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British mystery and thriller writer Mo Hayder (The Devil of Nanking) will please her growing body of fans with this latest novel, her fourth. It’s a book best read on a night when the wind howls and the rain lashes against the windows. Just be sure the doors are locked.

Joe Oakes, a journalist whose specialty is debunking hoaxes, is summoned to Pig Island, off the coast of Scotland, by the members of a religious cult known as the Psychogenic Healing Ministries, to calm the uproar caused by a video of a half-human, half-animal creature cavorting on the island’s beach and rumors about the practice of satanic rituals there. When Oakes encounters the PHM members, he finds a seemingly benign, if slightly furtive, group of voluntary exiles from conventional society. But the group lives in fear of its charismatic founder, Malachi Dove, who’s fled to the other half of the island to live in grim isolation, walled off from his former followers by a line of pig skulls, an electrified fence and chemical waste drums.

Not satisfied with the evasive explanations for Dove’s frightening behavior offered by the island’s inhabitants, Joe sets off to find the truth. His investigation leads indirectly to a horrific act that devastates the PHM community and to the discovery of Dove’s daughter, Angeline, who is afflicted by a bizarre congenital deformity. With Angeline in tow, Joe flees to the mainland, where his troubled wife, Lexie, who narrates a significant portion of the novel in counterpoint to Joe, has been awaiting his return. From that point on, the novel recounts the heart-pounding race between the authorities who are trying to bring Dove to justice for the crimes they believe he’s committed and the deranged killer. Pig Island is not a book for the squeamish, but it’s one that will keep readers turning the pages until the horrifying mysteries of the island ultimately are unraveled.

Harvey Freedenberg writes from Harrisburg, Pennsylvania.

British mystery and thriller writer Mo Hayder (The Devil of Nanking) will please her growing body of fans with this latest novel, her fourth. It’s a book best read on a night when the wind howls and the rain lashes against the windows. Just be sure the doors are locked. Joe Oakes, a journalist whose […]
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Karin Slaughter is known for her intricately plotted mysteries, which usually contain graphic depictions of violent crimes, most often against women. In Undone, she continues to alarm and enmesh the reader, this time with a villain whose aversion to and lust for the female sex causes him to blind his victims so they can’t see their fates, and perform an act of surgery (without anesthesia) which ultimately gives his pursuers a clue to his identity.

If readers can get past the harsh details of the crimes Slaughter depicts—and since she’s an international bestseller, obviously millions can—then Undone is just what the doctor ordered. The doctor in this case is Sara Linton, who in previous books has seen her police chief husband, the man she believes to be her one true love, murdered before her eyes. Trying to put the past behind her, she has moved to Atlanta where she is now head of emergency medicine at Grant County Medical Hospital.

Sara is on duty when the first victim is brought to the emergency room after being hit by a car while escaping her captor. Georgia Bureau of Investigation agents Will Trent and Faith Mitchell, last seen in Fractured, are also first-hand witnesses to the arrival of the tortured and traumatized victim. Faith has fainted while at work and Will, her partner, has brought her to the hospital. Will heads out to the scene of the accident; Faith fumes because she has been left behind. However, she soon finds out she has some major problems of her own to deal with, specifically diabetes, which means a major lifestyle change and the possibility of being chained to a desk—a fate worse than death for Faith. Plus she’s pregnant by her now departed boyfriend.

Slaughter does a masterful job of weaving the personal lives of her characters with their professional responsibilities. Sarah is using her work as a doctor to keep from dealing with her husband’s death. Will, due to profound dyslexia, cannot read, a condition he is desperate to hide from his co-workers. Nor does he get much comfort at home, since his wife spends the majority of her time in other men’s beds.

Slaughter gives her characters tremendous depth of character, making them totally believable. Readers appreciate their quirks, share their angst, savor their interactions with each other. Slaughter says her fans often ask ,“Is this real?” It’s not hard to understand why—her writing makes it feel that way.

Perhaps that’s one reason why her books can be so unsettling. It’s disturbing to read about the truly evil villain at the heart of this fast-paced thriller. One cannot help but think, “What if that happened to me?”

For readers who like their suspense as gritty and violent as a real-life crime spree, Slaughter’s Undone is a sure winner.

Rebecca Bain writes from Nashville.

For readers who like their suspense as gritty and violent as a real-life crime spree, Slaughter's Undone is a sure winner.  
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Several years ago, Canadian writer Linwood Barclay was having breakfast with his teenage daughter when she posed a question guaranteed to give any parent heart palpitations. “Dad,” she asked, “Suppose you came to pick me up at my job, and found I’d never worked there?”

It was a scenario Barclay found truly disturbing—and equally irresistible. He took the idea and ran amok with it, creating a parent’s worst nightmare and a mystery reader’s delight with his new thriller, Fear the Worst.

Barclay is a well-respected author whose success has been much greater outside the United States. Too Close to Home was a number one bestseller in England, and also won the Best Novel category of the Arthur Ellis Awards, Canada’s top prize for crime fiction. Now with Fear the Worst, which Barclay calls his “best book yet,” the writer may finally receive similar attention and acclaim from readers in the U.S.

Tim Blake is a divorced dad with a lot of charm but no head for business. His only child, a 19 year-old daughter named Sydney, lives with him during the summer. The previous year, she spent those three months working at the car dealership where Tim is a salesman; this year, Sydney has taken a job as a desk clerk at the Just Inn Time, a cinder-block budget motel where the rooms are clean but the “complimentary breakfast” is free largely because no one really wants stale muffins and bad coffee.

Tim and Sydney have an altercation over breakfast which causes her to leave in a huff for work. But when she doesn’t return that evening, a worried Tim begins calling her friends, hoping the argument is the reason Sidney hasn’t come home. When Sidney’s not back by the next morning, now frantic, he races to the Just Inn Time to see if she’s shown up for work, only to be met with blank stares. No one has seen her, no one knows her, and no, Sydney doesn’t work there. Never has.

“When I got back to the house, it was empty.
Syd did not come home that night.
Or the next night.
Or the night after that.”

These events comprise only 14 pages of this 400-page book, which has all the twists, turns and thrills of a good roller coaster ride, compelling anyone who picks it up to keep reading. In addition to its intricate plot, one of the book’s best qualities is the balance between what is and what is not important when a child goes missing. In his quest to find Sydney, Tim discovers things about his daughter that might have sent him reeling before her disappearance: she drinks when she parties, some of her friends are “wild,” and she might be pregnant. But put in the context of her disappearance—and possible murder—they pale in importance.

“At least it would mean she was okay. That she was alive. I could welcome home a pregnant daughter if there was a pregnant daughter to welcome home.”

It’s not long before a pregnant daughter would be one of the best case scenarios Tim could possibly imagine. By the book’s end, some may feel Barclay has put too many twists and turns in his story; others may be disappointed by its fairly predictable conclusion. But the majority of readers will find Fear the Worst nearly impossible to put down, savoring every bit of this satisfying suspense novel right up to the very last page.

Several years ago, Canadian writer Linwood Barclay was having breakfast with his teenage daughter when she posed a question guaranteed to give any parent heart palpitations. “Dad,” she asked, “Suppose you came to pick me up at my job, and found I’d never worked there?” It was a scenario Barclay found truly disturbing—and equally irresistible. […]
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Josh Bazell landed a lucrative publishing deal for his first novel shortly after graduating from medical school. To say that he's better at writing than most writers would be at practicing medicine is to understate Bazell's talent, but it's too good a line to pass up. Beat the Reaper, his highly anticipated debut, may be a bit short on art, but it's long on page-turning action and laughs.

When it comes to the human body, Bazell knows his bones. He has an M.D. from Columbia University and is a medical resident at the University of California, San Francisco. His protagonist, Pietro Brnwa, is also a doctor—an overworked Manhattan hospital intern who goes by the name Peter Brown. Pietro took an unusual road to his Hippocratic oath, having spent his earlier years as a mob hit man nicknamed "The Bearclaw." After seeing the error of his ways—which in the mafia means he testified against his former employers and joined the witness protection program—he became a doctor as penance.

Not surprisingly, Brnwa's former life catches up with him. Mobster Eddy Squillante, in the hospital for a life-saving surgery with about a 50 percent success rate, recognizes the killer-turned-doctor. Now Brnwa must keep him alive or Squillante will hand his new knowledge over to a wannabe hit man named Skinflick.

In chapters that alternate between past and present, Bazell fills us in on how Brnwa became "The Bearclaw" while keeping the action rolling. He includes medical footnotes, mostly confirming that the craziest thing a sick person can do is check into a hospital.

Bazell doesn't waste time. In the very first paragraph, an unfortunate mugger is pointing a gun in Brnwa's face after the doctor stops to watch a rat fight a pigeon—a true Manhattan undercard. The mugger serves his purpose, however, since the pistol winds up in Brnwa's scrub pants pocket. However, it would be unwise for the reader to relax. It's chapter one, the firearm is introduced and the good doctor Bazell knows his Chekhov.

Ian Schwartz writes from San Diego.

Josh Bazell landed a lucrative publishing deal for his first novel shortly after graduating from medical school. To say that he's better at writing than most writers would be at practicing medicine is to understate Bazell's talent, but it's too good a line to pass up. Beat the Reaper, his highly anticipated debut, may be […]

Making a move that's sure to delight connoisseurs of the legal thriller, John Grisham takes something of a sentimental journey in his latest novel, The Associate, on sale January 27. The book's plot might sound strangely familiar to fans of his 1991 blockbuster, The Firm: newly minted Ivy League law school grad takes job with powerhouse firm and soon finds himself in deep trouble. That book catapulted Grisham to perennial bestsellerdom and established him as the superstar of the legal thriller genre.

The character at the heart of The Firm was Mitch McDeere, a cocky kid just out of Harvard Law who discovers that the Memphis firm that hired him is controlled by the Mob. In the successful 1993 film adaptation, McDeere was portrayed by Tom Cruise, an inspired piece of casting that gave a strong boost to Cruise's career and Grisham's film franchise. Author Photo

Grisham sets his new novel, The Associate, in New York City, the first time that one of his books has taken place entirely in the city that never sleeps. Where better to follow the dilemma facing young lawyer Kyle McAvoy, described by Grisham's publisher as "one of the outstanding legal students of his generation: he's good looking, has a brilliant mind and a glittering future ahead of him. But he has a secret from his past, a secret that threatens to destroy his fledgling career and, possibly, his entire life."

In a note posted on his UK website, Grisham comments on the similarities between the two characters: "Kyle reminds me of another young lawyer, Mitch McDeere, who was featured in one of my earlier novels, The Firm. Like Mitch, Kyle finds himself in way over his head, with no one to turn to and no place to hide."

As The Associate opens, Kyle has just graduated from Yale Law when he discovers that his dark secret has been captured on video. He's shocked when, instead of demanding money, the blackmailers put a surprising price on their secrecy: they ask Kyle to take a job at the largest law firm in the world, and one of the best in New York City. He's soon making big money and on the track to a partnership, but what his employers don't know is that he's sharing information about a crucial trial between two defense contractors with his blackmailers.

With his future on the line, Kyle is caught between the criminals and the FBI, who suspect a leak and are investigating his firm. Though he's one of the top young associates, does Kyle have what it takes to get out of this dilemma—without destroying his future? The only thing that's for certain is that readers will be turning the pages as fast as they can to find out.

Grisham's agent has already landed a film deal for The Associate with Paramount Pictures, no small feat at a time when the economic slowdown finds even best-selling authors having trouble selling their stories to studios. The film will star Shia LaBeouf, a choice that might surprise moviegoers who remember him best as the shaggy teen star of the Disney Channel and the movie Holes. At 22, however, LaBeouf has grown into a handsome young actor and bona fide Hollywood celebrity (with the arrest record to prove it). This film will be his sixth major movie for Paramount, including the 2007 hit Transformers. A director has yet to be named for The Associate, which will be the 12th film based on a Grisham book or story.

Grisham remains active in the legal world, regularly serving as host or keynote speaker at events for organizations like the Legal Aid Justice Center. At a recent benefit in Virginia, guests bid on the right to have a character in an upcoming Grisham novel named after them. Grisham has also faced legal issues of his own related to his 2006 work of nonfiction, The Innocent Man, based on the life of Ron Williamson, who was wrongly imprisoned for murder. Grisham and two other writers who've written about Williamson's case were sued for defamation of character by three of the Oklahoma law enforcement officials who prosecuted Williamson back in 1982. A U.S. District Court judge dismissed the lawsuit, saying the justice system deserved the criticism it received. George Clooney has purchased the film rights to The Innocent Man, which is currently in development. 

Making a move that's sure to delight connoisseurs of the legal thriller, John Grisham takes something of a sentimental journey in his latest novel, The Associate, on sale January 27. The book's plot might sound strangely familiar to fans of his 1991 blockbuster, The Firm: newly minted Ivy League law school grad takes job with […]
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Four children turn up murdered in 12th-century Cambridge, England, and the restless Catholic townspeople immediately pin the blame on local Jews. As the Jews flee to the safety of the castle, King Henry II seeking the truth as much as the return of his Jewish citizens to their tax-paying status hires a highly recommended investigator from the Salerno School of Medicine in Sicily to uncover the true killer. Enter Adelia, the so-called mistress of the art of death, who is not at all what Henry had been expecting. Whereas in Sicily, women attend medical school (Adelia studied a rudimentary form of forensic science, dissecting dead pigs in a Salerno lab), in England a female doctor would be labeled a witch. Adelia must keep her real identity under wraps, posing as the assistant to her own Muslim manservant while he acts as the doctor. Meanwhile, Adelia sets about her real work, mining the bodies of the murdered children for clues about their killer. Her task is made no easier by the fact that everyone is a suspect, including the handsome tax collector, Sir Rowley, whom the previously nun-like Adelia seems to be falling for. An overly formal narrative voice makes for a slow start, as antiquated speech and archaic vocabulary provide multiple stumbling blocks for readers trying to orient themselves in the medieval landscape. Those who trudge through the stilted first quarter of the book, however, will be handsomely rewarded for their efforts. Author Ariana Franklin’s in-depth research (she is the author of historical novels and biographies under her real name, Diana Norman) produces a gripping narrative with meticulous detail about everything from the topography of Cambridge to race relations to medical conventions of the era. The issue of religious warfare strikes a particularly modern chord. When Adelia asks Rowley just what the Crusades are achieving, he responds, They’re inspiring such a hatred amongst Arabs who used to hate each other that they’re combining the greatest force against Christianity the world has ever seen. It’s called Islam. Iris Blasi is a writer in New York City.

Four children turn up murdered in 12th-century Cambridge, England, and the restless Catholic townspeople immediately pin the blame on local Jews. As the Jews flee to the safety of the castle, King Henry II seeking the truth as much as the return of his Jewish citizens to their tax-paying status hires a highly recommended investigator […]
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What would the fallout be if someone could prove that the modern state of Israel is in the wrong place that it occupies a territory far distant from the one divinely promised the Jews and specified in the original version of the Old Testament? What if the historical Israel had actually been located in what is now Saudi Arabia? Would the revelation of these facts inevitably bring the always bubbling Mideast to a full boil? It is around these potentially apocalyptic prospects that Steve Berry weaves The Alexandria Link. His premise is that the contents of the fabled Library of Alexandria including the Old Testament still exist at a secret site, the whereabouts of which have been made known only to a succession of wise and deserving scholars. So now the race is on to find the library, with one faction intent on exposing Israel’s tenuous historical hold on the land.

To play out this adventure, Berry brings back characters he introduced in The Templar Legacy. Chief among these are Cotton Malone, the retired government spook; his former boss, Stephanie Nelle; and the beautiful but deadly Cassiopeia Vitt, who functions here as Nelle’s guardian angel. There are so many doublecrosses it practically takes a scorecard to keep track of them. Breathlessly paced, The Alexandria Link is a wonderful dramatic ride.

What would the fallout be if someone could prove that the modern state of Israel is in the wrong place that it occupies a territory far distant from the one divinely promised the Jews and specified in the original version of the Old Testament? What if the historical Israel had actually been located in what […]
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Crime fiction fans everywhere were delighted last year when Tom Rob Smith’s first thriller, Child 44, made the long-list for the Man Booker Prize. His follow-up, The Secret Speech, is a sequel to his acclaimed debut, continuing the adventures of Leo Demidov. Khrushchev has come to power, and he makes a speech—in theory, a secret speech—that reveals the corruption and horror of Stalin’s brutal reign and leads to the release of scores of prisoners from the country’s gulags.

Demidov had worked as a State Security agent and does not have a spotless past, but he’s moved on, taking a post running a homicide unit and trying to be a decent man. He loves his wife, is devoted to the daughters he adopted (after sending their parents to their deaths) and wants an ordinary life. But escaping from what he’s done isn’t so easy, especially once he’s in the sights of people whose families suffered under Stalin.

Fraera, the leader of a vicious gang, has demanded the release of her husband, a priest who was put in prison by Demidov, but it’s clear her mission is also to cause Demidov deep psychological suffering. She’s fixated on revenge. When she kidnaps one of Demidov’s daughters, the desperate father sets off on a breathtaking race to save the girl, moving from Moscow to Siberia to Budapest, facing the demons of his past at every turn.

Smith writes action relentlessly and fills The Secret Speech with vibrant descriptions of the post-Stalin Soviet Union without once letting his breakneck pace slip. The brutal violence and drab mood paint a realistic picture of a bleak era. Smith also continues to develop his wonderfully complex protagonist and torments him like few other authors could, making the reader worry about him on every page. Demidov has to face his past guilt head-on, a particularly difficult task when he goes into the prisons where those he’s arrested have spent years in agony.

Meticulously plotted and deliciously complicated, Smith’s sophomore effort doesn’t disappoint.

Tasha Alexander is the author of A Fatal Waltz. She lives in Chicago.

 

Crime fiction fans everywhere were delighted last year when Tom Rob Smith’s first thriller, Child 44, made the long-list for the Man Booker Prize. His follow-up, The Secret Speech, is a sequel to his acclaimed debut, continuing the adventures of Leo Demidov. Khrushchev has come to power, and he makes a speech—in theory, a secret […]
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<b>Did she or didn’t she?</b> Pam Lewis’ suspenseful first novel, <b>Speak Softly, She Can Hear</b>, opens with an incident that spirals into the macabre. Two teenaged girls who attend a posh school in New York have planned to use a ski trip to Stowe, Vermont, as a cover for a liaison with an aspiring actor who has agreed to deflower them. Carole Mason is an intelligent but self-conscious girl. Her friend Naomi is the edgy product of a flamboyantly dysfunctional family. The actor is named Eddie, and from the start it’s clear that he’s bad news.

After Eddie and Carole have had sex at a seedy motor lodge, another woman named Rita shows up. Eddie tries to involve the drunk Carole in a threesome, but she ends up instead crouching clumsily at the head of the bed, more in the way than intimately involved. Suddenly, Eddie breaks through Carole’s drunken haze, announcing that Rita is dead and claiming Carole has somehow broken her neck. After Naomi shows up, the three of them drag Rita’s corpse into the woods behind the motor lodge, where they bury it in the deep snow.

Carole can never clearly reconstruct how she might have killed Rita, and since the story is told from her point of view, the reader shares her confusion. For the rest of the novel, Carole tries to get away from the memory of that night and from Eddie and Naomi, but she somehow keeps circling back to it and to them. Without any explanation to her parents, she drops out of Vassar, goes across the country to the Haight-Ashbury district of San Francisco, and then comes back to settle in Montpelier, Vermont. There she opens a restaurant called Chacha’s and falls in love with a black man named Will. The author cleverly integrates the suspense elements of the story with a perceptive depiction of the social and political tumult of the ’60s. The dramatic climax is not entirely a surprise, and the resolution is a little too neat, but Lewis’ skill in depicting character, incident and milieu make this a very promising debut. <i>Martin Kich is a professor at Wright State University.</i>

<b>Did she or didn’t she?</b> Pam Lewis’ suspenseful first novel, <b>Speak Softly, She Can Hear</b>, opens with an incident that spirals into the macabre. Two teenaged girls who attend a posh school in New York have planned to use a ski trip to Stowe, Vermont, as a cover for a liaison with an aspiring actor […]
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In the opening pages of Darling Jim, the American debut from Danish writer Christian Moerk, three women are found horribly murdered in a house in Dublin, Ireland, and local police are left with more questions than answers. It appears that Moira Hegarty had imprisoned her nieces, Fiona and Roisin Walsh, and was slowly poisoning them to death. But from the shovel marks on Moira’s forehead, at least one of them fought back. Even more intriguing, it looks as though a third prisoner might have escaped.

This gothic story-within-a-story is told through the diaries of the two dead girls and a third-person narrative following Niall, a young postman who’d prefer to be a comic book artist. After he discovers Fiona’s diary in the dead-letter bin, Niall feels compelled to find out what happened in that house.

Fiona’s diary introduces us to Jim Quick, a traditional Irish storyteller or seanchaí, who roars into Fiona’s town on a vintage red motorcycle and proceeds to seduce half the inhabitants with his stories, and the other half with his good looks and slick moves. Unfortunately, some of the latter group have turned up dead, and the seduced and discarded Fiona is determined to figure out if Jim and his mysterious cohort, Tomo, are involved. When Jim sets his sights on Moira, a fragile and desperate woman, Fiona and her sisters, Roisin and Aiofe, are destined to become too involved to turn back. Once the sisters get too close to the truth, Jim turns his violent nature on Aiofe.

When Niall’s obsession threatens his job, he decides to uncover the rest of the story in another diary, this one written by Roisin. Foiled in turn by a precocious student and her father bent on justice, and a cop eaten up with guilt, Niall finally gets his hands on the prize and the story continues as told by the second troubled Walsh sister. But what has become of the third?

Thick with Irish atmosphere and colloquialisms and peopled with characters right out of the darkest of fables, Darling Jim is a page-turning tribute to the art, history and power of classic storytelling.

Kristy Kiernan is the author of Matters of Faith.

In the opening pages of Darling Jim, the American debut from Danish writer Christian Moerk, three women are found horribly murdered in a house in Dublin, Ireland, and local police are left with more questions than answers. It appears that Moira Hegarty had imprisoned her nieces, Fiona and Roisin Walsh, and was slowly poisoning them […]
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What began as a way to cope with being snowed in with her two young sons one winter has turned into a multimillion dollar career, though J.D. Robb—a pseudonym for mega-selling author Nora Roberts—couldn’t have known where that creative solution to boredom would lead her. A voracious reader, the Maryland native decided to try her hand at fiction writing during those snowy days in 1979 and she hasn’t stopped since, with more than 100 novels to her credit and countless appearances on the New York Times bestseller list.

The In Death series was born of necessity in 1995, when the prolific Roberts had stacked up a surplus of titles awaiting print. Intentionally moving outside the romantic suspense genre, Roberts created a gritty, urban-set, three-book story arc featuring police Lt. Eve Dallas and the mysterious billionaire Roarke. The two would work jointly—and, at times, at odds—to solve unspeakable crimes in New York City, circa 2060. Her publisher agreed to take a chance on the groundbreaking concept, publishing the books under the J.D. Robb pseudonym at Roberts’ request. (Roberts used the first initials of her sons’ names for “J.D.” and “Robb” is a diminutive of “Roberts”.)

The J.D. Robb titles quickly hit bestseller lists and gained critical acclaim, both from book reviewers and fellow writers. The information that “J.D. Robb” was really Nora Roberts was originally a well-kept secret, but the series found immediate popularity, the publisher eventually revealed the woman behind the pseudonym, and the rest, as they say, is history.

In Robb’s newest futuristic thriller, Promises in Death, New York City police Lt. Eve Dallas has a murder to solve that strikes too close to home. The victim is a fellow cop and the lover of Eve’s good friend Li Morris, the city’s chief medical examiner.

Was Det. Amaryllis Coltraine murdered with her own weapon because of a case she was investigating? Did she have personal enemies who wanted her dead? Or is her death somehow connected to the mysterious man with whom she shared a serious relationship in Atlanta two years earlier?

During the investigation, Eve begins to unravel the tangled threads of Det. Coltraine’s hidden past, and even Roarke is surprised at the revelations. Previously, he and Eve had collaborated on a case that led to the conviction of master criminal Max Riker, who is currently incarcerated in an off-planet penal colony. Neither Roarke nor Eve expected their lives would intersect with Riker or his crime organization again, yet their current investigation seems inextricably linked to the dethroned crime boss. Is it possible Riker has found a way to operate his criminal empire from behind bars—to the extent that he is capable of ordering a hit on a cop in New York City?

And as if answering all these questions to solve the complicated case isn’t difficult enough, it quickly becomes clear that someone doesn’t want her digging deeper. When Eve’s police issue vehicle is boxed in at a traffic stop and deliberately T-boned by a large van, Roarke’s blood runs cold. Has Coltraine’s killer turned his sights on Eve?

The details of the futuristic New York City setting and familiar faces in the supporting cast of characters remind the reader just how minutely Robb has crafted and populated this series. This 28th installment in the wildly popular series is sure to delight dedicated fans and garner new ones for the indomitable duo of Eve and Roarke.

Lois Faye Dyer writes from Port Orchard, Washington.

What began as a way to cope with being snowed in with her two young sons one winter has turned into a multimillion dollar career, though J.D. Robb—a pseudonym for mega-selling author Nora Roberts—couldn’t have known where that creative solution to boredom would lead her. A voracious reader, the Maryland native decided to try her […]
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The nightmare and shame of humanity is that there is always a war going on somewhere on the planet. And yet, for writers such as John le Carré, this sad fact is great fodder for stories. Where there is conflict, there are spies, and le Carré—a former secret agent himself—is a writer in complete command of the spy genre. In the aftermath of 9/11, his spies have made a seamless transition into the modern world. They are just as devious, just as two-faced and, thanks to their creator, just as riveting a collection of characters as he brought us when writing about the Cold War and MI6 operative George Smiley.

A Most Wanted Man opens with a slender young man in a dark coat named Issa (a Persian name for Jesus) following a Turkish mother and son on a dark street at night in Hamburg, Germany. The young man is a devout Muslim and asks for shelter in their home. This sets off a chain of events that involves an unlikely trio of central characters—Issa, whose real background is that of a Russian aristocrat; Annabel Richter, a young idealistic lawyer who acts as Issa’s attorney; and Tommy Brue, a retiring wealthy British banker. Issa has been smuggled into Hamburg to retrieve a huge sum of money held for years by Tommy Brue’s bank. But Issa wants nothing to do with what he considers a tainted fortune, given that it originated with his father, Col. Karpov of the Red Army.

Where le Carré excels, perhaps better than anyone, is in the gray areas of plot and characterization. This is a complex and multi-layered work with a roll call of memorable characters that still manages to distill the theme into Western thought versus Islamist philosophy.

At 77 years of age, le Carré (né David Cornwell) shows no signs of slowing down. You’re never in for a breezy read with him, but as in the works of most master craftsman, the demands put upon the reader are small compared to the intense and lasting rewards.

Michael Lee is a member of the National Book Critics Circle.

This complex and multi-layered work features a roll call of memorable characters and a dynamic setting.
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Novelist Martina Cole, has rarely been off U.K. bestseller lists for some 17 years now. I had the opportunity to talk on the phone with Cole recently, and her quick wit and street smarts were evident in every response. When her first book, Dangerous Lady, was published, she received the requisite large check from her publisher. I asked her what she did for a first-time splurge: "Well, my accountant told me if I wanted to buy a new car, I needed to do it quickly; it had something to do with English tax law and saving buckets of money. I was painting my bedroom, and had paint all over me, and I went to the BMW dealer that way. The salesman couldn't be bothered with me until I told him that I wanted to buy a new BMW and pay cash for it. I think he nearly fainted!" With the royalties from successive books she has bought a country home that dates back to Elizabethan times ("It has a resident ghost") a garage full of lovely automobiles and a motorboat ("No sailboats for me; I'm a power boat girl.").

It was not always the high life for Martina Cole. She grew up in a working-class family; at times she had to hold down three jobs at once just to make ends meet. Nowadays, that's not a problem, of course, as her books have hit the bestseller lists all over the world, and she is poised to do just that stateside as well with her newly released American debut, Close. Like Cole's previous books, Close is a tale of the London underground, gritty and harsh, not for the weak of heart (or stomach). It is a milieu with which Cole is very familiar, the hardscrabble turf of a poor urban neighborhood, where "the Wall of Silence" prevailed, and folks turned a blind eye to the violent crimes happening all around them with startling regularity. This ambitious novel spans a 40-year period in the life of Clan Brodie, a notorious London crime family, starting in the swinging '60s and moving forward to the present. Think "The Sopranos" with a Cockney accent, and you would not be far off. And like "The Sopranos," it is brutally hard-hitting, superbly crafted and deserving of a rabid fan base in America, as well as the rest of the world.

 

Novelist Martina Cole, has rarely been off U.K. bestseller lists for some 17 years now. I had the opportunity to talk on the phone with Cole recently, and her quick wit and street smarts were evident in every response. When her first book, Dangerous Lady, was published, she received the requisite large check from her […]

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There’s no going back in this apocalyptic home-invasion thriller

Praised by horrormeister Stephen King, Paul Tremblay’s shocking new novel, The Cabin at the End of the World, is an often graphic account of one family’s ordeal when their vacation is shattered in a cult-like home invasion. We asked Tremblay about the book’s origins, its dark path and his inner fears that helped forge the novel.

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