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When you’re dead drunk, the last thing you want to deal with is a dead man. Yet duty calls for Swedish night watchman Mickel Cardell, who laboriously hauls his war-wounded body off to retrieve a drowned carcass. But the cause of death is no ordinary drowning: The corpse’s eyes have been gouged out, his teeth removed and his limbs severed. Accordingly, Cardell finds himself paired with special investigator Cecil Winge, a man so wracked with consumption and close to death that he has earned the nickname “Ghost of the Indebetou.” This unlikely couple is tasked with solving the unidentified man’s murder, but it’s unclear whether they’ll be able to do so before the coffin lid slides over Winge himself.

But that’s just one obstacle they’ll have to overcome. The year is 1793, just one removed from the regicide of Swedish King Gustav III, mere months after French King Louis XVI had a date with a guillotine, soon to be followed by his queen consort Marie Antoinette. Swedish adventurism has left the national treasury in shambles, and the stark divide between the ruling classes and the peasantry has left the masses in a state of agitated discontent. 

The sense of a ticking clock pervades Niklas Natt och Dag’s swift-paced, cinematic first novel, which was named Best Debut by the Swedish Academy of Crime Writers last year. Though they seem to be the oddest of couples—one a man of action, the other a man of deliberation—Cardell and Winge prove to be an effective team as they crisscross political, cultural and economic strata to establish the dead man’s identity, and ultimately try to effect some rough form of justice.

In some ways, The Wolf and the Watchman calls to mind another auspicious debut murder mystery set in an unfamiliar place and time: Umberto Eco’s The Name of the Rose. It’s been nearly 40 years since that foreign-language historical thriller captured the world’s imagination, thoroughly engrossing readers and propelling its author into international stardom. So we’re about due, and Natt och Dag is certainly a worthy candidate.

The sense of a ticking clock pervades Niklas Natt och Dag’s swift-paced, cinematic first novel, which was named Best Debut by the Swedish Academy of Crime Writers last year. Though they seem to be the oddest of couples—one a man of action, the other a man of deliberation—Cardell and Winge prove to be an effective team as they crisscross political, cultural and economic strata to establish the dead man’s identity, and ultimately try to effect some rough form of justice.

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Annie Ward’s debut has all the familiar ingredients of the recent outpouring of psychological thrillers—dynamic but unreliable female narrators, a story that bounces between different characters’ perspectives, and secrets that remain buried throughout years of friendship or marriage—but it’s set apart by its unusual settings.

Maddie and Jo met as high school students on a summer exchange program in Spain. After college graduation, Maddie is in Bulgaria, teaching English at Sofia University, and Jo is an aid worker based in Skopje, Macedonia, a five-hour bus ride from Sofia. In 2001, the third pivotal character arrives in the midst of Jo and Maddie’s sojourn overseas: Ian Wilson, a security officer serving in the British army. Both women are fascinated by Ian, especially Maddie, who seems to be obsessed with him. Jo and Ian’s fling is brief, leaving Jo bitter and convinced that Ian is hiding evil underneath his humanitarian facade. Maddie continues to harbor feelings for him, even over years with little communication. Eventually, when Maddie returns to New York, she and Ian reconnect, which leads to their marriage in 2012. They move to her hometown of Meadowlark, Kansas—the only place where Ian feels he can cope with everyday life after the horrors he experienced in Bosnia and Rwanda—and start a family together.

Interspersed with these events are chapters from “The Day of the Killing,” though the reader doesn’t know the identities of the victim or killer. Maddie has suffered head injuries twice in her life, which may have affected her brain, and Ian suffers from PTSD. But which one is sick enough to commit a brutal murder?

A twist in the closing pages will catch even the most jaded reader off guard, making Beautiful Bad a good read for fans of Gillian Flynn, Paula Hawkins and A.J. Finn. 

Annie Ward’s debut has all the familiar ingredients of the recent outpouring of psychological thrillers—dynamic but unreliable female narrators, a story that bounces between different characters’ perspectives, and secrets that remain buried throughout years of friendship or marriage—but it’s set apart by its unusual settings.

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Calcutta has been much less safe for murderers and brigands since Captain Sam Wyndham and his Indian assistant, Surrender-Not Banerjee, hit the crime-solving scene, first in A Rising Man, then followed up by 2018’s A Necessary Evil. They return this month in Abir Mukherjee’s riveting novel of the investigation of a serial killer, Smoke and Ashes. Having returned from the Great War, Wyndham takes on the role of captain in the British Imperial Police, finding it essential to keep secret one major aspect of his life. In the aftermath of the war, he has developed a rather severe opium addiction. An opium den is no proper place for a policeman, of course, so when Wyndham is present at a den that gets subjected to a raid, he beats a hasty retreat. In doing so, he comes upon the brutalized body of a Chinese man, a man who clearly suffered grievously before being put to death. Murder piles upon murder, and Wyndham must walk the fine line between investigating the crime without exposing himself as an addict. Mukherjee has a substantive grasp of colonial Indian history, and his books have the feel of a modern-day and much more progressive Kipling, full of high intrigue and derring-do, yet overlaid with the day-to-day reality of a struggle with addiction.

Captain Sam Wyndham and his Indian assistant, Surrender-Not Banerjee return in Abir Mukherjee’s riveting novel of the investigation of a serial killer, Smoke and Ashes.

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The title: A Friend Is a Gift You Give Yourself. The author: William Boyle: The place: Brooklyn. The cast of characters includes Wolfie, an erstwhile porn star and quite the pneumatic bad girl in her day; Lucia, a precocious teenage girl with a larcenous hit-man boyfriend; Rena, the 60-ish widow of an infamous mob boss; and perhaps best of all, a lovingly cared-for 1962 Chevy Impala, an ideal chariot for making one’s getaway from the scene of the crime. Especially when the crime is clocking (with a heavy glass ashtray) a geriatric neighbor making unwanted advances, and then leaving him for dead on his living room floor. The perpetrator, Rena, is in full-on panic mode, and the ’62 Impala is her ticket out. But this is only the initial crime, with a bag full of purloined mob money and a coalition of women inadvertently on the run with their ill-gotten gains. This all sounds a little bit loopy, along the lines of Carl Hiaasen or Tim Dorsey, and there is indeed a surreal element to this caper. But there is also more than a little Thelma & Louise in Boyle’s terrific tale, which has some of the most stylish noir prose to grace the page in some time.

The title: A Friend Is a Gift You Give Yourself. The author: William Boyle: The place: Brooklyn. The cast of characters includes Wolfie, an erstwhile porn star and quite the pneumatic bad girl in her day; Lucia, a precocious teenage girl with a larcenous hit-man boyfriend; Rena, the 60-ish widow of an infamous mob boss; […]
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T.J. Martinson’s The Reign of the Kingfisher is a bit outside my wheelhouse, but I didn’t let that get in my way, and you shouldn’t either. This genre-bending book has plenty for suspense fiction aficionados to revel in. Thirty years back, a superhero known as the Kingfisher performed heroic deeds in the mean streets of Chicago. Revered by some, reviled by others, he was by any measure a Windy City legend. And then he died, or so the official story goes—conspiracy theories and rumors of a high-level cover-up abound. And now, a person or persons unknown have taken a room full of hostages, threatening serial execution unless the police confirm the true fate of the Kingfisher. For retired journalist Marcus Waters, the Kingfisher story was a career maker. And now, three decades later, the revived legend could put him back on top, if he can be the one to break the story. So with a ragtag support staff consisting of a talented hacker and a police officer who has fallen from grace, Waters reopens the investigation into the life (and maybe death?) of the Kingfisher. Meanwhile, the lives of the hostages hang in the balance.

T.J. Martinson’s genre-bending book has plenty for suspense fiction aficionados to revel in.

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When you read as many suspense novels in the run of a month as I do, you naturally gravitate toward characters that it would please you to count as friends in real life. For me, that list would include (among others) Martin Walker’s Périgord protagonist, Bruno, Chief of Police; James R. Benn’s wartime hero Billy Boyle; and this month’s entrant, Donna Leon’s Venice Police Inspector Guido Brunetti. His 29th adventure, Unto Us a Son Is Given, starts when a wealthy, elderly man adopts a younger man as his son, causing some consternation among the rich man’s intimates, as the adopted son now stands to inherit the entire estate. Naturally, the old man dies shortly thereafter, and tongues start wagging. Then, when one of his closest confidantes is found strangled to death in her hotel room, the plot begins to thicken like roux over a blue flame. Leon is a multifaceted, effortlessly assured writer. Her plots are innovative and layered, her characters have developed and matured over the course of a lengthy series, and her prose is imbued with wit and compassion on virtually every page. If you are a fan of Louise Penny (and who isn’t?), Leon should be on your short list.

When you read as many suspense novels in the run of a month as I do, you naturally gravitate toward characters that it would please you to count as friends in real life. For me, that list would include (among others) Martin Walker’s Périgord protagonist, Bruno, Chief of Police; James R. Benn’s wartime hero Billy […]
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Grab a towel—although it’s early in the year, JoAnn Chaney’s As Long as We Both Shall Live is the perfect beach read, a multiple-murder and suspense saga that will keep readers engrossed and guessing.

Two women are killed, one in 1995, the other in 2018, both wives of successful salesman Matt Evans. The second incident is a literal cliffhanger: Matt and his second wife, Marie, are hiking in Rocky Mountain National Park when she falls off a steep cliff into a raging river below.

Detectives Marion Spengler and Ralph Loren doubt the double tragedies are coincidences, although Loren, who appeared in Chaney’s first novel, What You Don’t Know, is bedeviled by his own demons, including a former partner who mysteriously disappeared and whose remains have recently been unearthed. Half-Korean and-half American young mother Spengler is a likable, determined sleuth likely to appear in future novels.

Chaney continues to explore dark themes with her quick but effective character studies and zippy prose. The Colorado-based author is particularly adept at juggling multiple narrators and plot lines, revealing a multitude of tantalizing thoughts and actions while keeping the suspense as high as those Rocky Mountains. Chaney adds to the intrigue a host of song references, calling the novel’s first two sections “You Can’t Always Get What You Want” and “Mama, Just Killed a Man.” Appropriately, the title of the book must be a nod to the Deicide death metal song, “Not as Long as We Both Shall Live.”

As one detective tells naturally suspicious Spengler, “You shouldn’t take anyone at face value.” And neither should readers of As Long as We Both Shall Live. Movie rights have already been snatched up by producer Bruna Papandrea, whose projects include Gone Girl, “Big Little Lies” and The Nightingale.

Grab a towel—although it’s early in the year, JoAnn Chaney’s As Long as We Both Shall Live is the perfect beach read, a multiple-murder and suspense saga that will keep readers engrossed and guessing.

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BookPage Top Pick in Fiction, starred review, February 2019

Jane Harper has had enormous success with her mystery series about loner Detective Aaron Falk (The Dry and Force of Nature), which married the gritty realism of small-town Australian life with complicated criminal investigations. Her new standalone, The Lost Man, is bound to win her further accolades. It’s a timely and riveting family drama set in a desolate area of Queensland that will keep you guessing until the final pages.

When you live under a punishing sun on a cattle ranch the size of a small European country, you know not to travel without a full complement of food, water and a working vehicle. So when Cam Bright is found dead of dehydration in the desert only a few miles from his well-stocked car, his brothers Nathan and Bub are shocked and baffled. The mystery of Cam’s death brings longstanding family tensions between Nathan, Bub, their mother and Cam’s wife, Ilse, to the fore and escalate when decades-old allegations of Cam’s assault of a summer worker resurface. The burden of understanding these complex family ties falls heavily on older brother Nathan, who is dealing with his unresolved feelings for Ilse and trying to build a relationship with his estranged teenage son.

The grim crimes in The Lost Man are as much shaped by the rural landscape as by the actions of any one individual. With thoughtful regard for the impact of domestic violence, Harper keeps a sharp focus on a handful of characters that populate these enormous tracts of land where neighbors live up to three and four hours apart. As in her previous novels, the harsh environment plays a pivotal role, as significant as any of her characters. An unforgiving wasteland, the ranch is a place where isolation takes a long-simmering psychological toll, and everyone knows being out in the sun for too long could kill you.

 

This article was originally published in the February 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Jane Harper's new standalone, The Lost Man, is bound to win her further accolades. It’s a timely and riveting family drama set in a desolate area of Queensland that will keep you guessing until the final pages.

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MDT-48 is an experimental drug designed by the CIA during its infamous Project MK-Ultra, which was developed to unlock the full potential of the human mind. Ned Sweeney is an unassuming, milquetoast account manager at an advertising firm. When the man and the drug are combined in a clandestine experiment, Sweeney becomes something else, a madcap machine of computation and prediction, dazzling random strangers in bars, accompanying Dylan Thomas on a bender and spending a few hours holed up with Marlon Brando and Marilyn Monroe. But the subsequent crash leaves him despondent, confused and with a debilitating craving for more. Half a century later, Sweeney’s grandson Ray has been told his grandfather committed suicide. But an offhand remark from a retired government official upends that story. Ray begins leveraging his contacts as a political operative to dig into his grandfather’s past, embarking on a search that will change his life forever.

Project MK-Ultra is not fiction, and author Alan Glynn ably contends with the ever-changing boundary between human enhancement and treatment that both that project and modern pharmaceutical developments imply. Furthermore, Glynn’s writing is as sharp as ever, conjuring tension and drama fit for an action film out of what is essentially a political thriller. His characters, especially the cantankerous Clay Proctor, are compelling and memorable, and they are well deployed. Receptor’s sole failing is that its plot can move a touch too quickly, rushing through relationships and romances in ways that limit their credibility. But Glynn’s dramatic instinct is maintained throughout. The potential of MDT-48 is demonstrated with flashbacks to Ned Sweeney’s story, and the circumstances of his death are revealed as they happened, not in a retrospective or historical narrative. Glynn unfailing obeys the rule of showing rather than telling, and does so with memorable elegance. Perhaps his chief accomplishment in Receptor is his ability to shift the language of his dialogue. Ned Sweeney is almost aggressively bland for the most part, but speaks in kaleidoscopic swirls of persuasive fervour when on MDT-48.

All told, for anybody who enjoyed The Dark Fields (now titled Limitless) and wants a fast-paced thriller that still has time to question the morality of medical enhancement, Receptor would make an excellent choice.

MDT-48 is an experimental drug designed by the CIA during its infamous Project MK-Ultra, which was developed to unlock the full potential of the human mind. Ned Sweeney is an unassuming, milquetoast account manager at an advertising firm. When the man and the drug are combined in a clandestine experiment, Sweeney becomes something else, a madcap machine of computation and prediction, dazzling random strangers in bars, accompanying Dylan Thomas on a bender and spending a few hours holed up with Marlon Brando and Marilyn Monroe.

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“Often the most effective psychological studies are rooted in deception. For example, a subject can be led to believe he or she is being evaluated for one behavior when, in fact, the psychologist has engineered this decoy to measure something else entirely.”

So explains Dr. Lydia Shields, the beautiful, deeply disturbed therapist who hooks an unsuspecting woman into a study with a sinister ulterior motive.

Jessica Farris is her unwitting subject. Jess is barely eking out an existence as a New York City makeup artist, sending as much money as she can back to Philadelphia for her parents and disabled younger sister. After an abusive experience with a former employer, Jess has closed herself off from meaningful relationships, instead seeking one-night encounters with men she meets in bars. She sneaks into Dr. Shields’ study to make some extra cash, not knowing she will become a pawn in a twisted marital game that’s already wrecked lives.

The women have just one thing in common: childhood decisions that had catastrophic results for their families. But while Jess’ remorse drives her, Dr. Shields glides through life certain the ends justify the means. She preys upon Jess’ guilt and self-doubt, sending her on a series of increasingly dangerous tasks, to help determine whether her husband is cheating.

Greer Hendricks and Sarah Pekkanen previously teamed up to write the deliciously creepy The Wife Between Us. It defies reason that two authors—living in different cities!—can create one seamless story, but they deliver again with An Anonymous Girl. It’s a taut exploration of marriage and manipulation. Dr. Shields is a chilling psycho for the ages, speaking in passive, detached language. Jess finds herself in a race to outwit a woman trained in matters of the mind.

“Often the most effective psychological studies are rooted in deception. For example, a subject can be led to believe he or she is being evaluated for one behavior when, in fact, the psychologist has engineered this decoy to measure something else entirely.” So explains Dr. Lydia Shields, the beautiful, deeply disturbed therapist who hooks an […]

In Chris Hammer’s explosive thriller, Scrublands, a mass shooting committed by a preacher, around whom rumors of child sexual abuse swirl, and the discovery of two murdered backpackers a year later add up to an enthralling mystery for reporter Martin Scarsden.

Amid the blistering heat of the Australian outback, Martin’s initial assignment is to write about how the community of Riversend has endured the year following preacher Byron Swift’s five-person killing spree on the front steps of his church. But as soon as Martin begins asking questions, he soon realizes that previous reports about Byron’s motive—that he was a pedophile—were wrong.

The drought-stricken town and its denizens harbor dark secrets, all of which slowly begin to come to light the further Martin’s investigation takes him. He persistently follows the breadcrumbs offered up to him, some more willingly than others. The police can only offer so much information on the record. Some townsfolk don’t want to have to relive the horror of that day again. And some hold clues to what really happened but are afraid to divulge them.

After a raging brush fire uncovers two new bodies on the outskirts of town, the investigation attracts more reporters from the big city, as well as an agent with the ASIO (Australian Security Intelligence Organisation), and even more questions. The why behind Byron’s killing frenzy quickly becomes more muddled as Martin’s quest for the truth nears an explosive conclusion.

An award-winning journalist himself, Hammer skillfully guides Martin through a series of interviews with the reluctant townsfolk to get to the truth. With vivid prose, a smothering sense of atmosphere and an at-times heart-wrenching story, Scrublands is a sizzling hot read for a cold winter night.

In Chris Hammer’s explosive thriller, Scrublands, a mass shooting committed by a preacher, around whom rumors of child sexual abuse swirl, and the discovery of two murdered backpackers a year later add up to an enthralling mystery for reporter Martin Scarsden.

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BookPage Top Pick in Whodunit, January 2019

James Lee Burke is one of a small handful of elite suspense writers whose work transcends the genre, making the leap into capital-L Literature. You don’t have to get past the opening paragraph of The New Iberia Blues to see his mastery of the craft: “Desmond Cormier’s success story was an improbable one, even among the many self-congratulatory rags-to-riches tales we tell ourselves in the ongoing saga of our green republic, one that is forever changing yet forever the same, a saga that also includes the graves of Shiloh and cinders from aboriginal villages.” First-person narrator Dave Robicheaux is on hand and in fine fettle. Fans have watched Robicheaux age in real time, battling his demons, losing one wife, then another and another, raising the refugee girl he rescued from a submerged airplane when she was a small child and skating close to the edge (and sometimes over the edge) of the law. This time out, he will investigate the ritual slaying of a young black woman, nailed to a cross and left to the vagaries of the rising tide. There is a film company in town, and Robicheaux cannot shake the notion that they are somehow at the epicenter of this homicide, and as he gets closer to proving his thesis, the body count piles up. It is a long book, but I read it slowly, pausing from time to time to digest the first-rate prose, the atmospheric bayou setting and the complex interactions of people I feel I have known for 30-plus years.

 

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

James Lee Burke is one of a small handful of elite suspense writers whose work transcends the genre, making the leap into capital-L Literature. You don’t have to get past the opening paragraph of The New Iberia Blues to see his mastery of the craft: “Desmond Cormier’s success story was an improbable one, even among the many self-congratulatory rags-to-riches tales we tell ourselves in the ongoing saga of our green republic, one that is forever changing yet forever the same, a saga that also includes the graves of Shiloh and cinders from aboriginal villages.
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In any gathering of mystery writers, Tim Dorsey would be the resident jester, providing more laughs per page than virtually anyone else. His amiably psychopathic protagonist, Serge Storms, is a modern-day Don Quixote, tilting at the windmills of politics, ageism, sexism and any other –ism that happens to catch his fancy. In his latest adventure, No Sunscreen for the Dead, Storms invades a Florida retirement community in the wake of a very public sex scandal featuring a 68-year-old retiree and her much younger boy toy. There are two reasons behind Storms’ invasion, one being that he is perversely fascinated by this salacious news item, the other being that he wants to find an interesting place to live out his golden years. He has all the necessary gear for that, including plaid shorts and knee-length black socks. And the white belt, without which the ensemble, well, c’est incomplète. As the plot develops, Storms gets conscripted into the investigation of some big-dollar swindling in the old folks’ community, and high jinks ensue. And because it is Dorsey chronicling said high jinks, be prepared for mirth—lots and lots of mirth.

 

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

In any gathering of mystery writers, Tim Dorsey would be the resident jester, providing more laughs per page than virtually anyone else. His amiably psychopathic protagonist, Serge Storms, is a modern-day Don Quixote, tilting at the windmills of politics, ageism, sexism and any other –ism that happens to catch his fancy. In his latest adventure, No Sunscreen for the Dead, Storms invades a Florida retirement community in the wake of a very public sex scandal featuring a 68-year-old retiree and her much younger boy toy.

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