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Is the book always better than the movie or TV show? Better read these soon-to-be adaptations ASAP so you can decide.


The Sympathizer

By Viet Thanh Nguyen

April 14, 2024

Nguyen’s 2015 Pulitzer-Prize winning novel will be adapted as a miniseries by A24 (Everything Everywhere All at Once) and Team Downey (Sweet Tooth), set to air April 14, 2024 on HBO. Hoa Xuande will play the Captain, a North Vietnamese spy whose allegiance grows blurry after he joins a community of South Vietnamese refugees, with other by Sandra Oh and Robert Downey Jr. Read our review of Nguyen’s A Man of Two Faces.


Dark Matter

By Blake Crouch

May 8, 2024

Apple TV+ is adapting Crouch’s thriller sci-fi novel about a physicist who is sent into a parallel universe. Crouch is the creator and serves as an executive producer. Joel Edgerton (The Gift, Loving) will star. The television series will air on Apple TV+ on May 8, 2024. Read our review of Dark Matter.


Romancing Mr. Bridgerton (Bridgertons #4)

By Julia Quinn

May 16, 2024

After two incredibly successful seasons and one enchanting spinoff (Queen Charlotte: A Bridgerton Story), Netflix’s hit TV series Bridgerton, which follows the romantic adventures of the seven Bridgerton siblings in Regency-era London, is back for a third season. Created by Chris Van Dusen and produced by Shondaland (Grey’s Anatomy), season 3 features Colin Bridgerton as he helps his friend Penelope Featherington find a husband, only to fall in love with her himself. Luke Newton and Nicola Coughlin (Derry Girls) will star. The first four episodes premiere May 16, 2024 on Netflix.


Fire and Blood

By George R.R. Martin

June 16, 2024

Fire and Blood began its journey to screens in 2022 with season one of the HBO series House of the Dragon. Set 200 years before the events of TV phenomenon Game of Thrones, this prequel traces the reign of the Targaryen family, focusing on the succession war between the children of King Viserys I. Season two of House of the Dragon will premiere June 16, 2024 on HBO. Read our interview with Martin about The World of Ice and Fire, his encyclopedic history of Westeros and beyond.


It Ends with Us (It Ends with Us #1)

By Colleen Hoover

June 21, 2024

Hoover is one of the biggest names in the romance genre. In 2022, her novel It Ends With Us topped the New York Times bestseller list and the Publishers Weekly adult list for months. Now, the fan-favorite book will be hitting theaters as a movie starring Blake Lively and Justin Baldoni. Despite some push backs in the shooting schedule due to the SAG-AFTRA strike, the film is confirmed for release on June 21, 2024. Read our interview with Colleen Hoover for her novel It Starts with Us.


The Sweetness at the Bottom of the Pie (Flavia de Luce #1)

By Alan Bradley

TBD, but soon!

Bradley’s charming Flavia de Luce mystery series has sold over 4 million copies worldwide. Susan Coyne (Daisy Jones and the Six) is adapting the first novel into a feature film, which will debut at the upcoming Cannes Film Festival. Isla Gie (The Sandman) will play the titular character, an 11-year-old amateur detective and master poisoner who gets caught up in a murder investigation, alongside Martin Freeman (Sherlock, The Hobbit). Read our review of The Sweetness at the Bottom of the Pie.

Viet Thanh Nguyen's The Sympathizer is the latest addition to a slate of upcoming book-to-screen adaptations you won’t want to miss.

The privileged, insular art world serves as the backdrop for a pair of engrossing whodunits from debut author Alex Kenna and veteran Jonathan Kellerman.

In Kenna’s What Meets the Eye, disgraced police officer Kate Myles, now a private investigator, tackles the death of painter Margot Starling. The police have deemed it a suicide, but Margot’s father is convinced she didn’t kill herself and enlists Kate to get to the truth.

At first reluctant to take on the case and disappoint her client (most deaths suspected to be suicides turn out to be just that), Kate is surprised when she unearths enoughevidence to suggest that foul play may have been involved after all. A litany of former lovers, jealous art students and conniving agents and art dealers lend further credence to her suspicions, leading Kate to believe that Margot was the target of individuals attempting to exploit her. But the more she digs, the more Kate realizes that Margot’s ego and pride, and not just her talent, may have created a number of potential suspects as well.

Kenna ensures that Kate is similarly complex, delving into how her addiction to painkillers led to the loss of a promising job with the police department, the dissolution of her marriage and the possible removal of custody of her daughter. The vivid portraits of both women, and the absorbing mystery that surrounds them, signal a master in the making. 

Kellerman is already an accomplished artist in the medium of mystery novels. Unnatural History, the 38th installment in the author’s Alex Delaware series, finds the psychologist lending his insights to longtime partner Detective Milo Sturgis as they work to solve the murder of well-to-do photographer Donny Klement. 

Donny had recently received media attention for a project titled “The Wishers,” which featured portraits of members of Los Angeles’ homeless community as the people they fantasized about being. Several critics, however, maintained that Donny was simply exploiting his subjects for his own benefit. Alex wonders if, having given people a taste of a different life and then discarding them, Donny sowed the seeds of his own destruction. But there are plenty of other suspects to go around. The wealthy son of an even wealthier father, Donny is surrounded by an eccentric family, any member of which may have had reason to kill him. 

In typical Kellerman fashion, the story is painted in clear, linear fashion, with nothing left abstract. As such, the book is easily accessible to new readers of the series, who will immediately understand what loyal fans have known for years—that they are in the confident hands of a real artist.

The privileged, insular art world serves as the backdrop for a pair of engrossing mysteries from debut author Alex Kenna and veteran writer Jonathan Kellerman.
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The Bullet Garden

After writing a trio of books about ex-Marine sniper Bob Lee Swagger, author Stephen Hunter launched a second series featuring Bob Lee’s father, Earl Swagger, who is also a Marine and a Medal of Honor recipient to boot. It’s been 20 years since Hunter’s last installment in the senior Swagger series, but it comes roaring back this month with The Bullet Garden. The book serves as a prequel to the three Earl Swagger books that preceded it (Hot Springs, Pale Horse Coming and Havana), chronicling his adventures in France during the days immediately following D-Day. Swagger spearheads a secret mission to track down and kill German snipers who are systematically picking off Allied soldiers crossing the Normandy meadowlands (which the troops have nicknamed “bullet gardens”). A sniper himself, Swagger is a natural fit for the job at hand, but even his legendary skills will be sorely tested in this milieu. Fans of firearms history will find lots to like in The Bullet Garden, as will military strategy buffs, but there is truly something for everyone: a budding romance; layers of duplicity and intrigue; and an omnipresent sense of the importance of working together for a greater cause. 

Encore in Death

J.D. Robb’s Encore in Death is the (are you ready for this?) 56th entry in the wildly popular series featuring Eve Dallas, a police detective in 2060s New York City who, by my calculations, should be celebrating her first birthday just about now. Despite being set in a Blade Runner-esque future of androids, airboards (think hoverboards) and the much-appreciated automated chefs, Robb’s mysteries don’t need to rely on sci-fi trappings to engage the reader. They are straight-up classically constructed whodunits. And this case features a time-honored murder weapon: cyanide. Just as A-list actor Eliza Lane takes the stage for an impromptu song at her latest high society Manhattan party, there is a crash of glass, and Eliza’s husband, equally famous actor Brant Fitzhugh, collapses to the floor—dead, with the smell of bitter almonds emanating from his lips. The initial thinking is that Eliza was the intended victim, as Brant sipped from a poisoned cocktail he was holding for her, but as the investigation wears on, alternative possibilities present themselves. As all of the suspects have connections to the stage, there is no shortage of drama as the case unfolds. Robb is the pen name of legendary romance author Nora Roberts, and while that’s certainly evident in her descriptions of her male leads (“Those sea-green eyes still made her heart sigh, even after a decade . . .”), the suspense is also there in spades.

The Sanctuary

Of all the awful ways to die, being vertically bisected by an industrial saw like the murder victim in Katrine Engberg’s final Kørner and Werner mystery, The Sanctuary, must rank right up there at the top. The unidentified man’s left half turns up in a partially buried leather suitcase in a public park, and Copenhagen police detective Annette Werner is on the hunt for the killer. Clues lead to the remote island of Bornholm, an insular enclave where everyone knows everyone else’s secrets, but nobody seems disposed toward sharing any of that knowledge with the police. Subplots abound: a missing young man, possibly on the lam from the law, possibly the victim in the suitcase; a zealous preacher who roundly rejects the biblical teaching of turning the other cheek; a biographer whose scholarly visit to Bornholm to examine a deceased anthropologist’s letters is stirring up some old, long-quiet ghosts; a garbage bag full of money that nobody seems to be able (or willing) to account for. The identity of the culprit is an enormous surprise, but more surprising still is the emotional closure Engberg brings to long-running storylines, resulting in a very poignant moment for fans of the series in addition to a satisfying solution to the central mystery. 

The Twyford Code

Narrative conventions are cast to the four winds in Janice Hallett’s impressive second novel, The Twyford Code. The story consists of 200 fragmented voice transcriptions made by Steven “Smithy” Smith, a none-too-savvy mobile phone user who has only recently been released from prison in England. At loose ends, he decides to investigate the mysterious disappearance of his secondary school English teacher some 40 years back. Miss Iles (who often humorously appears in the transcriptions as “missiles”) had something of an obsession with the children’s books of one Edith Twyford, a character loosely based on real-life bestselling children’s author Enid Blyton. On a class field trip to Bournemouth to visit Twyford’s wartime home, “missiles” dropped off the map, never to be heard from again. As Smith’s belated investigation proceeds, he becomes increasingly obsessed with Twyford’s books as well, uncovering what may be hidden messages therein. State secrets, buried treasure, buried bodies? The clues are all there, but it will take a cannier puzzle-solving mind than mine to decipher them before Hallett is ready for the big reveal. The Twyford Code is easily one of the cleverest and most original mystery novels in recent memory, with an engaging main character, dialogue that grabs (and requires) your attention and more head-scratching suspense than any other three books combined.

A mystery told through voice transcriptions shouldn’t work, but The Twyford Code isn’t just this month’s best mystery—it’s one of the cleverest whodunits in recent memory.

Jane Harper’s debut novel, The Dry, immediately cemented her as one of mystery’s brightest stars and her thoughtful sleuth, Aaron Falk, as one of the genre’s most beloved characters. Exiles, Aaron’s third and final case, will be published on January 31, and to mark its release, we asked Harper a few questions about her bookstore bucket list and most cherished library memories.

What are your bookstore rituals? For example, where do you go first in a store?
I am entirely at the booksellers’ mercy! I’m a complete sucker for recommendations and hot bestsellers, so put whatever you want on that most prominent display table right at the front entrance—super niche, highly commercial, everything in between—and I guarantee I’ll be tempted. 

Tell us about your favorite library from when you were a child.
School libraries were always a real sanctuary for me. Anytime things got a little tough, anything from heated playground politics to bad weather, the library was always somewhere quiet and peaceful to go and just get away from it all for a while.

While researching your books, has there ever been a librarian or bookseller who was especially helpful?
One of my favorite librarians is a woman called Monica who works at the lovely Albert Park Library in Melbourne, Australia. Her help has been less in the name of research and more in the name of keeping my sanity while I’m writing, because she runs the most fantastic storytime sessions for toddlers. While I’m writing, it’s really hard to get quality time with my young children, so my 3-year-old son and I will go to Monica’s session every week. I love the sessions because they create early positive memories around books and reading for my little boy, and he loves them because they’re really fun and end with some parachute games. I recently discovered Monica has a side hustle in stand-up comedy, which doesn’t surprise me at all: If she can keep the attention of 30 toddlers, she can keep the attention of anyone.

Read our starred review of ‘Exiles’ by Jane Harper.

Do you have a favorite bookstore or library from literature?
The one that immediately comes to mind is the Hogwarts Library, complete with the tantalizing Restricted Section.

Do you have a “bucket list” of bookstores and libraries you’d love to visit but haven’t yet? What’s on it?
I haven’t, but that’s a great idea! I just looked up a list of the world’s most beautiful libraries and was gratified to see Melbourne’s own State Library Victoria included. I’ve been there many times, and it is indeed gorgeous.

What’s the last thing you checked out from your library or bought at your local bookstore?
Every week after library storytime, my son and I return an armful of kids’ books and replace them with a fresh stack. For my own shelf, I spontaneously borrowed a book by Australian author Wendy Harmer called Friends Like These because there was a line on the second page that caught my eye and made me laugh.

How is your own personal library organized?
I find size order quite soothing to look at. I’m not overly strict about it, but I tend to put taller books at the outer edges of the shelves, tapering down to paperbacks in the center. Library books and copies of my own novels live on their own shelves, but I still like to group them by size where possible.

Bookstore cats or bookstore dogs?
Our family has two very cute cats of our own—Zoe and Gingernut—so I’ll choose cats out of solidarity, although all pets are welcome.

What is your ideal bookstore-browsing snack?
Oh my goodness, absolutely nothing! I’m way too paranoid of smudges and spillages to snack around books I don’t own. Wait until I get them home, and then everything’s fair game.

Photo of Jane Harper by Eugene Hyland.

The bestselling author of the Aaron Falk mysteries, which will conclude with Exiles, reveals her library habits and how she organizes her personal shelves.

The past has a way of catching up to you when you least expect it. The characters of Alex Finlay’s new thriller, What Have We Done, learn this the hard way.

A TV producer (Nico), a rock star (Donnie) and a former assassin (Jenna) all believe they left a shared secret from their childhood in the past as they forged successful lives as adults. All three of them were once residents of Saviour House, a home for abandoned teenagers, but they haven’t seen one another in 25 years.

Then each of them is suddenly targeted by a pair of ruthless twin assassins. Nico is nearly killed in a mine explosion on the set of a reality show he’s been producing, Donnie is forced overboard on a cruise ship and left to drown, and Jenna becomes the hunted when she refuses to kill an old friend. These murder attempts come on the heels of the death of another friend from Saviour House, forcing the trio to realize their past transgressions have come back to haunt them. Nico, Donnie and Jenna have a common foe set on revenge, and they’ll have to pool their talents together if they’re going to survive.

Told in short chapters from Nico’s, Donnie’s and Jenna’s alternating perspectives, the story moves at a quick-fire pace reminiscent of a James Patterson thriller (there are more than 85 chapters!), only slowing when the leads reflect on the past. Devoted more to action and plot than to personalities, the novel is a bit of a departure from Finlay’s previous, more character-driven efforts (Every Last Fear, The Night Shift). Still, he skillfully blends storylines past and present in What Have We Done, resulting in a suspense-filled romp.

Alex Finlay (Every Last Fear, The Night Shift) skillfully blends storylines past and present in this suspenseful romp.
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Veronica Speedwell returns in A Sinister Revenge, the eighth mystery in a series best described as Agatha Christie in the world of Victorian science and natural history.

Natural historian and butterfly hunter Veronica has been separated from Stoker, a fellow scientist who had become her sleuthing partner and lover. But Stoker’s brother Tiberius, Lord Templeton-Vane, reunites the couple by giving them a dangerous new case to solve. 

In his youth, Tiberius ran with a group of students who called themselves the Seven Sinners, but then tragedy struck at his family’s Devon estate when one member of their party died in an accidental fall while trying to claim a fossil from a cliffside. During the following years, two other members also met an early demise, and now a threatening letter has Tiberius believing that they may all have been murdered by one of their own—and that he might be the next victim. In a Christie-esque conceit, Tiberius invites the remaining members of the Seven Sinners to an elaborate house party, where he plans to confront them and, hopefully, where Veronica and Stoker will uncover the murderer. 

As the house party unfolds, it becomes apparent that the history of the Seven Sinners is more complex than Tiberius let on, with secret affairs and bitter jealousies complicating the past. Even as Veronica untangles the web of complex relationships, she struggles to reconcile Stoker’s distance from their own romantic partnership. As usual, Veronica’s keen observations and sharp wit contrast with her own occasional lack of self-awareness (especially when it comes to romance), making for a delightful read. Longtime readers of the series will be pleased to see regulars such as intrepid reporter J.J. Butterworth and ingenious chef Julien d’Orlande return. But ultimately, Raybourn’s masterful entanglement of Veronica and Stoker’s love story with the mystery at hand makes A Sinister Revenge a standout entry in an already excellent series.

Deanna Raybourn’s masterful balance between romance and mystery makes A Sinister Revenge a standout entry in an already excellent series.

Flames flicker around the edges of Margot Douaihy’s Scorched Grace, casting light and revealing darkness, hinting at the sort of destruction that offers the possibility of a new beginning.

That’s what Sister Holiday Walsh was looking for a year ago when she joined the Sisters of the Sublime Blood after fleeing the wreckage of her life in Brooklyn, New York. Sister Holiday is not a typical nun: While she and her brother, Moose, were raised Catholic by her former-nun mom and police captain dad, being wholly reverent has never been her thing. Rather, she’s the self-described “first punk nun,” a heavily tattooed loner who hides her ink under scarf and gloves and conceals her trauma under a jauntily sarcastic demeanor.

Although she’s somewhat found her footing as a music teacher at Saint Sebastian’s, the New Orleans school the nuns oversee, Sister Holiday’s emotional armor cracks open when an arsonist strikes and Jack, a well-liked janitor and her confidante, is killed. Stunned at his loss and baffled as to why someone would commit such violent acts against the school, Sister Holiday turns to chain-smoking and recalling memories of her former lover Nina to soothe herself. 


How Margot Douaihy turned to noir’s hard-boiled past—and looked to its future—to create Sister Holiday.


But it’s not enough: She mistrusts the police, she doesn’t feel safe, and the Raymond Chandler novels she escaped into as a kid are looming large in her mind. “Sleuthing and stubbornness were my gifts from God,” she thinks, and she’s sure as hell going to use those gifts to solve the mystery on her own. 

Scorched Grace revels in its unreliable narrator and bounty of plausible suspects, from shifty authority figures to mercurial students to enigmatic women of God. Douaihy, a poet and professor who shares Sister Holiday’s punk sensibility, immerses the reader in her hyperlocal New Orleans setting and the murky depths of Sister Holiday’s tormented soul. Her prose is frequently lyrical and often lacerating, her characters layered and intriguing. 

It’s not surprising in the slightest that this series starter is the first book published by Gillian Flynn’s eponymous new imprint. Scorched Grace is both entertaining and devastating, dominated by a queer sleuth with a clever, curious mind and a fatalistic yet somehow still hopeful heart.

Scorched Grace is an entertaining and devastating mystery that introduces Sister Holiday, a queer nun with a clever, curious mind and a fatalistic yet somehow still hopeful heart.
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“The Great British Baking Show” meets Knives Out in The Golden Spoon, Jessa Maxwell’s delicious, atmospheric debut.

Celebrated baker Betsy Martin has hosted her popular show “Bake Week” from the grounds of Grafton, her Vermont family estate, for the past decade. This year, change is in the air: The network has foisted a new co-host on her, and Betsy had less input than ever before when selecting which six contestants would compete for the show’s coveted Golden Spoon award. Still, “America’s Grandmother,” as Betsy’s known among her fans, chooses to push ahead with the new season. When the competition gets underway, things start to go haywire. The contestants believe someone is sabotaging their bakes—and when a dead body is discovered, everyone in the baking tent becomes a murder suspect.

The Golden Spoon is impossible to put down, especially for fans of shows like “The Great British Baking Show.” Maxwell expertly unspools her mystery, switching among the perspectives of all six contestants, plus Betsy. The bakers’ voices and observations are a high point of the novel: Each character is distinct and well drawn, with their own motivations for joining the show and secrets to hide. There’s Stella, a former journalist and the most inexperienced baker; Hannah, the youngest contestant, who hails from a small town; Gerald, a rigid teacher who compares recipes to mathematical formulas; Pradyumna, a tech millionaire with nothing to prove; Lottie, a retired nurse with a special connection to Grafton; and Peter, who specializes in the reconstruction of historic buildings.

The novel begins with an eerie prologue from Betsy’s perspective before jumping back in time to when “Bake Week” first started filming. Readers know from the prologue that a gruesome discovery awaits, but most of the book—80%!—is devoted to following the characters through “Bake Week” and getting to know their motivations for competing. It’s not until the last fifth of the book that Betsy’s initial discovery is revealed, and from there, the plot quickly unfolds. Mystery genre fans may find many of the twists easy to spot, but Maxwell’s expert characterization and lyrical prose make The Golden Spoon a delight to devour.

Jessa Maxwell’s expert characterization makes her baking show-set mystery, The Golden Spoon, practically impossible to put down.
Review by

Vera Wong’s Unsolicited Advice for Murderers by Jesse Q. Sutanto is a delightful cozy mystery that brims with humor and heart while introducing an unforgettable lead character.

The titular Vera leads a quiet life. She runs a tea shop in San Francisco’s Chinatown that rarely sees customers and spends her days cyberstalking her son, who often ignores her calls. Vera’s routine is disrupted when she discovers a corpse in her store. She springs into action—outlining the body with a Sharpie, just like she’s seen on TV; tidying up her shop and making tea to impress the police; and most notably, swiping a flash drive from the dead man, Marshall Chen. She’s not sure the police will take his death (which is clearly a murder, to her “CSI”-trained eyes) seriously. So Vera uses the information on the flash drive to identify four suspects: Oliver, Marshall’s brother; Julia, Marshall’s widow; and Sana and Riki, who claim to be journalists investigating the suspicious death. All four have something to hide, but as Vera investigates, the group comes together in unexpected and surprising ways. Is a killer truly among this newly found family of hers?

Vera is a tour-de-force creation. She’s feisty and meddlesome, with a big imagination and bigger heart. She’s riotously funny, often without trying to be. She spends a great deal of time dispensing tough love and sage advice, and is almost always correct, much to the annoyance of her new friends. Sutanto also delivers well-drawn, memorable secondary characters, particularly Julia and her daughter, Emma. As Vera worms her way into her suspects’ lives and hearts, so, too, will the characters of Vera Wong’s Unsolicited Advice for Murderers endear themselves to readers.

The mystery itself is intriguing, with well-placed clues and foreshadowing. Marshall left behind a trail of lies and enemies, but Vera proves herself up to the task of solving his murder. And along the way, she even helps many of his friends and family heal and become better versions of themselves. Sutanto hits all the right notes in this cozy mystery, perfectly blending meddling, murder and found family.

Jesse Q. Sutanto hits all the right notes in Vera Wong’s Unsolicited Advice for Murderers, a cozy mystery worth reading for its hilariously meddlesome titular character alone.

The femme fatale is beautiful, desirable and, above all, a survivor. While she was often villainized for that last trait in her film noir heyday, these modern takes on the figure celebrate the ferocious resilience at her core. 

Stone Cold Fox

The wily narrator and antiheroine of Rachel Koller Croft’s Stone Cold Fox introduces herself as Bea—but that wasn’t the name she was born with. As a child, Bea changed her name as she moved from place to place and her mother moved from husband to husband, teaching little Bea the ways to ensnare both the right men and the money and privilege that come with them. Bea’s mother may be out of the picture now, but Bea still seeks to one-up her in every way possible. Thanks to faked credentials, Bea is a high-powered advertising executive who recently became engaged to a former client, the dull but old money wealthy Collin Case. It’s a union Bea knows will set her up for life. But when Collin’s loyal best friend, Gale Wallace-Leicester, and his flirtatious old pal Dave Bradford arrive on the scene, Bea fears that her web of lies and her greedy motivations will come to light. 

Alternating between Bea’s precarious present and her checkered past as the young and vulnerable tag-along to a truly wicked woman, screenwriter Koller Croft’s stellar debut novel is a meticulously crafted thriller that will keep the reader wondering whether Bea’s actions are horrendous or aspirational. 

A Small Affair

Vera, the results-driven narrator of Flora Collins’ A Small Affair, has a similarly aspirational lifestyle. She has a lucrative position at an up-and-coming fashion label, an enviable Instagram feed full of striking photos and unique style, a fun and supportive roommate/best friend and, most recently, an exciting older lover named Tom, a tech guru with a mouthwatering Brooklyn brownstone and wild prowess in bed. But after Vera breaks off the relationship, Tom’s body is found alongside that of his pregnant wife, Odilie, and Vera is named in a note as the cause of the murder-suicide. The story goes viral, and Vera loses it all, with no choice but to slink off to the upstate abode of her controlling hippie mother. One depression-filled year later, Vera seeks to clear her reputation and regain her position as a Manhattan scene queen. Could the late Odilie’s Instagram be the key to solving the mystery of her and Tom’s deaths? 

Vera is a fascinating contemporary femme fatale who will stop at nothing to claw her way back to the top, even if it means faking a friendship with Page, Odilie’s naive younger sister who may have secret ambitions of her own, and deep diving into Tom’s sordid life, which is full of grisly secrets that only money can protect. Collins’ second novel (after 2021’s Nanny Dearest) rotates among the perspectives of Vera, Tom and Odilie, a trifecta of complicated personalities desperate to make it in the cutthroat city that never sleeps. The result is a twisted tale of multiple femmes fatales who will use everything they’ve got to get what they want.

Two thrillers celebrate the ferocious resilience of an iconic female archetype.
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The Maltese Iguana 

Buckle up for another wild ride with Florida ne’er-do-well Serge A. Storms and his stoner sidekick, Coleman, in their 26th adventure, The Maltese Iguana by Tim Dorsey. The title, a nod to Dashiell Hammett’s The Maltese Falcon, refers not to a precious statue but instead to its modern-day Florida counterpart—an iguana-shaped bong. The basic premise of the book is that Serge Storms, now fully vaccinated after a long COVID-19 lockdown, decides a celebration is in order, upon which mayhem ensues, both figuratively and literally. Meanwhile, a CIA operation goes off the rails in Honduras, and after barely escaping with his life, the agency’s local contact makes his way to Florida, putting both him and the agents the CIA sends after him directly in Hurricane Serge’s path. There are murders, explosions, drugs, mercenaries, Florida history and folklore, wild parties, an exotic dancer, an appearance by Captain Kangaroo, a boxing rabbit and enough pingpong balls to fill the trunk of an old Ford LTD. Imagine one of those newspaper articles in which the headline begins with “Florida man” and then imagine the article extending to 336 pages. That will give you a pretty good idea of what to expect in The Maltese Iguana.

Storm Watch

C.J. Box’s Joe Pickett mysteries have been excellent since the Wyoming game warden’s very first case, 2001’s Open Season. But Box’s latest novel, Storm Watch, is perhaps the most intricately plotted and fully realized of the bunch so far. Joe is on the trail of a wounded elk as an immense winter storm closes in, but he soon stumbles across something totally unexpected: a semi-decapitated body in a mysterious shed far off the beaten track. Joe only has time to take some photos before beating a hasty retreat in hopes of outrunning the snow. When he returns after the storm, the body has disappeared. What initially seems to be a lack of interest on the part of the sheriff soon morphs into a full-blown, high-level warning that Joe keep his nose out of matters that don’t concern him. (As if that could ever happen.) Conspiracies abound, reaching up to the highest levels of state government and involving uber-wealthy absentee ranchers, bitcoin miners and underground militias. There is a lot going on, but Box keeps all the balls in the air, culminating in an ending sequence that’s pure gold and extremely satisfying on multiple levels.

Murder at Haven’s Rock

Canadian author Kelley Armstrong is perhaps best known for her Rockton mysteries, a series of seven books set in the titular village, which is hidden in Canada’s Yukon wilderness and serves as a refuge for those who cannot be effectively protected by the authorities. The Rockton series’ protagonist, detective Casey Duncan, is breaking ground on a similar endeavor with her husband, Sheriff Eric Dalton. Their new village, Haven’s Rock, will differ from Rockton in only one major way: Casey and Eric plan to handpick the residents in hopes of eliminating some of the shortcomings of the Rockton project. But things do not get off to a good start. Murder at Haven’s Rock, the title of the new book, says it all. It starts when a couple of construction crew members break the cardinal rule—Do Not Venture Out Into The Forest—and never return. Casey and Eric launch a search for the missing workers but instead find the body of an unknown woman who has been stabbed to death. Just like Armstrong’s Rockton series, Murder at Haven’s Rock is an immediately intriguing mystery populated by well-drawn characters. It’s certainly accessible as a standalone read, but I wouldn’t be surprised if readers new to Armstrong immediately seek out her previous books after finishing this superb series starter.

The Cliff’s Edge

The mother-and-son writing team known in the publishing world as Charles Todd (the mother of which, Caroline Todd, died in 2021) boasts two hit series, each set in the years immediately following World War I. The first features Inspector Ian Rutledge, a cop haunted by the ghost of a wartime casualty, and Todd began the second in 2009, a spinoff series centered on Bess Crawford, a former combat nurse marked by her own war experience. As the 13th installment, The Cliff’s Edge, opens, Bess accepts a temporary nursing position to care for a wealthy woman after a surgery. While she is on duty, a tragic accident takes place nearby: Two men, Gordon Neville and Frederick Caldwell, fall from a rocky outcropping, with Frederick dying from his injuries. But things take an ominous turn when it is revealed that the two men shared a contentious past and that Frederick’s injuries seem inconsistent with his fall. It falls to Bess to care for Gordon, who has a dislocated shoulder and a badly broken arm, and she finds herself drawn into the mystery of what actually transpired at the cliff’s edge. Both men’s grieving and angry family members complicate the situation, as does a local cop bent on pinning a murder on Gordon. As is always the case with the Bess Crawford books, the writing is perfectly evocative of the period; the conversational style, relationships and manners are all very “Downton Abbey”-esque, making for an exceptionally pleasurable ride to the ultimate reveal.

Batten down the hatches—Serge Storms is back. Read our review of Tim Dorsey’s absolutely wild Florida-set caper in this month’s Whodunit column.
Behind the Book by

Gone Girl author Gillian Flynn’s eponymous new imprint gets off to a roaring start with acclaimed poet and editor Margot Douaihy’s debut mystery, Scorched Grace. Set in New Orleans, Scorched Grace follows Sister Holiday, a former punk rocker who investigates an arson spree that threatens her community. The endlessly fascinating character represents everything Douaihy loves about hard-boiled mysteries—and how they can move forward into a more complex and diverse future.


Mysteries are my enduring passions—and vital instruments of expression. As a closeted queer woman growing up in the scrappy city of Scranton, Pennsylvania, I made myself small. Searching for headstrong characters in books and on TV felt much safer than getting to know myself.

I tore through detective stories and I watched every PBS “Mystery!” program. Hercule Poirot, Miss Marple and Sherlock Holmes were my North Stars—their certainty and ratiocination soothed me. Jessica Fletcher introduced me to the American cozy mystery and the fine art of meddling! But Raymond Chandler’s private investigator Philip Marlowe was my favorite fictional sleuth. 

Chandler’s devil-may-care brio and unsentimental yet poetic barbs were my playground. The voice-driven experience and gritty tone of his hard-boiled mysteries seduced me. My favorite PI characters bent the law when needed, collapsing the binary of criminality and justice. I hated Marlowe’s misogyny and dangerous stereotyping, but I was inspired by the opportunities for subtextual engagement. This thematic richness married with the pulse-pounding thrill of a murder mystery was too delicious to ignore. I turned my lifelong interests in mysteries, queer theory and nuanced female characterization into a creative praxis. The result is Sister Holiday, the unexpected sleuth and sardonic narrator of Scorched Grace.

In a reversal of the wiseguy archetype, my hard-nosed, hard-boiled sleuth is a 33-year-old, tatted-up nun who, as she tries to smoke out an arsonist, interrogates herself and her own imbricated identities. Sister Holiday is a budding detective who will one day take permanent vows with the Sisters of the Sublime Blood. If that seems like a wild dialectic, it should. Genre is a stable yet fluid space that invites the new into the familiar.

Read our starred review of ‘Scorched Grace’ by Margot Douaihy.

In The Long Goodbye, PI Marlowe describes himself as “a lone wolf, unmarried, getting middle-aged, and not rich. . . . I like liquor and women and chess and a few other things.” Sister Holiday is also a lone wolf, of a kind; an out queer woman when she lived in Brooklyn, she has since taken a provisional vow of celibacy as a novice nun in her New Orleans convent. But she still considers herself to be “extremely gay.” Sister Holiday is devout and unapologetically punk and queer. The more diversity we can bring to genre, the better. As Chimamanda Ngozi Adichie observed, there is real danger in the illusion of a “single story.” 

In her trenchant Crime Reads essay “The Unspoken Criminality of the Female PI,” Emily Edwards observes how canonical femmes of early PI stories “were fatales or Fridays, honeytraps or helpers. Rarely the sleuth in charge.” In my contribution to the genre, I wanted to join other feminist PI writers by giving Sister Holiday both decision-making agency and magnetism, with high camp and dark humor adding contours. She leverages her alterity and viewpoint to make surprising syntheses, connect disparate clues and take unconventional approaches.

A transgressive character needs transgressive interiority and exteriority. I used the cadence of prayers and song lyrics to blur clues, observations and memories in Sister Holiday’s narration. This let me seed red herrings and (re)direct the reader’s attention, fundamental elements of sleight of hand. With Holiday’s gold tooth and concealed tattoos, I tried to present the protagonist as a mysterious text herself, a code to be deciphered. My goal was to write a character that surprises herself and the reader, keeping everyone guessing until the very end.

Picture of Margot Douaihy by Chattman Photography.

Margot Douaihy reveals how she created Sister Holiday, the queer, crime-solving nun at the center of her debut mystery, Scorched Grace.

In The Soulmate, New York Times bestselling author Sally Hepworth follows two women who each thought she’d found once-in-a-lifetime love. One relies on memories to reconcile the partner she thought she knew—who is now suspected of murder—while the other speaks from beyond the grave, bereft of her beloved. As you would expect, the women’s stories are more intertwined than is immediately apparent.

Pippa has it all: a successful career, two gorgeous little girls, an adoring husband, Gabe, and a gorgeous new waterfront house situated on a cliff. There’s just one macabre drawback: The cliff is a frequent location for suicides. Shortly after they move in, Gabe becomes something of a guardian angel and talks multiple people out of killing themselves. But one fateful night, a woman approaches the cliff and, despite Gabe’s entreaties, jumps to her death. At least, that’s what Gabe claims, though the local authorities think otherwise. As Pippa reflects on her relationship with her soulmate—a dramatic saga full of lost jobs and sudden moves—so does Amanda, the woman at the cliff. Past and present collide as the reasons for Amanda’s journey to the cliff, and the extent to which Pippa has worked to protect the man she loves, become clear.

Hepworth is a master of suspense, teasing out a complicated and deadly tale as well as she teases out the complicated and occasionally deadly individuals behind it. None of the four “soulmates”—Pippa, Gabe, Amanda and Amanda’s husband—are all good or bad. The reality is far more interesting and intense, rife with professional ambition, struggles for power in the boardroom and bedroom and, for Pippa and Amanda, a never-ending quest to understand the men to whom they’re devoted. One character deals with severe mental illness, which Hepworth reveals and analyzes in ways both sensitive and true to life, and another holds onto a family secret with disturbing consequences. From its inciting incident to its final shocking twist, The Soulmate will keep readers in its thrall, making them wonder how well someone can really know their partner.

From its inciting incident to its final shocking twist, Sally Hepworth’s The Soulmate keeps readers in its thrall.

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