious storm, Senior Investigator Shana Merchant’s partner on the case challenges her assessment of the case and asserts a theory that the victim may be injured but alive. Death in the Family is a dark and stormy mystery that sets doubt and certainty against one another for up-all-night reading.

Author Tessa Wegert’s debut is impressive in its scope. The Sinclair family is packed with suspects, and their confinement in foul weather makes for short tempers and lots of juicy misbehavior. But on top of that classical, Christie-like foundation, there’s the matter of Shana’s personal history. We learn over the course of the novel that she was abducted by a serial killer when she worked for the NYPD, a trauma from which she may not have fully recovered. Her new job in the rural Thousand Islands region is not supposed to include the depravity this case confronts her with. Both Shana’s partner and her fiancé question her judgement, and her behavior at times makes their concerns seem entirely reasonable.

As Death in the Family draws to a close, the Sinclair matter is resolved, but we’ve barely pulled back the curtain on Shana’s past. It’s enormously frustrating to close a book knowing you have to wait for the next installment, but it speaks to how finely this debut is engineered. Death in the Family marks a bold beginning to an addictive new series.

The crime scene is the stuff of nightmares: A blood-drenched bed in a posh, pristine home on a family’s private island.

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It begins with a femur. When a couple detour off their hiking trail in the Georgia hills and find the weathered leg bone, and then more female remains, it seems likely to be the work of a known predator. But an ever-growing group of investigators discovers there’s more to this laid-back community than just one notorious monster. When You See Me is most frightening when it shows us the boogeymen we meet and interact with every day.

Lisa Gardner’s latest novel once again unites Sergeant D.D. Warren and Flora Dane, the survivor of a brutal abduction who has repaid some of that abuse in the years since. They make a good team, especially since only one is bound to obey laws. Flora and Keith, her maybe-boyfriend who adds tech skills to the team, investigate the small town near the burial site with Warren and FBI Speical Agent Kimberly Quincy. Chapter narration alternates between Warren, Flora, Quincy and a young, mysterious figure who is unable to speak; for her, this is anything but a cold case. When her story intersects with the investigation, the stakes and tension ratchet up quickly.

When You See Me is most frightening when it shows us the boogeymen we meet and interact with every day.

Warren, Dane and Quincy struggle to square the folksy demeanor of people they interview with what appears to be a fairly long, dark history of criminal behavior. It’s hard to know who to trust when talking to people well-trained in the art of people-pleasing to ensure repeat business. Meanwhile, the one person desperate to tell the truth and exact justice has lost her voice entirely. The twists and turns keep peeling veils off an evil nobody wants to look at head-on, and it all culminates in a breakneck final act. The forensic analysis of shallow graves can unearth a lot of clues, but When You See Me also looks at the ways evil is handed down from one generation to the next. It’s a mystery that will keep you up late at night, haunted by the events within its pages.

When You See Me is most frightening when it shows us the boogeymen we meet and interact with every day.

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Screenwriter Christian White knows his way around a plot twist. Even the most die-hard thriller reader will be surprised at the direction The Wife and the Widow takes, but even without its truly shocking reveal, White’s thriller stands out for its penetrating examination of marriage and the lies that build between spouses.

Abby and her husband, Ray, are eking out a living on a gothic, windswept island off the coast of Victoria, Australia. When the police find the body of a man who died under suspicious circumstances, it disrupts the sleepy island community—and makes Abby notice how strangely Ray has been acting. Suddenly distant and secretive, Ray has disposed of his work clothes and can’t account for all his time away from home.

Just as Abby is struggling to reconcile her husband’s odd behavior, stay-at-home mom Kate is suddenly questioning everything she knows about her husband, John. After he doesn’t come home from what he said was a business trip, Kate learns that John quit his job three months ago. The only place she can think to look for her missing husband is the island where they own a vacation home.

White’s eerie, patient unraveling of small deceptions makes The Wife and the Widow a hypnotic reading experience. Both Kate and Abby’s worlds experience seismic shifts, but due to what appear to be, at first, trivial lies. Even as the suspense builds and trivial lies snowball into something much more devastating, a sense of sadness grounds the novel as Kate and Abby grieve for the relationships they thought they had. Unlike most domestic thrillers, the female leads here aren’t the victims of violence; rather their trauma comes from living lives they realize were permeated with lies. When the truth about John and Ray is finally revealed it feels explosive, but also like a relief from a nagging ache.

Heartbreaking and contemplative, The Wife and the Widow is one of those mysteries that lingers in the reader’s mind long after it is finished.

Screenwriter Christian White knows his way around a plot twist. Even the most die-hard thriller reader will be surprised at the direction The Wife and the Widow takes, but even without a truly shocking reveal, White’s thriller stands out for its penetrating examination of marriage and the lies that build between spouses.

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It’s almost impossible to properly summarize The Tenant; the careful plotting ensures that the mystery unfolds deliberately, with surprises regularly woven into the narrative. Reading it feels like watching a puzzle slowly come together before your eyes.

Set in Copenhagen, The Tenant follows detectives Jeppe Kørner and Anette Werner as they investigate the brutal murder of a young woman, Julie Stender. Adding a grisly twist to the case, Julie’s face was mutilated before her killing, a fact that chills both detectives. But it’s Julie’s relationship with her landlady, budding crime novelist Esther de Laurenti, which makes her murder truly bizarre—the young woman was killed in the same manner as the victim in Esther’s unpublished manuscript.

The Tenant operates with two ensemble casts: the tenants of Esther’s building and the detectives on the Copenhagen police force. While Kørner and Werner lead the charge to bring a killer to justice, it takes a plethora of characters to get the novel to its thrilling conclusion. The intensity of the relationships between characters realistically reflects the irritations and idiosyncrasies of people who live and work together. Unlike many other crime-solving duos, Kørner and Werner occasionally grate on each other’s nerves, never quite settling into anything other than a bristly professional relationship. Similarly, the people moving in and out of Esther’s orbit have their own secrets and agendas, giving the impression that no one can be trusted.

Despite its darker elements, The Tenant is a police procedural, not a thriller, and readers should prepare for a mystery that takes its time unfolding. This a positive thing; the easy pace lets the horror of Julie’s murder sink in. Author Katrine Engberg’s English-language debut is the first in a gritty, unflinching procedural series that has received multiple awards in her native Denmark. Readers will be left craving the translation of Kørner and Werner’s next adventure.

It’s almost impossible to properly summarize The Tenant; the careful plotting ensures that the mystery unfolds deliberately, with surprises regularly woven into the narrative. Reading it feels like watching a puzzle slowly come together before your eyes.

Former police detective Joona Linna is once more on the case in the high-octane novel The Rabbit Hunter by Lars Kepler. Things get off to an explosive start as an escort service worker is witness to the brutal assassination of her client, who is none other than the Swedish foreign minister. Initially believing the hit to be the work of terrorists and a possible prelude to additional violence, the Swedish Security Service, including Joona’s former partner, Saga Bauer, turn to Joona for help. But Joona, as Kepler fans know, is in jail as a result of striking an officer in his last case (recounted in Kepler’s previous novel, Stalker.) After some convincing from the prime minister himself, and promises of a possible commuted sentence, Joona agrees to lend his skills to the case at hand. The resulting investigation turns into an action-packed race against the clock to stop a series of additional killings by a ruthless assassin.

Kepler, a pseudonym for husband-and-wife authors Alexandra Coelho Ahndoril and Alexander Ahndoril, builds suspense with each subsequent murder while planting more clues to tantalize readers. Joona is constantly one step behind the killer, increasing the stakes for the next victim in line. While there are instances of graphic violence and admittedly gratuitous sex, Kepler keeps things grounded with real emotional threads for each of his characters. Joona’s relationship with his former co-workers is especially intriguing as he tries to put his criminal misdeeds behind him while rebuilding the trust of his colleagues.

The sixth book in the Joona Linna series (you don’t have to read the others to follow along), The Rabbit Hunter grips readers from the start and rarely lets up throughout its 500-plus pages. The breakneck pace almost seems custom-built for TV or film—producers of the TV adaptation of Jeffery Deaver’s The Bone Collector, take note! The Rabbit Hunter is a chase you’ll want to get in on.

Former police detective Joona Linna is once more on the case in the high-octane novel The Rabbit Hunter by Swedish bestseller Lars Kepler.

Reading Scott Carson’s The Chill gave me shivers like the ones I got when I first read Stephen King’s The Shining. Set in a remote town in upstate New York, the novel starts ordinarily enough, with a fractured relationship between father and son, but swiftly cascades into a story about vengeful ghosts and a cataclysm generations in the making.

Carson, a pseudonymous bestselling author and screenwriter, homes tightly in on Aaron Ellsworth, a 20-something washed-up Coast Guard rescue diver whose preference for drugs and booze has drawn the continued ire of his father. Angered after an argument, Aaron seeks solace by taking a swim in the Chilewaukee Reservoir amid a downpour. When he accidentally injures a state inspector, Aaron dives into the chill waters to rescue him, only to find the skeleton of another person entwined in the wreckage beneath the dam. But when Aaron calls his father to admit what he’s done, the inspector reappears with no sign of injury and no memory of his encounter with Aaron. 

Aaron soon learns of a bizarre story about the body found underwater and the people who sacrificed themselves when the dam and reservoir were created, flooding the town of Galesburg. While Aaron tries to piece together the story, the ghostly spirits begin their own quest for vengeance on those who condemned their town to destruction by ushering in the collapse of the dam itself. Between confrontations with the dead and the impending break in the dam, Carson ably and exponentially ramps up the intrigue and danger. 

Carson includes plenty of factual exposition about real New York reservoirs and tunnel systems, sections that could have been dry and boring were it not for his deep characterizations and a pervading sense of doom. The result is a fast-paced, frenzied tale of survival against both natural and supernatural forces that will leave you gasping for air. 
 

Editor’s note: Scott Carson is a pseudonym for Michael Koryta.

Reading Scott Carson’s The Chill gave me shivers like the ones I got when I first read Stephen King’s The Shining. Set in a remote town in upstate New York, the novel starts ordinarily enough, with a fractured relationship between father and son, but swiftly cascades into a story about vengeful ghosts and a cataclysm generations in the making.

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A good trope in mystery is a protagonist whose memory, for one reason or another, has been wiped. This is the case in Chad Dundas’ latest novel, The Blaze, when Iraq War vet Matthew Rose loses much of his long-term memory after an explosion and subsequent traumatic brain injury. 

The blaze of the book’s title is a mystery in itself, as the story features two fires. The first blaze we learn about happens just as Matt returns to his Montana hometown to collect his dead father’s effects. The second happened at the town’s candy store when Matt was a child. Though Matt remembers little else in his past, he does remember that candy-store fire. Why?

On top of this, a strange young woman died in the latest fire, and since it was ruled a crime of arson, we now have a murder in the mix. Matt’s gut tells him this blaze is related to the candy-store fire, but it would be tough to see the connection even if his memory were working the way it should.

Dundas patiently builds layer upon layer of clues, like pastry and butter in the best croissant. Who was that vagrant that Matt almost ran into when he first arrived in town, the guy in the long coat who smelled of gasoline? Who was Abbie Green, the woman who died in the house fire? Why is everyone in town being so closemouthed about her? And why would anybody want to kill her? Matt doesn’t remember this, but everyone says he changed for the worse after the candy-store fire. Why? And why did he and his dad fall out? Or did they? 

Writing a thriller that’s engrossing from beginning to end is tough. Some readers might figure out the culprit early on, but figuring out the “why” will keep them hooked. Dundas knows how to keep things simmering, and his cracking good mystery kept this reviewer up at night. It just might keep you up at night, too.

A good trope in mystery is a protagonist whose memory, for one reason or another, has been wiped. This is the case in Chad Dundas’ latest novel, The Blaze, when Iraq War vet Matthew Rose loses much of his long-term memory after an explosion and subsequent traumatic brain injury. 

Naked Came the Florida Man, the newest novel by Tim Dorsey, is a crazy read from start to finish, and I mean that in a good way. The novel—part comedy, part thriller—follows the latest exploits of Dorsey’s oddball duo of Serge Storms and his weed-addicted sidekick Coleman on a meandering trek across the Sunshine State, with no real end goal in mind. And that’s just part of what makes this book so fun.

Longtime Dorsey fans already familiar with Serge and Coleman’s antics will have the distinct advantage of knowing what to expect heading into the novel (but they won’t be able to rekindle the feeling of discovering the intrepid pair for the first time like new readers). Admittedly, the misadventures and seemingly aimless wanderings of Dorsey’s characters take a bit of getting used to, but once you do, you’ll be all too eager to go along for the ride.

What starts out as a simple tour of the state’s historic graveyards (complete with fascinating lessons about the state and its people that you probably won’t find in tourist brochures at the state line) turns into a series of escapades resulting in Serge’s unique brand of vigilante justice. Between tombstone rubbings, the pair intervene in a so-called pastor’s scheme to bilk needy seniors out of their money through shady reverse-mortgage deals, exact punishment on a man filming birds that explode after consuming Alka Seltzer tablets and help save a young football player from a greedy pirate.

If that’s not enough to pique your curiosity, Dorsey peppers the novel with Serge’s one-of-a-kind social rants on anything that comes to mind, from tangents in internet comment threads and why the U.S. cares about soccer to the length of receipts from drug stores. At one point, Serge even admits to being completely “off his rocker” and adopts a ferret as an emotional support animal.

A former reporter and editor for the Tampa Tribune until 1999, Dorsey has shirked his commitment to serious recounts of the day’s top events in favor of over-the-top tall tales and wacky characters like Serge and Coleman. I have to admit, they are a lot more fun.

Part comedy, part thriller, Tim Dorsey's novel is a crazy read from start to finish, and I mean that in a good way.

In Dr. Judy Melinek and T.J. Mitchell’s First Cut, medical examiner Dr. Jessie Teska works on the victims of “sudden, violent, and unexpected deaths,” from accidents to suicide to murder. And in Jessie’s first week at her new job, a homicide case launches her life into chaos: A young woman has died from a drug overdose and, it turns out, used to work for one of Jessie’s mercurial new bosses. His reaction makes Jessie wonder if it’s an innocent connection or something darker—but how will she balance a proper investigation with complicated, unfamiliar office politics?

Questions mount and danger rises as Jessie strives to juggle a heavy caseload, leave past hurts behind and figure out whom she can (and cannot) trust. Drug dealers, detectives, lawyers and bitcoin brokers figure into this atmospheric, San Francisco-set tale, which is peppered with humor thanks to Jessie’s wit, as well as Bea the high-spirited beagle and Sparkle the whip-smart bail-bonds lady. Jessie’s forays into dating and romance add sexy fun, and her musings on our collective corporeal vulnerability are by turns humbling (“The cops could drag their feet and stonewall . . . all they want. The body never lies.”) and alarming (à la lists of cases like “jaywalker hit by a bus, a gunshot suicide, a skateboard versus a hydrant, and a stabbing homicide”).

The married authors—whose first book was the bestselling 2014 memoir Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner—expertly employ their know-how, maintaining blood-and-guts vérité while empathetically exploring what it’s like to do a job with actual life-and-death stakes. First Cut is a fascinating, entertaining series kickoff, with a particularly kickass heroine.

 

ALSO IN BOOKPAGE: Read our Q&A with Judy Melinek and T.J. Mitchell.

In Dr. Judy Melinek and T.J. Mitchell’s First Cut, medical examiner Dr. Jessie Teska works on the victims of “sudden, violent, and unexpected deaths,” from accidents to suicide to murder.

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Much has been discussed in recent years about what it means to be a man in modern America: the belief that men should be masculine yet tender, chivalrous yet feminist, strong yet vulnerable. In the chillingly good A Good Man, debut novelist Ani Katz examines what happens when the weight of expectations comes crashing down on one family. 

Thomas Martin was raised in the nightmarish tangle of an abusive home, where his father took out his disappointment on his children. After his father dies, Thomas becomes the man of the house, working his way through college and up the corporate ladder. He provides for his mother and younger sisters, who still live together in semi-squalor because they don’t know any other way.

Thomas is wary of bringing Miriam, the beautiful Parisian woman he plans to marry, to his family home, where she “would notice the skid marks of dried grease around the rims of the plates, the crusty residue at the bottom of our tumblers.” It’s as if every grubby object reflects upon him and his shame-filled childhood.

When it comes time to make his own family, Thomas is determined to attain perfection and nothing less. “We were two of a kind, my wife and I,” he says. “If my life up to that point had been like an old and battered house, she wanted to rip the rot from the rooms, banish the bad memories, throw open the windows, and fill the place with light and air and the breath of the future.” 

They buy a Dutch colonial home outside Manhattan and have a daughter. Thomas makes more money and drives his daughter to private school in a Mercedes S-Class sedan. Miriam struggles with postpartum depression and suburban isolation, but they work through it.

Everything is perfect—and yet. His relationship with Miriam is fraying. Their daughter is filled with the ennui of a typical preteen. When Thomas makes a catastrophically bad decision at work, he finds everything he’s worked for evaporating around him.

This is when A Good Man—infused with a low-grade dread from the very first page—takes a seriously sinister turn. The full impact of Thomas’ childhood trauma comes into focus as he retraces how things went so wrong and admits he may not be the most reliable narrator. 

Katz has delivered a whip-smart, beautifully written meditation on marriage, masculinity and the thin line between happiness and disaster.

Ani Katz has delivered a whip-smart, beautifully written meditation on marriage, masculinity and the thin line between happiness and disaster.

A title like Thin Ice immediately connotes danger, and New York Times bestselling author Paige Shelton delivers in every way. A sense of dread persists from the opening page to the novel’s surprising conclusion, with an overall tense mood and an all-too-real terror felt by the book’s protagonist, Beth Rivers.

Beth is also known as Elizabeth Fairchild, the famous penname under which she writes popular thrillers. When we first meet her, Beth is on the run from a violent encounter—a kidnapping by an obsessed fan and a dramatic escape. Her flight takes her to the remote village of Benedict, Alaska, where she hopes to elude her assailant, who is still at large.

Beth’s scars, both internal and external, are real. Internally, she suffers from an overriding fear that even though she has put hundreds of miles between her former and new lives, she may still be in danger. Externally, there is a ragged scar on her head incurred during her escape, serving as a constant reminder of her close brush with death.

Shelton methodically introduces Beth to a wide-ranging cast while swiftly ramping up the tension. It’s not yet winter, but Beth’s Alaskan environment is already harsh, cold and remote. While most of the people she encounters in the village appear to be supportive and caring, she can never quite let go of her suspicions that any one of them could mean her harm—or worse, expose her real identity.

With more memories of her ordeal threatening to return, Beth takes on a new role as the community newspaper’s only reporter and thrusts herself into an ongoing investigation of a local death. New secrets and questions abound, leaving Beth to wonder if she has escaped one threat only to have fallen into another.

Thin Ice is the first in a series from Shelton, who is best known for her Scottish Bookshop Mystery cozy series. But there is nothing cozy here, only danger.

A title like Thin Ice immediately connotes danger, and New York Times bestselling author Paige Shelton delivers in every way. A sense of dread persists from the opening page to the novel’s surprising conclusion, with an overall tense mood and an all-too-real terror felt by the book’s protagonist, Beth Rivers.

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Set in a small town obsessed with the occult, Trace of Evil by Alice Blanchard launches a promising new series and delivers an airtight police procedural with deeply macabre elements. This is a read-in-one-sitting book that will refresh readers who are potentially burned out on the genre.

With a Salem-esque history of killing suspected witches, the spooky little town of Burning Lake, New York, has turned its link to the dark arts into a tourist attraction. When a high school teacher is stabbed to death, homicide detective Natalie Lockhart turns her attention to a disaffected student who might have ties to a coven of teen witches. As if that’s not enough to keep her busy, Natalie is also working on a cold case of nine Burning Lake residents who went missing over the years, with only strange graffiti and creepy fetishes made of dead birds left behind.

While Trace of Evil utilizes paranormal themes like witchcraft, it remains firmly grounded in reality, never crossing the line into a supernatural thriller. What we get instead is a procedural that expertly balances three mysteries at one time with tight plotting and enough clues and red herrings to keep the most experienced of mystery readers conjuring up theory after theory. And truly, Blanchard doesn’t need to utilize the supernatural to make her novel chilling. From the deeply disturbing aspects of the nine disappearances to the teenage obsession with witchcraft (I remember my own love of The Craft at a similar age), the terror here is tied to people who feel so detached from the world around them that they normalize horrifying violence.

Adding to the perfectly executed mysteries and the real-world terror is Blanchard’s careful world building. This is the first book starring Natalie Lockhart, but she appears on the page like a friend readers have known forever. She is the lens through which we view her small town, and she adds an element of empathy to characters who might otherwise feel unsympathetic to the reader. Then there’s the frisson of forbidden sexual tension between Natalie and her boss, a subplot that promises to unwind later in the series. It may seem like a lot to balance within one novel, but Trace of Evil delivers all of these elements without a single misstep.

 

ALSO IN BOOKPAGE: Read our Q&A with Alice Blanchard about Trace of Evil.

Set in a small town obsessed with the occult, Trace of Evil by Alice Blanchard launches a promising new series and delivers an airtight police procedural with deeply macabre elements. This is a read-in-one-sitting book that will refresh readers who are potentially burned out on the genre.

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