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All Mystery Coverage

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The Wild Life

Joe Brody, aka “The Bouncer,” actually holds a more important position in the New York Mafia than that title might suggest: He serves as the in-house “sheriff” for an organization not exactly noted for enlisting the aid of conventional law enforcement. Indeed, Joe even wears a sheriff’s badge, though not the bronze sort that gets pinned to an elected official’s khaki shirt pocket. His is tattooed on his chest, a lifetime appointment, albeit one with perhaps a shorter life expectancy than his counterparts on the other side of the blue line. In David Gordon’s The Wild Life, Joe goes in search of some missing sex workers. Their profession may be known for its high turnover, but this time it’s more troubling: The women have disappeared without a trace, leaving behind their passports and savings. High on the suspect list are Jim Hackney, a well-connected property developer with a history of employing prostitutes, and his namesake son, a daddy’s boy with a penchant for big-game hunting. Joe’s smart-aleck attitude quickly gets him crosswise with the pair, and the situation deteriorates rapidly. Complicating matters is Joe’s budding romance with FBI agent Donna Zamora, a situation that must be kept secret from both their employers—which is not easy when they are investigating the same case from opposing perspectives. I must admit to being partial to mysteries in which one of the protagonists works within the framework of the law and the other suffers no such constraints. I usually find myself more drawn to the outlaw of the pair, especially if they’re as gritty and funny as Joe Brody.

Overboard

At the beginning of Overboard, Sara Paretsky’s 22nd V.I. Warshawski novel, the Chicago PI has just lost control of her two large dogs while walking them alongside Lake Michigan. Scuttling down some treacherous rocks in pursuit of the disobedient doggies, V.I. is horrified to find a battered teenage girl barely clinging to life. At the hospital, the victim’s vital signs are stabilized, but she has no identification and seems unable or unwilling to converse in any language. It is clear that she is terrified of something or someone, and she escapes from the hospital at her first opportunity. As V.I. looks into the case of the missing girl—pro bono, which she can ill afford—disturbing connections come to light in relation to some questionable legal shenanigans involving a synagogue and a prime piece of Chicago waterfront property. And then the murders begin. The COVID-19 pandemic plays a key role in the story’s backdrop, something we will certainly see more and more often in literature as the pandemic wears on. V.I., who narrates in the first person, has some strong left-leaning feelings on how the crisis has been handled in America, but they never detract from Paretsky’s compelling, fast-paced and original mystery.

The Dark Flood

South African writer Deon Meyer returns with The Dark Flood, the seventh installment of his series featuring Cape Town police detective Benny Griessel. Griessel, a confirmed disobeyer of orders from above, is once again in the soup. The commissioner wants to see Griessel sacked, but cooler heads prevail, and he is instead demoted and reassigned to a suburban outpost where nothing much happens. Well, nothing much until Griessel arrives, and then—as has been known to happen before—all hell breaks loose. First, a college honor student goes missing, and then there’s the disappearance of a businessman who allegedly engineered an economy-toppling scheme, but the forensic accountants have yet to sufficiently untangle the multilayered mess. In a parallel storyline, we follow the financial woes of Sandra Steenberg, a young real estate agent who has fallen behind on her mortgage, her car payments and the tuition for her young daughter’s school. Sandra needs some quick cash, and she is willing to bend a few rules to facilitate that end, even if it means covering up an unexpected death. As with the previous entries in the series, The Dark Flood is a character-driven novel, and Griessel’s history of alcoholism is one of the main characters (albeit one without a speaking role). Larceny abounds, and in at least a couple of the cases, readers will almost hope that the perps get away with it. Even the book’s villains are laden with backstory, and it is borderline impossible to avoid feeling some level of sympathy for one and all. Fans of Jo Nesbø’s similarly character-driven Harry Hole mysteries will find lots to like here.

Geiger

Gustaf Skördeman’s debut novel, Geiger, is a first-class story of the modern-day repercussions of Cold War espionage—not the first thing you’d expect from a thriller set in Sweden, which was a decidedly neutral country for most of that conflict. The story centers on the murder of a retired TV personality, Uncle Stellan, who was at one time the Johnny Carson of Sweden, beloved by adults and children alike. The book is not a whodunit in the true sense of the word, as we know who the killer is from the moment the bullet exits the gun. What we don’t know is the reason Agneta, Stellan’s wife of 50-odd years, chose to kill him after answering the phone and hearing a one-word message: “Geiger.” Detective Inspector Anna Torhall has been assigned to the case, and she brings Officer Sara Nowak on board since Sara has known Uncle Stellan’s family since she was a child. The two friends attended police academy together, and they value each other’s insights, at least to a point. Sara and Anna initially presume Agneta was either abducted by the killers or perhaps dead herself, and for quite some time, nobody even floats the notion that she might be the murderer. But as their investigation wears on, some disturbing connections to Communist East Germany come to light—connections that may lay the groundwork for an act of terrorism that would make 9/11 pale by comparison. Geiger is a truly excellent first novel: deeply researched, painstakingly crafted and thrilling on every page.

This month’s top pick in mystery, Gustaf Skördeman’s debut novel, Geiger, has a beginning you’ll never forget: A woman shoots her husband of 50 years after hearing the titular word on a mysterious phone call.
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Readers will instantly be taken with ex-cop-turned-caterer Jodie “Nosey” Parker in Murder on the Menu, a delightful start to a new cozy mystery series set in the Cornish countryside.

After serving nearly 20 years on the force with the London Metropolitan Police and undergoing a contentious divorce, Jodie is ready to start fresh. She and her 12-year-old daughter, Daisy, move to Penstowan, the small Cornish village where Jodie grew up. There, she opens her own catering company, and her first client is Tony, a longtime friend and onetime ex-boyfriend who hires her to cater his upcoming wedding. Several uninvited guests show up the night before the service, including Tony’s first wife, Mel, who promptly gets into a fistfight with Cheryl, the bride-to-be. When Cheryl disappears and bodies start to pile up, Jodie takes off her caterer’s coat and dives into the investigation in order to clear Tony’s name. 

Author Fiona Leitch’s excellent writing, witty dialogue and tongue-in-cheek humor elevate each scene, and the well-plotted mystery will keep readers guessing until the end. It’s easy to root for the entertaining Jodie, who’s still exceedingly capable as a detective despite having left the force. Detective Chief Inspector Nathan Withers, the lead investigator, is both annoyed and impressed with Jodie, and watching their budding chemistry is a delight. Leitch also ably explores the bittersweet, complicated nature of Jodie’s return to Penstowan: While she’s happy to live closer to her mother, a firecracker with a busy social life and wicked sense of humor, Jodie’s still coming to terms with living in the shadow of her late father, who dedicated his life to protecting the village as chief inspector.

Murder on the Menu will delight cozy mystery fans, especially those who want just a touch of melancholy amid all the crime-solving fun.

Fiona Leitch’s excellent writing, witty dialogue and tongue-in-cheek humor elevate each scene in this cozy mystery set in the Cornish countryside.
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Claudia Gray’s The Murder of Mr. Wickham is a cozy locked-room mystery set in a world populated by Jane Austen’s beloved characters.

Emma and George Knightley have decided to host a monthlong house party at their estate, Donwell Abbey, and have invited some of their closest friends: the Darcys (including their son, Jonathan), the Brandons, the Wentworths, the Bertrams and Juliet Tilney, the daughter of Northanger Abbey’s Catherine and Henry. During the first days of the party, the very-much-not-invited George Wickham makes an appearance to collect a debt from Mr. Knightley, and we quickly learn that every person in attendance has a grievance with Wickham. Austen fans will already know from Pride and Prejudice that the Darcys’ interactions with Wickham were the opposite of pleasant, and he is still up to his nefarious ways in Gray’s novel: An investment scheme has robbed some couples of their wealth, he is blackmailing Fanny Bertram, and Colonel Brandon has a particularly heartbreaking past with the scoundrel.

When Wickham is found dead one stormy night, it is apparent that someone staying or working at Donwell must have committed the crime, as the muddy roads were too impassable for a stranger to arrive. After witnessing the local magistrate’s bumbling efforts, Juliet and Jonathan form an unlikely partnership, as both are determined to solve the crime.

Claudia Gray reveals why Mr. Wickham had it coming.

The Murder of Mr. Wickham is not a novel for Austen purists. The reader must accept the conceit that the characters are all acquainted (in a foreward, the author explains how she tweaked the timeline) and, furthermore, that one of the beloved characters may be a murderer. On the way to reaching the mystery’s satisfying solution, readers also get to see that all the couples still have struggles within their marriages. Those who believe Austen’s novels ended with a firm happily ever after may be dismayed by this development, while others will be fascinated by how Gray complicates the relationships between the various characters.

Readers looking for a charming mystery will adore this book. Gray captures Austen’s tone perfectly, allowing fans to step back into the Regency author’s beloved world. And despite the presence of iconic characters such as Emma Knightley and Lizzie Darcy, the newly invented characters of Jonathan and Juliet are dynamic in their own right. They quickly become adept at working together, and there is a hint that romance is on the horizon.

The Murder of Mr. Wickham will allow many Austen fans an opportunity to revisit the characters they treasure, and solve a mystery to boot.

Claudia Gray’s The Murder of Mr. Wickham is a cozy and charming mystery set in a world populated by Jane Austen’s beloved characters.

The iconic actor Sydney Poitier once said, “So much of life, it seems to me, is determined by pure randomness.” Peter Swanson’s new mystery, Nine Lives, provides a perfect example of this sentiment as it doles out a series of inexplicable murders.

Nine individuals, ranging from an actor to a professor, from a father to a nurse, receive a cryptic one-page letter in the mail containing a list of their names. None of the people on the list are familiar with one another or have any apparent connection, past or present. Most don’t even live in the same state. Swanson swiftly moves from one character’s point of view to another’s, establishing the core cast in short chapters that provide compelling sketches of all nine intended targets. 

Since the letter had no return address or other instructions within, several of the recipients naturally dismiss it. But then people on the list suddenly start dying: A retired bar owner is drowned while another man is shot in the back while jogging near his home. FBI agent Jessica Winslow, who is one of the names on the list, races against the clock to identify the other recipients and the killer before she too becomes a victim.

Nine Lives is in many ways an heir to Agatha Christie’s classic whodunit And Then There Were None, in which eight random individuals are invited to a remote island only to be stalked by a killer. But where Christie made clear that her characters had all committed crimes and the killer was out for revenge, the motives and location of Swanson’s killer are terrifyingly opaque. Swanson creates a rollercoaster for readers, offering clues only to upend everything that was supposedly certain moments earlier. And all the while, the number of remaining victims is counting down, from nine to zero.

Peter Swanson’s latest mystery is an unpredictable rollercoaster that boasts a compelling cast of characters.
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Under Lock & Skeleton Key, the enchanting first book in Gigi Pandian’s Secret Staircase mystery series, flawlessly balances magic, misdirection and murder.

Tempest Raj is a gifted stage magician who’s forced to move home to Hidden Creek, California, after a performance in Las Vegas goes horribly wrong. Tempest is convinced her stage double, Cassidy, sabotaged her—but with no way to prove it, the down-on-her-luck magician must return to her family home, Fiddler’s Folly.

Fiddler’s Folly is a showcase for Tempest’s father’s own brand of magic. Darius Raj’s company, Secret Staircase Construction, specializes in adding whimsical details like sliding bookcases, hidden staircases and secret rooms to homes. When Tempest meets him at his latest job site, a body is discovered inside a wall that’s supposedly been sealed for more than a century. To make things even worse, the victim is Cassidy. Was Cassidy mistaken for Tempest and killed in her place? Is someone trying to frame Tempest? Could the death somehow be connected to the ominous family curse that the eldest Raj of each generation will be killed, supposedly by magic? Tempest sets out to bring Cassidy’s killer to justice and figure out if the curse is real—and if she’s its next target.

Hidden Creek is a truly delightful setting for a cozy mystery series. Not only does Fiddler’s Folly abound with hidden rooms and intricate locks, but the property also includes the dreamy treehouse where Tempest’s grandparents live. And then there’s the Locked Room Library, a mystery lover’s dream destination that readers will fervently wish truly existed. The world’s most famous crime novels line its shelves, and the library also sports a train car meeting room, skeleton keys and even a suit of armor. Pandian recently wrote an Agatha Award-nominated short story about the Locked Room Library, and her fans will be happy to recognize beloved characters from her other works, like Sanjay Rai, the Hindi Houdini, in Under Lock & Skeleton Key.

The mystery is engaging and full of misdirection (sometimes literally, in the form of sleight-of-hand tricks), and undergirding it all is Tempest’s anxiety around her family curse. But despite the high stakes, Under Lock & Skeleton Key is bursting with heart and hope.

The enchanting first book in Gigi Pandian’s Secret Staircase mystery series flawlessly balances magic, misdirection and murder.
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The Echo Man

The only thing in this line of work that gives me more pleasure than reading a killer debut novel is reading a serial killer debut novel. The serial killer in Sam Holland’s The Echo Man tallies up an impressive body count, handily surpassing the known body count of any real-life serial killer in the U.K. Detective Chief Inspector Cara Elliott and Detective Sergeant Noah Deakin are investigating a series of murders, deaths they eventually realize are all evocative of different serial killers from history. Meanwhile, suspended cop Nate Griffin spends his downtime ferreting out his wife’s murderer, the same unauthorized inquiry that got him suspended in the first place. After joining forces with fugitive murder suspect Jessica Ambrose, Nate essentially throws the rulebook out the window. They’re a rather formidable pair, unfettered by the constraints of on-duty police officers. As the tension mounts, Holland poses a creative and frightening question: When and how will the killer stop being a copycat and deliver his coup de mort, the deathblow that will cement his legacy in the annals of murder?

Fierce Poison

In Victorian London, one fictional detective stands out from the others: Sherlock Holmes. But author Will Thomas gives a convincing account of why attention should be paid to two others, Cyrus Barker and Thomas Llewelyn, whose 13th adventure plays out in Fierce Poison. It starts off dramatically, when a rather unwell-looking man named Roland Fitzhugh enters their office, promptly slumps to the floor, implores, “Help me,” and then dies before their eyes. Senior partner Barker feels honor bound to investigate, especially after it is revealed that his new (-ly deceased) client was a member of Parliament. This is but the beginning of a rash of poisonings that terrorize the citizenry of England’s capital city: first, a young boy selling sweets outdoors, followed by his entire family, save for an infant girl. Then the poisonings get closer to home, targeting the two detectives themselves. On the suspect list are a gardener who maintains a plot of lethal plants, an herbalist well versed in the preparation of illicit potions and any number of people who disliked Fitzhugh, both in his political career and in his former life as a barrister. Narrated in the first person by Llewelyn, who serves as smart-alecky Archie Goodwin to Barker’s Nero Wolfe, Fierce Poison is cleverly told with humorous asides, period particulars and all the requisite red herrings.

Give Unto Others

The COVID-19 pandemic hovers in the background of Donna Leon’s latest installment of the Commissario Guido Brunetti series, Give Unto Others. Tourism is down, crime is down and a kind of malaise seems to have settled over the city of Venice. So when an old acquaintance approaches Brunetti to look into a worrisome family matter, Brunetti accepts, albeit not without reservations. The concern is centered around Enrico Fenzo, an accountant who has been acting strangely of late. When confronted by his wife, he alludes to a “dangerous” situation and declines to say more. As Brunetti launches his clandestine inquiry into the situation, it appears that perhaps he is ruffling some feathers: A break-in takes place at the veterinary clinic run by the accountant’s wife, and one of the dogs lodging there is badly mauled, perhaps as a warning against further investigation into the accountant’s potentially illegal affairs. As is the case with most of the other 30 Brunetti novels that precede it, Give Unto Others is a largely character- and milieu-driven novel. There is a central mystery, to be sure, but the characters and their evolving relationships are the driving force of the series as it explores Venice, its history, its culture and, of course, its crime. 

★ The Sacred Bridge

I was a big fan of Tony Hillerman’s Leaphorn/Chee series, so I approached Spider Woman’s Daughter, Anne Hillerman’s first book in the continuation of the series, with a bit of trepidation. Turns out, I needn’t have worried; Anne Hillerman so adeptly channeled her father’s narrative voice that 20 pages in, I had completely forgotten it was not a Tony Hillerman book. She also brought positive changes to the series, giving Jim Chee’s wife, police officer Bernie Manuelito, and Joe Leaphorn’s inamorata, anthropologist Louisa Bourebonette, larger roles in the story. In Hillerman’s latest installment, The Sacred Bridge, Leaphorn’s role is tangential but critical: He sends Chee in search of a lost cave chock-full of artifacts, but before Chee can locate it, he spots a dead body floating facedown in a lake. When the autopsy suggests foul play, Chee is called in to assist. Meanwhile, Bernie pursues a separate line of inquiry into a hemp processing plant on Navajo Nation land after witnessing a deliberate hit-and-run that killed a plant employee. Once again, Hillerman nails her father’s style, fleshes out the female characters and brings the Southwest to life on the printed page.

Two wickedly clever serial killers are at large in this month’s Whodunit column.
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“Goodnight, pretty girl.”

Those are the last words Ella remembers before she blacked out on the night she became the lone survivor of an attempted quadruple murder at a Blockbuster Video on the eve of the new millennium. Fifteen years later, another survivor of a similar murderous spree recalls the killer saying the exact same words to her.

Ella, now a physical therapist, is enlisted to help the latest victim, Jesse, but in doing so must face her own memories of her horrific past. Ella works alongside FBI agent Sarah Keller, who is tasked with uncovering the connection between the two cases, and Chris Whitaker, the brother of the man initially accused of the 1999 slayings, to piece together the clues that will lead them to the murderer—or is it murderers?

Author Alex Finlay, whose breakout debut novel, Every Last Fear, enticed readers and critics alike, returns with the tense, edge-of-your seat thriller The Night Shift. Keller, who first appeared in Every Last Fear, shares narration duties with Ella and Chris, and Finlay does a masterful job of diving deep into each character’s thoughts and emotions in tight, fast-paced chapters. Ella’s and Jesse’s trauma is especially poignant, as is Chris’ inner turmoil over his brother’s possible involvement.

Keller works on the fringes of the local police investigation, interviewing witnesses past and present in her search for clues. The novel takes a straightforward path, and Finlay wisely does not overcomplicate an already compelling plot. Everyone from the local high school principal to the victims’ families holds potential clues, and The Night Shift’s trio of sleuths must discern what is true, who is holding back information and if (or when) the killer will strike again.

Fans of Grady Hendrix and Riley Sager will tear into this sophomore-slump-defying thriller.

Fans of Grady Hendrix and Riley Sager will tear into this sophomore-slump-defying thriller from the author of Every Last Fear.
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★ Shadows Reel

I have been a fan of C.J. Box’s Joe Pickett mysteries since the outset of the series. The 22nd offering, Shadows Reel, narrows in on Pickett’s pal, outlaw falconer Nate Romanowski, as he hunts down the thieves who killed some of his prized raptors and stole the rest of them. Romanowski is a sidekick in the mold of Spenser’s Hawk or Elvis Cole’s Joe Pike: hardboiled, loyal to a fault and probably tougher than the nominal hero of the tale. That said, Romanowski’s quarry is easily as well trained as he, and younger and stronger to boot, which is a potentially lethal combination for the aging warrior. Meanwhile, a Nazi relic creates quite a buzz in the town of Saddlestring, Wyoming—especially after its owner, a crusty old fishing guide, gets murdered most gruesomely. It will not be the last relic-related murder, as the killer has instructions to let nothing stand in his way, and he takes these instructions very literally. A recurring theme in these books is Pickett’s struggle with his deep-seated “cowboy code” morality, which is juxtaposed against the often frustrating legalities of the situations he comes up against. This time out, that conflict will give Pickett’s conscience a world-class workout. 

★ The Harbor

Katrine Engberg’s third mystery featuring Copenhagen cops Anette Werner and Jeppe Kørner perfectly balances a mysterious disappearance with the no less intriguing domestic concerns of its two investigators. At the start of The Harbor, Oscar Dreyer-Hoff, the teenage son of a wealthy family, has gone missing, perhaps kidnapped, and clues are thin on the ground. The family boat is missing, and Oscar’s backpack has turned up near the vessel’s harbor mooring. His girlfriend says she has no idea where he is and in general acts very unconcerned about the whole thing. Some time back, scandal rocked the Dreyer-Hoff family, triggering some threatening letters that must be reconsidered in light of Oscar’s disappearance. In the background, home life in the Werner and Kørner households has become less than optimal. Anette is considering an affair with a person of interest in the case, and Jeppe struggles to balance the demands of work and his new lover, whose children are none too happy about their mom’s beau. Engberg is a must read for fans of Nordic noir, and two more books starring Anette and Jeppe will soon be translated into English.

★ Girl in Ice

Erica Ferencik’s Girl in Ice is an excellent, thrilling mystery set against a quasi-science fiction backdrop. Linguist Valerie “Val” Chesterfield has accepted an unusual assignment: She’s traveling to Greenland to meet a girl rescued from an ice field who initially appeared to have frozen to death but has somehow survived. The girl speaks no known language, and Chesterfield is one of only a few scholars with sufficient knowledge of archaic Northern European languages to try and communicate with her. But there is a more pressing connection for Val: Her twin brother, Andy, died at the same Arctic outpost not so long ago, and try as she might, she cannot make any sense of his death. The novel veers into speculative territory as Wyatt, the team leader, begins to entertain the idea that the girl is not a recent freezing victim but rather is from another epoch entirely, having been cryogenically preserved using technology lost to the ages. With its fascinating science and compelling characters (one or more of whom may be a murderer), Girl in Ice demands to be read in one sitting.

★ The Berlin Exchange

It’s rare for an espionage novel’s protagonist to be a traitor, but author Joseph Kanon quite successfully breaks that unwritten rule in his 10th novel, The Berlin Exchange. As a physicist on the controversial Manhattan Project, the U.S. military program that introduced the world to atomic warfare, Martin Keller was privy to top-secret design and implementation information. Motivated by dubious idealism, Keller shared some intelligence with the opposing team and received a lengthy sentence when his subterfuge was found out. Fast forward to 1963: A prisoner exchange has been arranged, and Keller finds himself set free in East Berlin. It is a freedom that is fraught with terror from the get-go. As he passes the checkpoint, he narrowly escapes being killed by a sniper, and it will take all the resources at his disposal to stay one step ahead of whoever is trying to kill him in this chilly, elegant and consistently excellent espionage thriller.

It’s a great month for mysteries: All four of the books in our Whodunit column received a starred review!

Nothing is more mysterious than the family we were born into. Amateur sleuths Lena Scott and Claudia Lin don’t quite fit in with their blood relatives, but the solutions to their respective cases may lie within the bonds they’ve known their whole lives.

“I found out my sister was back in New York from Instagram. I found out she’d died from the New York Daily News.” These arresting first lines of Kellye Garrett’s Like a Sister alert the reader that this family-oriented thriller is anything but ordinary. 

Lena Scott and her younger half-sister, Desiree Pierce, have little in common. Lena’s a serious grad student living with her grandmother’s widow in the Bronx, while Manhattan-based ex-reality star Desiree blows through men, clothes and substances as fast as she can spend the money from their father, music industry titan Mel Pierce. But when Desiree sees the newspaper headline, she knows there’s more to her sister’s death than a simple heroin overdose. Desiree was afraid of needles, and why was she found shoeless near Lena’s own neighborhood, when the women have been estranged for two years? 

Garrett wrote for the television show “Cold Case” before publishing her award-winning debut novel, Hollywood Homicide, and its follow-up, Hollywood Ending, and in Like a Sister, she incorporates issues of race, class and, most of all, the complicated ties that bind into a twisty murder mystery with nuance and heart.

Meanwhile, in Brooklyn, Claudia Lin knows she’s a complete disappointment to her family. The narrator of Jane Pek’s The Verifiers, Claudia has neither a nice Chinese husband nor a lucrative job. She likes women and hasn’t yet told her mother, and unbeknownst to her successful older brother, Charles, she has left the full-time position he’d helped her snag. Instead, as the newest staff member of Veracity, a top-secret firm in glamorous Tribeca, Claudia helps would-be lovers uncover the true identities of online paramours and expose any skeletons in their closets. 

When one of Claudia’s first clients, Iris Lettriste, is found dead in her apartment, Claudia discovers that Iris had her own secret: She wasn’t Iris Lettriste at all. Who was “Iris,” and could her online presence and virtual network be the keys to figuring out who killed her? 

Claudia is a scrappy, resourceful protagonist. She’s a dedicated cyclist who can and will bike anywhere, she’s a huge fan of a fictional mystery series starring the brilliant Inspector Yuan, and thanks to Veracity, she has invasive but effective tracking devices at her fingertips. Pek’s beautifully paced debut offers a hard look at our digital lives and the people we surround ourselves with IRL. It’ll have readers asking, along with Claudia, “Could a dating app, and the forces behind it, actually kill me?”

New York City is full of mysteries—and two smart amateur sleuths are on the case.
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In the Cape Cod town of Westham, Massachusetts, Mackenzie “Mac” Almeida gets a nightmarish wake-up call. It’s her friend and fellow Cozy Capers Book Group member Tulia Peters on the line. When Tulia arrived at her restaurant early that morning, she found more than just tubs of lobster bisque stock waiting to be boiled and buckets of shrimp needing to be peeled. On the floor of her walk-in freezer, former beauty queen Annette DiCicero was lying dead among the pickle jars.

Despite Westham’s quaint, touristy glow, this is not Mac’s first rodeo. Twice before, her Cozy Capers book club has put what they know from reading cozy mysteries into action to solve real-life murders in their small town. Despite the police’s insistence that they stay out of things this time, Mac and her friends are ready to use their considerable sleuthing skills to come to Tulia’s aid in Murder at the Lobstah Shack by Maddie Day.

Tulia, who is a member of the Mashpee Wampanoag tribe, had recently been seen arguing with Annette about changing Columbus Day to Indigenous People’s Day. This makes her person of interest numero uno in the investigation—but as Mac starts digging, she discovers plenty of other townspeople have surprising connections to the victim. As the list of suspects lengthens, readers get an around-the-Cape tour of Westham’s other charming-but-deadly locales: the pet store across the alley with the cranky owner; the free food market in the basement of the local Unitarian Universalist Church; the historic Quaker meetinghouse where members say things like, “Believe thee me”; and Greta’s Grains, the bakery where Mac’s new fiance works as a baker, just to name a few.

Short chapters keep the action moving at a good clip, and new revelations about Annette’s ill-tempered widower and past life as Miss New Bedford keep turning up the heat beneath the proverbial stock pot. When Westham’s more menacing inhabitants catch wind of Mac’s snooping, the danger threatens to boil this little seaside town alive.

Murder at the Lobstah Shack mixes up a satisfying recipe of good-hearted characters, brain-teasing mysteries and evocative writing. As readers work to put the clues together, they’ll enjoy all the details that makes a good cozy mystery so cozy: a community of close-knit neighbors, thriving small businesses, love interests who can make a mean lobster quiche and an easygoing pace of life—except, that is, for the occasional murder.

This novel mixes up a satisfying recipe of good-hearted characters, brain-teasing mysteries and evocative writing.
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Joanna Schaffhausen’s fifth book in her Ellery Hathaway series, Last Seen Alive, focuses on the horror of its central sleuth’s past. As a child, Ellery survived being kidnapped by the notorious serial killer Francis Coben—she was the only person to ever do so. Decades later, she’s changed her name and found purpose as a police officer, but she has never escaped the nightmares about her time as Coben’s captive. Now on death row, Coben makes an offer to reveal the location of the remains of his other victims, but only to Ellery and only in an on-camera interview. She initially refuses, disgusted with Coben’s desire to manipulate her even behind bars. But when a woman is found killed in Coben’s style, Ellery realizes that he is working with someone on the outside and that their meeting will affect more than just cold cases.

This gritty police procedural doesn’t flinch at violence, but spends as much if not more time exploring its effects and how they are compounded by sensationalist media. Ellery knows she must agree to the interview but struggles to reconcile this fact with the approach of the Nancy Grace-esque broadcaster, who is desperate to conduct it. While the special purports to celebrate Ellery’s survival, the coverage focuses on the torture she endured, to the point of zooming in on Ellery’s physical scars. 

Schaffhausen keeps the reader firmly in Ellery’s perspective as she follows Coben’s twisted clues, making the tension nearly unbearable. Fans of darker mysteries that don’t shy away from the gory details will enjoy this well-crafted and thoughtful whodunit.

Like Ellery, Micah Wilkes is looking to leave the past behind in Catch Her When She Falls by Allison Buccola. When Micah was in high school, her boyfriend, Alex Swift, killed her best friend, Emily Winters. Alex has spent 10 years in prison, and Micah has spent that time trying to escape being known solely as the ex-girlfriend of a murderer, a footnote in true crime history.

Alex was convicted on largely circumstantial evidence, and now a podcast is revisiting the case. Soon internet commenters are questioning her stoicism during the trial and wondering if she had something to do with the crime. When she receives threatening texts and someone breaks into her apartment, Micah starts to wonder if the media attention on Alex’s case has driven someone to harass her or if Emily’s real killer is still out there. She begins her own investigation, even as those closest to her criticize her need to unbury the past, making her feel attacked by both those she loves and those she’s never met. 

Buccola dives into the anxious, painful workings of Micah’s mind as she pieces together the bits of her past that she’s locked away. Readers will find themselves doubting reality along with Micah as she questions the narrative she’s always believed about her friend’s death. While not scary, Catch Her When She Falls is wildly suspenseful and almost gothic in tone, making it the perfect book for a reader looking for thrills without any gritty or gory aspects.

Both Last Seen Alive and Catch Her When She Falls show incredible empathy for the mental and emotional toll the media takes on not only victims of a crime, but also their friends and family. It’s a humanizing view of women’s trauma that’s not always found in a genre practically built upon their pain.

These two mysteries thoughtfully examine how the media commodifies female trauma, resulting in whodunits that are equal parts thrilling and empathetic.
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City of the Dead

Author Jonathan Kellerman published his first Alex Delaware mystery more than 35 years ago, but entries such as the stellar City of the Dead prove that this popular series has done anything but run out of steam. In the wee hours of the morning, in a tony neighborhood of Los Angeles, a naked man is struck headfirst by a moving van, rendering the now-corpse’s facial features totally unrecognizable. Meanwhile, a few doors down, a woman is found murdered in her bedroom. Veteran Los Angeles police homicide detective Milo Sturgis does not believe in coincidences, and as he is wont to do in these situations, he quickly solicits the aid of his longtime friend, forensic psychologist Alex Delaware. Alex is quite surprised to discover that he knew the murdered woman, Cordelia Gannett, a popular self-help influencer who once appeared as an expert witness in a court case Alex was involved in. Unfortunately for her, she was subsequently exposed as a charlatan who had created fake credentials in order to pose as a licensed psychologist. Despite this fraud, there is remarkably little evidence to suggest a motive for someone killing either Cordelia or the unknown man. This, of course, is where Alex steps in, probing the psychological profiles of everyone involved in the case, pulling on loose threads to see which ones might unravel and turning up damning evidence of previous murders in the process.

A Game of Fear

Charles Todd’s latest Ian Rutledge mystery, A Game of Fear, finds the intrepid Scotland Yard investigator chasing ghosts. This is fitting in a way, as Rutledge is no stranger to the otherworldly. The World War I veteran carries with him the “presence” of Corporal Hamish MacLeod, a man he was forced to execute for insubordination on the battlefield who now provides a snarky counterpoint to every one of Rutledge’s moods, reflections and decisions. An Essex noblewoman, Lady Benton, has claimed she witnessed a murder; the catch is, she has positively (-ish) identified the killer as someone who is already dead. In 1921 England, even an unlikely claim made by a member of nobility warrants at least a token investigation, so Rutledge is on the case. Another murder follows, seemingly unrelated save for proximity, and then there’s a too-convenient, evidence-erasing fire. The tension ratchets up when Rutledge himself bears witness to an event that seems to mirror Lady Benton’s apparition. Perhaps it’s a warning that he is getting too close for the comfort of resident evildoers, whichever side of the shadowy spectral divide they may inhabit. 

Marion Lane and the Deadly Rose

T.A. Willberg’s debut, Marion Lane and the Midnight Murder, generated a fair bit of buzz in literary circles and among mystery aficionados. Now she returns with the second volume in the series: Marion Lane and the Deadly Rose, named for “The Florist,” a serial killer who brands his victims with a rose. The aforementioned Marion is an apprentice at Miss Brickett’s Investigations & Inquiries, an underground (literally) and quite clandestine detective agency in 1959 London. In the grand tradition of English mysteries dating back to Sherlock Holmes, Miss Brickett’s serves as consultant to Scotland Yard when a case proves too baffling for the authorities’ plodding detective work. This time out, Marion is summoned to assist in bringing “The Florist” to justice. Marion Lane and the Deadly Rose’s central mystery is as strong as that of any traditional, beloved whodunit.  The book also features a cast of well-crafted characters, including a delightfully despicable villain, and a host of unexpected twists and misdirections. But the similarities to other mysteries end there, as Willberg takes readers on a wild, genre-bending ride with touches of steampunk, a dash of sci-fi tech wizardry and plenty of dry British humor. Willberg has noted in an interview that her first book was rejected numerous times for not fitting neatly into any category. I trust that the authors of those rejections have since sought more appropriate employment opportunities.

One Step Too Far

In my review of Lisa Gardner’s first Frankie Elkin novel, I opined, “Before She Disappeared is billed as a standalone, but I’m thinking it would be the perfect setup for a terrific series.” In revisiting that sentence, the only thing I would change is to replace the word setup with springboard. As good as the first book was, One Step Too Far is better in every regard, a tour-de-force in suspense and red herrings with a twist ending I did not even begin to anticipate. Frankie Elkin is a finder of lost persons. She does this on an ad hoc basis, for the satisfaction of doing some good but also to atone for some of the damage wrought in her 20s, when she was addicted to alcohol. Frankie, who has no fixed address, no car and no possessions to speak of, is a Jack Reacher-esque loner (minus the military connections and the musculature). This time, she joins a search party about to embark on their fifth expedition into the Wyoming wilderness to search for the remains of Tim O’Day, who went missing on a bachelor party camping trip, never to be seen again. Other members of the party include Tim’s father; his companions the night he went missing; a well-respected wilderness guide; a cadaver dog trainer and her golden retriever; and a noted—albeit thus far unsuccessful—Bigfoot hunter. Virtually all of them have secrets and underlying motives, as Frankie will find out, initially to her dismay and then to her peril.

Lisa Gardner outdoes herself, and a steampunk-influenced historical mystery blows our mystery columnist away.

Many novels conclude with the wedding of characters we care about, but Crimes and Covers, the fifth book in Amanda Flower’s Magical Bookshop Mystery series, begins with one: the Christmastime union of Violet Waverly, the charming owner of Charming Books in the charming village of Cascade Springs in upstate New York, to the drop-dead gorgeous police chief, David Rainwater.

Among the guests are Violet’s energetic Grandma Daisy, the village mayor and former “caretaker” of the magic-infused bookshop; Violet’s warmhearted friend Sadie; and, to the bride’s astonishment, her elusive dad, Fenimore. But alas, the newlyweds don’t get to make merry post-ceremony because murder most rude pushes all else aside.

Blame Henry David Thoreau. As in previous volumes in this series, a literary classic lies at the mystery’s center. The murder victim is a strange woman who tried to sell Violet a signed first edition of Walden. Violet is an English professor, Thoreau scholar and bookseller, so she was able to discern that the book actually belonged to someone else, Imogene “Thoreau,” whose life is devoted to establishing her blood relationship to the author. Would Imogene spill blood to prove her claim?

Violet puts her honeymoon on hold and dives into a search for answers, some of which come from “the essence,” the magic that oozes from the ancient birch towering in the middle of the bookshop. Along with ensuring that the right books land in just the right hands (Violet’s customers are always so impressed with her recommendations!), the essence conveys clues to help Violet in her amateur sleuthing. (The bookshop’s star tenants, Faulkner the sharp-tongued crow and Emerson the tuxedo cat, also help.) Copies of Walden periodically float through the air, opening to pages that offer transcendental words of wisdom.

Crimes and Covers hits the right cozy notes: an appealing setting (with snow to boot!), a close community and a credible yet unchallenging plot that includes romance and deaths that break few hearts. Although not all the characters are fully drawn, threads occasionally dangle in ways that don’t feel intentional, and moments of tension or heart-stopping thrills are few, this is a satisfying read, providing hours of quiet pleasure rather than the “quiet desperation” Thoreau speaks of. The whimsical touches of bookshop magic are skillfully balanced by plot lines with more gravitas, like the publish-or-perish element in Violet’s academic community and the challenges of relationships, particularly between parents and children. Most importantly, Violet herself is a winning character and narrator: warm, witty, principled and smart, someone you’d enjoy meeting again. So if the tall birch in my backyard, stubbornly short on essence, were to toss another Magical Bookshop Mystery my way, I would be, well—charmed.

Crimes and Covers hits the right cozy notes and will provide hours of whimsical pleasure.

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