Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
Previous
Next

Sign Up

Get the latest ipsum dolor sit amet, consectetur adipiscing elit.

All Mystery Coverage

Filter by genre
Review by

Italian-born author Elsa Hart lived in China for a time, absorbing knowledge of its history, customs and manners, and in her exceptional debut mystery, Jade Dragon Mountain, she evokes its essence for readers in often dreamlike, mesmerizing prose.

Scholar Li Du is in exile, wandering the geographic borders of 18th-century China, far from the imperial capital and his former role of librarian in the Forbidden City. Traveling alone, he arrives in the city of Dayan just a few days before a visit by the Emperor of China, an event carefully planned to demonstrate the ruler’s ability to predict a solar eclipse—a wondrous and frightening occurrence to be viewed by thousands, acknowledging the Emperor’s infinite power to command the heavens. Just before Li Du prepares to leave the city, an elderly Jesuit scholar is murdered in the home of a local magistrate, who insists Li Du delay his departure and apprehend the killer before the Emperor arrives.

The former librarian uses his observational acuity, scientific learning and familiarity with Jesuit culture to seek out the criminal. In this ancient culture where manners often conceal impulse, he begins to discover the secrets of those with a possible motive: a foreign merchant who brings wondrous instruments of science to entice the ruler; an anxious young priest; the magistrate’s consort, who finds her political power has become tenuous; a quiet and efficient secretary; and a traveling storyteller whose tales promise magic and mystery.

China’s ancient custom of taking tea is central to the Jesuit’s murder, and the author describes the journey of the leaves over many miles to reach the cities, as they absorb “the scents of the caravan: horse sweat, the musk of meadow herbs, and the frosty loam of the northern forest,” allowing those tasting the tea to “follow in their mind the entire journey of the leaves, a mapped trajectory of taste and fragrance.” A similar journey of the senses awaits readers of this book. The intricate, detailed mystery never disappoints, but Hart’s descriptions set the book apart, illuminating a world for readers to savor.

Jade Dragon Mountain is a compelling look into an ancient culture driven by intellectual curiosity, powerful symbolism and customs, overlaid by the gauze of appearances.

Italian-born author Elsa Hart lived in China for a time, absorbing knowledge of its history, customs and manners, and in her exceptional debut mystery, Jade Dragon Mountain, she evokes its essence for readers in often dreamlike, mesmerizing prose.

Review by

Imagine a world in which the Nazis were victorious in World War II. Guy Saville takes that perilous route in his new thriller, The Madagaskar Plan, a sequel to his first novel, The Afrika Reich, with a third to follow in the author’s alternate history trilogy.

In April 1953, victorious Germany has consolidated its power, and the Reich, now called Germania, stretches from the Rhine to the Ural Mountains. Much of the story centers on the mineral-rich continent of Africa, where rule is divided between Britain and Germany. America, which never entered the war, remains politically isolated from the current fray, although a powerful Jewish lobby courts the U.S. president, ensuring his election.

As for the Jews, instead of the extermination camps of history, Saville imagines that millions are in the process of being forcibly “resettled” on the island of Madagaskar off the African coast, most slated for eventual extermination. On the island, there are ruptures among several factions in the Jewish community and hints of violent revolution.

Into this imagined political and social milieu steps Burton Cole, a British ex-mercenary who has recently failed in an attempt to assassinate the current Kongolese governor, the wily, ambitious Nazi Walter Hochburg, who is pursuing Jewish scientists that have knowledge of a mega-weapon the Nazis covet. He’s also eyeing British-controlled Northern Rhodesia for a possible takeover, while Britain is developing its own plan for getting America involved in the looming struggle. This thrilling tale is also a sprawling and expansive romance, as Burton seeks to rescue his Jewish lover, Madeleine, from the island of Madagaskar, where she is held after being betrayed by her husband, Jared Cranley.

The Madagaskar Plan is layered with conspiracy upon conspiracy, as characters betray those closest to them in the battle for power and territory in a grim post-war world. Dark passages about the thousands of displaced souls struggling to survive—and retake their freedom—alternate with lyrical prose that defines the strength of the human connection. It succeeds as a standalone read, as a prologue brings readers up to date with a concise description of Saville’s alternative world, while an intriguing author’s note explains the very real history behind the book: a Nazi plan to “quarantine” Jews in Poland beginning in 1939, and the subsequent unsuccessful Nazi “Madagaskar-Projekt,” hatched by SS leader Heinrich Himmler in 1940.

Imagine a world in which the Nazis were victorious in World War II. Guy Saville takes that perilous route in his new thriller, The Madagaskar Plan, a sequel to his first novel, The Afrika Reich, with a third to follow in the author’s alternate history trilogy.

Review by

The fictional town of Idyll, Connecticut, is anything but idyllic for a gay police chief in 1997.

Former New York City detective Thomas Lynch recently became the Idyll police chief in an attempt to flee his guilt regarding his NYC partner’s on-duty death. In the 1997 macho police world, gay jokes are abundant, and though Lynch is out to his family, he keeps his personal life hidden from his colleagues. Everything threatens to collide when a chance sexual encounter places Lynch in the path of a young woman who’s murdered on a golf course only a few hours later. Lynch decides to solve the murder without revealing he had encountered the victim. Leading his team of officers is his first true test as chief, and he must balance being a confident leader with being one of the boys. Adding further drama is the town’s mayor, who wants the murder solved quickly to avoid negatively influencing the town’s huge festival, Idyll Days. Lynch’s diligent police work, mixed with intuition and a bit of subterfuge, ultimately triumphs, both in solving the murder and earning his men’s respect.

The story’s backdrop features small-town staples such as a Founders Day festival, a postal worker who knows everything and relatives who work in the various town departments. Author Stephanie Gayle’s attention to realistic details creates a fun portrait of small-town America.

Readers will hope that Gayle won’t be idle, and that this book will be the first of many with Thomas Lynch as the multidimensional and likable police chief.

The fictional town of Idyll, Connecticut, is anything but idyllic for a gay police chief in 1997.

Review by

Veronica Speedwell, the Victorian sleuth in A Curious Beginning, is observant, outspoken and a bit risqué. Fans of Deanna Raybourn’s Lady Julia series will be delighted with this intrepid new heroine in what promises to be a vastly entertaining series.

Readers meet the scientific butterfly-net carrying protagonist immediately after the funeral of her lifelong chaperone. Rather than feeling distraught about being alone in the world, Veronica relishes the idea. Upon returning home from the funeral, a heretofore unknown benefactor offers her transportation to London, and she readily jumps at the opportunity, thus launching a series of events that all center on her mysterious origins. Although unconvinced that someone is after her or something she possesses, Veronica agrees to her benefactor’s request to stay with Mr. Stoker, a damaged man who’s hiding under this alias. Stoker is an explorer, a taxidermist extraordinaire and rather rough around the edges, and their relationship at times sizzles and always provides entertainment with their bickering.

Veronica and Stoker flee London and find sanctuary with a traveling show. In order to remain with the troupe and earn their keep, they must become an act in the show. But after only a few performances, they’re on the run again, this time back to London—where Veronica’s mysterious benefactor has been murdered.

While they piece together clues and try to determine which pursuers are good guys and which are bad, Veronica and Stoker ultimately unravel the surprising secret of her parentage. Readers can be assured that many more adventures are in store for this duo.

Veronica Speedwell, the Victorian sleuth in A Curious Beginning, is observant, outspoken and a bit risqué. Fans of Deanna Raybourn’s Lady Julia series will be delighted with this intrepid new heroine in what promises to be a vastly entertaining series.

In a Dark, Dark Wood by Ruth Ware is every adult’s worst nightmare. In her debut novel, Ware rips off the Band-Aids binding her characters’ adolescent scars in order to reopen unforgettable, unforgivable wounds. The question here is whether protagonist Lenora Shaw is wounded, dangerous or both.

Now in her late 20s, Lenora is a crime writer. She’s perfectly content with her adult life of guarded and precise routines. That is, until she accepts an invitation to attend the bachelorette weekend of her former best friend, Clare, in a remote, off-the-grid house in the snow-covered woods. It was Clare who had helped Lenora through the most horrible time in her life—when something happened to her high-school sweetheart, James. Clare had helped Leonora out of that mess when James sent that text telling her to never talk to him again. Leonora owes Claire, doesn’t she? But why, after 10 years without a word, has Clare suddenly invited Lenora to attend her bachelorette weekend? After all, she wasn’t even invited to the actual wedding. But as Leonora and those who know Clare best know, it’s all about Clare and what Clare wants. And Clare doesn’t want anything—or anyone—to interfere with her wedding, which is to none other than James.

After waking up in a hospital bed with bruises, blood and lacerations on her body, Leonora attempts to piece together what happened during the bachelorette weekend. But she can’t remember everything. And what she does remember, she wishes that she didn’t.

With its clever plot and a room of suspects, In a Dark, Dark Wood reads like an ode to Agatha Christie and Alfred Hitchcock. Fast paced chapters are laced with literary allegories from the great classic crime novels, which serve as clues for the reader to try to Sherlock out what happened before Leonora uncovers her next memory . . . if Leonora’s memory can be trusted at all. 

In a Dark, Dark Wood by Ruth Ware is every adult’s worst nightmare. In her debut novel, Ware rips off the Band-Aids binding her characters’ adolescent scars in order to reopen unforgettable, unforgivable wounds.
Review by

There are plenty of ugly childhoods, traumas and bad starts to go around in Mary Kubica’s Pretty Baby, a new psychological thriller that comes hard on the heels of the author’s debut novel, The Good Girl, which hit a number of “best” lists in 2014.

This new thriller is narrated from three different viewpoints, and—as the author no doubt intends—it’s sometimes hard to identify where falsehoods end and reality begins. Kubica skillfully depicts the emotionally scarred psyches, moods and internal meanderings of her characters while ratcheting up the tension with each succeeding chapter.

Do-gooder Heidi Wood volunteers at the local soup kitchen, tutors students in ESL and rescues stray animals from city alleyways. But she ups the ante when, without first telling her husband or preteen daughter, she initiates another, more intensive pickup. After discovering a ragged, homeless teen and her baby on a freezing Chicago street, Heidi brings them into her home, where an overnight respite turns into a much longer stay, punctuated by growing suspicions on the part of Heidi’s husband, Chris, as to what baggage young Willow has brought into their home.

As Willow tells her part of the narrative, filled with foster homes and wayward stepfathers, readers also begin to feel uneasy about Heidi’s obsession with the child, as her own hidden and terrible grief surfaces in this intense, addictive psychological thriller.

Intermingling with the stories spun by Willow and Heidi, readers hear from Chris, a workaholic who has plowed ahead with his life and career without considering what his wife has been going through. And after all, there’s his sexy, emotionally unencumbered office assistant offering an attractive sideline, should he choose to take it. He says: “Heidi and I rarely hold hands. We’re like the wheels of a car: in sync but also independent.” This may be admirable, but here it’s also a definite clue to how easily things can go wrong when you don’t pay attention. As household aggravations escalate and suspicions about Willow’s past take shape, Chris is finally galvanized to action, as events in Heidi’s life begin to spin out of control. But is there time to avoid a family disaster?

The story uncoils chapter after chapter in this unpredictable story, where readers are kept in suspense until the last page—and perhaps beyond.

There are plenty of ugly childhoods, traumas and bad starts to go around in Mary Kubica’s Pretty Baby, a new psychological thriller that comes hard on the heels of the author’s debut novel, The Good Girl, which hit a number of “best” lists in 2014.

Review by

For some college is about fresh starts, new friends and big adventures. When Chad wants to make the most of his time abroad at Oxford, he befriends Jolyon, a jovial, well-liked first-year student. The two share great camaraderie, and together they design an innocent game meant to mimic the inherent risks and consequences of life. Needing six to realize the game, they invite four others to participate with an enticing reward.

But those closest to you have the ability to use your greatest fear against you, and this harmless game of dares and consequences evolves into psychological warfare, and after a horrifying incident, The Game is suspended.

Now, 14 years later, The Game resumes. This lapse in time was enough for the players to mend from the psychological stress—except for Jolyon, whose neurosis immobilizes him into a shuddering recluse, damaging his love life and career and impairing the simplest of everyday physical activities such as dressing, eating and going outside. Now that The Game has even higher stakes, Jolyon sets out to retell the story of his first year at Oxford so he can get the story straight and get his life back. More than just a fable of his youthful follies with friends, his story holds secrets unknown to the final players—but they have hidden confidences, too.

Christopher J. Yates shines with his first book, Black Chalk, a grippingly dark narrative set in 1990s Oxford and present-day New York. Yates creates calculated threads, knotted with friendship and romance, and slowly reveals frightening character traits for a thrilling read. One question will remain with readers: What do your friends know about you, and how far would they take that truth?

For some college is about fresh starts, new friends and big adventures. When Chad wants to make the most of his time abroad at Oxford, he befriends Jolyon, a jovial, well-liked first-year student. The two share great camaraderie, and together they design an innocent game meant to mimic the inherent risks and consequences of life. Needing six to realize the game, they invite four others to participate with an enticing reward.

Review by

It takes only a few pages of the suspenseful mystery After the Storm to hurl readers into the heart of a violent tornado touching down near the little town of Painters Mill in rural Ohio, bringing widespread destruction and even the death of an infant. In the twister’s aftermath, a different kind of damage works its way to the surface, as Chief of Police Kate Burkholder is called to the site of an old barn where human bones have been unearthed in the wake of the storm.

Linda Castillo is the author of six previous Burkholder mysteries, set deep in Amish country where the author was raised. She skillfully weaves the attitudes and habits of the Amish Ordnung—the disciplines of this religious community—with clear, dramatic portraits of the people who still follow the sect’s old ways in today’s modern world. Amish phrases add a distinct flavor to the narrative and are never confusing or out of place, providing readers with a bedrock sense of place and atmosphere.

Burkholder, originally from a conservative Amish family,  pursues her life and career outside the confines of that faith, but readers sense the detective’s affection for her family, despite their disapproval that she’s left the fold, as well as her respect for the plain—and often misleading—face the Amish community presents to outsiders. In After the Storm, that plain face turns violent, as Kate and her team search for the identity of the 30-year-old bones, leading her to terrible secrets that will upend a seemingly peaceful, bucolic world. The bones tell the story of an unimaginable atrocity whose legacy continues to scar lives right into the present day.

The author introduces the additional counterpoint of a secret that Kate carries in her own life, one that’s bound to affect her new relationship with state investigative agent John Tomasetti. The interplay of the couple’s feelings for each other can be tender and dramatic, at times terse and cutting, but always authentic.

After the Storm deftly follows a story of modern-day crime detection as it grinds against the implacable ways of a community bound by ties so strong that violence and betrayal seem to be their only destiny.

It takes only a few pages of the suspenseful mystery After the Storm to hurl readers into the heart of a violent tornado touching down near the little town of Painters Mill in rural Ohio, bringing widespread destruction and even the death of an infant. In the twister’s aftermath, a different kind of damage works its way to the surface, as Chief of Police Kate Burkholder is called to the site of an old barn where human bones have been unearthed in the wake of the storm.

Review by

Noir fans will find plenty to like in The Devil’s Share, the fourth book in Wallace Stroby’s series featuring professional thief Crissa Stone. It’s a classic of the genre and a perfect example of just how badly things can go wrong for anyone, even an obsessive planner like Crissa, who picks up on any tiny deviation from her carefully organized heists.

As for the theft proposed in Devil, what could possibly go wrong? Stone is working with a wealthy art collector named Cota, who plundered Iraqi art treasures from their native country but has agreed to return them in exchange for the promise that he’ll suffer no legal consequences. Now, however, he’s found a secret buyer for the problematic art and hires Crissa to steal the lot back while they’re on their way home—all the better to end up in his hands again.

Crissa asks all the right questions but hasn’t quite planned for Hicks, Cota’s head of security, and his coterie of ex-Marines, who have their own code of conduct, not to mention their own plans as to how this operation should go. She gets blindsided by the ruthlesss Hicks, barely escaping with her life after a confrontation in the Nevada desert. Crissa’s carefully honed competence must kick into high gear as she works to outwit her adversaries before they can eliminate her.

Crissa is poised to join the elite ranks of literary “bad guys” of the caliber created by Elmore Leonard and Donald Westlake (aka Richard Stark), and she doesn’t have a lot of sympathy to waste on folks who try to find her “redeeming” virtues. She is who she is, neither charming nor humorous, but in brief, poignant scenes throughout the book we see glimpses of her troubled, lonely life and the people with whom she clearly possesses a bond of loyalty—a lover/mentor who’s in jail for the long haul; her friend and partner-in-crime, Chase; and her daughter, who has no clue about Crissa—all those whom she loves but cannot ever really reach.

This taut story has no wasted words, and it packs a singular punch.

Noir fans will find plenty to like in The Devil’s Share, the fourth book in Wallace Stroby’s series featuring professional thief Crissa Stone. It’s a classic of the genre and a perfect example of just how badly things can go wrong for anyone, even an obsessive planner like Crissa, who picks up on any tiny deviation from her carefully organized heists.

Review by

Lapland, in the far north of Sweden, is a strange and mysterious place, and this epic novel by Swedish author Stefan Spjut reflects every bit of its otherworldly mystery. It’s not a quick read; it’s the kind of book you want to live with for a while. Characters and situations are introduced without any explanation of their relationships to each other or their surroundings, but patient readers will be rewarded: Much of the book’s pleasure comes from the slow and shocking revelations of the story’s architecture as it progresses.

Shapeshifters begins in 1978, when a 4-year-old boy is abducted while he and his mother are vacationing at a cabin in northern Sweden. The mother swears a giant stole her son; no one believes her, and the mystery is never solved.

Twenty-five years later, a woman named Susso who runs a blog about mysterious creature sightings—Bigfoot, aliens and of course, because this is Sweden, trolls—gets a call from an old lady who has seen a strange person standing outside her house. Susso checks it out, and manages to get a photo of the creature, who looks vaguely but not exactly like a tiny old man. Soon after, the old lady’s grandson vanishes, and Susso finds herself at the heart of a missing-child investigation that lines up oddly with her search for the strange little man.

Elsewhere, an act of violence shatters a cult-like family of outsiders who maintain a guest house inhabited by unspecified but dangerous beings. Nothing about their situation is explained directly; we see them through the eyes of Seved, a young man whose relationship to the other adults is somewhere between servant and heir.

There’s much more: clever animals that aren’t what they seem, ineffective cops, territorial snowmobilers and the real story behind the shipwreck that killed famous Swedish artist John Bauer. As Susso’s and Seved’s paths converge, we gradually come to understand more and more about where they are and how they got there. The more we understand, the more disturbing it gets. At the risk of revealing too much, trolls aren’t the scariest thing in the book.

Though he preserves certain mysteries as long as he can, Spjut relates two aspects of the story with perfect clarity. One is the physical world: The natural landscape is vivid and specific, and crucial to the story, as befits any tale set in Lapland. The other is the day-to-day texture of life: how people talk, the importance of coffee, what the hotel restaurant tablecloth looks like. These details build a completely realistic world around equally realistic characters, which makes the strangeness at the story’s core all the more effective.

Lapland, in the far north of Sweden, is a strange and mysterious place, and this epic novel by Swedish author Stefan Spjut reflects every bit of its otherworldly mystery.

Most readers probably imagine their favorite author as thoughtful and deep—someone bursting with insight into life and empathy for all creation. From the outside, that’s what Henry Hayden appears to be. Modest despite the five-and-counting bestsellers that bear his name, he seems to be devoted to his wife, loyal to his friends and eager to sign books for the fans who travel to his remote village just to meet him. But he’s a fraud: Every word of his novels was written by his publicity-shy wife, Martha. His role is to take the credit—and enjoy the mansion, Maserati and mistresses that come with fame.

Then Henry’s girlfriend tells him she’s pregnant. Desperate to protect his perfect life, he commits a violent act that turns out to be a huge mistake. Now Martha is missing, and he must prove he’s not to blame. To do so, he’ll have to use his manipulative charms on an entire cast of amoral schemers—including Betty, the mistress who hopes to wed him; Gisbert, the sad-sack ex-schoolmate who can’t forgive Henry’s childhood cruelty; and Obradin, the brooding Serbian best friend who’d do anything in the name of loyalty. As the carnage piles up, the truth about Henry’s past threatens to close in on him.

The Truth and Other Lies is told from Henry’s point of view and incisively presents the mind of a narcissist—a man who can commit murder, yet pat himself on the back for “doing good and feeling good at the same time.” Henry’s cynical worldview provides flashes of mordant humor: Fearing arrest, he takes the scenic route to the morgue because “he wanted to make the most of his last opportunity to drive the Maserati.” And his schemes result in ironic plot complications that rival those of “his” acclaimed thrillers. Henry may lack literary talent, but as a criminal he authors an unfolding catastrophe that readers will relish.

Most readers probably imagine their favorite author as thoughtful and deep—someone bursting with insight into life and empathy for all creation. From the outside, that’s what Henry Hayden appears to be. Modest despite the five-and-counting bestsellers that bear his name, he seems to be devoted to his wife, loyal to his friends and eager to sign books for the fans who travel to his remote village just to meet him. But he’s a fraud: Every word of his novels was written by his publicity-shy wife, Martha.

Review by

Great psychological thrillers work on two levels: as action-based mysteries and as emotionally resonant personal stories. Jenny Milchman balances both in As Night Falls, as slightly anxious counselor Sandy Tremont faces murderers on her doorstep and secrets from her past with equal intensity.

Milchman creates tension by putting Sandy, her outdoorsy husband Ben and moody teenager Ivy in a contained setting: a remote home in the midst of a heavy snowstorm. When two escaped convicts make their way to this mountain hideaway—and can’t leave because of the storm—the mounting concern for Sandy's family’s physical safety is mirrored by the secrets that threaten to spill from her own mind. The action never falters as criminal mastermind Nick and his frighteningly large but surprisingly tender sidekick, Harlan, cruelly abuse the family and their neighbors. Milchman uses the maze-like interior of Sandy’s home to facilitate chase scenes and to mirror the confusion that reigns in Sandy’s mind. As she runs from Nick, she gets closer to some awful truths about her childhood. Simultaneously, Milchman flashes back to Nick’s own childhood, which is perhaps more troubling than all of the violence he’s wreaked as an adult. The two stories come together in a surprising twist that changes not only the dynamic between Nick and his victims, but also between Sandy and Ivy, who must learn to trust each other if they are going to come out of this alive.

Milchman sometimes sacrifices character development for action, but the momentum keeps the pages turning. Though the events in As Night Falls happen in one night, it’s not a short book. You may not be able to finish it in one sitting, but you’ll want to.

Great psychological thrillers work on two levels: as action-based mysteries and as emotionally resonant personal stories. Jenny Milchman balances both in As Night Falls, as slightly anxious counselor Sandy Tremont faces murderers on her doorstep and secrets from her past with equal intensity.

Review by

K.T. Medina’s debut novel, White Crocodile, is a harrowing venture into the deadly fields of Cambodia, a Southeast Asian nation of volatile politics, poverty and danger. The author is a former member of the British armed forces, well qualified to describe the conditions in that small country where, in the 1970s, hostile political groups planted thousands of land mines that have victimized the native population to the present day.

After five years of experience in the British Royal Engineers, including three tours of duty clearing mines in Afghanistan, Tess Hardy has joined the humanitarian mine clearance charity MCT in Cambodia’s Battambang Province. Her secret agenda, known only to herself, is to discover what happened to her ex-husband, Luke, who was reported killed while searching out unexploded mines with MCT, but whose body was never recovered. Luke physically abused Tess during their marriage, but drew her back into his orbit during a disturbing phone call to her shortly before his death. Just after Tess arrives in Cambodia, she watches as another of Luke’s colleagues, an experienced mine clearer, is severely injured by a mine. Are these accidents—or murder?

Threading through this unnerving tale is the image of a White Crocodile, carved on doorways and homes and appearing on signposts in the minefields strewn with lethal weapons, fields that the fearsome crocodile appears to stalk on his killing missions. The creature is a symbol of death, connected to an old legend that intimidates the population into near passivity—or violent revenge. The White Crocodile is also blamed for a spate of disappearances and related killings in local villages, always of young single mothers whose deaths leave their small children without home and family. The story clicks at another level as readers learn these events may be related to the murder of a young Cambodian woman, oceans away in England. Tess, in uneasy alliance with Alex, a Croatian mine clearer with violent tendencies of his own, vows to defy the myth of the crocodile’s menace and uncover the mystery behind the disappearances and deaths.

The danger of unexploded mines in the Cambodian fields serves as a frightening symbol of the brutality that victimizes the terrified, closemouthed populace and throws into sharp relief the political agencies sent to aid villagers—groups that often inspire the very forces that victimize.

White Crocodile is an arresting, disturbing and memorable read.

 

RELATED CONTENT: Go Behind the Book with author K.T. Medina.

K.T. Medina’s debut novel, White Crocodile, is a harrowing venture into the deadly fields of Cambodia, a Southeast Asian nation of volatile politics, poverty and danger. The author is a former member of the British armed forces, well qualified to describe the conditions in that small country where, during three decades in the 1970s, hostile political groups planted thousands of land mines that have victimized the native population to the present day.

Want more BookPage?

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Trending Mystery & Suspense

There’s no going back in this apocalyptic home-invasion thriller

Praised by horrormeister Stephen King, Paul Tremblay’s shocking new novel, The Cabin at the End of the World, is an often graphic account of one family’s ordeal when their vacation is shattered in a cult-like home invasion. We asked Tremblay about the book’s origins, its dark path and his inner fears that helped forge the novel.

Author Interviews

Recent Features