Beth Rivers stumbles upon more trouble in the tiny community of Benedict, Alaska, in Paige Shelton’s thrilling whodunit, Dark Night. The third installment in the Alaska Wild series finds Beth, who is working as the community’s lone journalist, investigating a case of domestic abuse that may have resulted in murder.
Known to the world at large as best-selling author Elizabeth Fairchild, Beth wants nothing more than to keep a low profile to avoid attracting any attention from her former abductor, who remains at large. Shelton quickly brings readers up to speed on these details and the events of the previous two novels in the series (Thin Ice and Cold Wind) in the opening chapter, just before unveiling the murder of local resident Ned Withers. Ned, who has abused his wife, Claudia, is found dead in what amounts to the town square, having been murdered in the middle of the night.
Initial suspicions naturally fall on an outsider: census taker Doug Vitner, who received a less than hearty welcome from Ned and the community at large and disappeared shortly after Ned’s death. (“We were all a secretive bunch. It wasn’t just me,” Beth muses at one point.) Along with her mother, a self-styled private investigator on the trail of her own missing husband, and police chief Gril Samuels, the only one in town who knows Beth’s secret, Beth begins piecing together the clues that will reveal the killer before they can escape, or worse, strike again.
Though she’s best known for her cozy mysteries, Shelton displays a talent for ratcheting up the tension in this series. As Beth’s fears and paranoia increase, events unravel at a rapid pace. Isolated from the Alaska mainland and cut off by an approaching winter storm, it’s increasingly difficult for Beth to know who she can trust—if anyone. You’ll want to bundle up against the cold dread, suspense and tension that permeate this mystery.
You’ll want to bundle up against the cold dread, suspense and tension that permeate this mystery.
We appear to be living in a golden age of crime stories, with podcasts and series galore, but this popular fascination is truly timeless, everlasting and ever evolving. L.R. Dorn’s debut novel, The Anatomy of Desire (8 hours), updates Theodore Dreiser’s classic 1925 crime drama, An American Tragedy, by using the documentary format to explore whether Instagram influencer Cleo Ray murdered her ex-girlfriend in the middle of a lake.
Dorn uses interview transcripts, director commentary and courtroom clips to strip away Cleo’s “all-American girl” social media personality and expose the traumas fueling her relentless ambition. This narrative structure is perfect for the audiobook format, and it’s compellingly and convincingly performed by a fine ensemble cast. Tony Award winner Santino Fontana stands out as the documentary director Duncan McMillan, and Marin Ireland portrays a formidable defense attorney, but Shelby Young absolutely shines as Cleo. From Cleo’s chirpy pretrial Instagram posts to her gut-wrenching testimony, Young delivers a performance that is as vulnerable as it is ruthless, as loving as it is spiteful.
Make some popcorn, settle in, and get ready to devour an extremely enjoyable story.
The unique documentary format of L.R. Dorn’s crime novel makes for a winning audiobook, compellingly performed by a fine ensemble cast.
Three women take center stage in Alafair Burke’s latest thriller, Find Me: NYPD detective Ellie Hatcher, attorney Lindsay Kelly and amnesiac Hope Miller, who remembers nothing of her life prior to a devastating car crash she survived 15 years ago—or so she says. Now, sans ID or history, Hope works under the radar for a real estate agent, getting paid under the table to stage houses for prospective buyers. Then, as often happens in novels about amnesiacs, a random aha! moment triggers a memory, and we’re off to the races. Hope disappears, blood is spilled and the DNA found at her last-known location matches that of unidentified blood found at an old crime scene halfway across the country. The crime in question is one of a spate of killings thought to be the work of a serial killer, and the case was supposedly solved 15 years ago. Lindsay, who has been Hope’s friend ever since her accident, begins to investigate her disappearance and eventually draws Ellie into the fray. Ellie’s father, who was also a cop, was assigned to the same serial killer case that’s somehow connected with Hope’s disappearance. The two women feverishly piece together the disparate parts of the story, and Burke’s masterful control over pacing and plot reveals will make readers just as anxious to uncover the truth.
★ A Narrow Door
Joanne Harris’ darkly humorous and deliciously evil A Narrow Door is a quintessential and unputdownable English mystery. Rebecca Buckfast, headmistress of noted Yorkshire boarding school St. Oswald’s and one of the first-person narrators of this tale, is nothing if not straightforward. She recounts the steps she had to take to become the first female head of the school in its 500-year history. Rebecca doesn’t sugarcoat anything, including the two murders she committed (“one a crime of passion, the other, a crime of convenience”), and yet it is difficult not to respect her motivations and even like her. Sort of. Meanwhile, a parallel tale is offered up by St. Oswald’s teacher Roy Straitley, in the form of a diary that outlines the discovery of what appears to be human remains in a construction site on the school grounds. As Roy’s and Rebecca’s stories unfold, both of the narrators take satisfaction in the secrets they are hiding from each other—or, more precisely, the secrets they think they are successfully concealing. A Narrow Door is an exceptionally good novel, such a masterpiece of storytelling that when Rebecca likens herself to a modern-day Scheherazade, it doesn’t feel like hyperbole in the slightest.
Silent Parade
By all accounts, 19-year-old Saori Namiki was on track to become the next big thing in the world of J-pop music. And then, inexplicably, she vanished, and stayed missing until her remains were discovered three years later in a suburban Tokyo neighborhood. Another body is found at the same place: Yoshie Hasunuma, an unremarkable woman save for her stepson, Kanichi, who is widely believed to have skated away from a murder charge years ago and looks pretty good for this latest double homicide as well. In the same way that Scotland Yard Inspector Lestrade often sought the assistance of supersleuth Sherlock Holmes, Tokyo Metropolitan Police Department Chief Inspector Kusanagi regularly summons brainiac physicist Manabu Yukawa, known as Detective Galileo, to consult on particularly difficult homicides. Keigo Higashino’s Silent Parade showcases the fourth such pairing, and is in many ways the most intricate. Detective Galileo must reconsider his theory of the crime again and again, tweaking it repeatedly until he is more or less satisfied with his assessment. He is a very clever man, smart enough to stay a step or two ahead of the police department, the perpetrator (or perpetrators?) and the reader, and that is no mean feat.
★ BOX 88
The title of Charles Cumming’s latest espionage thriller, BOX 88, refers to a fictional clandestine ops organization that is jointly operated by the United States and the United Kingdom. BOX 88 does not possess a license to kill a la James Bond, but the management certainly utilizes a “license to look the other way” on occasions when wetwork is required. BOX 88 begins a series starring Scottish spy Lachlan Kite, who in this book must come to grips with a very cold case: the 1988 downing of PanAm Flight 103 over Lockerbie, Scotland. Close to half the narrative consists of flashbacks to immediately after the plane crash, when Lachlan was a green recruit. In the present day, Lachlan lets down his guard at the funeral of his old friend, with disastrous results. He is kidnapped by an urbane-seeming Iranian man who turns out to be anything but urbane when it comes to securing intelligence from a perceived enemy combatant. Worse yet, the kidnapper’s team has also captured Lachlan’s very pregnant wife. If torture will not get them what they want, perhaps threats to Lachlan’s family will do the trick. Despite his mistake at the funeral, Lachlan is a seasoned operative and, if anything, more dangerous to his captors than they are to him. Meanwhile, British intelligence agency MI5 is in hot pursuit, not to help Lachlan but rather to out him as an operative of a rogue agency. The suspense is palpable, the characters flawed but sympathetic in their own ways and the story gripping. In a month of really excellent reads, BOX 88 is a clear standout.
In a month overflowing with superb mysteries and thrillers, a deliciously evil boarding school-set thriller and a pitch-perfect espionage novel rise to the top.
Must have typing speed of 55 words per minute. Must not be emotionally affected by violent or traumatic reports. All hired candidates will be required to swear an oath of confidentiality.
When I first read the job description for a police transcriber, I could hardly believe it was legit. This suspended belief percolated within me even as I applied, tested, interviewed, got hired, and sat down to type my first report.
Hello, Transcriber.
Those two words welcomed me into a world I’d never been privy to before—a world rife with death and derelicts and drugs. So many drugs. In my two years of having lived in that industrial Wisconsin city, I’d been oblivious to the underground economy that flourished there, the biggest players being heroin and crack cocaine. Sometimes prescription pills made their way into the mix. Suddenly, I knew every bad thing that happened before it hit the news. If it hit the news.
In the days and weeks that transpired as I transcribed case after case—suspects in interview rooms, search warrants, homicide investigations, cell phone logs and more—I realized something: I had become the proverbial fly on the wall. I was a nameless, bodiless thing who stole into the police department at 10 p.m. and left before most people punched in for the morning, the only trace of my having been there a stack of perfectly typed reports and completed arrest paperwork.
I slept by day and typed by night, utilizing my in-between hours to write another novel that would ultimately go nowhere. But if nothing else, it kept me afloat during a time when I was untethered and adrift. This dream of becoming a published author was my lighthouse when I feared I might never find my way out of the dark.
My office was a terrarium, a narrow space with an outside wall that was a sheet of glass—the only shield between me and the horrors I typed up every night. I learned more in that small space, in that small slice of time, than I learned during any other period of my life.
First, I awakened to the fact that I now existed in two parallel realities: one in which I was oblivious to the murders that happened just a few houses down from mine, the drug deals on the sidewalk, the car chases down Main Street; and the other in which I was the conduit between an investigator’s report and a criminal going to jail. I learned that just because the police arrest a violent criminal one day, it doesn’t mean they won’t be walking the streets the next. It’s up to the district attorney’s office and the judges to make the charges stick.
I also learned that people are people, regardless of which role they’re assigned in a report (police officer, victim, suspect, etc.). The word sonder is a neologism from John Koenig’s Dictionary of Obscure Sorrows that he defines as “the realization that each random passerby is living a life as vivid and complex as your own.” I think that’s important for writers and human beings in general, having the ability to see things through a different lens. When you do that, you realize how fragile your own circumstances are.
I picked up a lot of spontaneous knowledge, too, such as learning people by voice instead of face and knowing their pet words; thus, however and indicative are a handful that come to mind. I memorized badge numbers for all 216 sworn personnel, and I could guess the nature of the crime based on the length of the report. Car thefts were generally only a few minutes long, and your average search warrants were in the 7- to 12-minute range, unless you got stuck typing the report for the evidence technician. That could land you upward of 40 minutes, depending on how many items of evidentiary value were found. Homicides tended to be longer, especially if there were interviews or a neighborhood canvas involved. And so on and so on.
Finally, I recognized that I had accidentally landed in a writer’s dream position: a unique job with behind-the-scenes access to fascinating stories and all the quiet time in the world to come up with a story of my own. This was the spark for Hello, Transcriber, a book that explores this unique and crepuscular work. Contrary to popular belief, there are professions much more solitary than being a writer. Take it from a former fly on the wall.
Author photo by Alaxandra Rutella.
Author Hannah Morrissey explores how her work as a police transcriber gave her the perfect perspective for her debut novel.
Set amid the glitz and glimmer of showbiz, these historical mysteries expose the corruption and abuse that exists after the shine of spotlights go out. But even more than that, they examine critical periods during which women’s roles were shifting as they demanded more freedoms.
As a teenager, Willowjean “Will” Parker literally ran away to join the circus. Stephen Spotswood’s Murder Under Her Skin (the sequel to 2020’s Fortune Favors the Dead) finds her as an adult in 1946 New York City, working at a detective agency with her mentor, the brilliant Lillian Pentecost. Fresh off an arson investigation, Will gets a telegram that her friend Ruby Donner, the tattooed lady of Hart and Halloway’s Travelling Circus, has been murdered and that another performer, Valentin Kalishenko, has been arrested for the crime. Will believes Valentin is innocent, and she and her boss set off for small-town Virginia to meet up with the circus and clear Valentin’s name.
Hart and Halloway’s Travelling Circus allowed Will to escape her abusive father and safely explore her sexuality as a lesbian. Now that she’s returning as an outsider, some of that closeness is gone and, in a melancholy but emotionally realistic twist, Will finds herself trapped between two worlds: She’s no longer completely trusted by her former peers, and she’s still working to gain the approval of her intrepid boss.
As they work the case, Will and Lillian find the world in flux around them, which Spotswood ably explores without distracting from the central mystery. In the wake of World War II, U.S. veterans are dealing with displacement and PTSD, women are being shunted into more restrictive roles now that GIs have returned, and movie theaters are filling up while circus arenas are emptying. None of the characters in this mystery quite know how to cope with these seismic cultural changes, setting Murder Under Her Skin apart from more simplistic stories set in the same time period. Despite the cultural angst swirling around them, Will and Lillian focus on finding justice for Ruby, a woman many of their contemporaries don’t consider respectable or worthy of their compassion.
Elly Griffiths jumps ahead a few decades (and across the pond) in her snappy new Brighton mystery, The Midnight Hour. It’s 1965, and when theatre impresario Bert Billingham is murdered with rat poison, his wife, actress Verity Malone, is a natural suspect. Worried that the police will look no further than her, Verity hires PIs Emma Holmes and Sam Collins to clear her name. Among their suspects is magician-turned-actor Max Mephisto, who is filming a remake of Dracula along with Billingham’s son and is rumored to have had a fling with Verity.
Much like Murder Under Her Skin, this mystery focuses on a tightknit group of performers. Many of the actors, directors and costume designers in Billingham’s orbit worked together during the war, and everyone seems to have a story illustrating Billingham’s nastiness, giving Emma and Sam no shortage of suspects.
As they navigate the complex showbiz web around Billingham and his family, Emma and Sam team up with 20-year-old rookie police constable Meg Connolly, which allows Griffiths to explore the experiences of three women at very different stages in life. The growing feminist movement has created more opportunities for women like Meg, but her male-dominated workplace still treats female sleuths as novelties. While Meg is just starting out, Emma struggles to balance her career with being a wife and mother, and she is frustrated that her detective work is treated like a hobby rather than a profession. Sam, meanwhile, worries that her own romantic interest in Max Mephisto could be clouding her judgment.
The sixth book in a series, The Midnight Hour is also full of secondary characters who have appeared in previous Brighton mysteries, so readers may want to start at the beginning before taking a stab at this one. But those who are already fans of the Brighton mysteries will be well satisfied with this installment, which tracks the evolution of Emma and Sam’s characters and careers without sacrificing one bit of Griffiths’ wit and charm.
Beyond being tantalizing whodunits, both Murder Under Her Skin and The Midnight Hour feature dynamic, complicated female characters who unapologetically stand up to and outshine their male contemporaries.
Set amid the glitz and glimmer of showbiz, these historical mysteries examine two critical periods during which women demanded more freedoms.
“Don’t stare too long at the Witching Tree / Defile it not, or cursed you will be.” So goes the saying behind the spookiest landmark in Burning Lake, New York, a small town with a dark past and an even darker present. Alice Blanchard’s The Witching Tree follows detective and lifelong Burning Lake resident Natalie Lockhart through a murder mystery that deftly addresses what happens when personal trauma and professional responsibility collide in a town steeped in complicated history.
The third book in Blanchard’s award-winning series begins with a horrific awakening. Beloved local Wiccan priestess Veronica Manes awakens from a drugged sleep, dressed in a Halloween-esque witch costume and chained to a railroad track with a freight train quickly approaching—a train she is unable to escape in time. At the same time, Natalie is enjoying a cozy morning with her wealthy boyfriend, Hunter Rose. She’s ready to leave cop life behind after working two disturbing cases, including one that involved her own family. When Natalie learns of Veronica’s murder, she’s as baffled as the rest of Burning Lake, but she knows she can’t quit the force until the mystery is solved.
Natalie is a smart, believable heroine. She’s a skilled detective with an admirable sense of duty to the place that has raised her, even though it spectacularly failed her family. Indeed, Blanchard’s writing shines the brightest when depicting all her characters’ gray areas. Despite the macabre elements of the murder and setting, the people who populate The Witching Tree are realistically drawn: No townsperson is all good or all bad. Could eccentric Marigold Hutchins, who runs the town’s Wiccan shop, be gunning for Veronica’s leadership position in the local historic coven? What about the young couple Veronica befriended, who were dealing with drug addiction and dabbling in dark magic before they disappeared completely? Natalie also can’t forget the legacy of the town, whose the citizens burned three accused witches at the stake in the 18th century. Blanchard crafts a spectacular sense of place, and though readers may fear Burning Lake, they also won’t want to leave.
While it’s the third in a series, The Witching Treeoffers sufficient background information for new readers and a town full of complex, dynamic characters, making it an enjoyable novel that stands easily on its own.
Though readers may fear Burning Lake, the creepy small-town setting of Alice Blanchard’s mystery, they also won’t want to leave.
In late ’90s Brooklyn, simple actions have a long-lasting impact, and not always for the better. The dynamic cast of characters in William Boyle’s turbulent crime thriller Shoot the Moonlight Out learn that the hard way.
Consider teenager Bobby Santovasco. Along with his friend Zeke, the pair do what kids do: They wreak havoc for fun. In their case, it’s throwing objects off a bridge at passing cars on the Belt Parkway. First, it’s harmless. Aluminum cans. Water balloons. But it’s not enough. So, the boys up the stakes—with rocks.
The result is the death of a young woman, Amelia Cornacchia.
Flash forward five years to 2001, where we find Charlie French. A brutish debt collector, he steals a horde of cash from a reluctant client, and stashes it with his friend Max Berry for safekeeping. Bobby, who now works for Max, falls for Francesca Clarke, who inspires him to rob Max’s safe so they can escape the oppressive confines of the neighborhood.
Unbeknownst to Bobby, his stepsister, Lily, has fallen for Jack Cornacchia, a student in her writing class. Jack is a self-styled neighborhood vigilante, who just so happens to be Amelia’s father.
Boyle (A Friend Is a Gift You Give Yourself) slowly introduces each of his players in chapters from their perspective, deepening the reader’s empathy for each member of the large cast as he digs into their individual losses, hopes and loves. Hailing from Brooklyn himself, Boyle imbues the setting with an air of authenticity and stark realism as his characters leap from the page. Readers can only grasp at the slimmest of hopes in this grim, modern-day noir, but the determination of Boyle’s characters defies expectations. He increases the suspense and intrigue of the story across alternating chapters, seemingly checking in with characters at random as Shoot the Moonlight Out subtly builds towards a collision of lives intertwined and fates inextricably linked.
William Boyle’s stark and turbulent crime thriller boasts an endlessly fascinating and empathetic cast of characters.
Edgar Award-winning author Thomas Perry returns with The Left-Handed Twin, his ninth novel featuring guide Jane Whitefield, a member of the Wolf clan of the Seneca Nation of Indians. The term guide does not entirely describe Whitefield’s job; she serves as a one-woman witness protection program, spiriting people out of life-threatening situations and into new and safer existences. This time out, she assists a young woman who testified against her boyfriend in a murder trial only to see him acquitted and bent on revenge. The first part of the task is fairly straightforward, utilizing the obfuscation skills Jane has honed over the years, but it all starts to go sideways when the ex-boyfriend enlists the help of the Russian mob, a group with an agenda of its own in locating Jane: extracting information from her about past clients who ran afoul of the mob. Suddenly, she finds herself on the run, and the safest places for her are the forests and fields of Maine’s Hundred-Mile Wilderness, one of the ancestral Seneca territories where she holds the home-court advantage over lifetime city dwellers. Still, her Russian adversaries are nothing if not determined, and there are at least a couple of times when readers will wonder if this is the book where Jane’s story comes to an untimely end.
Bryant & May: London Bridge Is Falling Down
Spoiler alert: London Bridge Is Falling Down marks the final installment of Christopher Fowler’s beloved Bryant and May series. With each passing book, the Peculiar Crimes Unit, which solves murders that stump other branches of law enforcement, finds itself more critically threatened with closure. Both protagonists, cranky Arthur Bryant and the urbane and charming John May, are getting rather long in the tooth (in Bryant’s case, long in the dentures), and cases don’t present quite as frequently as they once did. So in hopes of postponing the inevitable, Bryant goes in search of a case and turns one up: Amelia Hoffman, age 91, whose death does not entirely fall into the catch-all of natural causes. Hoffman had something of a chequered (the English spelling must be used here) past, as it turns out, and before long the case develops into a full-blown conspiracy investigation. The narrative neatly straddles the blurry line separating espionage fiction from straight-up suspense, and adds for good measure a mean streets of London travelogue and more than a little laugh-out-loud but still dry British humor. Lovers of this series need not despair (well, not yet). Next year, we will see Bryant and May’s Peculiar London, a companion travelogue of sorts in which fan-favorite characters will hilariously dish on their home city while ambling about its streets, and there will be no dead bodies to be found anywhere.
So Far and Good
For the better part of 30 years, I have counted myself as a major fan of John Straley’s sporadic series featuring Alaska-based PI Cecil Younger. From the outset, 1992’s Shamus Award-winning The Woman Who Married a Bear, the books have combined grittiness, social issues and introspection with whimsy and slapstick, as the hapless investigator moves from crisis to crisis, both business and personal. So Far and Good, the latest adventure, finds Cecil serving seven-plus years in prison for homicide, arguably a necessary one. His daughter, Blossom, visits him regularly, and this time she has an interesting tale to tell: Her best friend took a DNA test to surprise her mom with an ancestry-related gift and discovered that she and her “mom” were not in any way related. As it turns out, this friend was abducted as an infant, and the case has remained unsolved for the past 16 years. Should be a happy ending, right? Instead, it serves as the catalyst for a suspicious suicide, a near-homicide and assorted disappearances. And Blossom joins the missing, it will take all of his considerable savvy, not to mention a reversal of his inherent unluckiness, to set his world back in order (more or less) once again.
★ War Women
The year that John Straley’s first Cecil Younger book appeared, 1992, also marked the debut of Martin Limón’s excellent series featuring George Sueño and Ernie Bascom, military police partners stationed in Itaewon, Korea, in the 1970s. Several plot lines wind around one another in the pair’s latest outing, War Women. First off, there is the disappearance of their best confidential informant, along with some particularly sensitive classified documents about impending military exercises. Then there is the nosy reporter who has acquired explicit, potentially career-ending photos of an Army general and the hasty cover-up attempts that spiral speedily out of control, the suspense building until the final, nerve-shredding shootout. But these events are only the tip of the proverbial iceberg. A culture of abuse targeting female service members has permeated every level of the military hierarchy, and there are those who will kill to keep that culture thriving. Bascom and Sueño, while still their customarily smart-aleck selves, are more thoughtful this time around. They’re not overcome by the gravity of the situation, but they’re certainly affected by it. War Women is the most sobering of the series to date, while still being a book readers will want to devour in one sitting.
Thomas Perry gives fans the gift of another Jane Whitefield thriller and a beloved series comes to an end in this month’s Whodunit column.
We’re calling it now: The mystery and suspense genre is on the cusp of a golden age. From psychological thrillers to procedurals to cozies, these books reached new heights and brought new perspectives to the forefront in 2021.
Mango, Mambo, and Murder has everything readers look for in a cozy mystery but also feels like a breath of fresh air thanks to its funny, grounded characters and lovingly detailed setting.
John Galligan’s trademark dark humor and clear-sighted social commentary are in fine form as he follows Sheriff Heidi Kick, one of the most complex yet lovable heroes in current crime fiction, on her latest investigation.
Having reached a pinnacle of critical and commercial success that most authors only dream of, Louise Penny still somehow manages to top herself with the latest Inspector Gamache mystery.
The genre-hopping Silvia Moreno-Garcia (Mexican Gothic) moves into pulp adventure territory with a novel set in 1970s Mexico City that evokes the best conspiracy thrillers.
Master of espionage John le Carré’s final novel is one of his most impressive accomplishments. A gift for the devoted readers mourning his loss, it looks back and comments on his unparalleled body of work.
Jordan Manning is a crime reporter at the top of her game, but staying there is proving increasingly exhausting. When she moved to Chicago from her home state of Texas, she hit the ground running in four-inch stiletto heels—which didn’t deter her from being first on the scene of a steady stream of crimes in the Windy City. As a Black woman, Jordan is the only woman of color at News Channel 8, and she’s the only reporter in her newsroom with journalism and forensic science degrees. Her experience and savvy serve her well, as does her empathy—a trait that isn’t always present in the highly competitive news business.
Because of Jordan’s empathy, plus her finely tuned intuition, the disturbing case of Masey James—a smart, well-liked Black teenager found dead in a park—just won’t let Jordan go. She had already been frustrated by the police’s unwillingness to declare Masey missing, and now authorities are in a rush to arrest someone instead of conducting a thorough investigation. Jordan is determined to not only ethically and comprehensively report on the case but also help solve it.
As the Wicked Watch is a compellingly realistic and timely first entry in Tamron Hall’s new mystery series starring the ambitious and fabulous Jordan, a woman not unlike her creator. Hall was an award-winning anchor on NBC and MSNBC, was the first Black woman to host “TODAY” and now hosts the Emmy-winning “Tamron Hall Show.” Her fiction takes on racism, sexism, media ethics and institutional bias, offering a fascinating inside look at the intricate ballet that is a live newscast.
Readers spend much of the story inside Jordan’s very busy head. The naturalistic narrative reveals her investigative strategies, conflicting emotions and minimonologues about everything from Chicago restaurants to her quest for a healthy personal life as she works to earn the trust of Masey’s family and neighbors, and edges ever closer to the truth about the killer she believes might strike again. It’s a dangerous pursuit, but to Jordan it’s just part of “a calling and a purpose larger than myself.” As the Wicked Watch is a promising start to a series sure to appeal to fans of badass women with mysteries to solve and something to prove.
Tamron Hall’s debut is a promising start to a series sure to appeal to fans of badass women with mysteries to solve and something to prove.
Tamron Hall has long been a household name. She’s reported on and anchored major news stories for NBC and MSNBC, she became the first Black woman to host “TODAY” in 2014 and her Emmy-winning “Tamron Hall Show” is in its third season. Now she makes her debut as an author with As the Wicked Watch, which introduces readers to Jordan Manning. A savvy and dedicated crime reporter, Jordan is determined to find justice for two young Black girls found murdered in Chicago, despite pushback from the police and ever-increasing danger as she gets closer to the truth. Hall talked to BookPage about life on the crime beat, her transition from TV to the page and why Chicago is close to her heart.
Congratulations on becoming an author! Will you introduce us to the intrepid Jordan Manning? We follow Jordan, a young woman from Texas, now in Chicago, who becomes obsessed with a case that comes in through a call to her hotline number. Jordan is a complicated and very interesting woman. She’s at a critical point in her career where a national network job is looming over her head as an option, but her ties to Chicago and the people there keep her grounded. She started out believing her path would involve forensic science. Through life and her journey, she realized being a reporter and investigating was more for her than being in a lab and analyzing information.
Did going from telling stories on TV to crafting them on the page feel like a natural transition? What was the hardest, easiest or most fun thing about embracing your inner author? The most interesting part of this journey for me was piecing together the case in my book and how it would be solved. It was inspired by two cases I covered years ago in which children were not given the justice or care they should have received, whether it was the victims or the children who were accused of a heinous crime. For me, it was a natural transition. I wanted the book to read like a newscast. I wanted it to feel urgent, with the tone and the experience of a reporter. I was able to reflect on personal experience instead of having to interview reporters and get their take on what it’s like.
You’ve had and are having quite the impressive career, complete with major TV network jobs, talk show syndication, an Emmy win and more. What made you want to add author to your resume? I’ve thought about the two cases that inspired this novel—one in Texas and one in Chicago—since the late 1990s, when I covered them. I’ve always wanted to write a novel, but I didn’t know exactly what Jordan’s journey would be. In the middle of the night, it started to flood my mind. Perhaps being home more [during the COVID-19 pandemic] and needing a creative outlet in addition to the “Tamron Hall Show” was how this book was born. My experiences as a reporter on “Deadline: Crime” to reporting on the streets of Bryan, Texas, Chicago and New York City are all part of this journey.
“I wanted the book to read like a newscast.”
You’ve worked in morning television for some 25 years and must have that early riser routine down! Did that play a role in setting up your writing routine? Do you have a preferred writing spot, snack, music, etc.? Morning TV absolutely helped my routine. I wake up naturally at 4:30 a.m., and during the COVID-19 pandemic, we were taping my show later in the day. Every morning I would wake up early, grab a cup of coffee and just start writing. Twenty-five years of this early morning routine definitely allowed me the space to be creative when writing.
As Tam Fam members will note, there are many similarities between you and Jordan Manning, from the cities you’ve worked in to a particularly fabulous haircut. What are some ways Jordan is different from you? Jordan is a lot more anxious than I am. Of course, I am eager to do things and I get excited. But I don’t think that I have the same level of anxiety as she does. She’s also much more noncommittal than I was when I was dating. She is very much about moving past each guy quickly. Not that that’s a bad thing, that just wasn’t my particular journey in dating.
Anyone who’s seen you on TV knows you have an eye for fashion, and Jordan’s also a snappy dresser—including her trademark stiletto heels. Do you have any fashion talismans that help you feel at home no matter where work takes you? I think for me, it’s my hoop earrings. No matter where I am, my hoop earrings ground me professionally and personally.
Chicago is the vibrant and dramatic backdrop for Jordan’s story. What about the city made you decide to choose it as the setting for As the Wicked Watch? Chicago was a transformational part of my career. It was my first major market; Chicago was the last building block before going to the national news. I also felt the dynamic of policing and community all fit into the landscape. The politics, the policing issues, the fact that the city is so segregated according to those who live there and reported on it—it was a setting that made sense for Jordan’s journey.
“No matter where I am, my hoop earrings ground me professionally and personally.”
Jordan contends with racism and sexism on a daily basis. Although she’s developed coping strategies, it still takes a major toll. What do you hope readers take away from your book in terms of what it’s like to be a woman of color in the newsroom? I hope that people take away the reality of being in a newsroom. It is ironic that many of the stories about these issues are reported by reporters who are also experiencing them. Imagine being a reporter discussing a company that’s gotten in trouble because of a discrimination case, and you are facing that same type of discrimination within your workplace. It was only recently that we started talking about these things within the news industry. That’s the challenge for female reporters and reporters of color.
Jordan has never understood why college journalism courses are lumped in with marketing and advertising courses. “The disposition my job requires is more akin to a surgeon’s or a psychiatrist’s,” she says. Will you elaborate on that a bit for us? I think what she means by that and why she compares it to being a surgeon is because it is so precise and so strategic. It is a very focused and fine line, and I think that people underestimate that. You can’t be off the cuff, you can’t go in without a plan. As a psychiatrist, you have to, for lack of a better description, get into someone’s mind. For Jordan, being on the investigative team, she has to think like a police officer, she has to think like someone who has done something nefarious, she has to think like a victim and then ask, “How did this happen?”
Your book shines a light on the differences in how criminal cases are treated by the police, the press, politicians, etc., depending on the race, gender, age and other attributes of the victims. Do you think there’s hope for improvement or change? I believe that there is hope, but if I’m honest, there are days when I think there isn’t. Whether it’s George Floyd, Trayvon Martin, Tamir Rice or Breonna Taylor, for every example of progress, you are given the gut-punch realities of injustice. I think this book shows us both.
This is your first Jordan Manning mystery. Do you already have another one in the works? (No pressure!) Is there anything else you want to share in terms of what’s coming up next for you? I’m already four chapters into the next part of her journey. It takes her a little outside of Chicago, and we’re already starting to see more reckless behavior from her to show how committed she truly is to solving cases. Is she willing to put her own livelihood and safety on the line?
Is there anyone more qualified to write a mystery starring a crime reporter than journalist and TV host Tamron Hall?
Patricia Cornwell is back with familiar friends and at her absolute best as a novelist. Though Cornwell has tried other literary pursuits, nothing succeeds like Dr. Kay Scarpetta and the cast of characters around her who make mystery reading pure pleasure.
Dr. Scarpetta is growing older as is everyone and her sometime lover, Benton Wesley, is grayer. Her niece Lucy has changed jobs after leaving the FBI and now works for the ATF. Her familiar sidekick, Peter Marino, is beefier, smokes heavily and sometimes ruffles Scarpetta’s feathers. Generally, they mirror the human condition.
For the uninitiated, Dr. Kay Scarpetta is the chief medical examiner for the commonwealth of Virginia. She is also a consultant to the FBI, often called in on cases that are extraordinarily baffling. This time she has a real puzzler. A fire burns down the house and horse barn of a prominent and wealthy man while he is away, destroying some very fine horses. There is also a dead blonde in the bathroom of the main house. With an onslaught of mysterious fires and deaths, Dr. Scarpetta is increasingly bewildered but keeps her cool, even in the midst of a very personal tragedy. Evidently, an audacious and cunning killer is on the loose, but finding and unmasking him sets this mystery apart from the ordinary. Cornwell’s mastery of suspense is notable, and Point of Origin is certainly no exception.
This is a superb choice for anyone’s summer reading but the odds are that some will find it difficult to put down while the day turns to night, and night to early morning. This is, as the saying goes, a page-turner that will keep the reader utterly enthralled, wondering what will happen next.
Reviewed by Lloyd Armour.
Patricia Cornwell is back with familiar friends and at her absolute best as a novelist. Though Cornwell has tried other literary pursuits, nothing succeeds like Dr. Kay Scarpetta and the cast of characters around her who make mystery reading pure pleasure. Dr. Scarpetta is growing older as is everyone and her sometime lover, Benton Wesley, […]
In every city with a major military presence, a district can be found which serves the libidinal cravings of the personnel stationed there. The closer the proximity to the enemy, the broader the range of services offered. In Itaewon, the pleasure quarter of Seoul, Korea, arrangements can be made to satisfy the most jaded and unusual of tastes for the price of a package of American cigarettes or a bottle of Scotch. Still, staggering quantities of dollars and “won” are exchanged for products and services of a decidedly x-rated nature. The authorities, both local and military, tend to look the other way, as long as things don’t get too out of hand. It is the job of CID officers George Sueno and Ernie Bascom to make sure that things don’t get too out of hand. They carry a badge. (Okay, two badges . . . ) Buddha’s Money is the third outing for Martin Limon’s rough and tumble anti-heroes. The first, Jade Lady Burning, involved the criminal antics of a high-ranking officer; the second, Slicky Boys, found Sueno and Bascom deeply involved with an underground organization of thieves. This time, somewhat older and marginally wiser, the two are in a race against time to find an ancient jade skull which purportedly is inscribed with a map to the lost riches of Kublai Khan. Normally, this sort of venture would be outside their purview, except that the daughter of a retired Army man has been kidnapped and held for a particular ransom the jade skull. The kidnappers believe that the girl’s father, now a quasi-legitimate dealer in Asian antiquities, is the go-between in a deal to smuggle the skull out of the country, and give him a deadline after which his daughter will be killed. The only problem is he doesn’t have the skull. He turns to Sueno and Bascom in desperation.
The heroes are well-drawn, multi-dimensional characters. Sueno, the narrator, is an East LA orphan, for whom the Army is the only parent he has ever known, while Bascom, the contrapuntal brawling palooka, is happiest when he has a beer in one hand and a woman (or women!) in the other. This time, however, the major female attraction, the sensuous Lady Ahn, seems to be interested in Sueno . . . or is she? After all, she wants the jade skull as well. So, for that matter, does the nefarious Mongol monk, Ragyapa, who will stop at nothing in resurrecting his Evil Empire. Let’s not forget Choi So-lan, the bald little Buddhist nun, who has every intention of setting herself afire in the town square if the skull is not returned to her sect. And just where does Herbalist So, the enigmatic head of the notorious slicky boys, fit in? Buddha’s Money, of all the Bascom and Sueno novels, has the most far-fetched premise, with a latter-day Raiders of the Lost Ark feel. Still, the action is nonstop, the dialogue is crisp, and the mood is edgy and tense from beginning to end.
Reviewed by Bruce Tierney.
In every city with a major military presence, a district can be found which serves the libidinal cravings of the personnel stationed there. The closer the proximity to the enemy, the broader the range of services offered. In Itaewon, the pleasure quarter of Seoul, Korea, arrangements can be made to satisfy the most jaded and […]
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Maria Ressa’s book is a political history of the Philippines and an intimate memoir, but it’s also a warning to democracies everywhere: Authoritarianism is a threat to us all.
Sean Adams has dialed down the dystopian quotient from his first satirical novel, The Heap, but that element is still very much present in The Thing in the Snow.
