Amateur sleuth Claudia Lin delves into a dating app conspiracy in Jane Pek’s entertaining, thought-provoking The Rivals.
Amateur sleuth Claudia Lin delves into a dating app conspiracy in Jane Pek’s entertaining, thought-provoking The Rivals.
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What began as a way to cope with being snowed in with her two young sons one winter has turned into a multimillion dollar career, though J.D. Robb—a pseudonym for mega-selling author Nora Roberts—couldn’t have known where that creative solution to boredom would lead her. A voracious reader, the Maryland native decided to try her hand at fiction writing during those snowy days in 1979 and she hasn’t stopped since, with more than 100 novels to her credit and countless appearances on the New York Times bestseller list.

The In Death series was born of necessity in 1995, when the prolific Roberts had stacked up a surplus of titles awaiting print. Intentionally moving outside the romantic suspense genre, Roberts created a gritty, urban-set, three-book story arc featuring police Lt. Eve Dallas and the mysterious billionaire Roarke. The two would work jointly—and, at times, at odds—to solve unspeakable crimes in New York City, circa 2060. Her publisher agreed to take a chance on the groundbreaking concept, publishing the books under the J.D. Robb pseudonym at Roberts’ request. (Roberts used the first initials of her sons’ names for “J.D.” and “Robb” is a diminutive of “Roberts”.)

The J.D. Robb titles quickly hit bestseller lists and gained critical acclaim, both from book reviewers and fellow writers. The information that “J.D. Robb” was really Nora Roberts was originally a well-kept secret, but the series found immediate popularity, the publisher eventually revealed the woman behind the pseudonym, and the rest, as they say, is history.

In Robb’s newest futuristic thriller, Promises in Death, New York City police Lt. Eve Dallas has a murder to solve that strikes too close to home. The victim is a fellow cop and the lover of Eve’s good friend Li Morris, the city’s chief medical examiner.

Was Det. Amaryllis Coltraine murdered with her own weapon because of a case she was investigating? Did she have personal enemies who wanted her dead? Or is her death somehow connected to the mysterious man with whom she shared a serious relationship in Atlanta two years earlier?

During the investigation, Eve begins to unravel the tangled threads of Det. Coltraine’s hidden past, and even Roarke is surprised at the revelations. Previously, he and Eve had collaborated on a case that led to the conviction of master criminal Max Riker, who is currently incarcerated in an off-planet penal colony. Neither Roarke nor Eve expected their lives would intersect with Riker or his crime organization again, yet their current investigation seems inextricably linked to the dethroned crime boss. Is it possible Riker has found a way to operate his criminal empire from behind bars—to the extent that he is capable of ordering a hit on a cop in New York City?

And as if answering all these questions to solve the complicated case isn’t difficult enough, it quickly becomes clear that someone doesn’t want her digging deeper. When Eve’s police issue vehicle is boxed in at a traffic stop and deliberately T-boned by a large van, Roarke’s blood runs cold. Has Coltraine’s killer turned his sights on Eve?

The details of the futuristic New York City setting and familiar faces in the supporting cast of characters remind the reader just how minutely Robb has crafted and populated this series. This 28th installment in the wildly popular series is sure to delight dedicated fans and garner new ones for the indomitable duo of Eve and Roarke.

Lois Faye Dyer writes from Port Orchard, Washington.

What began as a way to cope with being snowed in with her two young sons one winter has turned into a multimillion dollar career, though J.D. Robb—a pseudonym for mega-selling author Nora Roberts—couldn’t have known where that creative solution to boredom would lead her.…

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After five long years, Allan Folsom, author of the blockbuster thrillers The Day After Tomorrow and Day of Confession, has finally released his third novel. The Exile, arguably Folsom’s most moving novel to date, is also his bloodiest. Equal parts mystery and suspense thriller, The Exile revolves around John Barron, the youngest cop on the LAPD’s elite 5-2 squad, the hundred-year-old special situations section of the Robbery-Homicide Division. These clandestine vigilantes are judge and jury to Southern California’s most heinous criminals, and the sentence is always the same: death. When members of the 5-2 corner an escaped prisoner and his hostage in a vacant parking garage, Barron is initiated into the squad with a baptism of blood. The escapee is heartlessly assassinated and the hostage taken in for questioning. The hostage, however, turns out to be an international hitman who escapes from a jail full of police officers and leaves a trail of dead bodies in his wake. As the members of the 5-2 track this elusive killer (identified as Raymond Thorne on his passport), Barron goes against policy and tries to take in the escaped killer by the book. His seemingly scrupulous decision backfires and most of the 5-2 is killed in a vicious shootout. Shortly thereafter, the infamous squad is disbanded and Barron is told in no uncertain terms to retire and leave the area immediately or else. He takes his psychologically impaired sister, changes his name and moves to England to start a new life. But the bloody mystery surrounding Raymond Thorne won’t go away. Who was he? Why was he killing affluent Russian immigrants? When one of Thorne’s old targets is murdered in Paris, Barron takes up the case again and is led to Russia, where Thorne’s true name and ultimate mission are revealed.

While The Exile is definitely not for the faint of heart (readers will need a calculator to keep up with the ever-escalating body count), fans of Folsom’s previous works will undoubtedly put this novel on national bestseller lists. Paul Goat Allen is a freelance editor and writer in Syracuse, New York.

After five long years, Allan Folsom, author of the blockbuster thrillers The Day After Tomorrow and Day of Confession, has finally released his third novel. The Exile, arguably Folsom's most moving novel to date, is also his bloodiest. Equal parts mystery and suspense thriller, The…
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The nightmare and shame of humanity is that there is always a war going on somewhere on the planet. And yet, for writers such as John le Carré, this sad fact is great fodder for stories. Where there is conflict, there are spies, and le Carré—a former secret agent himself—is a writer in complete command of the spy genre. In the aftermath of 9/11, his spies have made a seamless transition into the modern world. They are just as devious, just as two-faced and, thanks to their creator, just as riveting a collection of characters as he brought us when writing about the Cold War and MI6 operative George Smiley.

A Most Wanted Man opens with a slender young man in a dark coat named Issa (a Persian name for Jesus) following a Turkish mother and son on a dark street at night in Hamburg, Germany. The young man is a devout Muslim and asks for shelter in their home. This sets off a chain of events that involves an unlikely trio of central characters—Issa, whose real background is that of a Russian aristocrat; Annabel Richter, a young idealistic lawyer who acts as Issa’s attorney; and Tommy Brue, a retiring wealthy British banker. Issa has been smuggled into Hamburg to retrieve a huge sum of money held for years by Tommy Brue’s bank. But Issa wants nothing to do with what he considers a tainted fortune, given that it originated with his father, Col. Karpov of the Red Army.

Where le Carré excels, perhaps better than anyone, is in the gray areas of plot and characterization. This is a complex and multi-layered work with a roll call of memorable characters that still manages to distill the theme into Western thought versus Islamist philosophy.

At 77 years of age, le Carré (né David Cornwell) shows no signs of slowing down. You’re never in for a breezy read with him, but as in the works of most master craftsman, the demands put upon the reader are small compared to the intense and lasting rewards.

Michael Lee is a member of the National Book Critics Circle.

This complex and multi-layered work features a roll call of memorable characters and a dynamic setting.
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My brother-in-law has noticed that most weather-related place names are more indicative than whimsical: if it is the middle of January and you are visiting a place called Snowshoe, you had better be prepared for deep drifts. A corollary for the male characters in Sabina Murray’s A Carnivore’s Inquiry might be that if you meet a young woman who makes a great deal of casual conversation about cannibalism, it may be a very mixed blessing if she regards you as a “hunk.” “Hunk,” after all, derives from the Flemish word hunke, which means “a piece of food.” My observation, not Murray’s, though etymological curiosities related to her subject are among the few she doesn’t seem to have investigated.

For A Carnivore’s Inquiry is full of all sorts of unusual information from knowledgeable analyses of macabre paintings by Goya and Gericault to detailed accounts of the real events that served as sources for Poe and Melville, to imaginative reconstructions of historical events ranging from the demise of the Donner party to the disappearance of Michael Rockefeller. All of this discursive but fascinating exposition is linked in some way to the picaresque experiences of the main character, Katherine Shea, in whose wake men are found not only dead but also horribly mutilated.

A Carnivore’s Inquiry is told in the first person, and so it is easy for the reader to understand what attracts men to Katherine. She is eccentrically attractive, disarmingly direct, acutely perceptive and genuinely witty. Through her narrative, the other characters emerge as fully realized (I am tempted to say “full-bodied and full-blooded”) individuals especially her successful father, whom she regards as irredeemably strange, and her deranged mother, whom she regards as a soul mate.

Murray’s first novel, Slow Burn, was a sort of Tama Jamowitz story set in Manila, and her PEN-Faulkner award-winning collection of stories, The Caprices, treated characters on the margins of the Pacific theater of World War II. This neo-Gothic tale, which recalls the style of Nicholson Baker, is a considerably different sort of work but an extremely enjoyable ride nonetheless. Martin Kich is a professor of English at Wright State University.

My brother-in-law has noticed that most weather-related place names are more indicative than whimsical: if it is the middle of January and you are visiting a place called Snowshoe, you had better be prepared for deep drifts. A corollary for the male characters in Sabina…
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Former CIA officer Robert Baer, whose experiences in the Middle East inspired the film Syriana, makes his fiction debut with Blow the House Down, an alternative history to 9/11 that weaves fact and fiction into an intriguingly plausible version of the tragic attacks. The story is replete with money-hungry businessmen, sinister terrorists, rogues, righteous agents and the requisite beautiful woman. In short, there are the good guys, the bad guys and the worse guys.

The hero of Baer’s book is Max Waller, a middle-aged CIA agent with an ex-wife, a teenage daughter and a singular obsession: finding the terrorists responsible for the real-life kidnapping and murder of fellow agent William Buckley. Buckley, the CIA chief of station in Beirut, was kidnapped in 1984 and subjected to torture and interrogation for 444 days before dying in captivity. Max, always regarded as a lone wolf, sticks his nose under the wrong tent and finds himself on the outside looking in. His own people are following him, the FBI is making a case against him and he is being set up to take a huge fall, one that will force him out of the agency and possibly into prison. But Max hasn’t spent two decades in obscure parts of the world working with shady people without learning a thing or two. With his finger curled around the thread of a mystery, he pulls, and slowly unravels a connection between the U.S., Iran, Osama bin Laden and the eventual 9/11 hijackers. Max flits from one godforsaken Middle East hotspot to the next, growing increasingly disturbed by what he finds something is going to happen and it will be big. Most troubling, the powers-that-be are not only ignoring his warnings, but also seem to be going out of their way to shut him up.

Baer mixes real events and characters among his fictional creations. While the tragedy of 9/11 has recently begun to crop up in literary fiction, this is one of its incipient starring roles in the popular fiction genre. Baer treats the subject with respect in this thoughtful page-turner. Ian Schwarz writes from New York City.

Former CIA officer Robert Baer, whose experiences in the Middle East inspired the film Syriana, makes his fiction debut with Blow the House Down, an alternative history to 9/11 that weaves fact and fiction into an intriguingly plausible version of the tragic attacks. The story…
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What if you were the teenage golden boy of a small town, and you saw something you shouldn’t have seen? What if the only way to stay safe is to keep silent, and disappear? What happens when you’re ready to come home again? In The Virgin of Small Plains, award-winning mystery writer Nancy Pickard tells the story of Mitch, Abby and Rex, best friends in idyllic Small Plains, Kansas. When Rex, his brother and their father the local sheriff find the naked body of a young woman in a cow pasture during a blizzard, the teenagers’ lives change in ways they never anticipated. Overnight, Mitch disappears, leaving both his girlfriend and his best buddy feeling abandoned. Over the next decade and a half, life goes on, though with Mitch’s continued absence, neither Abby nor Rex ever feels complete. The townspeople chip in to bury the unidentified girl. Inexplicably, strange miracles occur, and in death, the girl acquires a new identity and a power she lacked in life. Those who ask her help in curing the sick start calling her the Virgin.

After his mother’s death in another snowstorm, Mitch decides that 17 years away is long enough. Determined to get his revenge on the town and the men he feels abandoned him, Mitch settles in to a ranch house his family rarely uses and begins buying property in town. His unexpected encounters with Abby and Rex reopen the wounds all three carry from the night of the Virgin’s death. When Mitch meets another young woman seeking a miracle, his desire for revenge is transformed into a healing force. In an unfolding series of revelations, Abby, Mitch and Rex now sheriff himself discover the truth about the Virgin, and their own families. Pickard handles the shifts between 1987 and the present deftly. She gets inside the hearts and minds of wounded teenagers, and shows how they became strong, capable but still vulnerable adults. The Virgin of Small Plains is a powerful novel that will keep you reading way past bedtime. Leslie Budewitz writes from northwest Montana.

What if you were the teenage golden boy of a small town, and you saw something you shouldn't have seen? What if the only way to stay safe is to keep silent, and disappear? What happens when you're ready to come home again? In The…
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Try to think of someone in our culture who enjoys unquestioned access to both the highest chambers of power and the lowest regions of squalor; someone who is trusted by all because he poses no threat, and thus has in his keeping more information than anyone else possibly could. Who would it be? The cable guy? The pizza deliverer? In Jason Goodwin’s Istanbul of 1836, it is Yashim Togalu, a fellow who can walk as freely into the sultan’s harem as into a coffeehouse. Why such freedom? Because he is a eunuch. Having been castrated in his youth, he holds the keys to the Sublime Porte, the capital of the Ottoman Empire the most beautiful and dangerous city in the world, and the fabulous site of Goodwin’s new mystery, The Janissary Tree.

When a harem girl and a member of the royal guard are found murdered on the same day, the sultan and the head military officer immediately hand the case over to Investigator Yashim. Time is short: The sultan will review the New Guard in 10 days, and if the mysterious deaths (others follow hard upon the first two) are not cleared up by then, the precarious stability of the empire may once again crumble. Goodwin’s mid-career crossover from nonfiction to detective novels (this is the first in a projected series) is a triumph of the first order. As our finest historian of the Ottoman world, he knows well that to recreate a past civilization, both author and reader must inhabit it fully in the imagination. With Yashim, we go shopping in the bustling market by the Golden Horn, and then go home to cook up a savory pot of rice mouth-wateringly mixed with currants, pine nuts and Allah knows what else. We make friends with the Byronic ambassador from Poland and a redoubtable drag queen. Along the way, we begin to appreciate the dark and bloody consequences of the collapse of the Janissary Guard in 1826. We learn that much more than perfumed flesh is being made ready within the walls of the harem. We are dazzled by the beauty of a lady who gives Yashim back his manhood. It is difficult to imagine a more generous or more subtle realization of the word mystery than the experience of The Janissary Tree. Michael Alec Rose is a professor of music at Vanderbilt University.

Try to think of someone in our culture who enjoys unquestioned access to both the highest chambers of power and the lowest regions of squalor; someone who is trusted by all because he poses no threat, and thus has in his keeping more information than…
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<B>It’s a mystery</B> Noted Greek writer Petros Markaris uses a thoroughly modern and thoroughly corrupt Athens as the backdrop for an international mystery in <B>Deadline in Athens</B>. The novel introduces the overworked and underpaid Athenian homicide inspector Costas Haritos, who wants to do nothing more than quickly close his cases and get his boss and the media off his back. But he can’t abide the unanswered questions in his head. Soon what looks like a simple crime of passion among poverty-stricken Albanian immigrants turns into an international investigation. Well-crafted with a set of memorable characters and satisfying plot twists, <B>Deadline in Athens</B> provides just enough hints to keep you guessing and more than enough suspense to keep you reading. <I>Howard Shirley is a writer in Nashville.</I>

<B>It's a mystery</B> Noted Greek writer Petros Markaris uses a thoroughly modern and thoroughly corrupt Athens as the backdrop for an international mystery in <B>Deadline in Athens</B>. The novel introduces the overworked and underpaid Athenian homicide inspector Costas Haritos, who wants to do nothing more…
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Novelist Martina Cole, has rarely been off U.K. bestseller lists for some 17 years now. I had the opportunity to talk on the phone with Cole recently, and her quick wit and street smarts were evident in every response. When her first book, Dangerous Lady, was published, she received the requisite large check from her publisher. I asked her what she did for a first-time splurge: "Well, my accountant told me if I wanted to buy a new car, I needed to do it quickly; it had something to do with English tax law and saving buckets of money. I was painting my bedroom, and had paint all over me, and I went to the BMW dealer that way. The salesman couldn't be bothered with me until I told him that I wanted to buy a new BMW and pay cash for it. I think he nearly fainted!" With the royalties from successive books she has bought a country home that dates back to Elizabethan times ("It has a resident ghost") a garage full of lovely automobiles and a motorboat ("No sailboats for me; I'm a power boat girl.").

It was not always the high life for Martina Cole. She grew up in a working-class family; at times she had to hold down three jobs at once just to make ends meet. Nowadays, that's not a problem, of course, as her books have hit the bestseller lists all over the world, and she is poised to do just that stateside as well with her newly released American debut, Close. Like Cole's previous books, Close is a tale of the London underground, gritty and harsh, not for the weak of heart (or stomach). It is a milieu with which Cole is very familiar, the hardscrabble turf of a poor urban neighborhood, where "the Wall of Silence" prevailed, and folks turned a blind eye to the violent crimes happening all around them with startling regularity. This ambitious novel spans a 40-year period in the life of Clan Brodie, a notorious London crime family, starting in the swinging '60s and moving forward to the present. Think "The Sopranos" with a Cockney accent, and you would not be far off. And like "The Sopranos," it is brutally hard-hitting, superbly crafted and deserving of a rabid fan base in America, as well as the rest of the world.

 

Novelist Martina Cole, has rarely been off U.K. bestseller lists for some 17 years now. I had the opportunity to talk on the phone with Cole recently, and her quick wit and street smarts were evident in every response. When her first book, Dangerous…

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Shortly after being offered the assignment of reviewing Meg Gardiner's latest book, The Dirty Secrets Club, I was visiting an American friend in Tokyo and discovered the first Gardiner book, China Lake, on his bookshelf. The novel was a veritable roller coaster ride from page one. The protagonist, Evan Delaney, neatly splits the difference between Sue Grafton's feisty Kinsey Millhone and Robert Eversz's edgy Nina Zero. I finished it in short order, and was left eager to read The Dirty Secrets Club. Although her novels are set in her native California, Gardiner makes her home in England, and until now her books have been largely unavailable stateside. As Gardiner explained in our email interview, "The novels have been out in the rest of the English-speaking world since 2002, but weren't on sale in the USA. Then luck intervened, loudly" – Stephen King wrote a column praising Gardiner's books in Entertainment Weekly. The next week, "10 American publishers wanted to publish the Evan Delaney series, along with The Dirty Secrets Club," says Gardiner. "I was blown away." American readers will now have the chance to experience one of the finest contemporary writers in the genre.

The streets of San Francisco provide the backdrop for the fast-paced The Dirty Secrets Club. Membership is limited to the rich, famous and influential, to ensure that each person would have lots to lose if their secret were to be exposed. The problem is that one by one, the dirty secrets are coming to light, and the ensuing rash of high-profile suicides plagues the City by the Bay: first a highly regarded prosecutor launches her BMW off a freeway ramp; then a 49ers football star takes a flying dive off the Golden Gate Bridge. Enter Jo Beckett, forensic psychiatrist, and Amy Tang, hard-bitten SFPD policewoman, to try to make sense of it all. The interplay between Beckett and Tang is at once tentative and aggressive, neither one entirely trusting the motivations of the other. And Beckett has a secret of her own that she desperately wants to keep to herself.

Gardiner's characters are tough, but always sympathetic. "I figure that if I'm going to spend a year with these people while I write a novel, I'd better be able to stand their company. Even the awful characters had better have some redeeming features," she says. For my part, I will add a small amount to Gardiner's coffers by buying all of the Delaney books as soon as they are available – China Lake and Mission Canyon are already on sale, and the sequels will be released over the next three months.

Shortly after being offered the assignment of reviewing Meg Gardiner's latest book, The Dirty Secrets Club, I was visiting an American friend in Tokyo and discovered the first Gardiner book, China Lake, on his bookshelf. The novel was a veritable roller coaster ride from…

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Remember what happened when those Danish cartoonists drew caricatures of the Islamic prophet? Just imagine what could happen when an American novelist, New York Times best-selling author Brad Thor, does roughly the same in The Last Patriot.

Ex-Navy SEAL turned Homeland Security operative Scot Harvath (who Thor fans will recall from The First Commandment), is enjoying a little R&andR in gay Paree with his slightly damaged but healing girlfriend, Tracy Hastings (herself a Naval Explosive Ordinance Disposal tech) when things turn, well, not so gay. After a bungled car bomb blast and a narrow escape with an Islamic scholar in tow, the bodies begin to stack up like cordwood.

Why all the fuss? Seems that an addendum to the Koran, allegedly written by the prophet himself, makes an unexpected – and to a group of jihadists, entirely unwelcome – appearance. If allowed to become public, it could "stop militant Islam dead in its tracks." Tough times demand a tough hero, and they don't come any grittier than Thor's. Facing down a recalcitrant target who stands between him and the French pokey, Harvath employs Jack Bauer-like tactics to persuade his captive that confession is good for the soul. With not just a license to kill, but a license to wound, disrupt, maim and explode, Harvath is, virtually single-handedly, more than a match for any who would seek to overthrow our republic by means of force or violence. The only things he's missing are a cape and vulnerability to Kryptonite.

Fans of "24" and other high-adrenaline escapist fare will find Thor's latest cinematic page-turner a must-pack for this summer's vacation.

Remember what happened when those Danish cartoonists drew caricatures of the Islamic prophet? Just imagine what could happen when an American novelist, New York Times best-selling author Brad Thor, does roughly the same in The Last Patriot.

Ex-Navy SEAL turned Homeland Security operative Scot Harvath…

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Maggie Wilson remembered what happened that night she was left for dead. Her then-husband Nate came home drunk. She could see him in the doorframe still, raising his hand to strike her. She never doubted that memory. But then, five years later, someone else confessed to the attack.

This gripping first novel by Paul Jaskunas reads like a memoir as he captures the earnest voice of this beautiful young woman, turned into the village freak by the savage attack. Her testimony sent Nate to prison, and Maggie, now 28, must consider that she might have misremembered. Maybe it wasn’t her husband after all. Maybe that powerful memory was false.

Tautly written, Hidden opens with Maggie’s description of the scene when the police arrive and find her unconscious and bleeding on the floor of their farmhouse near the picturesque Utopian community of New Harmony, Indiana. The reader gradually learns much about Maggie: how she happened to marry so young, and how she came to violate her marriage vows with a co-worker; how she wants to lose herself. “Mine is a secretive country,” Maggie says. “It was settled by people who came here to hide.” Supporting characters come off well in this novel, and that’s what keeps it compelling. Manny, the 78-year-old neighbor Maggie drinks gin with is as memorable as her tedious, devoted mother, or Nate, who makes the mistake of taking his domineering father for a role model.

No simple story of good and evil, this novel keeps you guessing. Jaskunas, who is himself an epileptic, gives convincing descriptions of the seizures Maggie undergoes following her injuries. He tells how seizures feel from the inside. In fact, Hidden is a well-told story of what an experience like Maggie’s would feel like from the inside how it might feel to no longer trust your memory. Anne Morris is a reviewer from Austin, Texas.

Maggie Wilson remembered what happened that night she was left for dead. Her then-husband Nate came home drunk. She could see him in the doorframe still, raising his hand to strike her. She never doubted that memory. But then, five years later, someone else confessed…
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As I read each of the delightful books in Tasha Alexander's series featuring Lady Emily Ashton, I can't decide which character I would most like to be: the spirited and intellectual Margaret, the regal and self-assured Cecile, or the gracious and lovely Ivy. However, I always go back to the leading lady, Emily.

In A Fatal Waltz, the third book featuring my favorite 19th-century English sleuth (sorry, Holmes, old chap), we find Emily right where we want her—with intrigue swirling around her. I dove into this book fully anticipating Lady Emily to be at the top of her game as a forward-thinking woman testing the boundaries of elite society, to the cheers of some and the horror of others. But a new character leaves Emily reduced to little more than stammers—a beautiful, worldly, sophisticated countess who is close to the affairs surrounding this new mystery . . . and perhaps too close to Emily's fiancé, Colin Hargreaves.

Thrown together with the countess at a house party hosted by the powerful but unpleasant Lord Fortescue, formerly verbose Emily suddenly finds herself searching for a snappy comeback, or any words at all. Then the sudden murder of Lord Fortescue pushes the household and its guests into chaos, and pushes Emily to gather her wits as she launches another controversial investigation. But her dedication to solving this crime has less to do with shocking her peers and more to do with a life-or-death vow to a friend: Ivy's husband, Robert, stands accused. The clues uncovered take Emily from the desolate moors of the English countryside, to London's Berkeley Square, to artists' studios in wintry Vienna. Alexander's descriptions of these places are spot-on, and readers will be equally drawn in by this mental time travel as by her superb storytelling.

Kristi Grimes writes from Birmingham, Alabama.

 

As I read each of the delightful books in Tasha Alexander's series featuring Lady Emily Ashton, I can't decide which character I would most like to be: the spirited and intellectual Margaret, the regal and self-assured Cecile, or the gracious and lovely Ivy. However,…

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