Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
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In our world, librarians are a special type of hero, but the librarians in The Invisible Library dedicate their lives to saving works of fiction from alternate planes of the world.

In their quests to find the important works of fiction in different realities, Librarians spend many years training to master the Language, spoken and written magical words that are useful in telling doors to unlock or waters to rise up and flood hallways. The Language is often needed because while the Librarians feel they are preserving the books, the worlds where they take the books from believe they are stealing—a difference of opinion that leads to close calls and risky business.

The adventure begins for heroine Irene and trainee Kai when the book they need to bring back was stolen right before their arrival. In this alternate London of a vague 1890s timeframe, the world has been overtaken by a chaotic infestation. Fanciful creatures populate this dimension, and Irene and Kai need to puzzle out who the good guys are from the bad ones, all the while searching for the book that many parties are after. Vampires, dragons, the Fae and a rogue Librarian are just some of the creatures our heroes battle. Irene and Kai join forces with a detective with great powers of discernment á la Sherlock Holmes, and the biggest mystery is why the book is so valuable to so many parties.

The Invisible Library’s writing is on the wall. The premise and execution are too engaging for just one book, and this promises to be a series worth investing in for future reading. Genevieve Cogman’s debut will please bibliophiles and mystery, fantasy and adventure readers.

In our world, librarians are a special type of hero, but the librarians in The Invisible Library dedicate their lives to saving works of fiction from alternate planes of the world.

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Homicide detective Elouise “Lou” Norton is enjoying a lunch date at Johnny’s Pastrami with hunky Assistant DA Sam Seward when she gets a phone call. Her partner, Colin Taggert, calls her to a murder scene, where a body has been discovered lying in a wooded park outside of Los Angeles. The victim is a young teenage girl, which seems to fit with a recent pattern of crime in the LA area, except that the other girls in question are still missing and presumed kidnapped. This one is definitely dead.

The gruesome murder provides a fast-paced kickoff for Trail of Echoes, author Rachel Howzell Hall’s tense exploration of murder in a down-and-out LA neighborhood, and her third thriller after Land of Shadows and Skies of Ash. Hall pens an in-depth, believable portrait of the series’ black, female detective Norton, and it’s filled with realistic and whip-smart dialogue matched with tight, visceral descriptions of local scenes.

Norton and Taggert set off to inform the young victim’s mother of the tragedy, and the address turns out to be the same apartment building where Lou grew up. Like the homicide detective herself, the 13-year-old victim, Chanita, seemed to have been on a path that held the promise of escape from the gray, distressed area of housing projects where she lived. Norton finds the family apartment filled with Chanita’s expressive photographs, along with awards and citations honoring her young talent. This matches a framework common among the recent disappearances—they’re adolescents with talent and promise, all missing from the same LA neighborhood and school district, all close in age and race.

The detective and her team cast a wide net, uncovering several persons of interest: a neighborhood tough named Ontrel who claimed to be her protector; a Mexican dude named Raul Moriaga, who lives downstairs; her photography teacher and mentor, Payton Bishop; and even a selection of her mom’s old boyfriends. Important clues to identifying the murderer’s identity include the strange photograph of a flowering plant found in the victim’s bedroom and a series of creepy coded messages left anonymously for Detective Norton, including an odd statue or two posed on the hood of her car.

Full of toe-tapping, fidgety energy that’s tamped down and ready to brim over at any moment, Trail of Echoes offers an addictive read from a promising new author.

Homicide detective Elouise “Lou” Norton is enjoying a lunch date at Johnny’s Pastrami with hunky Assistant DA Sam Seward when she gets a phone call. Her partner, Colin Taggert, calls her to a murder scene, where a body has been discovered lying in a wooded park outside of Los Angeles. The victim is a young teenage girl, which seems to fit with a recent pattern of crime in the LA area, except that the other girls in question are still missing and presumed kidnapped. This one is definitely dead.

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Getting or becoming a new roommate is a spin on the lottery wheel of life. Sometimes you hit the jackpot, and sometimes you lose everything. Quinn Collins can’t believe how lucky she is to have Esther as her roommate. Sure, one time Esther became practically feral when Quinn borrowed her spices without asking. And if she’s a bit bossy, it’s only because she has Quinn’s best interests at heart, right?

Until the night Esther disappears, Quinn thinks she’s just a wonderful person and even fondly calls her Saint Esther. However, as Quinn searches for clues to Esther's unexplained departure, she uncovers disturbing facts that make her rethink all her previous impressions of Esther. Not content to idly wait the police-recommended 72 hours before searching for a missing person, Quinn scours Esther's room, only to find an ominous letter signed by EV, her roommate’s initials. The note is a love letter of sorts to a mystery person, but includes stalker-like content. Quinn also discovers that Esther advertised for a new roommate—a replacement for her. Saddened, she enlists the aid of a mutual friend to help her solve the mysteries surrounding Esther's disappearance and the facts behind the letter.

Another plotline develops when a strange young woman arrives in a town about an hour away from the girls’ apartment. Told by an adolescent obsessed with the new arrival, readers assume the girl must be Esther—or is she?

In her third novel, Don’t You Cry, Mary Kubica follows a trajectory of warmth, suspense and fear. Her skill as an author is apparent in this novel that successfully aligns opposing attributes and astonishes readers with multilayered intrigue. Readers take a sinister tour of family and personal dynamics in this tortuous, well-tempered novel of suspense.

Getting or becoming a new roommate is a spin on the lottery wheel of life. Sometimes you hit the jackpot, and sometimes you lose everything. Quinn Collins can’t believe how lucky she is to have Esther as her roommate. Sure, one time Esther became practically feral when Quinn borrowed her spices without asking. And if she’s a bit bossy, it’s only because she has Quinn’s best interests at heart, right?

Ten years ago, a serial killer in rural Pennsylvania lured Lori Cawley from the home where she was babysitting two 8-year-old girls and murdered her. Best friends Tessa and Callie were those two girls. Manipulated by police and their parents into testifying against the suspected killer, the girls have always wondered if they sent the wrong man to death row. They haven’t spoken since Tessa moved away after the trial. Now 18, Callie relies on alcohol to suppress her anxiety, and Tessa, who has been abandoned by both her mother and sister, returns to Pennsylvania to say goodbye to her dying father. Tessa’s visit stirs up questions, sending her on a dangerous hunt for answers.

The Darkest Corners is a suspenseful ride that’s really two mysteries in one: the location of Tessa’s sister and what really happened the night Lori was killed. Could Tessa’s sister be involved? A thriller at its core, the novel presents a layered view of how family, friendships and even the flawed judicial system can tear people apart if they let it.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the May 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ten years ago, a serial killer in rural Pennsylvania lured Lori Cawley from the home where she was babysitting two 8-year-old girls and murdered her. Best friends Tessa and Callie were those two girls. Manipulated by police and their parents into testifying against the suspected killer, the girls have always wondered if they sent the wrong man to death row. They haven’t spoken since Tessa moved away after the trial.
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Crime, books and libraries make for a heady combination in Murder at the 42nd Street Library, the first in a new series by Con Lehane that mixes mystery with some of America’s most famous institutions of higher reading.

The librarian/sleuth of this tale is Ray Ambler, who curates the crime fiction collection at the lion-guarded flagship building of the New York Public Library in midtown Manhattan. In addition to its many literary allusions, the book is bursting with Big Apple sights, sounds and liveliness, with many neighborhoods, ballparks and landmarks sure to strike a chord with Manhattan aficionados.

Not one, but two people are murdered early on, one in a library office close to Ambler's, the other in Bryant Park near the library. The dead man in the park is a famous crime author whose papers have just been donated to the library’s crime fiction collection. Unable to help himself, Ambler begins to investigate. Not only is he an expert on every conceivable aspect and perpetrator of fictional crime, he also has the acquaintance of real-time NYPD homicide detective Mike Cosgrove, and the two hook up to look into the backstory of these oddly coincidental crimes. Working their sometimes separate, sometimes diverging trajectories, they begin the task of smoking out a murderer.

Murder at the 42nd Street Library operates on a kind of slow burn, increasing in tension—and complications—as the pages progress. In fact, at times the characters can get downright confusing. Readers may need a cheat sheet in order to keep track of Max, Nelson, Kay, Laura Lee, Lisa, Jim, Dominic, Adele, Bennie, Arthur and Harry against a convoluted backstory that involves plenty of odd marriages, extramarital dalliances, sex with minors, intrigues and betrayals. Just about everyone’s lying about something.

There’s a cool youngster named Johnny who brings a welcome air of innocence to this often-tawdry tale of adults who just can’t seem to keep their dalliances and power trips under control. Our hopes lie with Johnny and those who support and protect him.

Ambler the librarian has a disarming, low-key aura that wins us over, along with his well-calibrated iron fist/velvet glove shtick. And wait for it, there’s a honey of an unexpected ending.

Crime, books and libraries make for a heady combination in Murder at the 42nd Street Library, the first in a new series by Con Lehane that mixes mystery with some of America’s most famous institutions of higher reading.

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Draco Incendia Trychophyton—also known as Dragonscale—is a deadly spore that causes people to spontaneously combust. Theories on its origin range from the melting ice caps to biological weaponry to a simple evolutionary turn. Elaborate—beautiful, even—black and gold tattoo-like markings identify those who are infected. Because there is often no warning before a person ignites and there is no cure, paranoia and hysteria spread like, well, wildfire. Eventually, cities burn and civil order dissolves, with ruthless and sinister Quarantine Patrols and Cremation Crews driving the infected into hiding. 

The titular character of Joe Hill’s fourth novel (following, most recently, NOS4A2), John Rookwood, is not an actual fireman, but a mysterious, charismatic Englishman. He wears a firefighter’s uniform because it not only hides his markings, but also allows him to be in the open without arousing suspicion. The heart of the book, though, is Harper Grayson, an elementary school nurse with compassion, gumption and an affinity for Mary Poppins. Harper is infected, frightened, alone and pregnant when John leads her to an underground community of infected folk who show her that it is possible to live in harmony with the spore. Soon, though, it becomes clear that safety does not always lie in numbers and that there is as much to fear inside the camp as outside.

With plenty of pop-culture references and playfully meta moments (like when characters discuss what they would do if they were in a movie or book), The Fireman is a bona fide, post-apocalyptic page-turner that’s equal parts touching and pulse-pounding, surprising and awe-inducing. The icing on the metaphorical cake? Easter eggs referencing his father Stephen King’s works—ranging from Hill’s use of “shine” as a verb of the supernatural variety to one character murderously swinging a shovel “like a croquet mallet”—pepper the book, delighting this fan of both writers.

 

This article was originally published in the May 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Draco Incendia Trychophyton—also known as Dragonscale—is a deadly spore that causes people to spontaneously combust. Theories on its origin range from the melting ice caps to biological weaponry to a simple evolutionary turn. Elaborate—beautiful, even—black and gold tattoo-like markings identify those who are infected. Because there is often no warning before a person ignites and there is no cure, paranoia and hysteria spread like, well, wildfire. Eventually, cities burn and civil order dissolves, with ruthless and sinister Quarantine Patrols and Cremation Crews driving the infected into hiding.

You won’t want to close the book on this one. The new thriller by Michael Robotham, Close Your Eyes, is reason to stay up late.

Clinical psychologist Joseph O’Laughlin is reluctant to once again take on the role of detective—after seven previous adventures, he thought he’d given it up to live out a peaceful retirement—but when a former student, Milo Coleman, calling himself “the Mindhunter,” begins to jeopardize the police investigation, he can no longer stand by idly. With his reputation in danger, Joe sets out to smooth over the ruffled feathers of the police and to calm a groundswell of public anger over the brutal unsolved murders of a mother and her teenage daughter.

Joe soon discovers why police are having such a difficult time as a bevy of suspects, each with possible motives and opportunity, present themselves in the case. The further his investigation carries him, the more dark secrets and potential victims of a ruthless criminal come to light, giving rise to a possible serial murderer in the town’s midst.

The mystery and suspense is reason enough to keep reading, but Robotham ups the ante with a rousing family drama that adds an emotional complication to his lead’s life. Joe, who already must deal with his own bout of Parkinson’s disease, learns his former wife has cancer and must undergo surgery, leaving him to care for his two young daughters. Perhaps unwisely, he even takes his eldest daughter, teenager Charlie, under his wing while investigating the murders.

Robotham drafts brilliantly descriptive passages that paint vivid scenes and sweep readers along in the narrative. It’s easy to sympathize with Joe both in the course of his investigation, and more importantly, in his family life.

The entire novel comes cascading down to a thrilling climax and reveal of the true villain in typical Robotham fashion.

You won’t want to close the book on this one. The new thriller by Michael Robotham, Close Your Eyes, is reason to stay up late.

Maya Stern was a firsthand witness to her husband’s brutal murder by a pair of thieves, so how is it possible that he would be seen days later, playing with her two-year-old daughter, on footage captured by a nanny cam? Finding the answer, and perhaps even her husband, propels the riveting narrative of Harlan Coben’s new thriller, Fool Me Once.

When the picture card inside the nanny cam goes missing, Maya has no evidence to back up what she saw, and anyone she tells is more than reluctant to believe her. But Maya, a former Army captain with plenty of command experience, isn’t one to just let things go. She naturally takes it upon herself to get to the truth, following a trail of clues past and present, uncovering new twists in the puzzle along the way.

Coben’s mastery as a first-class storyteller is evident from the opening pages as we meet Maya at her husband’s funeral, still dazed and overwhelmed by feelings of grief and loss. Readers can easily sympathize with Maya and embrace her as she reels from one tragedy to the incredible event of seeing her husband alive again on the nanny cam.

With readers hooked, Coben steers the narrative with a methodical slow build, as Maya retraces her husband’s past to a pair of previous deaths going back to his college days, while uncovering a slew of family secrets. Through Maya, readers are forced to ponder just how much you really know about someone and how far they’ll go to blind themselves to the truth.

Maya’s journey comes to an unexpected climax as Coben unravels a patented twist, making the methodical investigation of the book worth the wait.

Fool Me Once is the first of Coben’s 25 novels to be told entirely from the perspective of a female protagonist, resulting in a new experience for longtime fans and an excellent jumping-on point for new readers.

Maya Stern was a firsthand witness to her husband’s brutal murder by a pair of thieves, so how is it possible that he would be seen days later, playing with her two-year-old daughter, on footage captured by a nanny cam? Finding the answer, and perhaps even her husband, propels the riveting narrative of Harlan Coben’s new thriller, Fool Me Once.

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Sherlock Holmes groupies will need to adjust their sights while reading Laurie R. King’s latest Sherlock Holmes and Mary Russell mystery, The Murder of Mary Russell. Fans of the series who’ve bought into the fiction that Holmes would’ve ever married in the first place must now further adapt to the idea that the loyal Mrs. Hudson has a lot more to her than sweeping up after Holmes or bringing his breakfast.

King has taken off at full speed on an imaginative if totally far-fetched construction of Clara (or is it Clarissa?) Hudson’s past that creates a whole new storyline and even sets readers up for an exciting sequel. By the end of this fast-moving story, Mrs. Hudson and her longstanding companion, Billy, are party to the new possibility of life separate from their relationship with the famous detective and his wife, Mary Russell.

Russell, at home alone on a spring day, answers her door to a stunning surprise—a rough-and-tumble Australian who claims, with proofs that Russell cannot deny, that he is her landlady’s son. After this shocking confrontation at the Holmes farm in Sussex, Russell disappears, leaving behind a knife and a trail of blood—and one crucial object that offers Holmes a clue to the intruder’s identity.

Mrs. Hudson and Holmes fear for her life, and Holmes sets off on a desperate hunt to discover more about the man he has identified as Samuel Hudson. Tracing the man and his travels brings to the surface all of Holmes’ past history with the woman who would become his landlady, and delves into the exciting back story of her youth, enlivened by her scoundrel of a father and his maritime adventures, as well as a murder that will change both her future and that of Holmes.

Readers, as well as a shocked Russell, will soon have to re-evaluate everything they ever thought they knew about the housekeeper and her relationship to the famous detective, and Russell will be forced to revisit all her underlying knowledge and affection for the woman who has become such an integral part of her life.

Of course we know to take the book’s title with more than a grain of salt. But once you’ve bought into King’s fancies about this ever-growing stable of uncommon characters, get set for more adventures, ones that Conan Doyle surely never envisioned in his wildest dreams.

Sherlock Holmes groupies will need to adjust their sights while reading Laurie R. King’s latest Sherlock Holmes and Mary Russell mystery, The Murder of Mary Russell. Fans of the series who’ve bought into the fiction that Holmes would’ve ever married in the first place must now further adapt to the idea that the loyal Mrs. Hudson has a lot more to her than sweeping up after Holmes or bringing his breakfast.

Review by

Rain Dogs, the fifth in Adrian McKinty’s Detective Sean Duffy crime series, glows with luminous portraits and firmly anchored scenes. Readers don’t have to search for some kernel of illumination in what the author is saying—it’s there in plain sight, a welcome change from many of the overstuffed tomes of the current day. There’s barely a wasted word, and actions are never belabored—the phone never rings, you just get “Briiinnnggg.” Yet the book contains everything for the crime enthusiast, including a locked room (or should I say, castle), a brisk procedural, mystery with a noir look and great dialogue. It’s all set smack in the midst of the “Troubles” in 1980s Belfast, Northern Ireland.

Early one morning, a young journalist named Lily Bigelow is found dead beneath a high parapet inside the walls of the Anglo-Norman Carrickfergus castle, a tourist venue just outside Belfast. Search after search of the courtyard, dungeons and battlements appears to show that no one (unless it was the night watchman) could have killed her, though there appears to be no reason why she’d jump to her death.

Detective Duffy painstakingly retraces Lily’s tracks leading up to her death, delving into her recent conversations with fellow journalists and her assignment accompanying a Finnish trade mission to Northern Ireland as they decide whether to open a business in the Belfast area. Duffy is closely accompanied by Detective Constable Lawson, a cheeky, dead-smart lad full of dry observations—the perfect counterpoint to Duffy, who often wonders if the joke’s on him. Duffy is a flawed, vulnerable Irishman, 40-ish and struggling to convince himself—or maybe us—that his just-under-30 girlfriend isn’t too young for him. He’s fun and down to earth, and he talks to the reader in abbreviated sentences, so we’re drawn right into the snap of the book’s dialogue.

Pointedly, McKinty makes us aware of the daily dangers in Northern Ireland, as Duffy checks his car for bombs before each trip. The tragic murder of one of his colleagues is expressed simply, with stark effect. On the other hand, Duffy is full of humorous asides about his colleagues: “I said hey to some grizzled old cops who looked like rejects from Jim Henson’s Creature Shop.”

McKinty’s writing is so good it makes your head spin, and Rain Dogs has it all: intriguing plot, good Irish humor and a straightforward telling.

Rain Dogs, the fifth in Adrian McKinty’s Detective Sean Duffy crime series, glows with luminous portraits and firmly anchored scenes. Readers don’t have to search for some kernel of illumination in what the author is saying—it’s there in plain sight, a welcome change from many of the overstuffed tomes of the current day.

Words can hurt, and in the case of Owen Laukkanen’s compelling, thought-provoking new thriller, The Watcher in the Wall, they can be enough to kill.

Laukkenen’s recurring FBI agents Kirk Stevens and Carla Windermere pursue an Internet troll who encourages fragile teenagers to commit suicide, while recording their final moments via webcam for a black market on the dark web. The case takes on a deeper meaning for Windermere, who continues to berate herself over a past mistake in which she stood by as a fellow classmate was bullied in school to the point she one day never came back. Catching the predator in this case serves as a chance, however slight, for redemption. Interestingly, in the acknowledgements, Laukkanen admits he also dealt with depression and suicidal thoughts as a teenager, making the book even more deeply personal.

Laukkenen’s fast-paced prose and short chapters pull readers along on a cross-country pursuit to identify the predator behind the online suicide forum and stop him before he can rack up more victims. They encounter numerous technological roadblocks along the way and must rely on help from the FBI’s crack technology team to penetrate the suspect’s cybertrail.

Laukkenen based the novel in part on the real-life case of William Melchert-Dinkel, a Minnesota man whose online “encouragement” drove an Ottawa teen to commit suicide in 2009, and who is suspected of entering into fake suicide pacts with at least five other victims. If parents were afraid of whom their impressionable kids are socializing with online before, they will only be more wary after reading this eerily timely and poignant book.

Readers of Laukkanen’s earlier novels in the FBI series, including The Professionals and The Stolen Ones, need not worry that the case is a mask for social commentary, however. It’s a true page-turner up to the final act, which quickly escalates into a fiery exchange of gunfire and action-packed pursuit of the perp.

Words can hurt, and in the case of Owen Laukkanen’s compelling, thought-provoking new thriller, The Watcher in the Wall, they can be enough to kill.

Running away from your problems isn’t the best option. Plenty of people, real and imagined, have tried and failed. The problems, however serious or minute they may be, always seem to catch up with them in the end.

No one apparently told that to Tanya/Amelia/Debra/Emma/Sonia/Paige/Jo/Nora, the narrator in The Passenger, the latest thrilling novel from Lisa Lutz, an Edgar Award nominee and the New York Times bestselling author of the Spellman Files series. Try as she might, Lutz’s “gone girl” sheds one identity for another in rapid succession, hoping to find one that will stick and offer her a chance to begin again. Part of the fun of the novel is trying to figure out who she really is.

Unfortunately for Lutz’s main character, her past secrets and misdeeds constantly nip at her heels. Just when it appears she’s about to find some semblance of peace, something or someone threatens to undo everything and expose her. Whether it’s a flimsy backstory, a forged driver’s license or a persistent detective on her trail, before long, she’s on the run again.

Admit it—we’ve all wanted a chance for a do-over at some point in our lives. Readers will know the choices the protagonist is making are wrong, but the thrill of the chase, and perhaps the promise of it all crashing down in the end, will keep them turning the pages and rooting for her just the same. That’s a credit to Lutz’s deft storytelling, as she’s able to goad readers into sympathizing with her narrator while baiting them with just enough clues to foster doubt in her truthfulness. After all, and as Lutz’s narrator points out right from the outset, “I don’t have an alibi, so you’ll have to take my word for it.”

Running away from your problems isn’t the best option. Plenty of people, real and imagined, have tried and failed. The problems, however serious or minute they may be, always seem to catch up with them in the end.

Review by

The Singing Bone, the debut spine-chiller from Beth Hahn, is a concoction of sophistication and surprise. The book takes readers into the heart of the charismatic and sinister Jack Wyck and his cult-like coterie of young followers, presenting an unsparing look at the unsettling power of its manipulative leader. 

In the 1970s, a small group of teens fall under Wyck’s spell, and chapters alternate between the young people as we first meet them and some of those same characters 20 years later, after the terrible deeds have long been done. While flashbacks in fiction can often seem superficial or confusing, Hahn has used the technique here with great success, as the cumulative effect of the years becomes clear in her extraordinary telling. As the chilling Wyck holds the group in thrall, little by little readers come to understand the tragic extent of his mesmerizing influence and ability to shape the young minds he holds in an unrelenting grip.

Sometimes hard to read but always riveting in detail and nuance, The Singing Bone begins with 17-year-old Alice Pearson as she falls under Wyck’s spell along with friends Molly, Stover and Trina. They join Wyck’s bizarre household, one that already includes a wily young man named Lee and an enigmatic woman named Allegra—who may be either a victim or an accomplice. They appear to aid Wyck as he unrolls schemes to defraud innocent families whose soldier sons are missing in the Vietnam conflict.

The early years center on issues within the group, as members of the “household” vie for Wyck’s affections and a prime place, literally, in his bed. Horrific evidence begins to surface that Wyck’s deceptions and trickery have been used many times before, with similar tragic consequences. Years later, Wyck’s surviving victims struggle to gain a semblance of normality in their lives, while Wyck sits in prison awaiting parole, still exerting an uncanny ability to control from behind bars.

Near the end, a researcher looking into the past events imagines one person who might “leave the house, abandon Jack Wyck, return to his own life—but he knows that magic doesn’t exist. The images of freedom won’t save the boy.” Hahn’s prose, simple and never overdone, underlines the dramatic and lasting consequences of all that was surrendered.

The Singing Bone, the debut spine-chiller from Beth Hahn, is a concoction of sophistication and surprise. The book takes readers into the heart of the charismatic and sinister Jack Wyck and his cult-like coterie of young followers, presenting an unsparing look at the unsettling power of its manipulative leader.

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