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Gytha Lodge’s suspenseful new psychological thriller, She Lies in Wait, tells the story of a ruinous outing and its aftermath decades later. Thirty- odd years ago, six friends went camping. Only five came home, and there was never a trace of the missing girl, Aurora Jackson. Her friends, a wide-ranging volunteer search party and even police with cadaver dogs turned up nothing—until now, when a young girl on a family holiday discovers a detached finger beneath a hollow tree within steps of the friends’ original campsite. Police Detective Chief Inspector Jonah Sheens knew Aurora peripherally from his high school days, but he decided to stay on the investigation—a decision his assistant, Detective Inspector Juliette Hanson, will come to question as the investigation proceeds. This isn’t the only secret that comes to light: One of the campers, an Olympic star in later life, displayed a morbid fascination with young women; another of the group, now a well-regarded politician, was caught by Aurora in flagrante delicto with another boy, and more importantly, he had placed a large supply of Dexedrine in the hollow of that tree. I am just scratching the surface of the secrets here. There are plenty more to unearth for yourselves.

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Gytha Lodge’s suspenseful new psychological thriller, She Lies in Wait, tells the story of a ruinous outing and its aftermath decades later. Thirty- odd years ago, six friends went camping. Only five came home.
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In James Bond movies, one of the many ways of ratcheting up the tension is to introduce a Bad Thing About to Happen in, say, five minutes’ time, and to regularly return to the flashing digital countdown amid the action to see how much time is left before the Bad Thing transpires. Author Taylor Adams updates this suspense-building device in his supercharged novel No Exit with a dwindling cellphone battery peppering the high-tension text. The scene: a lonely snowbound rest area in rural Colorado, a place with little to no cellphone service, and a protagonist who has left her charger at home on what will prove to be the worst night of her life. At risk are a kidnapped child, albeit a rather resourceful one; a pair of innocent (or maybe not) bystanders; and the aforementioned protagonist, a college student named Darby Thorne, who was en route to her mother’s hospital bedside before her plans were interrupted by the freakish snowstorm and an even more freakish group of fellow strandees at the mountain shelter. Oh, and one last thing, and it really is the last thing—the twist ending is way cool.

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

In James Bond movies, one of the many ways of ratcheting up the tension is to introduce a Bad Thing About to Happen in, say, five minutes’ time, and to regularly return to the flashing digital countdown amid the action to see how much time is left before the Bad Thing transpires.
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It seems that Major Sir Robert and Lady Lucy Kurland need only drop in on a new city for a death to occur. Thankfully they’ve become so adept at sleuthing they can almost schedule it alongside their travel itinerary. In Death Comes to Bath, the sixth in Catherine Lloyd’s series, Robert has had a medical setback, so the pair, along with Lucy’s sister, travels to “take the waters” in England’s famed Roman baths. After befriending an older gentleman, the pair is dismayed when he drowns, and foul play is apparent. Lloyd balances period history (Robert was injured in the Battle of Waterloo), a tense romantic subplot and some extravagant vacation shopping while respecting the grave nature of the crime. Class divisions—and the way money can help one surmount them—make for a rich suspect pool. It may be cruel to hope Robert and Lucy keep visiting new cities, given what tends to happen, but watching this duo in action is a joy.

In Death Comes to Bath, the sixth in Catherine Lloyd’s series, Robert has had a medical setback, so the pair, along with Lucy’s sister, travels to “take the waters” in England’s famed Roman baths. After befriending an older gentleman, the pair is dismayed when he drowns, and foul play is apparent.
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Bryant & May: Hall of Mirrors is Christopher Fowler’s 16th tale of the Peculiar Crimes Unit, and this time we’re off to London in the swinging ’60s. Even in their youth, detectives Bryant and May had a habit of doing things their own way, and a simple assignment—keep a man alive for a weekend and get him to court to testify on Monday morning—takes several hard left turns. There’s slapstick comedy and swift wordplay (the duo’s word games are briefly upstaged by Bryant dangling upside down from a trellis during a window escape) as well as food for thought. Standout moments include exchanges between hippies in love with the idea of freedom and the elders who fought in World War II but don’t see their own definition of “freedom” in loose morals and patchouli fumes. If this is your first outing with Bryant and May, you’ll want to read them all.

Bryant & May: Hall of Mirrors is Christopher Fowler’s 16th tale of the Peculiar Crimes Unit, and this time we’re off to London in the swinging ’60s. Even in their youth, detectives Bryant and May had a habit of doing things their own way, and a simple assignment—keep a man alive for a weekend and get him to court to testify on Monday morning—takes several hard left turns.
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Jarrett Creek, Texas, exemplifies small-town living. Neighbors look out for one another, or so you’d think. When a beloved local baking wizard, Loretta Singletary, turns up missing, police Chief Samuel Craddock realizes he missed several changes in his friend’s appearance that may have been clues. A Risky Undertaking for Loretta Singletary is an old-fashioned story with a modern problem at its center. Terry Shames’ latest book finds the town divided over church involvement in a goat rodeo when Loretta goes missing. The discovery that she was considering online matchmaking services is mildly scandalous, and Craddock must explore the world of online dating in order to begin the investigation. The tension ratchets up when a body is found and linked back to the same dating sites, and the search for Loretta intensifies. The resolution to this tale is a bit offbeat, but the setting is lush and absorbing, and the tension builds perfectly along the way.

Jarrett Creek, Texas, exemplifies small-town living. Neighbors look out for one another, or so you’d think. When a beloved local baking wizard, Loretta Singletary, turns up missing, police Chief Samuel Craddock realizes he missed several changes in his friend’s appearance that may have been clues.
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Lisa Jewell’s domestic thrillers regularly show up on bestseller lists, and her latest, Watching You, should be no exception. The mysterious murder at its center unfolds gradually, as piece by piece the past and present relationships between her intriguing cast of characters begin to fit together.

Tom Fitzwilliam is the new headmaster of the Melville Academy in Bristol, England, and he’s called Superhead by the local newspaper due to his many postings to failing schools and his reputation for quickly turning them around. Tom lives with his wife, Nicola, in an upscale neighborhood. Nicola is an enigmatic, unhappy woman with a troubled past. Their only child, 14-year-old Freddie, believes he has Asperger’s. He hopes to work for MI5 one day and spends all his free time spying on the neighbors from his upstairs window, documenting what he sees with his camera and keeping a logbook of the neighborhood comings and goings.

One of Freddie’s voyeuristic targets is Joey Mullen, a young woman who lives two doors down from the Fitzwilliams. Joey is newly married and drifting from job to job. She and her husband live with Joey’s older brother, Jack, a physician, and his wife, Rebecca, a “strait-laced systems analyst.” Rebecca is pregnant, but she’s apparently not overjoyed about becoming a mother. Joey is completely smitten with Tom Fitzwilliam and begins planning how to meet him “accidentally,” which is all documented by Freddie’s watchful eyes.

Sixteen-year-old Jenna, a student at the Academy, and her mother live nearby, and they’re also subjects of Freddie’s surveillance. Jenna’s mother, who increasingly shows signs of paranoia, seems to believe she saw the Fitzwilliam family on holiday years ago, and that they were involved in an unpleasant incident that she can’t quite remember.

From the novel’s early pages, Jewell includes excerpts from police interviews conducted at the Bristol police station. The reader knows someone has been murdered but not their identity. Little by little, Jewell sprinkles clues about the pasts of each of her characters, and these hidden connections to the victim may turn out to be motives to commit murder. But only near the end does one suspect emerge as the killer—and a shocking final revelation completely takes the reader by surprise.

Jewell’s latest will be quickly devoured by readers of Gillian Flynn, A.J. Finn and Ruth Ware.

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lisa Jewell’s domestic thrillers regularly show up on bestseller lists, and her latest, Watching You, should be no exception. The mysterious murder at its center unfolds gradually, as piece by piece the past and present relationships between her intriguing cast of characters begin to fit together.

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Top Pick in Mystery, December 2018

Louise Penny’s novels are unique for how seamlessly they straddle the line between charming small-town mysteries and big-city police procedurals. As Kingdom of the Blind opens, protagonist Armand Gamache, former head of the Sûreté du Québec, receives a strange invitation to an abandoned farmhouse, and an even stranger request to act as executor of a will crafted by someone he never met. It is something of a wacky will, with bequests that suggest that the writer was not playing with a full deck of cards. And then a body turns up, and the document takes on a decidedly darker aspect. Meanwhile in Montreal, a huge drug shipment is about to hit the streets, in part because Gamache allowed it to slip through the cracks as part of his plan to bring down the cartels. Most of the drugs were rounded up—except for one large shipment that threatens to destroy many lives, perhaps including Gamache’s. Each Gamache adventure (we are now at the 14th) displaces the previous one as the best in the series. I have read each one twice—first as a one-sitting page turner, and then shortly afterward as a leisurely reread in which I revel in the artistry of the prose, the characterizations, the locales. It’s not to be missed!

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

Louise Penny’s novels are unique for how seamlessly they straddle the line between charming small-town mysteries and big-city police procedurals.

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Keigo Higashino is one of Japan’s best-known suspense authors, and he has begun to carve a niche for himself in the rest of the world thanks to The Devotion of Suspect X, Malice and his latest Detective Kaga novel, Newcomer. Since we last saw Kaga, he has suffered a demotion from the Tokyo Police Department’s Homicide Division to a more local role in the quiet neighborhood of Nihonbashi. But his homicide experience soon gets him assigned to the team investigating the death of a woman found strangled in her apartment. Kaga’s Zen approach to crime solving is at odds with conventional police procedures, but it would be hard to find fault with his results. One by one, he interviews shopkeepers, neighbors and denizens of the streets, and he begins to create a picture of a homicide that has an entire neighborhood of potential suspects. Kaga, a modern-day Hercule Poirot, thinks even further outside the box than his Belgian predecessor, to the great delight of mystery aficionados.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Keigo Higashino is one of Japan’s best-known suspense authors, and he has begun to carve a niche for himself in the rest of the world thanks to The Devotion of Suspect X, Malice and his latest Detective Kaga novel, Newcomer.

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Cold cases are a running theme this month, as Michael Connelly pairs series stalwart Harry Bosch with Renée Ballard in their first (but hopefully not their last) adventure together, Dark Sacred Night. Ballard first showed up in 2017’s The Late Show as a solo act, but she and Bosch work exceptionally well as a duo, investigating the unsolved 2009 murder of a young runaway. The case holds a personal component for Bosch, as the mother of the murdered girl is staying at his house. There aren’t many clues available after the passage of so much time, but Bosch is dogged in his pursuit, and his personal creed—everybody counts or nobody counts—gets a run for its money this time out. Connelly does an exceptional job of giving voice to both his protagonists. They share a bit of an outsider’s perspective—respected for their work but not always liked by their peers—and this is what makes them such a formidable team. My favorite Connelly books pair Bosch with protagonists from his other books, like Mickey Haller in The Lincoln Lawyer, and this latest pairing is truly inspired.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

Cold cases are a running theme this month, as Michael Connelly pairs series stalwart Harry Bosch with Renée Ballard in their first (but hopefully not their last) adventure together, Dark Sacred Night.

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It’s 1944, the closing days of World War II. Two men dig feverishly in a peat bog in Scotland to create a hole large enough to accommodate a pair of American motorcycles. Fast-forward to current day, when the granddaughter of one of the men decides to unearth the motorcycles. The first motorcycle has survived its lengthy incarceration beautifully, but there’s a dead body where the second should be. Enter Karen Pirie, cold case detective (because, hey, cases don’t get much colder than this), in the fifth installment of Val McDermid’s popular Karen Pirie series, Broken Ground. Things take a turn for the weird(er) when the body, supposedly buried for some 70 years, is discovered to be wearing a pair of Nikes. McDermid’s books are relentlessly excellent, with sympathetically flawed characters, well-crafted storylines, a clever twist or two and crisp dialogue. It’s no wonder she is considered the queen of Scottish crime fiction.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

It’s 1944, the closing days of World War II. Two men dig feverishly in a peat bog in Scotland to create a hole large enough to accommodate a pair of American motorcycles.

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After completing the Harry Potter series, J.K. Rowling started writing a mystery series under the pseudonym Robert Galbraith. And happily, her virtuosic talent as a spinner of stories with intricate plots and singular characters is front and center again. Lethal White is the fourth in the Cormoran Strike series, and it’s perfectly narrated by Robert Glenister, who can ace a wonderfully wide range of British accents. In Lethal White, Strike, a London private investigator with a reputation for unraveling high-profile cases, and his able, lovely (yes, their attraction thrums below the surface) assistant, Robin, are in the thick of it, investigating political blackmail and the murder of a Tory minister, all wrapped in a blur of populist politics, replete with a wild cast that includes radical lefties, conservative snobs and a mentally ill young man who desperately wants Strike’s help. After this 22-hour treat, I can’t wait for Strike five.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lethal White is the fourth in the Cormoran Strike series, and it’s perfectly narrated by Robert Glenister, who can ace a wonderfully wide range of British accents.

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Best known for zombie-apocalypse thriller The Girl With All the Gifts, M.R. Carey explores a subtler infestation in Someone Like Me, juxtaposing two troubled women whose coping mechanisms have taken on lives of their own. When Liz Kendall is assaulted by her abusive ex-husband, her body retaliates violently without her input, her hand operating “like a glove on someone else’s hand.” “She hadn’t willed this; she had only watched it, her nervous system dragged along in the wake of decisions made (instantly, enthusiastically) elsewhere.” Liz’s therapist speculates that, finding her life in danger, she created an alter ego to handle a task too repellant for the conscious Liz to touch. But once evoked, this restless new iteration of Liz—who appears to have arrived with an agenda of her own—is not so easily dispelled.

Meanwhile, 16-year-old Fran Watts suffers from hallucinatory episodes in the wake of a childhood trauma and draws comfort from the protective presence of “Lady Jinx,” a sword-wielding cartoon character from her favorite TV show. (Fran is conscious of Jinx’s unreality but regards her as a “cherished symptom.” “Maybe you’re my symptom,” the vision counters airily.) Part of the fun of both storylines is the question of whether these psychological visitations represent a real supernatural manifestation, and Carey is careful not to tip either hand too early in the game. (In a Stephen King-esque touch, he also cannily inserts smaller, odder questions to maintain our investment: why, Fran wonders, does her imagined companion have a speech impediment that the televised Jinx does not?)

At its bloodiest and most baleful, Someone Like Me can’t quite work up the Gone Girl level of feminist shock it aims for—the bent of its storyline forces goodhearted single mother Liz to remain frustratingly disassociated from her vengeful double “Beth”—but its human-focused horror should be a draw for the “Stranger Things” crowd. The unfolding friendship between Liz’s teenaged son Zac and the outcast Fran invites a similar sympathy for the freaks and loners of the world, and it’s not hard to imagine the hag-ridden Liz played by Winona Ryder. Before you start casting the Netflix adaptation, however, appreciate the features baked into the literary format, such as the changing icons in the chapter headings that hint at whose perspective is coming next. Just as The Girl With All the Gifts reengineered the zombie pandemic, Someone Like Me plumbs familiar horror premises to find a few new ingredients for the old Hyde formula.

 

ALSO IN BOOKPAGE: Read our Q&A with M.R. Carey.

Best known for zombie-apocalypse thriller The Girl with All the Gifts, M.R. Carey explores a subtler infestation in Someone Like Me, juxtaposing two troubled women whose coping mechanisms have taken on lives of their own.

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Top Pick in Mystery, November 2018

Ken Bruen’s Jack Taylor series has been a mainstay of my professional and pleasure reading since the Shamus Award-winning The Guards (2001). The series follows the downfall of Galway cop Taylor and his efforts to climb out of the (very deep) hole he created for himself with his alcoholism and his exceptionally poor choices of friends and lovers. The opening pages of In the Galway Silence find Taylor a little more settled than before: There is a romantic interest that tentatively seems to be working out, a bit of money in the bank, and he has the drinking under control for the most part. When bad stuff starts happening, only Taylor’s harshest critic could assign the responsibility to him—although it goes without saying that Taylor is his own harshest critic. One child is kidnapped and brutalized, another murdered, and a killer is on the rampage. Taylor knows who the culprit is and is powerless to do anything about it. But you can push Taylor only so far, and when he snaps, he’s gonna go bat%#@& crazy, which is the high point of Bruen’s books for most readers. Taut plotting, a staccato first-person narrative, deeply flawed yet sympathetic characters and the windy, wet Irish milieu conspire to put Bruen’s novels into a class by themselves.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ken Bruen’s Jack Taylor series has been a mainstay of my professional and pleasure reading since the Shamus Award-winning The Guards (2001).

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