Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
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Ruth Ware’s homage to The Turn of the Screw is filled with all of the best gothic elements: an unreliable narrator, an isolated setting, creepy children and a house that functions as its own menacing character. Part epistolary novel, part psychological thriller, The Turn of the Key is compulsively readable and will keep readers guessing until the very last page.

Rowan Caine worries that the live-in nanny job she’s secured may be a little too good to be true. The pay is outstanding, the residence is a beautiful estate in the Scottish Highlands, and the parents want her to start right now. Almost immediately her fears are validated. Her charges, 8-year-old Maddie and 5-year-old Ellie, are fractious and have already burned through several caregivers. The home, Heatherbrae House, is a “smart home,” where every convenience is controlled by an app named “Happy” and every room except the bathrooms are monitored by security cameras. Left alone with two mutinous charges and a house that can be controlled remotely is enough to stretch Rowan to her last nerve.

Those elements are certainly chilling enough (especially when the “Happy” app nightmarishly malfunctions), but Ware expertly weaves in a supernatural element as well. Already fraught, Rowan begins experiencing strange events, like the sound of someone pacing in the supposedly empty, walled-off space above her room, and when objects start going missing or moving seemingly on their own. Then there is the story of a small girl who tragically died of an accidental poisoning in the house decades earlier.

A rational person might quit, but as the novel progresses, we learn that Rowan has secrets of her own, ones she certainly doesn’t want her employers uncovering. All of these twists and turns might feel unwieldy in the hands of another writer, but Ware is adept at managing multiple plot threads and using them to shock her reader.

The beauty of The Turn of the Key is in how it takes the tropes central to the gothic genre, like the isolated haunted house, and gives them a 21st-century spin while still managing to feel fresh and surprising to even the most gothic-averse reader.

Straddling the line between horror and thriller, this novel will delight fans of both genres.

Part epistolary novel, part psychological thriller, The Turn of the Key is compulsively readable and will keep readers guessing until the very last page.

What if someone you loved died and left you a letter plus a few important items? And the letter turned out to be a to-do list for vengeance? And those things were not mementos, but rather a gun, a counterfeit passport and some cash?

In Beijing Payback, California college student Victor Li and his sister, Jules, are stunned when their father, Vincent, a beloved owner of three Chinese restaurants, is murdered. In short order, they discover the aforementioned bizarre and alarming contents of their father’s safe, and a mysterious man named Sun—who knows all about their dad, though they had no idea Sun existed—shows up, ready to assist Victor in going to China to exact revenge on Vincent’s behalf.

It’s a dangerous, quite possibly fatal undertaking (for one thing, Victor’s a college athlete, not an assassin), but he ultimately decides to fulfill his dad’s wishes for one reason: Their comfortable life in suburban America wasn’t due solely to proceeds from the restaurants but from profits earned by the global crime syndicate his father and a few friends founded in post-Mao China.

This is not a typical realizing-your-parents-are-flawed story, to be sure, and debut author Daniel Nieh really goes for it, packing in action, suspense, drama, plus some humor and sexiness, too. The author’s background in Chinese-English translation serves him well, as skillfully employed language throughout evokes Victor’s ties to his Chinese heritage and reinforces his ability to move between cultures as he tries on various personas: basketball player, suave dude, loyal friend, family member . . . and righteous badass?

Drunken college parties give way to terrifying, blood-spattered encounters as the stakes grow ever higher, and Victor must reckon with the truth about his family’s past and its implications for his future in this entertaining, colorful debut.

 

ALSO IN BOOKPAGE: Read our Q&A with Daniel Nieh about Beijing Payback.

What if someone you loved died and left you a letter plus a few important items? And the letter turned out to be a to-do list for vengeance? And those things were not mementos, but rather a gun, a counterfeit passport and some cash?

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A body falls from the Tarpeian Rock, a looming structure that overlooks the ancient Roman Forum. People assume it’s a suicide, but a woman insists she saw someone push the vitcim. When an investigation is called for, Flavia Alba is ready to help. A Capitol Death is a traditional whodunit set in ancient times, but it feels remarkably fresh.

Author Lindsey Davis (Pandora’s Boy) balances grit and frivolity with ease. Flavia feels like the love child of Philip Marlowe and Carrie Bradshaw—she’s on the case, observing and reporting with care, but keeps a running line of saucy commentary on everyone throughout. This death would hardly raise a fuss were it not for the Imperial Triumphs, a sort of war parade/street fair hybrid set to take place. The dead man organized the entire affair and made plenty of enemies in the process, on top of being widely disliked in general. Flavia researches the case and then comes home to the drama of her home, still under construction, with ever-changing staff and their own drama. Stolen moments with her husband, and their snappy repartee, are sweet side trips.

Her childhood as a British orphan gives Flavia an acute awareness of class and difference. She can gently mold herself to fit in almost any situation and draw people into her confidence. The story builds with numerous twists toward a thrilling conclusion, but much of the pleasure comes from the deep, realistic world Davis has created and the people who inhabit it.

A body falls from the Tarpeian Rock, a looming structure that overlooks the ancient Roman Forum. People assume it’s a suicide, but a woman insists she saw someone push the vitcim. When an investigation is called for, Flavia Alba is ready to help. A Capitol Death is a traditional whodunit set in ancient times, but it feels remarkably fresh.

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There are shades of Jeffery Deaver’s Lincoln Rhyme in quadriplegic forensics consultant Lucas Page, protagonist of Robert Pobi’s standout thriller City of Windows. Page is not quite as physically challenged as Rhyme, but as a result of a shooting some 10 years ago, he is burdened with the loss of an arm and a leg, as well as the loss of sight in one eye. Once a crack FBI field agent, Page has retreated into an academic life. And then something rattles his peaceful post-FBI existence: the assassination of his former partner by a sniper’s bullet, a seemingly impossible shot fired from a rooftop during a blinding snowstorm. Page reluctantly agrees to come out of retirement to help with the investigation of the shooting. His almost three-dimensional grasp of velocities and trajectories borders on the uncanny, and he is thus uniquely suited to the task at hand. Unfortunately, the shooting is only the first in a series of virtually impossible sniper shots targeting a member of the law enforcement community. The tension ratchets up for the reader just as it does for Page as he and his loved ones find themselves in the crosshairs. Pobi has written five other books, but this is his first thriller. It would seem he has found his calling.

There are shades of Jeffery Deaver’s Lincoln Rhyme in quadriplegic forensics consultant Lucas Page, protagonist of Robert Pobi’s standout thriller City of Windows.

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Inspector Konrad Sejer returns in Norwegian author Karin Fossum’s stark and oh-so-dark The Whisperer. The titular whisperer is Ragna Riegel, whose vocal cords were damaged in a botched operation, rendering her unable to speak in anything but the most hushed of tones. The surgery is just one in a series of unhappy life events that have left Ragna something of a recluse, her day-to-day existence repetitive and boring—that is, until she receives an anonymous and succinct death threat: “You are going to die.” At first, the police are somewhat lackadaisical in their response, treating the incident as little more than a prank. But as follow-up messages arrive, Sejer finds sufficient cause to launch an investigation, if not for the reasons Ragna might have preferred—he is suspicious that Ragna is in fact the perpetrator of a crime, and not a victim at all. Sympathetic by nature, Sejer nonetheless chips away at Ragna’s facade in the hope of exposing her crime, all the while finding himself moved by the loneliness and grief of her life. Fossum excels at this sort of psychological suspense, and as such, she is one of the leading lights of the Scandinavian whodunit genre. 

Inspector Konrad Sejer returns in Norwegian author Karin Fossum’s stark and oh-so-dark The Whisperer.

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The title of T. Jefferson Parker’s The Last Good Guy refers to its protagonist, private investigator Roland Ford, who is indeed a good guy, albeit one beset by troubles. But his latest case seems pretty straightforward, at least at the outset. A teenage girl has run away, an action not inconsistent with her wild nature, and her elder sister is anxious for her safety, especially since the young girl has a 20-year-old boyfriend who is a decidedly unsavory character. But rest assured, an author the caliber of Parker will not spin a simple tale of a runaway. Instead, there is nuance upon nuance, misdirection upon misdirection, including a celebrity evangelist, the aforementioned unsavory boyfriend, an enclave of neo-Nazis and a client whose motive for finding her sister may not be exactly as she represented it. As is typical for Parker’s novels, the stage upon which the story unfolds is a microcosm of today’s America, with racism and intolerance, the escalating struggle between conservatives and liberals and the pervasive influence of megachurches and the politics espoused therein. As is also typical of Parker’s novels, it is a mighty fine read.

The title of T. Jefferson Parker’s The Last Good Guy refers to its protagonist, private investigator Roland Ford, who is indeed a good guy, albeit one beset by troubles. But his latest case seems pretty straightforward, at least at the outset. A teenage girl has run…

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C.J. Box’s latest thriller, The Bitterroots, follows a family that redefines the word dysfunctional: the Kleinsassers, longtime ranchers and influential denizens of remote Lochsa County, Montana. Private investigator Cassie Dewell, on retainer with a local law office, has been tasked with the defense investigation of family black sheep Blake Kleinsasser, who has been credibly accused of the rape of his 15-year-old niece. It’s pretty much inevitable that this investigation will not end well, as there is quite a bit of enmity among the family members, and no resolution to the case will be satisfying to all the players. The evidence is compelling, with a positive ID from a DNA sample and Blake’s statement that he cannot remember any of the events of the night in question. Yet when Cassie ramps up the investigation, she is stymied at every turn by the Kleinsasser family, to the point of being jailed on trumped-up charges. Clearly someone is invested in derailing the investigation and seeing Blake put away for a very long time, irrespective of his guilt. Box is in top form here, gilding his reputation for finely crafted suspense novels of the New West—a place you wouldn’t necessarily want to live but that is endlessly intriguing to read about.

C.J. Box’s latest thriller, The Bitterroots, follows a family that redefines the word dysfunctional: the Kleinsassers, longtime ranchers and influential denizens of remote Lochsa County, Montana.

Review by

The second book in the Special Agent Sayer Altair series delves deep into the mind of a monster, creating an immersive and chilling experience while following a FBI neuroscientist who studies serial killers.

Following up directly where Caged left off, Buried finds Sayer recovering from a gunshot wound—and facing political fallout from her last case in which she exposed a horrible secret within the FBI. Then the gruesome discovery of a mass gravesite in the Shenandoah National Forest pulls Sayer off desk duty and back into the field, but with extremely limited resources. With only a few park rangers and two FBI agents to assist her, Sayer throws herself into the case as a way to avoid coping with her recent trauma.

The bones, and one recent body, tell a macabre story: A serial killer was active in the area for eight years until 2002, only to begin killing again now. Even more troubling is the report of a missing woman whose description matches the profile of the other victims.

As the case begins to build steam, Sayer is drawn into an increasingly dark and melodramatic gothic nightmare. The landscape of the Shenandoah National Forest, with its hidden mines and cave systems, becomes a character itself, as the villain emerges from the shadows to terrorize Sayer’s team, only to vanish again. Small-town secrets and long-held feuds also threaten to derail the investigation. Cooper’s focus on atmosphere gives the novel the tight pacing of a thriller, while also producing a constant feeling of unease more typically found in the horror genre. This is not the book for a cozy mystery fan.

Sayer stands out in a largely whitewashed genre as a woman of color, and her awareness of how her race affects others’ perceptions of her is present but never overly evangelized to the reader. Resourceful and self-possessed, she triumphs even when the odds are stacked against her. When evidence leads her to theorize that a woman who went missing from the area years ago—and who happens to be the local police chief’s sister—may be involved in the killings, she finds herself frozen out by both the FBI and local law enforcement.

By depriving Sayer of departmental resources and deus ex machina forensic breakthroughs, the narrative focuses on her brilliant profiling and detective skills, making Buried feel like an old fashioned whodunit as the reader pieces the clues together along with Sayer.

The second book in the Special Agent Sayer Altair series delves deep into the mind of a monster, creating an immersive and chilling experience while following a FBI neuroscientist who studies serial killers.

Review by

Joshilyn Jackson’s newest novel weaves a wicked tale right from its opening pages. When a mysterious and charismatic woman named Angelica Roux shows up at a suburban book club in a small Florida town, Amy Whey has a sinking feeling that a bomb is about to drop on their cozy lives.

Roux gets the liquor flowing and slips the reins from Charlotte, the book club’s leader and Amy’s best friend. As the women relax, Roux starts a seductive game—an adult version of “Never Have I Ever,” in which each woman shares the worst thing she’s done in the past week, then month, then year and so on. The women are giddy with the newness of Roux’s game and her feral flirtation. When a married woman confesses to kissing another man, Amy worries that her neighbor is messing around with Charlotte’s husband. But that’s just the tip of the iceberg. Roux somehow knows a terrible secret from Amy’s past, and Amy thinks Roux has shown up to trap her.

Amy has worked hard to rebuild her life. She has a loving husband, a quirky teenage stepdaughter named Maddy and a baby to dote upon. But as Amy’s past threatens to collide with her present, she is forced to play Roux’s dangerous game. After the party has ended, Roux starts to chip away at Amy’s cool exterior, demanding hush money for the secrets she keeps. But Amy reveals herself to be shrewder than she seems, and she’s determined to keep her family and new best friend from knowing what’s buried deep in her heart.

Things get even stickier as Maddy cozies up to Roux’s son, Luca, who seems like the type of boy to break Maddy’s heart, or worse. When Roux sets a deadline for the hush money, Amy decides the only way to get out is to beat Roux at her own game.

With excellent pacing, clever character development, fun plot twists and a palpable setting, Never Have I Ever is a binge-worthy read. Jackson brings her first thriller to the table this summer, and you don’t want to miss it.

Joshilyn Jackson brings her first thriller to the table this summer, and you don’t want to miss it.
Review by

Halfway through Natalie Daniels’ novel of grief, middle-age regret, betrayal and acid—specifically, acidic British wit—something happens that the reader can scarcely believe. Connie, the protagonist, overhears something. At first you don’t know whether she’s meant to hear it, she’s hearing it by accident or if it’s a bit of both. Whatever the cause of the inadvertent eavesdropping, what Connie learns is shocking. And it leads to a lot of bad craziness.

Daniels teases out Connie’s story bit by bit. At first, we see this humorsome and perceptive lady in a London playground with her preschool-age daughter. There, Connie meets Ness, the mother of another preschooler. The mums and their daughters quickly become the best of chums. Next thing we know, Connie—burned, battered, sliced up—is in an institution. We don’t even need to be told that one of the reasons for her predicament is Ness.

Connie isn’t the only troubled female in this novel. Her psychiatrist is Emma Robinson, whose own problems cause her to identify with her patient a bit more than she should. What happened to Emma is much too close to what almost happened to Connie. Indeed, just about all the women and girls in Daniels’ tale have something at least a little wrong with them. Connie’s daughter is strange, her mother has Alzheimer’s, and Ness seems to be at the whim of her premenopausal hormones. (The reader shouldn’t wonder why her name rhymes with “mess.”) Connie’s fellow inmate, whom she calls Mental Sita, likes to pretend she’s a dog. All the while, fathers, sons and husbands are either absent or just sort of stand around and go about their manly business. Is it the patriarchy that’s making these women sick and crazy and leaving their men so disconnected? Why don’t we need to be told that Ness is part of the reason Connie went mad? Is this how it must be? Must women’s relationships with each other always end up toxic, tormented, even deadly?

Maybe there is healing at the end, but clever, heart-shattering Too Close reminds you of the minefields you have to crawl through to get to it.

Must women’s relationships with each other always end up toxic, tormented, even deadly?

Meet Heidi Kick: former beauty queen, current interim sheriff and her rural Wisconsin county’s best hope for a future not completely marred by crime, misogyny and general horribleness.

In the opening pages of John Galligan’s dark mystery thriller Bad Axe County, we learn that back in 2004, 18-year-old Heidi was crowned Miss Wisconsin Dairy Queen and, later that night, learned that her parents had died. The police called it murder-suicide, but she knew in her gut it wasn’t true.

Fast-forward to 2016, and Heidi’s still determined to find out the truth, this time from a better vantage point. She’s an excellent investigator and law-enforcer who’s been named interim sheriff of Bad Axe after the death of her corrupt predecessor. The late sheriff was an enthusiastic participant in the remote county’s good ol’ boy network, the members of which secured their power via nepotism, fraud and far more sinister endeavors—and will do seemingly anything to keep Heidi from being elected sheriff. Heidi soon finds herself embroiled in a search for a missing girl, Pepper Greengrass, while a major ice storm threatens to catastrophically flood the rough, wild landscape at the edge of the mighty Mississippi River.

As the action ratchets up and danger seems to loom at every turn, Galligan deftly alternates between Heidi’s and Pepper’s points of view, plus that of Angus Beavers, a former local baseball star who’s returned home to right deadly wrongs. Readers will find themselves eager to see how the various storylines will converge and wary of what shocks the next pages might reveal.

Bad Axe County is quite a ride, with its unapologetic acceptance of the presence of evil among us and its occasional sharp shots of humor and hope amid the devastation. It’s also a layered exploration of the ways that long-held secrets and shame can reach far into the future—with a suspenseful, likely gasp-inducing final act that will leave readers hoping they haven’t seen the last of Heidi, and of Bad Axe County.

 

ALSO IN BOOKPAGE: Read our Q&A with John Galligan about Bad Axe County.

Meet Heidi Kick: former beauty queen, current interim sheriff and her rural Wisconsin county’s best hope for a future not completely marred by crime, misogyny and general horribleness.

Review by

Fans of Paula Hawkins will be thrilled by Allison Dickson’s The Other Mrs. Miller. Phoebe Miller is starting to believe her best years are behind her. Heiress to a fortune left by her philandering late father, she passes the days in a haze of alcohol. Arguments with her husband, Wyatt, add to her feelings of discontent. But her life takes an unexpected turn after the Napiers move in across the street. Ron, a doctor; Vicki, his wife; and Jake, their attractive and flirtatious teenage son, appear to be a model family. Vicki is eager to be friends, but Phoebe doesn’t quite trust her. She also suspects she’s being watched by the driver of a car that keeps returning to the neighborhood. When Phoebe receives a series of frightening notes that may have some connection to her father, she begins to fear for her life. With an impossible-to-predict plot and a very unexpected murder, Dickson’s book is required reading for suspense addicts. 

If you’re looking for a thriller you absolutely cannot predict.

Readers looking for fast-paced, page-turning suspense and intrigue need look no farther than The Black Jersey. The new mystery from Mexican journalist Jorge Zepeda Patterson throws readers into the middle of the grueling 23-day, 2,000-mile Tour de France bicycle race through the French countryside.

Considered one of the most intense sporting events in the world, the Tour ends badly for many individuals who succumb to fatigue, bad luck or physical injury. Casualties are par for the course, but what no one can account for is the possibility that some of the contenders are being murdered.

Professional racer Marc Moreau of France, who rides for U.S.-based Team Fonar, provides a firsthand account of the events when he is approached by French Police Commissioner Favre to spy on his fellow cyclists from within in an effort to identify the potential killer. Moreau, who has some military police training but no real detective skills to call upon, doesn’t want to believe the worst of any of his competitors, but when he becomes the apparent target of a gas explosion in his camper, the threat becomes all too real.

It isn’t long before Moreau, who emerges as a contender to win the race, begins speculating about who could have it out for him and his fellow cyclists. Any of them would kill to stand on the podium at the end of the race. Even team managers, mechanics and his best friend and teammate, Tour favorite Steve Panata, are unable to escape suspicion. Every accident, every incident on course, becomes fuel for increasing speculation, testing loyalties, friendships and trust.

Patterson, whose work is aptly translated by award-winning writer Achy Obejas, mixes edge-of-your-seat racing action with dark suspense, all leading up to a surprising finale. Race out to get this one.

Readers looking for fast-paced, page-turning suspense and intrigue need look no farther than The Black Jersey. The new mystery from Mexican journalist Jorge Zepeda Patterson throws readers into the middle of the grueling 23-day, 2,000-mile Tour de France bicycle race through the French countryside.

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