With True Blue, best-selling author David Baldacci says he knew “from the beginning” that his memorable duo, Mace and Beth Perry, would be taking center stage again in future thrillers. No wonder: this pair of sisters, who both started out as cops but ended up on different roads, make for compelling reading.

Beth is the chief of police in Washington, D.C., while Mace is just out after doing two years in prison for a crime she didn’t commit. Now she wants to clear her name and win back her badge. The sisters, whose close and supportive friendship held strong all through Mace’s imprisonment, are still watching each other’s backs, and now they’re zeroing in on a web of murder and deception that is spiraling outward, taking in D.C.’s darkest criminal neighborhoods as well as the upper echelons of Washington’s political hierarchy.

Baldacci is at the top of his game here, exercising his talent for creating both winsome and darker-than-dark characters that keep readers turning the pages. Mace grinds her mental gears and operates on a short fuse, but she keeps the book going at a breakneck pace as she steams through D.C.’s mean streets on her cherry red Ducati. Chief Perry has worked hard to get where she is, but her stubborn honesty and inner stability keep the book from bursting apart at the seams. Together these two complement each other as they stand alongside a cast of intriguing characters, including Roy, the hoop-shooting lawyer who found the first body (we know he’ll be back!); Captain, a disheveled homeless vet with a penchant for Twinkies; Abe, the richer-than-rich research scientist who hires Mace; and Mona, a vengeful U.S. attorney with friends in high places. Central to the action are Psycho, Razor, Alisha and other streetwise residents of the “Seven D” neighborhood on one side of town, and the high-flying politicos and shadowy intelligence agents who populate the other side—leaving us not at all clear about which is really the wrong side of the tracks.

In researching True Blue, Baldacci accompanied police patrols on their rounds of D.C. neighborhoods, and wrote a nationally published profile of the capital city’s real-life police chief, Cathy Lanier, the first top-ranked female law enforcement officer in that city’s history. The author’s in-depth research into Lanier’s up-through-the-ranks career helped inspire many of the absorbing details that elevate this book to a notch above most crime thrillers.

In 1991, Douglas Coupland burst onto the literary scene with the groundbreaking Generation X, a novel that brilliantly captured the minds and imaginations of those who stepped tentatively across the threshold of adulthood in the late 1980s. Now, nearly 20 years later, Coupland revisits the generational divide, this time focusing on the pressures and insecurities looming on the horizon of the 21st century.

Generation A uses the same framed narrative style as its predecessor; five disenfranchised 20-somethings—all trying to find their place in the world—unfold their individual stories through alternating chapters. They are scattered across the globe, unaware of each other’s existence until the unthinkable occurs, irrevocably linking them to one another: they are each stung by a bee. In Coupland’s vision of the future, bees have long been extinct, so getting stung by one is not just something to blog about, it’s worthy of attention from the National Guard! All five Wonka kids (as they call themselves) are rushed into isolation where they are scrutinized and studied for several weeks before finally being released back into the wild without any explanation. Soon an undeniable pull causes them to seek one another out, eventually uniting on a small island where their narratives slowly begin to merge as they piece together not just what has happened to them, but more importantly, why.

Within the first pages of Generation A, readers will realize that they are in the hands of a master, that they have been gifted with something more lofty and ambitious than the average work of fiction. Coupland playfully exposes the contemporary contradictions that plague us: in the era of Twitter and mass communication, as we play exhibitionist and voyeur on a global stage, how is it that we feel more isolated than ever? Where can genuine human connections be found, or are they a thing of the past?

A piercing analysis of our modern society, Generation A is exhilarating and insightful, bubbling with wit and verve. Readers who are willing to brave Coupland’s literary pyrotechnics and unconventional exercises in style will be richly rewarded with a thoughtful and mind-bending analysis of what makes us tick. Coupland is better than ever, and Generation A is certain to thrill readers of every generation.

Stephenie Harrison writes from Nashville and now considers herself part of Generation A.

Reading The Scarpetta Factor, Patricia Cornwell’s 17th novel about medical examiner Kay Scarpetta and her gang of detectives and forensic criminologists, is not unlike taking a 500-page romp on a Tilt-a-Whirl.

Diehard Cornwell fans already know the drill, but for the uninitiated: Expect plot twists to snowball at a rate of tricky-to-solve murders, bomb threats and mistaken identities popping up every few pages (with some mafia involvement thrown in, too). In other words, there’s no predicting what will happen to Scarpetta over the course of the novel. The plot loops, spins and changes directions until the very end.

In this installment, Scarpetta is working in New York City to crack the murders of high profile financial advisor Hannah Starr and beautiful waitress Toni Darien—all while serving as senior forensic analyst for CNN’s (fictitious) “The Crispin Report.” Her husband, forensic psychiatrist Benton Wesley, is caught up in the case of a patient who may (or may not) be connected to Scarpetta’s murders. Rounding out the crew are NYPD detective Pete Marino, who shares a sticky past with Scarpetta, and Lucy Farinelli, Scarpetta’s computer investigator niece.

Scarpetta is serious about her work. “The body doesn’t lie,” she thinks during an argument about the timeline of a murder. “Don’t try to force the evidence to fit the crime.” When the crime starts to directly involve Scarpetta—a mysterious package shows up at her apartment; Lucy’s past involves some dangerous liaisons—the plot gets complicated as we fear for our heroine’s life.

Although Cornwell’s prose can be corny and over-dramatic (“She was volatile, couldn’t settle down, and she hated it, but hating something didn’t make it go away . . .”), The Scarpetta Factor is still a rip-roaring read, in no small part because of explicit details and forensic jargon (perhaps aided by Cornwell’s six years as a writer and computer analyst at Chief Medical Examiner’s office in Richmond, Virginia).

The point of view alternates between the main characters. Because of these shifts and the multiple details to resolve, the plot can drag; just when we think we’ll get some resolution—bam!—the narrator changes and 200 pages later we’re still wondering what’s going to happen.

Although frustrating, this technique keeps us hooked and biting nails until the end, the objective of any good crime novel.

In her childhood, Eliza Borné read a Nancy Drew book a day. She can whip through a “Scarpetta” book in about the same amount of time.

Several years ago, Canadian writer Linwood Barclay was having breakfast with his teenage daughter when she posed a question guaranteed to give any parent heart palpitations. “Dad,” she asked, “Suppose you came to pick me up at my job, and found I’d never worked there?”

It was a scenario Barclay found truly disturbing—and equally irresistible. He took the idea and ran amok with it, creating a parent’s worst nightmare and a mystery reader’s delight with his new thriller, Fear the Worst.

Barclay is a well-respected author whose success has been much greater outside the United States. Too Close to Home was a number one bestseller in England, and also won the Best Novel category of the Arthur Ellis Awards, Canada’s top prize for crime fiction. Now with Fear the Worst, which Barclay calls his “best book yet,” the writer may finally receive similar attention and acclaim from readers in the U.S.

Tim Blake is a divorced dad with a lot of charm but no head for business. His only child, a 19 year-old daughter named Sydney, lives with him during the summer. The previous year, she spent those three months working at the car dealership where Tim is a salesman; this year, Sydney has taken a job as a desk clerk at the Just Inn Time, a cinder-block budget motel where the rooms are clean but the “complimentary breakfast” is free largely because no one really wants stale muffins and bad coffee.

Tim and Sydney have an altercation over breakfast which causes her to leave in a huff for work. But when she doesn’t return that evening, a worried Tim begins calling her friends, hoping the argument is the reason Sidney hasn’t come home. When Sidney’s not back by the next morning, now frantic, he races to the Just Inn Time to see if she’s shown up for work, only to be met with blank stares. No one has seen her, no one knows her, and no, Sydney doesn’t work there. Never has.

“When I got back to the house, it was empty.
Syd did not come home that night.
Or the next night.
Or the night after that.”

These events comprise only 14 pages of this 400-page book, which has all the twists, turns and thrills of a good roller coaster ride, compelling anyone who picks it up to keep reading. In addition to its intricate plot, one of the book’s best qualities is the balance between what is and what is not important when a child goes missing. In his quest to find Sydney, Tim discovers things about his daughter that might have sent him reeling before her disappearance: she drinks when she parties, some of her friends are “wild,” and she might be pregnant. But put in the context of her disappearance—and possible murder—they pale in importance.

“At least it would mean she was okay. That she was alive. I could welcome home a pregnant daughter if there was a pregnant daughter to welcome home.”

It’s not long before a pregnant daughter would be one of the best case scenarios Tim could possibly imagine. By the book’s end, some may feel Barclay has put too many twists and turns in his story; others may be disappointed by its fairly predictable conclusion. But the majority of readers will find Fear the Worst nearly impossible to put down, savoring every bit of this satisfying suspense novel right up to the very last page.

Making a move that's sure to delight connoisseurs of the legal thriller, John Grisham takes something of a sentimental journey in his latest novel, The Associate, on sale January 27. The book's plot might sound strangely familiar to fans of his 1991 blockbuster, The Firm: newly minted Ivy League law school grad takes job with powerhouse firm and soon finds himself in deep trouble. That book catapulted Grisham to perennial bestsellerdom and established him as the superstar of the legal thriller genre.

The character at the heart of The Firm was Mitch McDeere, a cocky kid just out of Harvard Law who discovers that the Memphis firm that hired him is controlled by the Mob. In the successful 1993 film adaptation, McDeere was portrayed by Tom Cruise, an inspired piece of casting that gave a strong boost to Cruise's career and Grisham's film franchise. Author Photo

Grisham sets his new novel, The Associate, in New York City, the first time that one of his books has taken place entirely in the city that never sleeps. Where better to follow the dilemma facing young lawyer Kyle McAvoy, described by Grisham's publisher as "one of the outstanding legal students of his generation: he's good looking, has a brilliant mind and a glittering future ahead of him. But he has a secret from his past, a secret that threatens to destroy his fledgling career and, possibly, his entire life."

In a note posted on his UK website, Grisham comments on the similarities between the two characters: "Kyle reminds me of another young lawyer, Mitch McDeere, who was featured in one of my earlier novels, The Firm. Like Mitch, Kyle finds himself in way over his head, with no one to turn to and no place to hide."

As The Associate opens, Kyle has just graduated from Yale Law when he discovers that his dark secret has been captured on video. He's shocked when, instead of demanding money, the blackmailers put a surprising price on their secrecy: they ask Kyle to take a job at the largest law firm in the world, and one of the best in New York City. He's soon making big money and on the track to a partnership, but what his employers don't know is that he's sharing information about a crucial trial between two defense contractors with his blackmailers.

With his future on the line, Kyle is caught between the criminals and the FBI, who suspect a leak and are investigating his firm. Though he's one of the top young associates, does Kyle have what it takes to get out of this dilemma—without destroying his future? The only thing that's for certain is that readers will be turning the pages as fast as they can to find out.

Grisham's agent has already landed a film deal for The Associate with Paramount Pictures, no small feat at a time when the economic slowdown finds even best-selling authors having trouble selling their stories to studios. The film will star Shia LaBeouf, a choice that might surprise moviegoers who remember him best as the shaggy teen star of the Disney Channel and the movie Holes. At 22, however, LaBeouf has grown into a handsome young actor and bona fide Hollywood celebrity (with the arrest record to prove it). This film will be his sixth major movie for Paramount, including the 2007 hit Transformers. A director has yet to be named for The Associate, which will be the 12th film based on a Grisham book or story.

Grisham remains active in the legal world, regularly serving as host or keynote speaker at events for organizations like the Legal Aid Justice Center. At a recent benefit in Virginia, guests bid on the right to have a character in an upcoming Grisham novel named after them. Grisham has also faced legal issues of his own related to his 2006 work of nonfiction, The Innocent Man, based on the life of Ron Williamson, who was wrongly imprisoned for murder. Grisham and two other writers who've written about Williamson's case were sued for defamation of character by three of the Oklahoma law enforcement officials who prosecuted Williamson back in 1982. A U.S. District Court judge dismissed the lawsuit, saying the justice system deserved the criticism it received. George Clooney has purchased the film rights to The Innocent Man, which is currently in development.