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Detective Sergeant Romulus Poe, part Paiute Indian and part Mormon, is the lead character in the first in a new series by Los Angeles author Faye Kellerman, known best for her Peter Decker/Rina Lazarus mysteries. Set in Las Vegas, Moon Music is a tour of the desert city as much more than the grown-up playground of today. Decker is the lead investigator in a series of grisly show girl murders. His primary love interest and investigative partner is Hindu pathologist Dr. Rukmani Kalil who, along with Poe’s twin brother Remus, slightly batty Mother, Emma, and high school sweetheart, Alison Jensen, allow Kellerman to introduce themes of mysticism and fantasy along with her respect for religion as a motivating and moderating force in human dynamics.

In an eerie prescience, the plot of Moon Music is entwined with Nevada’s infamous Yucca Flat atomic test site. Emma Poe reminisces about her senior class trip to see the mushroom cloud, They took us there very early in the morning . . . before dawn. It was dark and cold and a little spooky. We had to hunker down in these troughs that the soldiers had dug a couple of years before. We were just these kids, giggling and telling scary things because we were nervous. But we were excited too. . . . Ten! Nine! Eight, seven, six . . . even with my eyes closed and covered with my arms, I still saw this . . . this fantastic burst of light shooting through my skin . . . like God was recreating the universe. And then . . . at the same time . . . you felt this big blast of heat . . . sizzling through your clothes. And when they said you could look up, you did. And there it was. Right there in the sky . . . that famous mushroom cloud . . . what a thrill! Indeed. What a thrill. Not every character in the book is enchanted with the nuclear age, We explode something like a thousand bombs into our atmosphere after exploding only two bombs in enemy territory. Now you tell me. Who came out better, huh? Meticulous documentation of the early detonations at the Nevada Proving Ground are a stark reminder of the days of public innocence the days when support for the atomic program was considered a certain patriotic duty, On January 27, 1951 a one-kiloton bomb named Able was dropped above Frenchman Flat . . . More bombs followed, each one christened as if the government were birthing an infant . . . from Able in 1951 to . . . Little Feller I in July of 1962. Faye Kellerman’s talent for deeply complex characters, riveting action, and thorough research keeps us sitting on the edge of our seat, wide awake late at night. Moon Music is an energizing, terrifying, thought provoking introduction to the Las Vegas of Romulus Poe and Rukmani Kalil. You’ll want to go back often and stay late.

Donna Headrick is a researcher and a columnist for the IntrepidNetReporter.

Detective Sergeant Romulus Poe, part Paiute Indian and part Mormon, is the lead character in the first in a new series by Los Angeles author Faye Kellerman, known best for her Peter Decker/Rina Lazarus mysteries. Set in Las Vegas, Moon Music is a tour of…

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It often seems that certain contemporary mystery writers own a city: Robert Parker owns Boston, J.

A. Jance owns Seattle, Robert Crais owns L.

A., and Sara Paretsky owns Chicago. By the same token, T. Jefferson Parker owns Orange County, California. Each of his seven previous novels, from the groundbreaking Laguna Heat to the recent Blue Hour displays his familiarity with and affinity for the sun-drenched communities of California’s south coast. Parker’s latest novel, Red Light, picks up where The Blue Hour left off, chronicling the life and times of Sheriff’s Investigator Merci Rayborn.

It has been two years since the death of Merci’s partner Tim Hess, her sometime lover and the father of her child. In the intervening months, Mercy has kept her nose to the grindstone at work, while still trying to find the time to be a good mother. She has only recently started keeping company with a member of the opposite sex, another sheriff, and the road has been somewhat rocky to say the least. When all of the clues in the murder of a young prostitute seem to point to her newfound sweetheart as the perpetrator, Merci is faced with the tough decision of telling what she knows, information which will further implicate her boyfriend, perhaps beyond any hope of extrication. The plot thickens as Merci realizes the details of a 30-year-old murder bear a striking similarity to her current case; to confound matters further, fingerprints found at the scene of the current crime appear to belong to someone who has been presumed dead for years.

The further Merci digs, the more she begins to believe the two cases are intertwined, and that the answers she seeks may in fact lie with some of the most highly placed individuals in the current law enforcement administration. Somehow she must make her case without alerting the powers-that-be to her strategy.

As in each of his previous books, Parker has given us a thoroughly human protagonist, flawed but ultimately moral. Merci Rayborn is among his best; as such, she has the distinction of being the only character that has appeared in more than one of his novels. Red Light, like its predecessors, is a book for reading in one sitting, so block out a long evening free of distractions; you won’t want to put it down.

Bruce Tierney is a writer in Nashville.

It often seems that certain contemporary mystery writers own a city: Robert Parker owns Boston, J.

A. Jance owns Seattle, Robert Crais owns L.

A., and Sara Paretsky owns Chicago. By the same token, T. Jefferson Parker owns Orange…

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In The Twisted Root by Anne Perry agent of enquiry William Monk is asked by Lucius Stourbridge to help locate his missing fiance, the widow, Mrs. Miriam Gardiner. Miriam departed a gathering at the Stourbridge estate and, along with coachman Treadwell and the coach and team, vanished. Lucius is crushed; his parents and maternal uncle Aiden Campbell act similarly. But they reveal that Miriam was perhaps a step down in station, over-familiar with servants, and at least nine years their son’s senior.

Presently, the coachman is found murdered, and Miriam is presumed the killer. Monk, an ex-police officer fired for insubordination, believes there is more to the crime. With the assistance of his new wife Hester Latterly, Monk pursues an investigation that, with classic Anne Perry twists, leads into Victorian bedrooms and, eventually, the courtroom. ¦ Tom Corcoran is the Florida-based author of The Mango Opera and the new Florida Keys mystery, Gumbo Limbo, both from St. Martin’s.

In The Twisted Root by Anne Perry agent of enquiry William Monk is asked by Lucius Stourbridge to help locate his missing fiance, the widow, Mrs. Miriam Gardiner. Miriam departed a gathering at the Stourbridge estate and, along with coachman Treadwell and the coach and…
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Veteran NYPD detectives Joe Gregory and Anthony Ryan make their fourth appearance in Edward Dee’s Nightbird. The longtime partners know the boroughs, the worlds, and underworlds of urban New York as intimately as the cop saloon they frequent. When Broadway actress Gillian Stone plunges many stories to her death, many assume suicide. This theory is bolstered when the detectives learn that her employer, producer Trey Winters, had requested that the young woman submit to a drug test. If she’d been using, her career would halt.

But word filters down that Gillian and Winters were lovers. And the case is complicated by the detectives’ discovery that Danny Eumont, Ryan’s nephew, had once been involved with the dead woman. What begins as a routine case becomes a complex and personal challenge to the partners.

Edward Dee, an ex-New York detective, paints backdrops with authenticity and cynicism. Gregory and Ryan, purposeful and sharp, take different approaches to crime solution, yet blend their insights to reach resolutions.

Tom Corcoran is the Florida-based author of The Mango Opera and the new Florida Keys mystery, Gumbo Limbo, both from St. Martin’s.

Veteran NYPD detectives Joe Gregory and Anthony Ryan make their fourth appearance in Edward Dee's Nightbird. The longtime partners know the boroughs, the worlds, and underworlds of urban New York as intimately as the cop saloon they frequent. When Broadway actress Gillian Stone plunges many…

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Shooting at Midnight by Greg Rucka begins not with the author’s compelling character Atticus Kodiak, but with the bodyguard’s sometime lover, Bridgett Logan. This New York cop’s daughter is a streetwise investigator and recovering addict with a sense of justice and a weakness for drugs. Bridgett is asked to honor a promise made years ago to Lisa Schoof, a fellow down-and-out teenager. But the pledge to help protect her from an abusive ex-lover gets twisted. Lisa wants to murder Vince Lark.

Within hours, Lark has been killed in a shooting gallery, Lisa refuses to speak in her own defense, and Bridgett realizes that her father’s service revolver is missing. Bridgett must risk her life to learn the circumstances of the murder. The investigation exacts horrendous sacrifice, and Atticus is delivered a mysterious summons. To tell more would ruin this gritty novel’s true-to-life suspense.

Tom Corcoran is the Florida-based author of The Mango Opera and the new Florida Keys mystery, Gumbo Limbo, both from St. Martin’s.

Shooting at Midnight by Greg Rucka begins not with the author's compelling character Atticus Kodiak, but with the bodyguard's sometime lover, Bridgett Logan. This New York cop's daughter is a streetwise investigator and recovering addict with a sense of justice and a weakness for drugs.…

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Stone Quarry by S. J. Rozan extends an award-winning series with plot and personal repercussions from last year’s A Bitter Feast. Bill Smith and Linda Chin are attempting to mend their relationship by keeping a therapeutic distance she in the City, Bill at his upstate New York escape cabin. Even with classical music in the air, the boonies are not peaceful. Smith and Chin’s resolutions of past situations have led to a grim expansion of problems. A body in the basement of Smith’s favorite hangout and a woman requesting his expertise in tracking stolen art without police involvement force Smith to break his own policy of not working while on vacation. Rozan’s seamless writing ranges from glorious to no-frills, the action is backwoods tough, and Stone Quarry is consistently believable.

Tom Corcoran is the Florida-based author of The Mango Opera and the new Florida Keys mystery, Gumbo Limbo, both from St. Martin’s.

Stone Quarry by S. J. Rozan extends an award-winning series with plot and personal repercussions from last year's A Bitter Feast. Bill Smith and Linda Chin are attempting to mend their relationship by keeping a therapeutic distance she in the City, Bill at his upstate…

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Anyone who has followed the sleuthing of Kinsey Millhone won’t be surprised to hear that Sue Grafton, in this 15th installment of what many people call the Alphabet Murder series, has been successful again. What will surprise readers is the journey into Kinsey Millhone’s past, something that until now, Grafton has withheld (well, save for some tidbits here and there). In fact, O Is for Outlaw is solely about Kinsey’s past. And because it is, readers are treated to aspects of Kinsey’s personality that make the character more real, more fallible, infinitely more interesting. The book begins when a shifty character contacts Millhone claiming to have a box full of Millhone’s personal documents. This event pulls Kinsey into a web of intrigue that forces her to confront some very real demons, some her own making, some the making of others. Thus, Millhone reassesses choices she made regarding her ex-husband and their marriage and sets out to right wrongs before it’s too late. In sum: She’s on the case, tracking a 20-year-old murder, navigating the very tricky path of memory, while, at the same time, trying to come to grips with choices she made long ago. One of the reasons O Is for Outlaw is so intriguing has less to do with the actual mystery and everything to do with Kinsey Millhone’s moral dilemma and it’s a doozy of a dilemma. In the interim, readers are treated to Grafton’s expert storytelling abilities, coupled with her subtle sense of humor. Kinsey is still funny, quick-witted, and charmingly self-reflective. It’s Kinsey’s honesty that makes her so endearing.

This isn’t the normal whodunit. Rather, this book is about the wonderful details of Kinsey’s former life. Grafton has opened a new door, but what next? O Is for Outlaw makes you want more: more Kinsey, more information, more mysteries being solved by this tough cookie, who isn’t as tough as she thinks.

Anyone who has followed the sleuthing of Kinsey Millhone won't be surprised to hear that Sue Grafton, in this 15th installment of what many people call the Alphabet Murder series, has been successful again. What will surprise readers is the journey into Kinsey Millhone's past,…

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Good novels provide settings that are more than ancillary. Distinctive locales become added characters. In Blue Moon, John Leslie’s fourth Key West-based Gideon Lowry mystery, a bluesy, island mood pervades. Leslie creates ambiance that blends a wistful, laid-back existence with the hurry-up veneer of a tourist mecca. This transformation, from ocean breeze-swept outpost to a hustling, high- dollar, real estate boomtown, brings financial pressures and transient visitors, and the dangers borne by each. Leslie captures the camaraderie of longtime residents, and the challenges they face: the intoxication of attractive strangers, and new, sometimes illicit sources of income. Private investigator Gideon Lowry is a part-time piano lounge entertainer. He’s also a Conch, a Key West native who bemoans his lost days of youth, the funkiness of a carefree, tropical life. He also regrets losing the love of restaurant owner Gabriella Gaby Wade. So when Gaby asks that Gideon do a background check on her new fiancŽ, widower and newcomer Roy Emerson, Lowry approaches the task with mixed emotions. Gaby describes Emerson as a man who puts deals together. Lowry would love to find a flaw in his character.

Lowry has other problems and opinions. The elderly owners of the mom-and-pop Cuban grocery next to his Duval Street office and apartment are being pressured to sell out. Fred Pacey, a developer with a 20 year history of ignoring tradition in favor of homogenized facades, wants to construct a central shopping mall for tourists. Lowry, too, has received offers. Positioning himself as a stalwart holdout, Gideon advises his neighbors not to sell out and ruin their way of life. Secretly, he wonders if it isn’t time to take the money and abandon the downtown rat race. Lowry’s initial queries into Emerson’s lifestyle connect the man with developer Pacey. Then, late one night, arson destroys the grocery. Gideon feels guilt over his bad advice, and his suspicions regarding the tropical terrorism are founded upon no solid facts. Soon Lowry is breaking all the rules: working on his own nickel, and trying to solve two simultaneous cases that may not exist. He walks the tightrope between rescuing his ex-lover from a danger that only he perceives, and his nightmare, destroying the friendship for good.

Advice from a Jackson Hole, Wyoming investigator (where Emerson’s wife died in a climbing accident), and help from old acquaintances, Detectives Dave Robicheaux in Louisiana and Hoke Moseley in Miami, prompt Lowry to stage an ill-advised ploy to expose the past and rescue the future. Throughout Blue Moon, Lowry runs on knowledge and instinct, but his feel for the turf, the unique island nuances and politics, mold his judgment and actions. He gambles friendship, takes risks. John Leslie’s version of the false carefree life in the Keys grips the reader and deepens suspense. Gideon may be left standing alone, staring at the cold, blue moon, but readers will appreciate the depth of this fourth book in the Lowry series.

Tom Corcoran is a writer in Florida. His first novel, The Mango Opera, was released by St. Martin’s Press in June.

Good novels provide settings that are more than ancillary. Distinctive locales become added characters. In Blue Moon, John Leslie's fourth Key West-based Gideon Lowry mystery, a bluesy, island mood pervades. Leslie creates ambiance that blends a wistful, laid-back existence with the hurry-up veneer of a…

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On a sultry Los Angeles summer night, cop-turned-lawyer Stone Barrington should have been having the time of his life. The boat was spirited, the ocean calm, the lights of Catalina twinkling in the distance. He had $25,000 in found money and a steamy redhead awaiting him back on shore. Perfect, but for the fact that he was bound hand and foot, his mouth duct-taped shut, and his allergies to L.

A. smog blocking most of his breathing through his nose. Sublime, but for two thugs named Vinnie and Manny, who are currently chaining him to an anchor and manhandling him to the stern. Compliments of Onofrio Ippolito, Manny says maliciously, planting his foot in the small of Stone’s back and kicking him overboard.

The balance of Swimming to Catalina is told in flashback: it seems that Stone’s one-time girlfriend, Arrington, has gotten married to screen idol Vance Calder. (If she had married Stone, she would have been Arrington Barrington, which is too painful to contemplate.) Now Arrington has gone missing, and Vance Calder summons Stone to help find her. Oh, and one more small detail: Arrington is pregnant, perhaps with Stone’s child. Reluctantly Stone leaves his digs in the Big Apple and catches the redeye to the Big Orange. Stone’s inquiries into Arrington’s disappearance do not go unnoticed by the criminal element of Los Angeles. It seems that wherever he goes a silver Lincoln Town Car follows. He changes hotels, changes cars, to no avail. The Town Car is registered to Onofrio Ippolito, a shady investment banker suspected to be linked to organized crime. The plot thickens . . . On the verge of a breakthrough, Stone receives a call from an excited Vance Calder: Arrington has returned, and Stone’s services will no longer be required. (If this sounds a bit fishy to you, imagine how it sounds to Stone.) Stone decides to stay in L.

A. a few more days, albeit incognito, to sniff around and see what he can turn up. Before he’s through a movie studio will be in turmoil, a criminal operation will be revealed, a mystery or two will be solved, and several people will wind up deceased.

In Swimming to Catalina, Stuart Woods has delivered another in a series of well-crafted, tightly plotted novels of suspense.

Bruce Tierney lives in Nashville, Tennessee.

On a sultry Los Angeles summer night, cop-turned-lawyer Stone Barrington should have been having the time of his life. The boat was spirited, the ocean calm, the lights of Catalina twinkling in the distance. He had $25,000 in found money and a steamy redhead awaiting…

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In the Cape Cod town of Westham, Massachusetts, Mackenzie “Mac” Almeida gets a nightmarish wake-up call. It’s her friend and fellow Cozy Capers Book Group member Tulia Peters on the line. When Tulia arrived at her restaurant early that morning, she found more than just tubs of lobster bisque stock waiting to be boiled and buckets of shrimp needing to be peeled. On the floor of her walk-in freezer, former beauty queen Annette DiCicero was lying dead among the pickle jars.

Despite Westham’s quaint, touristy glow, this is not Mac’s first rodeo. Twice before, her Cozy Capers book club has put what they know from reading cozy mysteries into action to solve real-life murders in their small town. Despite the police’s insistence that they stay out of things this time, Mac and her friends are ready to use their considerable sleuthing skills to come to Tulia’s aid in Murder at the Lobstah Shack by Maddie Day.

Tulia, who is a member of the Mashpee Wampanoag tribe, had recently been seen arguing with Annette about changing Columbus Day to Indigenous People’s Day. This makes her person of interest numero uno in the investigation—but as Mac starts digging, she discovers plenty of other townspeople have surprising connections to the victim. As the list of suspects lengthens, readers get an around-the-Cape tour of Westham’s other charming-but-deadly locales: the pet store across the alley with the cranky owner; the free food market in the basement of the local Unitarian Universalist Church; the historic Quaker meetinghouse where members say things like, “Believe thee me”; and Greta’s Grains, the bakery where Mac’s new fiance works as a baker, just to name a few.

Short chapters keep the action moving at a good clip, and new revelations about Annette’s ill-tempered widower and past life as Miss New Bedford keep turning up the heat beneath the proverbial stock pot. When Westham’s more menacing inhabitants catch wind of Mac’s snooping, the danger threatens to boil this little seaside town alive.

Murder at the Lobstah Shack mixes up a satisfying recipe of good-hearted characters, brain-teasing mysteries and evocative writing. As readers work to put the clues together, they’ll enjoy all the details that makes a good cozy mystery so cozy: a community of close-knit neighbors, thriving small businesses, love interests who can make a mean lobster quiche and an easygoing pace of life—except, that is, for the occasional murder.

This novel mixes up a satisfying recipe of good-hearted characters, brain-teasing mysteries and evocative writing.
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Joanna Schaffhausen’s fifth book in her Ellery Hathaway series, Last Seen Alive, focuses on the horror of its central sleuth’s past. As a child, Ellery survived being kidnapped by the notorious serial killer Francis Coben—she was the only person to ever do so. Decades later, she’s changed her name and found purpose as a police officer, but she has never escaped the nightmares about her time as Coben’s captive. Now on death row, Coben makes an offer to reveal the location of the remains of his other victims, but only to Ellery and only in an on-camera interview. She initially refuses, disgusted with Coben’s desire to manipulate her even behind bars. But when a woman is found killed in Coben’s style, Ellery realizes that he is working with someone on the outside and that their meeting will affect more than just cold cases.

This gritty police procedural doesn’t flinch at violence, but spends as much if not more time exploring its effects and how they are compounded by sensationalist media. Ellery knows she must agree to the interview but struggles to reconcile this fact with the approach of the Nancy Grace-esque broadcaster, who is desperate to conduct it. While the special purports to celebrate Ellery’s survival, the coverage focuses on the torture she endured, to the point of zooming in on Ellery’s physical scars. 

Schaffhausen keeps the reader firmly in Ellery’s perspective as she follows Coben’s twisted clues, making the tension nearly unbearable. Fans of darker mysteries that don’t shy away from the gory details will enjoy this well-crafted and thoughtful whodunit.

Like Ellery, Micah Wilkes is looking to leave the past behind in Catch Her When She Falls by Allison Buccola. When Micah was in high school, her boyfriend, Alex Swift, killed her best friend, Emily Winters. Alex has spent 10 years in prison, and Micah has spent that time trying to escape being known solely as the ex-girlfriend of a murderer, a footnote in true crime history.

Alex was convicted on largely circumstantial evidence, and now a podcast is revisiting the case. Soon internet commenters are questioning her stoicism during the trial and wondering if she had something to do with the crime. When she receives threatening texts and someone breaks into her apartment, Micah starts to wonder if the media attention on Alex’s case has driven someone to harass her or if Emily’s real killer is still out there. She begins her own investigation, even as those closest to her criticize her need to unbury the past, making her feel attacked by both those she loves and those she’s never met. 

Buccola dives into the anxious, painful workings of Micah’s mind as she pieces together the bits of her past that she’s locked away. Readers will find themselves doubting reality along with Micah as she questions the narrative she’s always believed about her friend’s death. While not scary, Catch Her When She Falls is wildly suspenseful and almost gothic in tone, making it the perfect book for a reader looking for thrills without any gritty or gory aspects.

Both Last Seen Alive and Catch Her When She Falls show incredible empathy for the mental and emotional toll the media takes on not only victims of a crime, but also their friends and family. It’s a humanizing view of women’s trauma that’s not always found in a genre practically built upon their pain.

These two mysteries thoughtfully examine how the media commodifies female trauma, resulting in whodunits that are equal parts thrilling and empathetic.
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City of the Dead

Author Jonathan Kellerman published his first Alex Delaware mystery more than 35 years ago, but entries such as the stellar City of the Dead prove that this popular series has done anything but run out of steam. In the wee hours of the morning, in a tony neighborhood of Los Angeles, a naked man is struck headfirst by a moving van, rendering the now-corpse’s facial features totally unrecognizable. Meanwhile, a few doors down, a woman is found murdered in her bedroom. Veteran Los Angeles police homicide detective Milo Sturgis does not believe in coincidences, and as he is wont to do in these situations, he quickly solicits the aid of his longtime friend, forensic psychologist Alex Delaware. Alex is quite surprised to discover that he knew the murdered woman, Cordelia Gannett, a popular self-help influencer who once appeared as an expert witness in a court case Alex was involved in. Unfortunately for her, she was subsequently exposed as a charlatan who had created fake credentials in order to pose as a licensed psychologist. Despite this fraud, there is remarkably little evidence to suggest a motive for someone killing either Cordelia or the unknown man. This, of course, is where Alex steps in, probing the psychological profiles of everyone involved in the case, pulling on loose threads to see which ones might unravel and turning up damning evidence of previous murders in the process.

A Game of Fear

Charles Todd’s latest Ian Rutledge mystery, A Game of Fear, finds the intrepid Scotland Yard investigator chasing ghosts. This is fitting in a way, as Rutledge is no stranger to the otherworldly. The World War I veteran carries with him the “presence” of Corporal Hamish MacLeod, a man he was forced to execute for insubordination on the battlefield who now provides a snarky counterpoint to every one of Rutledge’s moods, reflections and decisions. An Essex noblewoman, Lady Benton, has claimed she witnessed a murder; the catch is, she has positively (-ish) identified the killer as someone who is already dead. In 1921 England, even an unlikely claim made by a member of nobility warrants at least a token investigation, so Rutledge is on the case. Another murder follows, seemingly unrelated save for proximity, and then there’s a too-convenient, evidence-erasing fire. The tension ratchets up when Rutledge himself bears witness to an event that seems to mirror Lady Benton’s apparition. Perhaps it’s a warning that he is getting too close for the comfort of resident evildoers, whichever side of the shadowy spectral divide they may inhabit. 

Marion Lane and the Deadly Rose

T.A. Willberg’s debut, Marion Lane and the Midnight Murder, generated a fair bit of buzz in literary circles and among mystery aficionados. Now she returns with the second volume in the series: Marion Lane and the Deadly Rose, named for “The Florist,” a serial killer who brands his victims with a rose. The aforementioned Marion is an apprentice at Miss Brickett’s Investigations & Inquiries, an underground (literally) and quite clandestine detective agency in 1959 London. In the grand tradition of English mysteries dating back to Sherlock Holmes, Miss Brickett’s serves as consultant to Scotland Yard when a case proves too baffling for the authorities’ plodding detective work. This time out, Marion is summoned to assist in bringing “The Florist” to justice. Marion Lane and the Deadly Rose’s central mystery is as strong as that of any traditional, beloved whodunit.  The book also features a cast of well-crafted characters, including a delightfully despicable villain, and a host of unexpected twists and misdirections. But the similarities to other mysteries end there, as Willberg takes readers on a wild, genre-bending ride with touches of steampunk, a dash of sci-fi tech wizardry and plenty of dry British humor. Willberg has noted in an interview that her first book was rejected numerous times for not fitting neatly into any category. I trust that the authors of those rejections have since sought more appropriate employment opportunities.

One Step Too Far

In my review of Lisa Gardner’s first Frankie Elkin novel, I opined, “Before She Disappeared is billed as a standalone, but I’m thinking it would be the perfect setup for a terrific series.” In revisiting that sentence, the only thing I would change is to replace the word setup with springboard. As good as the first book was, One Step Too Far is better in every regard, a tour-de-force in suspense and red herrings with a twist ending I did not even begin to anticipate. Frankie Elkin is a finder of lost persons. She does this on an ad hoc basis, for the satisfaction of doing some good but also to atone for some of the damage wrought in her 20s, when she was addicted to alcohol. Frankie, who has no fixed address, no car and no possessions to speak of, is a Jack Reacher-esque loner (minus the military connections and the musculature). This time, she joins a search party about to embark on their fifth expedition into the Wyoming wilderness to search for the remains of Tim O’Day, who went missing on a bachelor party camping trip, never to be seen again. Other members of the party include Tim’s father; his companions the night he went missing; a well-respected wilderness guide; a cadaver dog trainer and her golden retriever; and a noted—albeit thus far unsuccessful—Bigfoot hunter. Virtually all of them have secrets and underlying motives, as Frankie will find out, initially to her dismay and then to her peril.

Lisa Gardner outdoes herself, and a steampunk-influenced historical mystery blows our mystery columnist away.

Many novels conclude with the wedding of characters we care about, but Crimes and Covers, the fifth book in Amanda Flower’s Magical Bookshop Mystery series, begins with one: the Christmastime union of Violet Waverly, the charming owner of Charming Books in the charming village of Cascade Springs in upstate New York, to the drop-dead gorgeous police chief, David Rainwater.

Among the guests are Violet’s energetic Grandma Daisy, the village mayor and former “caretaker” of the magic-infused bookshop; Violet’s warmhearted friend Sadie; and, to the bride’s astonishment, her elusive dad, Fenimore. But alas, the newlyweds don’t get to make merry post-ceremony because murder most rude pushes all else aside.

Blame Henry David Thoreau. As in previous volumes in this series, a literary classic lies at the mystery’s center. The murder victim is a strange woman who tried to sell Violet a signed first edition of Walden. Violet is an English professor, Thoreau scholar and bookseller, so she was able to discern that the book actually belonged to someone else, Imogene “Thoreau,” whose life is devoted to establishing her blood relationship to the author. Would Imogene spill blood to prove her claim?

Violet puts her honeymoon on hold and dives into a search for answers, some of which come from “the essence,” the magic that oozes from the ancient birch towering in the middle of the bookshop. Along with ensuring that the right books land in just the right hands (Violet’s customers are always so impressed with her recommendations!), the essence conveys clues to help Violet in her amateur sleuthing. (The bookshop’s star tenants, Faulkner the sharp-tongued crow and Emerson the tuxedo cat, also help.) Copies of Walden periodically float through the air, opening to pages that offer transcendental words of wisdom.

Crimes and Covers hits the right cozy notes: an appealing setting (with snow to boot!), a close community and a credible yet unchallenging plot that includes romance and deaths that break few hearts. Although not all the characters are fully drawn, threads occasionally dangle in ways that don’t feel intentional, and moments of tension or heart-stopping thrills are few, this is a satisfying read, providing hours of quiet pleasure rather than the “quiet desperation” Thoreau speaks of. The whimsical touches of bookshop magic are skillfully balanced by plot lines with more gravitas, like the publish-or-perish element in Violet’s academic community and the challenges of relationships, particularly between parents and children. Most importantly, Violet herself is a winning character and narrator: warm, witty, principled and smart, someone you’d enjoy meeting again. So if the tall birch in my backyard, stubbornly short on essence, were to toss another Magical Bookshop Mystery my way, I would be, well—charmed.

Crimes and Covers hits the right cozy notes and will provide hours of whimsical pleasure.

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