Previous
Next

Sign Up

Get the latest ipsum dolor sit amet, consectetur adipiscing elit.

All Mystery Coverage

Filter by genre
Review by

Detective Antoinette Conway is doubly unique on the Dublin murder squad: She’s the only mixed-race detective and the only woman. She’s taken a lot of flak in her two years on the squad, and the strain is beginning to show. Though her new partner, Steve Moran, seems to understand and respect her, Antoinette is nearing the end of her rope. At the end of another long night shift, she and Steve are handed a case that at first seems like a textbook domestic violence scenario. A young woman, Aislinn Murray, is found dead in her home after an anonymous tip reported that she hit her head in a fall. The fall turns out to have been caused by a punch, but obvious leads—such as Aislinn’s boyfriend—don’t fit.

The clues lead Conway and Moran in circles, from an encrypted file on Aislinn’s computer, to the strange behavior of her best friend, to the hints that there may have been more than one man in her life. Plus, Antoinette knows she’s seen Aislinn’s face before, but cannot recall when or where. With leads sprawling fruitlessly throughout Dublin, Antoinette begins to wonder: Is there someone close to the investigation who doesn’t want the case solved?

Tana French excels at placing dedicated and talented detectives under stress, testing them with the case that will strike their unique anxieties the hardest. Antoinette’s intelligence and skepticism are charming, but these traits gradually give way to a surly paranoia. Despite the first-person narration, French provides ample moments for the reader to acknowledge Antoinette’s fears but also question them. Soon, the question of whether Antoinette will survive the case professionally becomes as gripping as the mystery of who killed Aislinn. Though it may not pack the same emotional punch as other French titles, The Trespasser delivers a great detective team in Conway and Moran and a satisfyingly dramatic conclusion. This is an intense and engrossing installment in the Dublin Murder Squad series. 

Detective Antoinette Conway is doubly unique on the Dublin murder squad: She’s the only mixed-race detective and the only woman. She’s taken a lot of flak in her two years on the squad, and the strain is beginning to show. Though her new partner, Steve Moran, seems to understand and respect her, Antoinette is nearing the end of her rope.

Review by

Homicide detective Max Rupert and lawyer Boady Sanden are longtime friends, but in Allen Eskens’ crime thriller The Heavens May Fall, they’re on opposite sides of the fence, with an ever-widening divide between them.

Max is a widower, still grieving his wife’s death four years earlier by a hit-and-run driver who was never apprehended. Boady hasn’t practiced law since the death of his last client, an innocent man who was deemed guilty even after Boady’s best legal efforts. These characters appear in Eskens’ previous work, The Life We Bury, and are more fully fleshed out in this novel.

On the anniversary of his own wife’s death, Max finds himself heading up the team assigned to the gruesome, perplexing murder of a woman who turns out to be Jennavieve Pruitt, the wife of Ben Pruitt, a prominent attorney, with whom Max has some bad history dating back to another case. Ben has an alibi for the night of his wife’s death, but it’s a leaky one and he needs a good attorney.

Boady, who was once Ben’s law partner, agrees to represent him, thus locking in an adversarial relationship between Max and Boady, one that will forever alter their friendship. Each man approaches the murder through the lens of his own personal loss, each trying to restore an invisible balance while drawing on darker, earlier moments in his life. Max’s vision may be obscured by a need for inner healing; Boady seeks reason and redemption from his past failures or omissions.

This tension-filled book explores the case from each man’s perspective—that of the detective who believes the victim’s husband is guilty of murder, and that of the attorney who believes that his client is innocent. The novel is occasionally clunky and overwrought in style, with a few unnecessarily gory details, but the author’s expert use of the modes of traditional crime fiction, combined with the legal proceedings and intriguing trial scenes, makes an effective combination that results in a fast-moving narrative.

The Heavens May Fall pretends to provide us with all the angles, giving readers a false sense of security, perhaps the illusion of transparency, only to cheat us at the end, as only good thrillers can, by throwing in some unexpected shocks and last-minute story twists.

Homicide detective Max Rupert and lawyer Boady Sanden are longtime friends, but in Allen Eskens’ crime thriller The Heavens May Fall, they’re on opposite sides of the fence, with an ever-widening divide between them.

Fifteen-year-old Benny Flax and Virginia Leeds are the only two members of Mystery Club, an extracurricular group that is sorely lacking in both participants and crimes to solve—until the Friday night football game when cheerleader Brittany, dressed as the school’s mascot, inexplicably runs off the field and jumps off a bridge. The police are quick to rule Brittany’s death a suicide, but Benny and Virginia think differently after they discover camera footage of both the cheerleaders’ locker room and the apparent suicide. With Benny’s keen level of observation and Virginia’s ability to go unnoticed, the two decide to investigate the mystery themselves, even if it means lying to police and breaking the law. Because for Benny and Virginia, Mystery Club is all they have.

Maggie Thrash, author of the graphic memoir Honor Girl, has penned a kooky mystery that should be read through the lens of an Amy Schumer skit. The characters and the school itself are clever caricatures, and readers shouldn’t expect a lot of depth. Benny is analytical and clever, but he struggles to connect socially, while Virginia makes meek attempts to transform her reputation as a gossip and busybody (what better way to do that than to investigate your fellow classmates for murder?). There’s a healthy dose of humor with the crime, although the satire may not resonate with all readers.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the October 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Fifteen-year-old Benny Flax and Virginia Leeds are the only two members of Mystery Club, an extracurricular group that is sorely lacking in both participants and crimes to solve—until the Friday night football game when cheerleader Brittany, dressed as the school’s mascot, inexplicably runs off the field and jumps off a bridge.
Review by

Zoe Whittaker, the much-loved wife of a rich, handsome Wall Street guru, has a past at odds with her current situation. A name change and a coast-to-coast move to a new life put her unsavory past behind her—or did it? 

The Vanishing Year offers a brief flashback, showing Zoe at the worst time in her life. She’s in mourning after her adopted mother’s death, and to numb her pain, she turns to drugs and alcohol and consorts with the dregs of society, drug dealers and pimps. Once Zoe learns her suppliers are involved in human sex trafficking, she cleans up her act and turns state’s witness. After being starved and beaten by the thugs, Zoe flees California and begins a new life in New York City.

Now it seems that her past is infringing on her present. At first, Zoe blithely chalks up nearly being hit by a car as a quintessential New York City experience. But when her apartment is ransacked, Zoe starts to wonder if the incidents are connected and begins to fear for her life. The story is fraught with Rebecca-esque tropes, such as a disturbingly devoted housekeeper and a husband who worships Zoe, his new second wife, but tends to be suspicious of her actions.

Zoe enlists the help of a society-page reporter to uncover part of her past that she wants revealed, that of her birth mother. Since Zoe’s husband doesn’t support her search, she does her sleuthing without his knowledge, and he becomes even more suspicious of her behavior. Readers will wonder who is good, evil, or simply the victim of misguided thinking as they devour bestselling author Kate Moretti’s latest book, full of expertly placed screens and revelations.

Zoe Whittaker, the much-loved wife of a rich, handsome Wall Street guru, has a past at odds with her current situation. A name change and a coast-to-coast move to a new life put her unsavory past behind her—or did it? 

Thomas Mullen’s Darktown is a novel readers won’t soon forget—not just because of its thoroughly engrossing, suspense-filled plot, but because of the historical, moral complexity contained within its pages.

Darktown follows the story of Atlanta’s first black police officers in an era of heightened racial prejudice. In 1948, the eight-man police division cannot arrest whites, drive police cars or even set foot in police headquarters through the front door. Despite this, they are committed to forging an important path of integration and justice in the face of hatred from their white counterparts on the force.

The story focuses in particular on Officer Lucius Boggs and his partner, Tommy Smith, as they investigate the possible death of a black woman at the hands of a former white police officer, Brian Underhill. The officers came across the pair after a car accident in a primarily black portion of town. But because of Underhill’s connections within the department, he is turned free without even a citation.

His female passenger, Lily Ellsworth, turns up dead a short time later.

Mullen, an award-winning author and a resident of Atlanta, swiftly constructs a moral challenge for the black officers as they dare to question whether a white man may have committed her murder. With the rest of the predominantly white police department fighting them at every turn, the tension immediately ratchets up.

The story evokes parallels to racial injustices within the law enforcement community that persist to this day, making this an even more compelling and thought-provoking read. Mullen paints a vivid portrait of racial inequality and a dark period in American history that cannot soon be forgotten.

Darktown has been acquired by Sony Television for development as a television series, with Jaime Foxx to executive produce.

Thomas Mullen’s Darktown is a novel readers won’t soon forget—not just because of its thoroughly engrossing, suspense-filled plot, but because of the historical, moral complexity contained within its pages.

An Obvious Fact, the 12th novel in Craig Johnson’s popular Longmire series, tries to throw a wrench in the works by moving the titular hero out of his natural element. But Walt Longmire is an element in himself, perfectly capable of functioning in any place and under any circumstance with his usual gruff, hard-fisted dedication to righting wrongs wherever he finds them.

In this case, Walt leaves his usual stomping grounds of Absaroka County, Wyoming, to solve a hit-and-run at the Sturgis Motorcycle Rally. It isn’t long before an undercover agent with the Bureau of Alcohol, Tobacco and Firearms on the trail of a suspected gun-smuggling operation also ends up dead, increasing the scope of Walt’s investigation. Throw in a super-size military assault vehicle, rival motorcycle gangs and a plot to manufacture synthetic polymer weapons, and the stage is set for a thrilling climactic showdown in the shadow of the famous Devils Tower national monument.

That in itself would be enough to satisfy those looking for a fast-paced, action-packed read, but this is a Longmire novel, after all. As such, Johnson obligingly weaves in plenty of humorous banter, emotional bonding and deep characterization to bring his extended cast of Walt, Undersheriff Victoria Morettli and Henry Standing Bear to life. Henry, in fact, is a key focus of the book. At issue is his relationship to Lola, the real-life femme fatale and namesake for Henry’s ’59 Thunderbird, who is the possible mother of his son, the aforementioned hit-and-run victim.

An Obvious Fact is a welcome addition to the Longmire canon and one fans will anxiously wait to see adapted on the small screen. 

An Obvious Fact, the 12th novel in Craig Johnson’s popular Longmire series, tries to throw a wrench in the works by moving the titular hero out of his natural element. But Walt Longmire is an element in himself, perfectly capable of functioning in any place and under any circumstance with his usual gruff, hard-fisted dedication to righting wrongs wherever he finds them.

Review by

So Say the Fallen is Stuart Neville’s seventh crime novel, and the third in his fine Belfast series to feature DCI Serena Flanagan. It’s an enthralling modern-day police procedural that allows readers ample opportunity to appreciate the author’s skill at creating characters of depth and staying power.

Successful businessman Henry Garrick, severely injured in a car accident, has apparently committed suicide six months after the event. Called in on what looks like an open-and-shut case, Flanagan senses that something isn’t right about the scene, and she begins looking closely at the widow’s grief—as well as the behavior of the Garrick’s rector, frequently on the scene in the role of comforter to the bereaved.

Starting with the seemingly obvious death by overdose, the author switches his magnifying lens to each character, viewing them from a variety of angles. Small cracks in their facades begin to appear, eventually opening a chasm of suspicion that Flanagan diligently pursues. As a woman apparently locked in anguish, Roberta Garrick eventually reveals her many facets, possessing stealth and craftiness that becomes more frightening as the story progresses. The detective also shadows the rector, who comes close to confiding in her as he reveals a rabbity, furtive desperation that’s heightened as he confronts the loss of his own religious faith.

Flanagan receives no support from her superiors, who want her to sign off on the tragedy and call it a suicide. But her scrutiny pays off as she picks up on small, odd anomalies of behavior, refusing to abandon her own theory that wife and rector are far more than a picture of innocence. A moving and all-too-believable side story provides a look into Flanagan’s personal life as she finds herself estranged from her husband and kids, who want more family commitment from her just when she’s deeply ensnared in the case.

This novel stands apart from many of today’s thrillers in which scattershot dialogue often adds little more than surface thrills to play-by-play action and wannabe screenplay scenes. Neville reveals an outsize talent for offering real and disturbing insights into his characters and for allowing readers an all-too-rare opportunity to penetrate beyond the shell of a story. This is one of those books that you won’t want to put down until you’ve read it cover to cover.

So Say the Fallen is Stuart Neville’s seventh crime novel, and the third in his fine Belfast series to feature DCI Serena Flanagan. It’s an enthralling modern-day police procedural that allows readers ample opportunity to appreciate the author’s skill at creating characters of depth and staying power.

Review by

In as little as 24 hours, your life can irrevocably change. Gilly Macmillan unflinchingly explores this reality in her second novel, The Perfect Girl. A year after publishing her bestselling, Edgar-nominated debut novel, What She Knew, Macmillan captivates readers with a story just as addictive as her first.

The titular “Perfect” girl is 17-year-old genius musician Zoe. Zoe and her mother, Maria, have been outcast from their former community after Zoe was found guilty of driving under the influence and killing three local teenagers, including her best friend. Maria has remarried into what is dubbed the “Second Chance Family,” which includes new husband Chris and his teenage son, Lucas, both oblivious to Zoe and Maria’s marred past. Their lives are intertwined with Sam, Zoe’s former lawyer; Tessa, Zoe’s aunt and Maria’s sister; and Richard, Tessa’s loving yet alcoholic husband.

The relationships in the “Second Chance Family” are fraught with secrets. Brooding Lucas is obviously carrying around the weight of his own past, while Maria maintains a precarious presentation of herself and Zoe to meet the expecations of suspiciously controlling Chris. When Maria is found dead, the thread holding everyone together unravels during the next 24 hours. Having already been institutionalized, Zoe fears she will become the prime suspect, but those closest to Maria and Zoe cannot be discounted as potential murderers.

Macmillan shines when exploring the intricacies of relationships, and the ties that bind this family are strained and complicated indeed. The story is told from the perspective of only three narrators: Zoe, Tessa and Sam. Yet through these lenses, we gain intimate insight into the other characters in whom we have become so invested. Macmillan adeptly demonstrates through her chosen method of storytelling that 24 hours can pass in what seems like a second—or a lifetime.

Macmillan has provided a follow-up novel possibly even better than her first, and fans of Tana French, Ruth Ware and Gillian Flynn will become completely entrenched in the unfolding details. 

In as little as 24 hours, your life can irrevocably change. Gilly Macmillan unflinchingly explores this reality in her second novel, The Perfect Girl. A year after publishing her bestselling, Edgar-nominated debut novel, What She Knew, Macmillan captivates readers with a story just as addictive as her first.

Review by

Sandra Brown’s bestselling romantic thrillers have been topping fiction lists for more than three decades, with a list of 65 titles beginning in the early 1980s. Her formula of bad boys and women in dire straits has proved to be enormously popular. In Sting, Brown’s devious, remote hero is hitman Shaw Kinnard, who has been hired by a ruthless criminal and real bad guy named Panella, on contract to kill beautiful business entrepreneur Jordie Bennett. Panella’s hoping the hit will bring Jordie’s brother, Josh, a fugitive and escaped federal witness, to the surface of whatever scummy pond he’s been hiding in, along with $30 million that Panella figures is his. Josh and Panella were complicit in a scheme to defraud investors of their hard-earned money, and Josh has disappeared along with the loot.

Before reaching the meat of the story, filled with action, disclosures, chases and mayhem, readers get their fill of backstory and ancillary characters, including the numerous cops and FBI agents on Panella’s trail, who also want their prize. Eventually Shaw, who appears to be a cold-hearted kidnapper and killer of helpless women entrepreneurs, decides that the lovely Jordie may be worth more in dollars if she’s alive. He kidnaps her and makes his getaway into the backwoods, and these two strong-willed, stubborn characters must try to outwit the other while evading the law enforcement dragnet.

Thriller readers in general and Brown fans in particular know that this story is just the surface skin, beneath which lie surprises and plot twists that go way beyond the smoldering passion developing between captor and captive—one that we knew would develop from the get-go. The author isn’t showing all her cards, and Shaw and Jordie have plenty of secrets in tow for readers to discover as the book progresses. This part of the story is greatly enhanced by unsavory tidbits about brother Josh, who is a loose cannon if there ever was one.

Sting may be formulaic and lacking in dimension, but readers looking for Brown’s tried-and-true recipe will find plenty to escape into in this smoothly written, late-summer thriller. 

Sandra Brown’s bestselling romantic thrillers have been topping fiction lists for more than three decades, with a list of 65 titles beginning in the early 1980s. Her formula of bad boys and women in dire straits has proved to be enormously popular. In Sting, Brown’s devious, remote hero is hitman Shaw Kinnard, who has been hired by a ruthless criminal and real bad guy named Panella, on contract to kill beautiful business entrepreneur Jordie Bennett.

Review by

Some readers will open Meg Little Reilly’s novel and come to certain conclusions about the starring couple. Ash and Pia are from gentrified Brooklyn, but when the book begins, they’ve fled to Vermont, Ash’s natal state, in an attempt to live more “naturally.” Since the book is narrated by Ash in hindsight, we learn he’s survived a storm that makes Superstorm Sandy look like a breezy day at the beach. At last, some may think, the yuppies get theirs.

The problem with this schadenfreude is that the nice, solid, longtime citizens of Isole, Vermont, also get theirs when this storm hits. Even before the apocalypse—and Reilly is masterful at keeping this meteorological monster offstage until the right time—the ties that bind this little community begin to unravel. Ash and Pia’s marriage begins to fracture under the sheer stress of waiting for something to happen.

Neither Ash nor Pia is particularly embraceable, but Reilly has created likable secondary characters: Peg, the nature-loving scientist neighbor; Crow, the hippie/survivalist/loner; Maggie, the doughty schoolteacher; and August, the half-wild boy whom Ash befriends. Suspense comes from wondering who will survive and what the world will look like once this storm has come and gone.

Though writers have long warned us about what happens when humans mess with nature in general and the weather in particular, We Are Unprepared might be in the vanguard of tales that deal with the consequences of human-caused climate change. As such, it is an admirable example of the genre.

 

This article was originally published in the September 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Some readers will open Meg Little Reilly’s novel and come to certain conclusions about the starring couple. Ash and Pia are from gentrified Brooklyn, but when the book begins, they’ve fled to Vermont, Ash’s natal state, in an attempt to live more “naturally.” Since the book is narrated by Ash in hindsight, we learn he’s survived a storm that makes Superstorm Sandy look like a breezy day at the beach. At last, some may think, the yuppies get theirs.
Review by

Cheryl Honingford’s debut mystery opens in the autumn of 1938. America is in the midst of the Great Depression, Europe is on the brink of war, and radio is in its heyday. Ambitious young radio actress Vivian Witchell has landed a role in a popular mystery serial “The Darkness Knows” on Chicago’s WCHI radio. She plays the role of Lorna, sidekick to the series hero, and she’s determined to make a name for herself. At first Vivian plays up to her costar, the equally ambitious but enigmatic Graham, but soon finds herself up to her eyes in real mystery when she discovers a body in the employee lounge. It’s the station’s big-name actress, Marjorie Fox, whose public popularity unfortunately does not extend to her colleagues at work. A note found with the body also contains a veiled threat against “Lorna,” and the station owner soon assigns a private detective as Vivian’s protection.

Vivian finds herself attracted to PI Charlie Haverman, and an unlikely scenario unfolds as the two look into what—or who—lies behind the murderous events, which appear to involve letters from an unhinged fan who calls himself “Walter” and who seems to confuse the radio characters with real-life people.

Who might benefit from the aging actress’ death? The search uncovers a host of radioland suspects who seem willing to do almost anything to grab more on-air time and a chance at fame—including Graham, the handsome hero who has a way with women; a couple of wannabe starlets; a star-struck station engineer; and an enterprising midget who unexpectedly lands a choice promotion.

Familiar plot scenarios are not always a bad thing—we often read to relax and visit comfortable territory. Here, however, the author has offered a predictable, plot-driven narrative, missing a golden opportunity to provide the details of an exciting historical milieu in which real adventure could flourish. The author has chosen a great premise—a world in the shadow of war, prime time for a burgeoning form of public entertainment—but never seizes the seemingly endless possibilities for intrigue and story development.

This series has lots of room to grow, and hopefully later installments will leave the shallows and add a generous dose of atmosphere.

Cheryl Honingford’s debut mystery opens in the autumn of 1938. America is in the midst of the Great Depression, Europe is on the brink of war, and radio is in its heyday. Ambitious young radio actress Vivian Witchell has landed a role in a popular mystery serial “The Darkness Knows” on Chicago’s WCHI radio.

Comparisons to Lee Child’s Jack Reacher are inevitable when considering many action thriller novels with larger-than-life heroes. But when Child himself makes note of it, you know the book at hand has got to be pretty damn good. Such is the case with Erik Storey’s debut novel, Nothing Short of Dying. In a prominent book cover blurb, Child says: “Reacher is keeping an eye on this guy.” And so should you.

The novel follows loner Clyde Barr—adventurer, soldier and most recently an unjustly imprisoned convict—as he attempts to blend into his Utah countryside and escape the burdens of humanity. But as fate would have it, he receives a desperate call for help from his estranged sister Jen and must drop everything to come to her aid.

With the help of plucky bartender Allie and some rather unsavory former associates, Clyde quickly tracks his sister’s whereabouts to a mountain hideaway in Colorado where she is being kept prisoner by a ruthless criminal. Clyde boldly mounts a rescue operation with his sidekicks, resulting in an explosive exchange of gunfire and fisticuffs. The rugged countryside lends itself well to the story, creating a bleak, rugged landscape for Clyde to play in, like a classic Western showdown.

Storey doesn’t pull any punches with his crisp, in-your-face dialogue and vivid action, and neither does his hero. Clyde’s sense of commitment to his sister is both emotional and inspirational as he confronts seemingly impossible odds. Jack Reacher would be proud.

Comparisons to Lee Child’s Jack Reacher are inevitable when considering many action thriller novels with larger-than-life heroes. But when Child himself makes note of it, you know the book at hand has got to be pretty damn good. Such is the case with Erik Storey’s debut novel, Nothing Short of Dying. In a prominent book cover blurb, Child says: “Reacher is keeping an eye on this guy.” And so should you.

If there’s anyone out there still lamenting the absence of Elmore Leonard’s “Justified” on TV, you can get your fix of small-town Kentucky criminals in Jesse Donaldson’s debut thriller, The More They Disappear. The novel starts with the shocking assassination of longtime Kentucky Sheriff Lew Mattock at his own re-election campaign barbecue and quickly escalates into a thrilling manhunt for his killer.

Chief Deputy Harlan Dupee steps up as acting sheriff to investigate the shooting, following a trail of dark secrets amid the townsfolk he only thought he knew. Along the way he discovers his former boss wasn’t as upstanding a lawman as he believed. At the root of everything is a prescription drug trade that has its hooks in everyone, from the town’s most innocent children to even its most prominent citizens.

Donaldson keeps the plot moving at a swift pace, adding more mystery and a growing list of suspects with each chapter. Thrown into the mix is whether Dupee should seek to run for election when Mattock’s own son, Lewis, also intends to win his father’s badge.

The novel works on a number of levels and should appeal to a broad swath of readers, whether you’re looking for an action-filled genre story or an introspective study of how addiction and poverty can lead to absolute corruption, lies, and shattered dreams. Dupee’s deeply moral sense of right and wrong and his doubts as to the effectiveness of the law add a layer of sophistication and rumination to an otherwise straightforward whodunit.

Donaldson writes with authority on the Kentucky hill country, as he was both born and raised in the bluegrass state. His writing has appeared in The Oxford American, Crazyhorse and other magazines.

If there’s anyone out there still lamenting the absence of Elmore Leonard’s “Justified” on TV, you can get your fix of small-town Kentucky criminals in Jesse Donaldson’s debut thriller, The More They Disappear. The novel starts with the shocking assassination of longtime Kentucky Sheriff Lew Mattock at his own re-election campaign barbecue and quickly escalates into a thrilling manhunt for his killer.

Want more BookPage?

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Trending Mystery & Suspense

There’s no going back in this apocalyptic home-invasion thriller

Praised by horrormeister Stephen King, Paul Tremblay’s shocking new novel, The Cabin at the End of the World, is an often graphic account of one family’s ordeal when their vacation is shattered in a cult-like home invasion. We asked Tremblay about the book’s origins, its dark path and his inner fears that helped forge the novel.

Author Interviews

Recent Features