Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
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Cambria Brockman’s riveting debut, Tell Me Everything, takes place on the campus of an exclusive New England college, where six friends form a destructive connection. Introvert Malin comes out of her shell at Hawthorne College, bonding with five other students: Ruby, Max, John, Khaled and Gemma. They’re a close-knit group, but as graduation approaches, their relationships begin to unravel. Gemma drinks too much, and John is increasingly cruel to Ruby, who is now his girlfriend. Malin, meanwhile, excels academically while concealing her very dark past. The anxieties of senior year peak at semester’s end as she struggles to uphold her self-assured facade. She isn’t the only one in the circle who’s hiding something, and when a murder occurs, the six friends’ lives change forever. Narrated by Malin, whose intelligence and cunning drive the story, Tell Me Everything is an edgy exploration of loyalty and human desire. Readers in search of a true page-turner will savor this electrifying novel

Cambria Brockman’s riveting debut, Tell Me Everything, takes place on the campus of an exclusive New England college, where six friends form a destructive connection.

Blanche Potter thought she had put her past behind her. She never talked about what happened when she was 7 years old. She changed her last name. She moved to a new city. She started a life of her own. But as the daughter of Chuck Varner, a deranged mass shooter, Blanche realizes the past may be buried, but it never goes away completely. Blanche learns that lesson the hard way in Nathan Ripley’s shocking new novel, Your Life Is Mine. Things are going well in her career as an up-and-coming filmmaker when she is told that her estranged mother, Crissy, has been shot and killed at her trailer home. News of Crissy’s death, brought to Blanche by a sleazy journalist who knows of her past, opens the floodgates of her memories and traumatic childhood. But as she tries to reconcile her past experiences with the recent death of her mother, someone else is gunning for her as well. The cult of Chuck Varner lives on, and it’s up to Blanche to stop it before his crazed follower can strike again. Ripley pulls no punches here, creating a tense and atmospheric story of personal identity and survival, while asking whether you can ever escape your past.

 

Blanche Potter thought she had put her past behind her. She never talked about what happened when she was 7 years old. She changed her last name. She moved to a new city. She started a life of her own.

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Anna Gerard’s Peach Clobbered introduces Nina Fleet, new to Cymbeline, Georgia, and tentatively converting her gorgeous home into a B&B. Harry Westcott claims the house as his rightful inheritance, though he may have hurt his credibility a bit by showing up to argue his case in a penguin suit, then collapsing with heatstroke. Next thing you know, half a dozen displaced nuns are living chez Nina, and someone wearing the same penguin suit has been murdered. Nina, the sisters and Harry try to solve the crime, but what happened is far from black and white. Nina is a spirited lead, and the town is full of supporting characters that add to the mosaic of Cymbeline. Peach Clobbered is a perfect armchair vacation of a book.

Peach Clobbered is a perfect armchair vacation of a book.

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If practiced well, the oft-maligned art of gossip can unearth as much evidence as a CSI team. Just ask the Countess of Harleigh, back for a second turn in A Lady’s Guide to Gossip and Murder. The American transplant has found her footing amid England’s upper crust. She’s looking forward to a quiet end to summer until a friend, Mary Archer, is found murdered and Lady Harleigh’s own cousin is questioned. A romantic subplot or two don’t slow the hunt for Mary’s killer, which may involve a blackmail scheme and thus an ever-expanding suspect pool. After all, gossip is well and good until it’s about you. Author Dianne Freeman handles class disparity with care and has created a world that readers will want to explore in more depth as the series continues. 

If practiced well, the oft-maligned art of gossip can unearth as much evidence as a CSI team. Just ask the Countess of Harleigh, back for a second turn in A Lady’s Guide to Gossip and Murder.

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The English village of Finch has been beset by an ice storm instead of the usual picture-perfect Christmas snow, but Lori Shepherd insists on a bit of cheer by making a run to dear friend Emma’s annual party. While she’s there, a car hits the ice and lands in a ditch outside. They invite the frazzled driver, Matilda “Tilly” Trout, inside, where she is able to answer a question that has long puzzled Emma—the odd-looking room in Emma’s home is a former Roman Catholic chapel. Lori, Emma and company find a compartment inside the chapel that contains actual treasure, but how did it get there? There are no murders to solve in Aunt Dimity and the Heart of Gold, just a story in need of unraveling. Nancy Atherton’s series finds kindness and human connection in frosty times, and the good hearts of Finch will warm yours.

There are no murders to solve in Aunt Dimity and the Heart of Gold, just a story in need of unraveling.
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I cannot think of a mystery protagonist who harbors more secrets or confronts more ethical challenges than Detective Catrina “Cat” Kinsella. In her first adventure, Sweet Little Lies, Cat investigated a case in which her father figured prominently and perhaps not entirely innocently. Cat knows the whole story now, but she has been remarkably stingy about sharing the details with anyone, least of all her superiors at the London Metropolitan Police. In Caz Frear’s sequel, Stone Cold Heart, the parallels to Cat’s previous case are unmistakable: a charismatic yet somehow sinister suspect; a pair of killings years apart with similarities worth noting; and a cast comprised of members of an extraordinarily dysfunctional family, each with ample reason to shift blame onto the unlikable suspect. As Cat delves into the investigation, she begins to believe that the suspect may be the victim of an elaborate frame. On the other hand, said suspect is a seriously bad guy (even if not a murderer), so why should she exercise extreme measures to release this predator into the wild again? You will guess who did it, but you will be wrong.

I cannot think of a mystery protagonist who harbors more secrets or confronts more ethical challenges than Detective Catrina “Cat” Kinsella.

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Has anyone ever gotten an unexpected late-night call that didn’t immediately kickstart their anxiety? In the case of Ohio PI Roxane Weary, protagonist of Kristen Lepionka’s The Stories You Tell, the caller is her brother Andrew. The last time he’d called in the middle of the night had been to tell her that their father had died. This time doesn’t appear to be as dire, at least at first blush. A distraught former fling, Addison, had shown up at Andrew’s apartment and then disappeared, leaving behind only the record of a brief phone call and a deep scratch on Andrew’s neck from when he grabbed her arm in an attempt to keep her from running off into the cold night. But when Addison doesn’t turn up the next day, or the day after that, her family and friends begin to get worried, the authorities get summoned, and Andrew is on the hook as the last person to have seen her, the wound on his neck taking on ominous overtones. But from here it gets complicated—and moves from complicated to lethal in very short order. Roxane is easily one of the edgiest and most deeply flawed suspense heroines since Robert Eversz’s Nina Zero. Read this one, and you’ll soon be perusing the bookstore shelves for the previous two books in the series.

Read this one, and you’ll soon be perusing the bookstore shelves for the previous two books in the series.
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“Do not use the word gripping,” I admonish myself when writing this column each month. This is not a directive I arrived at easily, having already (ab)used that word 12,587 times before, give or take. I’m going to bring it out of retirement this month, however, for Aoife Clifford’s Second Sight, which is indeed—wait for it—gripping. Lawyer Eliza Carmody represents what the townspeople of Kinsale, Australia, consider to be the wrong side of a class-action suit against an electric company they deem responsible for starting a fatal bushfire. Complicating matters, Eliza is a Kinsale hometown girl, thus fully rendering her persona non grata with a broad swath of the population. When the police unearth a cache of human bones near a historic homestead called the Castle, Eliza cannot help but remember the disappearance of her best friend, still unsolved, shortly after a party at the Castle more than two decades ago. Now is as good a time as any to relaunch the investigation. Second Sight is a thematically rich study in fragile memories and outright duplicity. And yes, it is utterly gripping.

“Do not use the word gripping,” I admonish myself when writing this column each month. This is not a directive I arrived at easily, having already (ab)used that word 12,587 times before, give or take. I’m going to bring it out of retirement this month, however, for Aoife Clifford’s Second Sight, which is indeed—wait for it—gripping.

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Mississippi? . . . I didn’t know which part was craziest: that my mother wanted me to go to Mississippi on a case; that my mother wanted me to go to Mississippi on a case; or that my mother wanted me to go to Mississippi on a case.” It’s a good question, rife with possibilities for New York City PI Lydia Chin, narrator of S.J. Rozan’s Paper Son. The case in question revolves around a distant cousin accused of murdering his father. But before Lydia and her partner, Bill Smith, can talk to said cousin, he escapes from custody, thus accomplishing the one feat that could make him look even guiltier, especially when added to the already damning evidence of his proximity to the body when found and his fingerprints on the murder weapon. The term paper son refers to Chinese immigrants who came to the U.S. after the Chinese Exclusion Act of 1882. They were able to do this by purchasing fraudulent papers documenting them as blood relatives, typically sons or daughters, of legal Chinese immigrants. Many of those paper sons came to the Mississippi Delta, and one of them was the brother of Lydia Chin’s great-grandfather, hence the family connection. Rozan skillfully weaves this history into her narrative, adding texture and nuance to what is already a cracking good mystery.

Mississippi? . . . I didn’t know which part was craziest: that my mother wanted me to go to Mississippi on a case; that my mother wanted me to go to Mississippi on a case; or that my mother wanted me to go to Mississippi on a case.” It’s a good question, rife with possibilities for New York City PI Lydia Chin, narrator of S.J. Rozan’s Paper Son. The case in question revolves around a distant cousin accused of murdering his father.

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World War II and its immediate aftermath compose a well-trod territory for fiction, especially the British homefront. But I’ve never read a book that breathes life into the era quite like The Right Sort of Man, Allison Montclair’s sprightly new historical mystery.

It’s 1946. Rationing is still in effect, and the catastrophic damage of the Blitz still pockmarks the city’s surface, but London is shakily getting back to business as usual. For Iris Sparks and Gwendolyn Bainbridge, the end of the war has left them both somewhat adrift. And so they both leap almost gratefully into action when a client of their matchmaking agency, the Right Sort Marriage Bureau, is accused of murder. Dickie Trower has been arrested for the killing of Tillie La Salle, a canny shop girl with whom the Right Sort had arranged for him to go on a date.

Elegant war widow Gwendolyn leads the investigative charge, at least initially. And while her fledgling attempts to understand the London transportation system without the aid of a chauffeur are endearing to the extreme, Montclair adds in twists of melancholy given Gwen’s still very fresh grief over her beloved husband Ronnie’s death. To make matters even worse, Gwen had a nervous collapse upon receiving the tragic news, was sent to a sanitarium for four months and subsequently lost custody of her and Ronnie’s child to his aloof, snobbish parents.

Montclair balances Gwen’s pursuit of both independence and the murderer with her partner Iris’ own struggle to adjust to peacetime. The Right Sort of Man’s rat-a-tat dialogue is never better than when Iris is eviscerating the latest unfortunate to stand in her way, or when she’s finagling her way into a new line of inquiry like a scrappy British cousin of Rosalind Russell in His Girl Friday. And as with Gwen, Montclair slowly reveals the profound sadness that lies beneath Iris’ wry and witty exterior. “I can’t answer that” is her constant refrain when asked about what exactly she got up to during the war; it’s a running joke that becomes an increasingly sad motif, reminding the reader that the freedom and excitement of Iris’ classified activities on behalf of king and country have faded away.

But Iris can still use her less-than-savory skills and reach out to some of her shadowy war buddies to solve the case. As she and Gwen delve into the lower-class world of La Salle, who may or may not have been involved in a black market scheme with a very charming gangster, Montclair mines fantastic comedy from both Iris’ ever-increasing portfolio of underhanded skills and the very genteel Gwen’s interactions with Iris’ motley former comrades.

Brimming with wit and joie de vivre but sneakily poignant under its whimsical surface, The Right Sort of Man is an utter delight and a fantastic kickoff to a new series.

 

ALSO IN BOOKPAGE: Allison Montclair shares why postwar London was the perfect setting for her new series.

World War II and its immediate aftermath compose a well-trod territory for fiction, especially the British homefront. But I’ve never read a book that breathes life into the era quite like The Right Sort of Man, Allison Montclair’s sprightly new historical mystery.

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Delve into the heart of the Amazon in Erica Ferencik’s second action-packed thriller, Into the Jungle.

In 2010, while living in a hostel in Cochabamba, Bolivia, Lily Bushwold, a Boston native, meets Omar, an Amazon hunter turned motorcycle mechanic. Two scrappy yet tender kindred spirits, they quickly fall in love. When Omar is summoned back to his jungle village, Ayachero, to avenge his mourning family, Lily accompanies him. Little does she know it’s not just Omar she follows, but a mystical calling to discover her ca’ah, her life’s purpose, intrinsically bound up with the fragile jungle ecosystem.

A mosh pit of unexpected experiences, the jungle is not unlike Lily’s turbulent childhood, which she spent bouncing from foster home to foster home. Her character develops in the steamy cocoon of jungle extremes. On one hand, in the 10 months Lily spends in the jungle, she’s rained down upon by tarantulas, infected by sand flies, made to gut freshly hunted game (she’s a vegetarian) and squeezed by a python. On the other hand, she is befriended by a pig, macaws and an orphan boy, Tuti. She learns to harvest the poison of tree frogs. The pages of Into the Jungle teem with fascinating flora and fauna.

Densely packed, sensational scenes are offset by thoughtful engagement. Lily and Omar give each other “assignments” as a way to get to know one another. She communicates with the controversial shaman, Beya, in a way no one else can. Lily and For God’s Sake, the able river navigator, discuss ca’ah and the fate of the jungle. The village suspects Lily of being on the side of poachers and loggers threatening the jungle, and she must find cunning ways to distinguish herself from these greedy messengers of civilization and prove herself capable of the villagers’ respect.

A chilling journey into jungle life, Into the Jungle is also a deep probe into environmental ethics and love.

Delve into the heart of the Amazon in Erica Ferencik’s second action-packed thriller, Into the Jungle.
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Two complex women inhabit Anna Pitoniak’s second psychologically astute novel, Necessary People—recent college graduates who’ve become the closest of friends, though they’re opposites in so many ways.

Stella Bradley comes from a wealthy New York family, has two doting parents and a home on Long Island Sound featuring a carriage house, a pear orchard, a swimming pool and a dock stretching out into the water. Not much of a student, she enrolls at a small New England college because, in her own words, she’s “rich, and lazy.” Violet Trapp was raised by abusive parents in a “mildewed apartment with roaches” in Tallahassee. She’s an outstanding student who turns down a full scholarship to Duke against her counselor’s advice. Instead, she picks a school based solely on a five-minute conversation with Stella during orientation.

Violet spends holidays and summers with the Bradleys, and after graduation, she and Stella share an apartment in New York City, mostly funded by Stella’s parents. Violet follows her love of journalism to an internship at a new TV channel, King Cable News. She quickly rises through the ranks, becoming an assistant and then assistant producer. She loves the challenge and relishes the sense of accomplishment she experiences as her work is recognized by those above her on the network ladder.

Stella, however, is floundering—spending her parents’ money “like it was water,” her days “a chick-lit fantasy come alive,” in Violet’s own words. When Stella’s brother tells Violet that Stella is actually jealous of her, Violet doesn’t believe it at first. But then Stella uses one of her mother’s lofty connections to land a job at King News, and her beauty and outgoing personality catapult her to an anchor job, overshadowing Violet’s hard-earned accomplishments.

Their longtime friendship gives way to ambition, each one feeling threatened by the other’s success. Pitoniak perceptively traces the fracture of Violet and Stella’s sisterlike bond, leading to a denouement the reader will not anticipate. The author’s insightful glimpse into the competitive world of television news, as well as her spot-on portraits of these two ambitious women, come together in an emotional, gripping novel sure to become a popular summer read.

Two complex women inhabit Anna Pitoniak’s second psychologically astute novel, Necessary People—recent college graduates who’ve become the closest of friends, though they’re opposites in so many ways.

Imagine waking to realize that you can’t move, you can’t speak or even blink, yet you’re fully aware of everything and everyone around you. Then imagine there is a crazed killer who will stop at nothing to extract a secret from you. For Hammel College senior Tara Beckley, she doesn’t have to imagine it. It’s real. And it’s terrifying. That’s the frightening premise of If She Wakes, the newest novel from thriller master Michael Koryta.

Events start innocently enough as Tara chauffeurs professor Amandi Oltamu across town to deliver the keynote address at her Maine liberal arts school’s conference. When Oltamu asks her to stop, she figures he simply has the jitters about his speech. But he follows up with an odd request to take a picture of her on his cellphone and then to lock the phone in the glovebox of her car. Again, she obliges. But before they can get underway again, the pair are struck by an apparently out of control driver. Oltamu is instantly killed in the collision while Tara is knocked senseless, only to “wake” in the hospital surrounded by doctors and family.

Koryta puts the reader in Tara’s shoes for some truly claustrophobic chapters in which her predicament is made all too clear. She can’t move, she can’t communicate, but she can hear everyone as they discuss her fate.

While staying in Tara’s tortured mind is harrowing enough, Koryta throws in a few other characters and a half dozen plot twists to ratchet up the tension even further. Insurance investigator Abby Kaplan discovers Oltamu’s phone, while Dax Blackwell, a young hitman out to prove himself worthy of his father’s legacy, strives to take it from her. But it won’t do either of them any good unless Tara can unlock its secrets.

Koryta keeps the action fast and furious, tempered with his characters’ determination to persevere against all odds.

Imagine waking to realize that you can’t move, you can’t speak or even blink, yet you’re fully aware of everything and everyone around you. Then imagine there is a crazed killer who will stop at nothing to extract a secret from you. For Hammel College senior Tara Beckley, she doesn’t have to imagine it. It’s real. And it’s terrifying. That’s the frightening premise of If She Wakes, the newest novel from thriller master Michael Koryta.

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