Mystery & Suspense Archives | Page 60 of 119 | BookPage

by Mari Carlson

With cunning psychological prowess, Tana French’s first standalone crime novel after six Dublin Murder Squad mysteries plumbs the recesses of our darkest thoughts.

In Dublin, on an almost-Halloween evening, Toby Hennessy, his girlfriend and his cousins are hanging out at Ivy House, Uncle Hugo’s grand abode, asking each other, “What’s the worst thing you ever did?” The game is a way of tiptoeing around how each of them may be connected to the discovery of a skull in the wych elm tree in the Ivy House garden.

The macabre discovery is not the only recent misfortune in the Hennessy family. Uncle Hugo has a brain tumor, and Toby nearly dies when he’s attacked in his flat, possibly in connection to a scandal at the art gallery where he works. The plot surrounding the skull comes into focus through Toby’s murky lens of pain, frustration and the medications required after this tragic combination of events. Toby has always been lucky, a handsome charmer who can talk his way out of scrapes and befriend just about anyone. But who is he if his luck has run out?

French rips open the chasm between Toby’s before and after, viscerally describing his fear as “dark, misshapen, taloned, hanging somewhere above and behind me waiting for its next moment to drop onto my back and dig in deep.” Add to Toby’s troubles his worried girlfriend and sensitive, conniving cousins, and it becomes apparent that The Witch Elm is about more than the crime behind the skull; it is about what happens when a great upheaval cracks open life’s shell and reveals one’s true potential.

With this thorough search into the criminal mind, French reaffirms her place as one of our finest crime novelists. Her characters become as familiar as family yet as unpredictable as strangers, creating a chilling sense that everything could shift at any time.

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

With cunning psychological prowess, Tana French’s first standalone crime novel after six Dublin Murder Squad mysteries plumbs the recesses of our darkest thoughts.

Debut Fiction, Fiction, Thriller

Fiction Thriller Debut Fiction

Who is in my house?

Review by Annie Peters

by Annie Peters

In Our House, Fiona Lawson returns home from a long weekend, only to discover movers unloading a van full of another family’s belongings into her tony Trinity Avenue home. Stranger still, her belongings and those of her two sons have vanished, and this new family insists they own the house, although Fiona never put it on the market. From this unsettling scenario, British author Louise Candlish proceeds to masterfully spool out the complicated series of events that led Fiona and Bram, her estranged husband with whom she shares the home in a “bird’s nest” co-parenting arrangement, to reach this shocking moment.

Candlish tells a large part of the story through a podcast called “The Victim,” which Fiona narrates, and through a Word document written by Bram, both in retrospect. The podcast and Word document give the reader the opportunity to hear Fiona’s and Bram’s differing perceptions of the events as they unfold. This narrative structure also allows the reader to feel the full weight of the characters’ emotions, from Fiona’s initial utter perplexity to Bram’s almost fatalistic resignation, and to discover the deep-rooted origins of their relationship’s complexities. Allowing the reader to plumb these depths gives the plot real plausibility. What seems outlandishly far-fetched at first slowly becomes uncomfortably conceivable and makes this novel nearly impossible to put aside.

Candlish is the author of 12 novels, and she makes her U.S. publishing debut with Our House, a frightening journey that will leave readers wondering if this could happen to them. The novel is a clear demonstration of Candlish’s considerable skill as a writer, and is sure to garner a new throng of fans here in the States.

Thriller

Thriller

Mother, come home

Review by G. Robert Frazier

by G. Robert Frazier

Nine-year-old boys can have active imaginations. Left alone, without a mother or father and in the care of a doting but well-meaning housekeeper, that imagination can easily reach extremes, from incredible fantasy to irrational terror. Such is the case for the impressionable Samuel Clay, who yearns for his mother constantly and can recite the exact number of days she has been gone to the United States, in Stephen Giles’ intensely gripping thriller, The Boy at the Keyhole.

Only the occasional handwritten postcard stamped from America provides evidence that Samuel’s mother is alive and well. But the randomness of her communiqués—which Samuel tracks on a map using pushpins and yarn to denote each city his mother is in—baffles him to no end. The fact that his housekeeper, Ruth, keeps the postcards locked away in his mother’s room further confounds him. Despite Ruth’s assurances that his mother will return to their English estate once she has completed her business overseas, Samuel grows more and more distrustful of her. When his young schoolmate, Joseph, suggests Ruth may be up to something far more nefarious—that she may have killed Samuel’s mother and buried her in the basement—Samuel’s fear and desperation plunge to new depths. Ruth’s stern manner toward him, coupled with their dwindling finances, ramps up his suspicions that she had his mother killed to avoid being fired. Convinced that Ruth is lying to him, Samuel boldly sneaks into his mother’s room to steal one of the letters and makes a stunning discovery. Samuel ultimately confronts Ruth in a frantic, pulse-pounding conclusion.

Giles, who is the author of the popular Ivy Pocket children’s series of books, has written a slick psychological thriller. His debut adult novel is sure to fire up readers’ own imaginations.

Fiction, Thriller

Fiction Thriller

A daughter uncovers a modern-day spy story

Review by G. Robert Frazier

by G. Robert Frazier

Red, White, Blue, the new novel from screenwriter Lea Carpenter, is an intriguing, albeit challenging, read. Intriguing in that it revolves around a woman’s exploration into her father’s life—and death—as a CIA operative. Challenging in its narrative structure, which briskly alternates between two points of view over a series of short, nonlinear chapters. But for lovers of spy novels, it’s more than worth the read.

Carpenter carefully details the life of CIA operative Noel, from his training and his exploits within the agency to his ultimate death in an avalanche in the Swiss Alps. His daughter, Anna, who has always believed her father to be a New York banker, learns of his secretive profession by way of an encounter with an unnamed associate, who provides her with a series of recordings and videos about the man she only thought she knew.

As Anna reflects on her relationship with her father, she becomes immersed in the inner workings of the government agency and her father’s role in it. Readers learn along with Anna about the CIA’s secret training facility, the Farm, where future agents learn lessons in espionage. Subsequent sections detail interrogation techniques by polygraphers. And all of it slowly builds to a grander puzzle.

For Anna, coming to grips with her father’s past and his activities is emotional and moving, while at the same time intense and mysterious. The snapshot-like style of the novel takes some getting used to, and readers would be advised to read as much of the book in one or two sittings. Long pauses away from the novel may only serve to kill momentum and possibly sow confusion. Carpenter, who wrote the screenplay for this summer’s action-thriller Mile 22 about the CIA’s Special Activities Division, is well-versed in the shadowy world of espionage as well as adept at crafting an emotional page-turner.

ALSO IN BOOKPAGE: Go Behind the Book with Lea Carpenter.

Thriller, YA, YA Fiction

YA Fiction YA Thriller

A surefire crossover hit

Review by Sarah Welch

by Sarah Welch

BookPage Teen Top Pick, September 2018

When Sadie was 6 years old, her sister Mattie’s arrival provided her life with purpose. So when Mattie is found dead 13 years later, Sadie is destroyed—and determined to bring her sister’s killer to justice, no matter the cost. Sadie’s car is soon found abandoned, and her surrogate grandmother, having given up on the authorities, begs investigative radio reporter West McCray to look into her granddaughter’s case. While West is reluctant to get involved with Sadie’s story (“Girls go missing all the time,” he says), he soon becomes obsessed with finding the 19-year-old and wants to help bring her home before it’s too late.

In the highly anticipated Sadie, Courtney Summers delivers a hard-hitting look at the depth of a sister’s love. Summers confronts drug abuse, abandonment and child sexual abuse head-on as she tells the dark story of Sadie’s desperate attempt to avenge her sister and West’s desperate attempt to find her.

Summers’ narrative alternates between Sadie’s first-person perspective of her journey and the script of West’s “Serial”-like podcast as he traces her steps, and both are riveting. Summers’ sharp prose—filled with raw emotion, gritty detail and almost-tangible suspense—will break readers’ hearts over and over for Sadie and just about everyone she encounters on her mission.

Sadie is a gripping, visceral thriller that is at once difficult to fathom and impossible to put down.

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Debut Fiction, Fiction, Thriller

Fiction Thriller Debut Fiction

Baby Teeth

Review by Arlene McKanic

by Arlene McKanic

It seems that more and more books, films and TV shows feature relationships between mothers and children who despise each other and seek each other’s slow death. In Zoje Stage’s debut novel, you can’t blame put-upon Suzette Jensen for wanting to be free from her monstrous daughter, Hanna. Indeed, by page five you’re praying for the little horror to eat it in the worst way possible.

What’s less clear is why Hanna hates her mother so much. What could Suzette have possibly done to Hanna, 7 years old when our tale opens, to fill her with such psychotic rage? On top of this, Hanna’s dad, Alex, is so love-blinded that he refuses to see how utterly atrocious Hanna is.

Soon enough, it becomes clear there is no answer, for Stage’s real subject is the conundrum of evil itself. There’s simply no reason for loving, gentle, organic veggie-eating, granola-crunching progressive parents who live in an eco-friendly house to produce something like Hanna. For these two benighted bobos to wonder where they went wrong as parents is as ridiculous as Cesar Millan wondering why he can’t bring the werewolves in Tolkien’s Silmarillion to heel. It’s sad and frustrating to watch the Jensens rush from pillar to post, trying to get other good-hearted folk to help their daughter, when it’s clear there is no hope.

Yet what else can they do with this child whose one and only goal is to kill her mother? What can the reader do? Hanna’s chapters conjure a sickened incredulousness in the reader. Hanna is not so much a character as an abyss; her mind is so warped and inhuman that you even fear for her big, cuddly Swedish bear of a dad. Because of this, her parents’ ultimate solution can be only temporary, as are all “victories” over evil. Don’t be surprised if there’s a sequel to Baby Teeth before long.

Fiction, Thriller

Fiction Thriller

A haunting tale of revenge

Review by G. Robert Frazier

by G. Robert Frazier

The plot of David Joy’s third novel, The Line That Held Us, is simple: A man accidentally kills another man and tries to cover it up with the help of a friend, while the murdered man’s brother seeks vengeance on them. The complexity of the novel comes in Joy’s evocative language, his unforgettable characters and how he weaves themes of family, friendship and justice throughout this darkly engrossing Southern crime noir.

Blood is spilled and revenge is inevitable in David Joy’s darkly engrossing third novel.

The novel’s bleak chain of events evokes memories of Joel and Ethan Coen’s Fargo, in which one ill-advised decision leads to another, and each new lie spirals out of control. Joy presents Darl Moody, a stereotypical Southern-by-the-grace-of-God country boy, whose hunting expedition in the backwoods of North Carolina goes awry when he shoots and kills Carol Brewer, another local yokel who was scavenging the forest for ginseng. Realizing what he’s done and not wanting to risk facing the law, Darl enlists the aid of lifelong best friend Calvin Hooper to secretly bury Carol’s body.

After Carol’s brother, Dwayne, discovers his brother is missing, it’s only a matter of time before he uncovers the truth. Of course, Dwayne has his own sense of justice—one that doesn’t involve the police—and neither Darl nor Calvin can escape his wrath. Calvin, meanwhile, wrestles with his sense of loyalty to Darl and his guilty conscience.

The law ultimately gets into the fray, but far too late to keep the impending violence at bay and the body count from stacking up.

Joy has been heralded for his ability to craft a powerful sense of place in his previous novels (Where All Light Tends to Go and The Weight of This World). He does so again in The Line That Held Us, bringing the Appalachian region and lifestyle to life. But it is his unforgettable characters and their moral dilemmas that will stay with you in the end.

This article was originally published in the August 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Mystery, YA, YA Fiction

YA Fiction YA Mystery

Dark descent

Review by Sharon Verbeten

by Sharon Verbeten

Tim Wynne-Jones’ intense new book, The Ruinous Sweep, opens with a car crash, in which teenager Donovan Turner is tossed from a vehicle in the middle of nowhere. Then the narration fast-forwards to a hospital, where a near unconscious Donovan receives treatment following the hit-and-run and his girlfriend, Bee, holds watch and tries to decipher his urgent mumbles.

Shortly after Donovan’s car accident, police inform Bee that her boyfriend is also suspected of murdering his alcoholic father, whose badly beaten body was found lying next to Donovan’s baseball bat. The story’s timeline then begins to alternate between Donovan’s accident and the mystery of his father’s murder, which Bee sets out to investigate. Wynne-Jones introduces a bevy of dark characters and chilling scenarios designed to lead readers to piece together the two puzzles, but while the eerie paths may thrill some, the winding narrative may prove confusing at points.

The Ruinous Sweep is a trip into an underworld filled with drugs, murder and dysfunctional families. Fans of thrillers will find plenty of suspense in this story with vague echoes of Dante’s Inferno. The plot requires a fair amount of heavy lifting and focus, but fans of Wynne-Jones’ previous books and his talent for fabulism may find it worthwhile.

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Thriller, YA, YA Fiction

YA Fiction YA Thriller

Those who are left behind

Review by Anita Lock

by Anita Lock

Kelley Armstrong’s latest YA novel is a gripping, plausible thriller influenced by real school tragedies, but with a twist.

A mass shooting at a high school leaves four dead and 10 injured. Three years later, 16-year-old Skye Gilchrist reluctantly returns to the school that has haunted her dreams ever since. Skye’s brother was one of the shooters, and she shudders when she sees her one-time best friend Jesse Mandal walking down the hall—his brother was one of the victims. Armstrong’s dual narratives highlight two intelligent teens, desperately attempting to pick up the pieces of their broken lives.

After reconciling due to a shared class, the pair begin to search for the truth about the dreaded day that changed their lives forever. Their efforts soon uncover cryptic texts and videos, leading to a mysterious fire and a break-in at Skye’s apartment. Armstrong’s crisp writing is replete with enough foreshadowing, cliffhangers and red herrings to keep readers hooked to the very end.

A fast-paced and unnerving novel, Aftermath is a top-of-the-line read with nothing less than silver-screen potential.

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Kelley Armstrong’s latest YA novel is a gripping, plausible thriller influenced by real school tragedies, but with a twist.

Fiction, Mystery & Suspense

Mystery & Suspense Fiction

Still Lives

Review by Thane Tierney

by Thane Tierney

It’s hard to know where an artist’s persona ends and her art begins, and this has never been truer than in the case of the mysteriously disappeared Kim Lord, the central figure in Maria Hummel’s spellbinding new novel, Still Lives. It’s also somewhat true of Hummel herself: The award-winning poet (her collection House and Fire won the APR/Honickman Prize in 2013 for best first book) worked at the perpetually cash-strapped Museum of Contemporary Art in Los Angeles, and her novel’s protagonist, Maggie Richter, finds herself in a similar job at a similarly underfunded museum.

When Lord goes missing on the biggest night of her life—an A-list museum opening featuring her photographs, in which she portrays famous murder victims—speculation runs wild. Is it a publicity stunt? Or are more serious forces at foot? When Maggie’s ex-boyfriend (now Lord’s lover) falls under suspicion, Maggie’s journalistic instincts kick in, taking her places the cops can’t go and unwittingly putting her life in peril.

No doubt comparisons to Raymond Chandler’s best work will rain down upon Still Lives, dotted as it is with trenchant observations of LA and the human condition. Like Chandler, Hummel is capable of limning out a ripping yarn replete with high fashion, high finance and high society. These are the mean streets through which our heroine travels, though slightly removed from the glitter and the nastiness. And not unlike another master of the mystery, Erle Stanley Gardner, Hummel includes an intellectually satisfying Perry Mason moment that also provides an interesting twist.

It would be damning with faint praise to call Still Lives a contender for best beach read of the year—like calling Pablo Picasso a really good painter—but Still Lives is both that and so much more.

Thane Tierney lives in Inglewood, California, and is a member in good standing at several American and international museums.

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Comparisons to Raymond Chandler’s best work will rain down upon Still Lives, dotted as it is with trenchant observations of LA and the human condition.

Fiction, Historical Mystery, Mystery, Mystery & Suspense

Mystery & Suspense Fiction Mystery Historical Mystery

Ladies’ maid on the case

Review by Barbara Clark

by Barbara Clark

The prewar world of New York City in 1910 comes to life through the colorful social settings and real historical events that abound in Mariah Fredericks’ mystery, A Death of No Importance. The Edgar Award-nominated YA novelist has lavished her debut adult novel with period details and strong characterizations.

Family rivalries, often tainted by the dark legacies of wealth and power, have made their mark in America in the early 20th century. The Industrial Revolution has heightened class differences and fueled the rise of anarchist politics, inciting a sense of unease in the upper classes. Who among them really has money—and who is willing to share that upper echelon at the risk of having to cling to a more precarious perch?

Handsome Norrie Newsome is the scion in a family where the wealth may not be quite as secure as it used to be, and where a wise choice of wife could ensure his continued presence among the well-heeled. He finds a candidate in Charlotte Benchley, whose family belongs to New York’s “new wealthy.”

Enter Charlotte’s astute ladies’ maid, Jane Prescott, who turns sleuth when Norrie is found brutally murdered during a glittering Christmas Eve party given to announce the couple’s engagement. Jane’s gift for listening, as well as her natural curiosity, places her near the scene when the murder is committed. Could the murderer be the would-be fiancée, who discovers that Norrie is quite the ladies’ man? A spurned lover? Or is it the family’s pick: an anarchist taking revenge for a past crime committed by Norrie’s family? They owned a coal mine that collapsed, killing miners and children. When Jane meets a young newspaperman with an equal interest in the crime, they team up to discover the roots of a past tragedy that still haunts families across the social spectrum.

Occasionally, Jane seems a little too ahead of her time; she is a cool, modern presence in an era of Gibson Girl waistlines and strict codes of social and sexual behavior. She appears to see through the established pecking order and invites confidences despite the barriers of a stringent, limiting class hierarchy. But no matter. The author leads readers on a merry chase from the glittering ballrooms and cozy boudoirs of the privileged to the tawdry streets of the Lower East Side, and to a shabby mining town that bears the scars of terrible tragedy.

Fiction, Speculative Fiction, Thriller

Fiction Thriller Speculative Fiction

A thriller with a heart of gold

Review by Chris Pickens

by Chris Pickens

“Knowledge is power,” as the saying goes, and bass guitar player Will Dando has a lot of it. Will knows 108 specific things that will happen in the future. In a world like ours, that’s a heck of a lot of power. How would the world react to knowing a person like this exists? Would he be shunned or exalted? Loved or feared? How would he live his life? Charles Soule puts these questions to the literary test in the entertaining and thoughtful The Oracle Year.

Will wakes up one morning with the predictions simply there, in his mind. Driven by this knowledge, he dubs himself the Oracle and launches a website to share his knowledge with the world. With help from his friend Hamza, Will gets rich by auctioning off his predictions to the highest-paying global conglomerate, which causes him to question his own motivations. But when his predictions start to cause riots, investigations from the government and even murders, Will has to chose what matters more: the predictions or the consequences.

A creation infused with empathy and soul, Will Dando shares traits with many modern superheroes. He wants desperately to do the best he can with what he’s given, but even with his knowledge, he’s powerless to stop the forces working to reveal the Oracle. But these antagonists don’t have secret lairs or death rays. They’re the familiar institutions we know—the church, the government, the people in our communities. It’s a revealing and somewhat disturbing estimation of what might happen if a person like Will existed.

When the narrative really gets going, it moves with suspense and well-coordinated attention. The pacing slows during sections in which Will attempts to deal with his knowledge, but these are mostly present in the first two acts. The story maintains momentum as people around the globe first react to the Oracle with wonder, and then fear and anger.

And herein is Soule’s greatest victory: The riots for and against the Oracle, the government operations, the religious sermons and the attempts to prove the predictions wrong all feel grounded and born out of a fully aware, digital world. Soule, a well-loved comic book writer of Daredevil, She-Hulk and Star Wars, has delivered a realistic meditation on the consequences of being different. If The Oracle Year predicts the future, we need more good people like Will Dando leading us there.

Mystery, Mystery & Suspense, YA, YA Fiction

Mystery & Suspense YA Fiction YA Mystery

Prep school murders

Review by Kimberly Giarratano

by Kimberly Giarratano

Necessity is the mother of reinvention, or so Kay Donovan believes. After feeling responsible for two tragedies at home, Kay enrolls in boarding school at Bates Academy in hopes of a do-over. A new crop of friends (mean girls with money) and her newfound soccer stardom give Kay the popularity and edge she’s always wanted. But all of that is threatened when Kay and her friends discover the dead body of Jessica Lane, a fellow student and artsy social activist, whom none of the girls say they knew. In her wake, Jessica has left behind a revenge website with a countdown clock that only Kay can access. Kay’s task? Take down her new friends or risk her own dirty laundry being aired.

Dana Mele’s People Like Us is a dark and delicious boarding school murder mystery that delivers. Lack of parental supervision, difficult home lives and extreme wealth create the perfect atmosphere for secrets, lies and a page-turning read. A murder is just the beginning. What these characters will do to hide their dirtiest deeds easily eclipses the killing that sets this thrilling tale in motion.

This article was originally published in the April 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.