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All Mystery Coverage

Behind the Book by

Anna Lee Huber always knew that her Lady Darby mysteries, which are set in the 1830s, would eventually reach the cholera epidemic of 1832. What she couldn’t have known was that she’d be writing A Wicked Conceit, in which sleuth Kiera Darby must solve a series of crimes in a disease-stricken Edinburgh, while the COVID-19 pandemic was affecting Huber’s own life.


Illness is nothing new, and neither are epidemics, for that matter. Yet very few of us living in the developed world have experienced a pandemic. We’ve read about them in history books, but we haven’t experienced the strain and uncertainty and immediacy of dealing with one—until now. 

When I first began writing the Lady Darby mysteries and decided to set the first book in August of 1830, I always hoped the series would last long enough for the characters to reach the year 1832. But while I was aware that my characters would eventually have to wrangle with the cholera epidemic that struck Britain beginning in late 1831, I had no idea I would be writing about it while enduring a new pandemic in our time—nor could I have predicted how my own personal experience with a pandemic would inform not only my understanding of the past but also our present predicament.

First I had to confront the methods used for controlling a pandemic and treating disease in 1832 and how they differ from those we utilize today. Our scientific and medical knowledge has progressed immensely in 188 years. For one, we now understand that viruses and infections like cholera are caused by germs and not by miasmas.

In 1832, miasma theory was the predominant medical theory held by the brightest minds of the age to explain how diseases spread. The belief was that bad, noxious air emanating from things like rotting corpses, marshy land areas and other putrid matter actually released vapors that caused people to fall ill. This “influence in the atmosphere” was also believed to afflict those who had weakened themselves by exposure to certain behaviors, places or “exciting causes.” These theories promoted the idea that only people of “irregular habits” should fear diseases like cholera. So in addition to avoiding noxious air, doctors prescribed preventatives that were supposed to keep you from contracting dreaded diseases.

One of the most useful measures was the establishment of the first Central Board of Health, which was based in London with branches in other cities throughout Britain. The World Health Organization and the Center for Disease Control are the modern equivalents of these Boards of Health. Also, much like the regular televised coronavirus briefings held in 2020, the 1832 Central Board of Health published the Cholera Gazette to disseminate information to the public in an organized manner. Broadsides were posted that advised people of what foods to eat, how to clean themselves and their homes, and how to be mindful of the weather and the suitability of their clothing. Buildings in infected areas were even cleaned and whitewashed.

Quarantine measures were rarely recommended because cholera didn’t seem to spread by contagion but by personal contact. Contagionism was a precursor to germ theory, so it conflicted with the accepted concept of miasmatism. Quarantine was unlikely to have been effective anyway because the bacteria that causes cholera is not airborne like the virus that causes COVID-19. We now know that the reason cholera outbreaks kept recurring despite all the Central Board of Health’s efforts was that they failed to address the true source of the disease: open cesspools throughout communities.

It wasn’t until 1854, when Dr. John Snow was able to trace the source of a single cholera outbreak in London to a specific water pump, followed by a decadelong fight for germ theory to overtake miasma theory, that the real cause of cholera was pinpointed and accepted. Once significant sanitation improvements were made and uncontaminated water supplies were created, cholera became largely eradicated from many parts of the world, though areas without these two crucial elements still struggle with the disease.

While writing for an audience now familiar with the masking and social distancing protocols of the COVID-19 pandemic, it was important to communicate the differences in methodology between the medical community of 1832 and today. However, the feelings of dread, fear and misgiving that people experience during such times of crisis were as present in the past as they are today. The desire to make sense of such a calamity, to understand its cause and to draw some sort of meaning from it, was just as strong. 

Some people in 1832 found healthy ways to grapple with these issues and emotions, while others responded with anger and vitriol. Pamphlets from the time railed against people’s sinful natures and called on the government to change laws to save people from their own iniquities, correlating the concept of contagion with the idea that cholera was divine punishment for intemperance and immorality. Others even blamed doctors for allowing or causing people to die of cholera so their bodies would be available for dissection in anatomy schools. This fear ultimately resulted in violent cholera riots throughout Britain and Europe. 

But not everything that can be gleaned from our study of past pandemics is dire or disheartening. In fact, there is great comfort to be found in realizing we have been through difficult times like this before, and we’ll get through them again. Chaos and uncertainty may reign for a time, but humanity will eventually prevail. Science and social understanding will be advanced. We’ll emerge with a better understanding of the past, and hopefully of ourselves and others. As an author, I now have a greater empathy for the characters who inhabit my pages and the misfortunes I inflict on them.

Anna Lee Huber shares what it was like to write about the cholera epidemic of 1832 while the COVID-19 pandemic was affecting her own life.

Behind the Book by

Brian Klingborg’s Thief of Souls follows Inspector Lu Fei as he hunts a serial killer operating around a tiny town in northeast China. In this essay, Klingborg explores his enduring fascination with China and the unique combination of factors that make it a perfect setting for a mystery.


I first visited China in the summer of 1987 and took a three-week odyssey by sleeper train from Guangzhou to Nanjing, Shanghai, Xian—home of the famous terra-cotta warriors—and finally to Beijing.

Despite economic reforms launched in 1978, the country seemed caught in a time warp during that hot, humid summer. Most businesses remained state-owned, and the nefarious “iron rice bowl” system was in full effect—many workers enjoyed job security, but low wages and a lack of merit pay led to poor motivation.

Like the country itself, Shanghai was frozen in time. Grandiose European buildings dating to the late 19th and early 20th centuries lined the Bund but were mostly derelict. Beijing was a city of expansive highways, nearly devoid of vehicles. The pickings were slim in food aisles. If you wanted chocolate or other import items, you had to go to a “Friendship Store”—where no Chinese citizens were allowed to shop—and pay with “foreign exchange certificates.” Tiananmen Square was vast and empty, and viewing Mao’s corpse required only a short wait in line.

My, how times have changed . . .

Shanghai is now a city of towering skyscrapers and blinding lights. Private industry is booming, and upward mobility is the name of the game. Foreign goods are widely available, and judging from the Louis Vuitton handbags and designer clothes in evidence, people have the money to pay for them. Beijing’s roads are clogged with stop-and-go traffic, much of it consisting of imported luxury cars. And you can forget about visiting Mao—the line currently stretches for what seems like the entire length of the Great Wall.

These dazzling changes signify a rapid period of Chinese growth, a trend that, if it continues, may see the nation become the world’s foremost political, economic and military power. For some, this is a frightening prospect.

A rising China is the setting of my new novel, Thief of Souls, in which a Chinese police officer investigates a bizarre murder in a small northern town and runs afoul of local Communist Party bosses, corrupt business interests and a truly deranged murderer.


ALSO IN BOOKPAGE: Read our review of Thief of Souls.


In writing Thief of Souls, I had several goals in mind. I hoped to create a compelling mystery that did justice to a unique culture and people that many westerners are only familiar with through negative references. I wanted to explore the pressures and paradoxes Chinese citizens face as their society and way of life undergo radical transformation. And last but not least, I figured it was high time I leveraged the 30-plus years I spent studying Chinese history and religion into something productive!

I drew on my own academic background and the four years I spent living in Taiwan, three of those working locally for a Chinese company, as well as many later years of professional and personal travels to the region. I also conducted scads of research. And I was very aware that, as someone who is not Chinese, I had a solemn responsibility to base my story on a factual framework and to feature characters of flesh and blood rather than cardboard cutouts.

I hope readers enjoy the mystery and suspense of Thief of Souls but also see a kindred spirit in the daily challenges faced by many Chinese citizens—and their aspirations for a better future.

After all, as the old saying goes: “Within the four seas, we are all one family.”

 

Author photo by Lanchi Venator

Brian Klingborg explores his enduring fascination with China and the unique combination of factors that make it a perfect setting for a mystery.

Behind the Book by

In 1942, the rights to Arthur Conan Doyle’s Sherlock Holmes stories passed from 20th Century Fox to Universal Studios. Rather than continue to tell the adventures of Holmes and Watson in their original Victorian setting, Universal had the unorthodox but brilliant idea to bring Holmes and Watson into then-contemporary London, which added a jolt of modernity to Conan Doyle’s work and gave the war-weary British public a chance to see the heroic detective battling the Nazis on the silver screen.

Robert J. Harris’ A Study in Crimson takes its inspiration both from those films and the original stories. The result is a World War II-era adventure in which the iconic sleuth must hunt down a copycat of Jack the Ripper. In this essay, Harris explores how this unique fusion of literature, film and history came to be.


"The name of Sherlock Holmes will always be associated with a hansom cab racing through the fog-bound streets of Victorian London—but suppose he had been born later. Just imagine if he had been there when his country most desperately needed his help."

This is how I might have introduced A Study in Crimson if the concept of Sherlock Holmes in World War II had been my own invention. But it was Universal Pictures who in 1942 brought the detective forward in time in Sherlock Holmes and the Voice of Terror, the first of a classic series of 12 films starring Basil Rathbone. This was done with the full approval and support of the Conan Doyle estate. In fact, Conan Doyle’s son Adrian Conan Doyle declared this to be the best Sherlock Holmes film ever made. One might argue accordingly that these new adventures have much more of a claim to be an official part of the Holmes legacy than many of the other pastiches on the market.

All of this was in my mind when the idea occurred to me of adapting this version of the character for a novel. I grew up watching these films on television, and Basil Rathbone has always been my Sherlock Holmes, with his faithful Watson played by Nigel Bruce. Watching them in later years with my own children, I was struck by how seamlessly the transition from Victorian times to wartime London was made. This was due in great part to the fact that Rathbone and Holmes were already well established as the duo in two earlier Victorian-set movies and a very popular radio series.

In recent years, I have written three novels for younger readers in my Artie Conan Doyle Mysteries. In these, I imagine the young Conan Doyle having a series of adventures that will later inspire the creation of Sherlock Holmes. One of the most important aspects of these stories for me was that the mysteries should be worthy of the great detective himself. This naturally brought to my mind the notion of writing a Sherlock Holmes novel, but what held me back was that there are already so many Holmes pastiches out there, and that unless I had a different approach, there would be little point in my adding another.

Then one day my eye lighted upon my boxed set of the Basil Rathbone Holmes films. The producers, writers and directors of those films had managed to transfer Holmes to the 1940s while still retaining all the qualities that make him so memorable. Would it be possible, I wondered, to do the same thing in a novel?

I was very taken with the idea, but it was some weeks later before I had my plot. I was leafing through a Sherlockian biography of Holmes when I came to a chapter on Jack the Ripper. Holmes and Jack have confronted each other a number of times in books and on screen, and it occurred to me that the blacked-out streets of London provided a perfect setting for a new Ripper, one who called himself Crimson Jack. This would not only present Holmes with a worthy case but would also maintain a strong connection with the character’s Victorian roots.

I hope readers will be hugely entertained by the result, and perhaps even be ready for a further adventure.

 

ALSO IN BOOKPAGE: Read our review of A Study in Crimson.

How a classic film series and a legendary killer inspired Robert J. Harris' new Sherlock Holmes adventure.

Review by

Straddling the line between suspense and historical fiction, Lori Rader-Day’s Death at Greenway is an unsettling murder mystery that gives readers a nuanced look into life on the British homefront during World War II. 

Student nurse Bridget “Bridey” Kelly made a horrible mistake on duty, resulting in the death of an officer in her care. Her only hope for redemption is to take an assignment caring for 10 children who are being evacuated from London and sent to Greenway House, the country home of Agatha Christie. Christie makes only the briefest of appearances, although her library of books on murder makes for a chilling backdrop.

Like the children, Bridey experiences the effects of PTSD, so she struggles to care for them, especially when her fellow nurse, Gigi, proves to be less than enthusiastic (or knowledgeable). From the moment they settle into Greenway House, things feel amiss. Items go missing, and one of the children reports seeing a man lurking outside at night. After a body washes up in the quay, Bridey is asked to help and realizes the victim’s injuries were the result of homicide, not accidental drowning. All the while, the mysterious Gigi’s stories of her life before Greenway House fail to add up. When she goes missing, Bridey knows something foul is afoot.

Told from multiple perspectives (even those of individual children), Rader-Day’s novel is in many ways a portrait of grief and trauma. Each character is suffering due to displacement, rationing and German bombings. There are no real monsters, just people forced into circumstances they never thought possible. Bridey is a particularly compelling character—the reluctant detective, longing to move on with her life, but unable to let sleeping dogs lie.

Far from a cozy mystery, Death at Greenway is as taut as a bow string, with every character capable of snapping at a moment’s notice. 

Far from a cozy mystery, Death at Greenway is as taut as a bow string, with every character capable of snapping at a moment’s notice.
Behind the Book by

A glamorous dinner party goes horribly wrong in Tess Little’s debut novel, The Last Guest. The host, ostentatious director Richard Bryant, ends up dead and all the guests are suspects. So far, so Agatha Christie, but Little draws from the novel’s setting in the Hollywood Hills to cinematic effect, using the tropes of classic film noir and more modern, surrealist thrillers to create something entirely her own. If you find yourself wanting to watch a movie after finishing The Last Guest, Little has five perfect pairings in mind. 


It would be impossible to distinguish all the influences on any novel—as impossible as unmixing paint or lifting brushstrokes from the canvas. But those that had the greatest impact will always loom large in the writer’s mind. My debut novel, The Last Guest, is set in Los Angeles, and so I often reached for films while seeking inspiration. Who could paint a portrait of that city without wielding the color and texture of cinema?

The Invitation (2015), directed by Karyn Kusama

The Invitation is a masterful, slow-burning character study that explores grief, survival and unravelling social norms. As a horror film, it largely differs from my novel, a murder mystery. But their premises mirror each other closely—a home perched in the Hollywood Hills, an intimate dinner party, the mounting tension and creeping dread. As I was writing The Last Guest, my thoughts kept returning to the winding road in the opening scene, leading the protagonist towards his ex-wife’s house and the horrific night awaiting him there.

Mulholland Drive (2001), directed by David Lynch

Darker and more surreal than Sunset Boulevard, neo-noir Mulholland Drive was another film that sat with me as I wrote. The Last Guest is less of a dreamscape, more firmly rooted in reality, but the rich colors, underlying unease and ugly Hollywood truths of Lynch’s masterpiece were hanging over me nonetheless.

The Octopus (1928), directed by Jean Painlevé

If the 2020 runaway hit documentary My Octopus Teacher had been released before I wrote The Last Guest, it would certainly have provided inspiration for Persephone—the giant Pacific octopus who appears in the novel. As it was, I had to search for the creatures elsewhere, and found the silent, underwater films of French director Jean Painlevé online. In The Octopus, the strange anatomy of this alien animal is presented in black and white, tight close-ups giving a detailed study of how octopuses crawl, climb and jet through the water, how their siphons inflate to breathe and how their skin cells change color to camouflage.

Play it as it Lays (1972), directed by Frank Perry

Joan Didion’s spare, exacting prose has long served as an example for my own writing, and so too did Play it as it Lays, the film based on her novel of the same name. Protagonist Maria drifts through LA in an existential emptiness, taking long, lonely drives, much as my novel’s narrator, Elspeth, does. The sun is shining, as are the cars, the teeth, the oversized shades—but it all means nothing to Maria.

Sunset Boulevard (1950), directed by Billy Wilder

Any thriller set in LA will naturally be inspired by classic film noir, and Sunset Boulevard has everything you could want from the genre: a body floating in the swimming pool, a decaying mansion, directors and former silent movie stars playing themselves, even a chimpanzee funeral. While The Last Guest doesn’t feature an oil painting that lifts to reveal a cinema screen or a dead chimp, my own version of 10086 Sunset Blvd. does contain a pet octopus—and a projector screen that rolls down over its aquarium.

Tess Little’s sumptuous debut thriller takes as much inspiration from Agatha Christie as it does from its setting in the Hollywood Hills. Here’s what to watch after reading 'The Last Guest.'
Feature by

When you launch your search for a chilling suspense novel to read on vacation, why limit yourself to the tried-and-true favorites? Many new authors are trying their hands at whodunits this season, and I’ve found four whose debuts are great candidates for your summer reading list.

You have to love a story that sets its entire tone in the first sentence: “The shovel has to meet certain requirements.” And, in a mystery novel at least, where there is a shovel, can a burial be far behind? With his debut novel, Bad Things Happen, author Harry Dolan has channeled the great noir mystery novelists like James M. Cain and Jim Thompson. He has crafted a sly and suspense-filled tale set in the environs of a mystery periodical, Gray Streets. The stories in Gray Streets follow a simple formula: plans go wrong, bad things happen, people die. But then real life for our protagonist David Loogan starts to look a lot like a plot for a story in Gray Streets when he gets roped into helping his boss dispose of a corpse. And quickly, plans go wrong, bad things happen, people die. And let me say this: the characters in Bad Things Happen are masters at telling lies. There are layers upon layers of deceit, several murders, a veritable Pike’s Place worth of red herrings and a convoluted storyline guaranteed to intrigue. Oh, and if you can guess the culprit(s), you’re better at this than I am!

Escaping the past
By most measures, it would be difficult to like a character, who, by page 13, has shot and killed his longtime friend and mentor simply to save his own skin. Still, even if you don’t exactly like Paul Dark, you cannot help but be drawn into his machinations as he desperately tries to cover his tracks and distance himself from treason charges in Jeremy Duns’ cracking debut thriller, Free Agent. The tale begins in the closing days of WWII, when Dark was a young secret agent tasked with the clandestine execution of Nazi war criminals. Seduced by a comely young Georgian (that’s Georgia as in “Back in the USSR,” not as in “Georgia on My Mind”) nurse, Dark is recruited as a double agent for Mother Russia. Fast-forward 20 some years: a KGB officer, eager to defect to the West, has a piece of valuable information to trade for asylum—the identity of the British double agent embedded all those years ago. Dark must go into cleanup mode, and fast. All the players seem to have agendas within agendas, leaving the reader to wonder just who is playing whom, and how, and why. A diabolically clever novel that will keep you guessing until the final moments.

Be careful what you wish for
It is easy to look at the lives of others and think, if I could be like them (or have their stuff or date their girlfriend), then I would be happy. For Jay Porter, the protagonist of Attica Locke’s debut thriller Black Water Rising, the pie-in-the-sky dream was to be a lawyer, no easy feat for a young black activist in the 1970s. He has pulled it off, but it isn’t bringing him the recognition and financial security he had hoped for. His clients are “B-list” at best: his major case at the moment involves a young escort allegedly injured while plying her trade in a moving car, resulting in an epic denouement featuring a crash into a phone pole. It is not the sort of case of which dreams (or careers) are made. It scarcely matters, though, because Porter’s life is about to take a turn he could not have anticipated in a hundred years: he saves a drowning woman, and in doing so, unwittingly becoming a pawn in a deadly game involving a warring union, some good-old-boy oilmen, and the power elite of Houston. Locke could easily be compared to T. Coraghessan Boyle, Walter Mosley or Dennis Lehane: for one thing, she is in their class as a wordsmith, but more than that, she locks into a tumultuous period of American history, reflecting the social class structures and their attendant injustices through the eyes of her protagonist. Black Water Rising is an excellent book by any measure, but as a debut, it is nothing short of astonishing.

Fighting crime in a sleepy Amish town
I almost didn’t read Linda Castillo’s debut suspense novel, Sworn to Silence—a novel about an Amish cop in Ohio, penned by a former romance novelist, for heaven’s sake—until I happened to glance at the back cover, where I found exceptionally complimentary blurbs from Alex Kava, Lisa Scottoline and C.J. Box, three writers I admire greatly. I’m afraid I am as much a sucker for a good blurb as the next guy, so I decided to give the book a try. Painter’s Mill police chief Kate Burkholder is a “lapsed” Amish woman living outside the enclave, shunned by the Amish community for having embraced modern ways. She is a good choice for police chief, however, with strong law enforcement skills and an insider’s knowledge of the Amish language and people. When a series of murders rock sleepy Painter’s Mill, they strongly resemble four unsolved rape/murders of 16 years before, even down to details—which were suppressed in the original case. But that cannot be, for that killer is long dead—Kate knows that for a fact. Or does she? Kate will have to dredge up (literally) a skeleton from her distant past if she is to have any hope of solving the current batch of murders, and keeping the perpetrator from killing again. With high suspense, just a bit of romance and a very clever villain, Sworn to Silence is a rare example of a book that can be judged by its (back) cover.
 

When you launch your search for a chilling suspense novel to read on vacation, why limit yourself to the tried-and-true favorites? Many new authors are trying their hands at whodunits this season, and I’ve found four whose debuts are great candidates for your summer reading…

Feature by

With more and more new writers getting published each month, it’s sometimes daunting to decide which newly minted authors to add to your reading list. From historical novels to literary fiction to mysteries that will keep you up all night, here’s a look at the best debut fiction of the season.

SUSPENSEFUL FAMILY DRAMA

The basic plot of The Swimming Pool sounds like a soap opera: A devoted wife and mother of two is murdered. Shortly after, her husband—a suspect—dies in a car accident. Seven years later, the son of the dead couple has a steamy affair. His lover? The woman who was his late father’s mistress.

Under Holly LeCraw’s spell, what could have been pure pulp is instead a passionate and suspenseful family drama and murder mystery, set during the sultry summertime of Cape Cod. LeCraw skillfully alternates between past and present, allowing the reader to observe Marcella Atkinson’s affair with Cecil McClatchey; the consequences it has on both her family and his; and her later relationship with Jed, Cecil’s son.

The aftermath of betrayal and the cost of passion loom large in the story’s background. Did Marcella and Cecil’s affair cause the death of Cecil’s wife, Betsy? Was Marcella’s temporary happiness with Cecil worth disrupting the lives of her family? Is it possible to find happiness after horrific events?

Although LeCraw’s descriptive prose is sensual and worth savoring, readers will whip through The Swimming Pool, eager to find out what really happened on the night of Betsy’s murder. At the novel’s conclusion, they’ll relish the fact that LeCraw is a debut author—how thrilling it is to anticipate what she’ll come up with next.

—Eliza Borné

BEHIND THE FREAK SHOW

To the modern thrill-seeker, the main event of P.T. Barnum’s Circus may be the strangely trained animals or death-defying stunts. The original circus, however, began with a much humbler lineup, as “A Museum of Curiosities” in New York City in the mid-1800s.

In The Transformation of Bartholomew Fortuno, readers get an inside peek at the lives behind the freak show, home to skeleton men, oversized beasts and bearded women. But the performers in Barnum’s sideshow are real people, complete with genuine struggles, emotions, ambitions and love lives. The story’s protagonist, Fortuno, or “Barthy,” is one such multifaceted character.

After meeting a new addition to the cast, Mrs. Iell Adams, Barthy’s tiny world is widened by his own curiosity. Intrigued by her alluring look, he begins to question his own “talent,” asking himself for the first time if he has chosen his life or if it has chosen him.

Trudging through his doubt, he follows the impulses of his newfound feelings, sometimes to his own detriment, and often leaving others in the wake of his decisions. Beginning as a troubled soul who rarely stopped to dwell on the past or realize the implications of the present, Barthy emerges transformed by the twists and turns of his true self-discovery.

Bryson’s writing invites readers directly onto the showroom floor with her apt descriptions of the culture surrounding the Museum life. She’s done her digging—and it’s clear in her detailed portrait of the complexities and conflicts of a life behind glass. This is an apropos end-of-summer pick for the historian and/or the endlessly curious. Whether or not they’re familiar with Barnum and his enterprise, readers will find much to appreciate in this story about the life-transforming power of love.

—Cory Bordonaro

THE DEPTHS OF LIFE AND DEATH

One of the hallmarks of Alzheimer’s disease is the tangling of the fibers used for sending and receiving neural messages, particularly in the regions of the brain associated with memory. As one of the leading researchers into the biological prevention of Alzheimer’s, Victor Aaron can identify all the signs of the disease with textbook precision, but it is only upon losing his wife in a car accident that he truly begins to understand the fickle and fleeting nature of memory.

In Rosecrans Baldwin’s You Lost Me There, Victor has memorialized his marriage as picture-perfect, but when he stumbles upon his wife’s private reflections on their relationship, recorded for their therapist, he begins to realize just how incompatible his own perceptions of the relationship are relative to his wife’s. As he delves deeper into Sarah’s recollections, Victor finds himself increasingly overcome with grief as he struggles to reconcile his memories of their grand romance. With the dawning understanding that “you never know what lurks beneath people, even when they’re perfect on paper,” Victor finds he must mourn Sarah all over again.

Unrestrained yet elegant, You Lost Me There is a powerful meditation on the all-consuming nature of grief and the power of memory as both redeemer and destroyer. A novel of contradictions, it plumbs the depths of life and death, sense and sentimentality, youth and maturity—all while tackling the big quandary of how we can hold on to the past while moving forward. This is a novel for which all the romantic intellectuals of the world will rejoice, as Baldwin proves there can be such a thing as a cerebral author who writes with his heart.

—Stephenie Harrison

SECRETS OF A SCOTTISH TOWN

The post-WWII town featured in A.D. Scott’s enjoyable novel is not a happy place. The weather in this Scottish Highlands village is often dismal and the people are hidebound, which leads too often to downtrodden women, mistreated children and a reflexive distrust of strangers. Then a little boy dies. At first it’s assumed that his death was accidental, but the town is gripped by horror as it’s revealed that the child was murdered. Who could have done such a thing?

The crime is of special interest to the staff of the Highland Gazette: Joanne, the typist, married to a brute who beats both her and their children; Rob, the charming cub reporter; McAllister, the editor-in-chief; and McLeod, “the subeditor and all-around fusspot know-it-all.” As the mystery of the boy’s death grows more tangled and frustrating, it’s McAllister who finds a possible clue to solving the crime in a secret trauma he’s been nursing for years.

Scott shows us that many in the town have secrets. Some are trivial, like the secrets children keep to stay out of trouble. But some are monstrous. Scott not only captures the townsfolk’s insularity and way of speaking, but writes beautifully about the natural world that surrounds them.

Written with humor, compassion and a fine sense of tragedy, A Small Death in the Great Glen is the first in a series by this promising new author.

—Arlene McKanic

THE MULTICULTURAL EXPERIENCE

Shoko was eight years old when American bombs fell on Nagasaki; she and her family experienced the repercussions from that day throughout their lives. Her younger brother Taro grew up hating all Americans, so when Shoko decides to try to “better” herself by marrying an American GI, Taro vows he will never speak to her again.

After relocating to the States with her new husband, Shoko struggles to become an American. She is aided by a book given to her by her mother when she left Japan, How to Be an American Housewife, but still finds it difficult to fit in. Margaret Dilloway, whose own mother was Japanese, writes perceptively about the neighbors who never visit, the classmates of Shoko’s daughter, Sue, who laugh about her mother’s accent, and PTA meetings where Shoko is painfully out of place.

Years later, in San Diego, Shoko has a weak heart, and knows she may die before she has the necessary operation to repair it. She longs to visit Japan once again and reconcile with Taro—“the only one who knew me, the real Shoko.” She asks Sue (now a divorced mother of precocious 12-year-old Helena) to go to Japan in her place—to try and find her uncle Taro. Sue agrees to go, Helena in tow; their journey becomes a revelation, in a myriad of ways. Sue learns things about her mother’s culture she had never heard of, finds cousins she never knew she had and comes to realize how much her Japanese roots really mean to her—and to Helena.

In this emotionally rich debut, Dilloway delves into all familial relationships: mother-daughter, father-son, husband-wife and sister-brother—each one both complicated and enriched by the added ingredient of the multicultural experience. Readers will easily relate to her touching, often humorous story of the way unbreakable family ties can stretch over decades, and from one generation to another.

—Deb Donovan

A ROAD TRIP WORTH THE RIDE

Bill Warrington, a cantankerous old man with Alzheimer’s disease, believes he has one last shot at something. But as the story unfolds, we see that every character has one last chance to drop the baggage from their angry past. All that is a bit iffy, however, since the key to bringing about a happy ending depends on a crusty grandfather on the brink of forgetting what he was trying to achieve in the first place.

Enter Bill’s granddaughter, April, a typical teenager looking for any chance to escape her tightly wound mother. And escape she does after yet another argument at home followed by a bit of luck. As it happens, Bill is ready to hit the road for one last hurrah in his ancient Impala.

In April’s eyes, this road trip’s purpose is to fulfill her dream of making it to California to become a rock star. But Bill has a secret or two. His plans for this trip are to reunite his feuding sons and his domineering daughter, April’s mother. But as the odometer miles add up, it becomes clear to April that Bill may not be able to pull off this shenanigan with his mental stamina fading faster every day. And how is a 15-year-old, alone and far from home, supposed to handle this deteriorating geezer while helping him achieve a highly unlikely reconciliation?

Bill Warrington’s Last Chance turns out to be quite a ride for all the characters involved—and it proves that taking a chance may not turn out exactly as you had planned, but it’s darn worth a try.

—Dee Ann Grand

 

A BUOYANT BEACH READ WITH HEART

Susanna Daniel’s Stiltsville is rooted in a community of stilt houses towering above Biscayne Bay, Florida, where the author spent much of her childhood. Daniel masterfully evokes the sticky Miami heat and refreshing ocean breezes, but there is so much more to these pages than fetching seaside images. Daniel’s characters are emotionally complex and so believable that Stiltsville almost reads as a memoir rather than a work of fiction.

The book’s beating heart is Frances Ellerby, whom readers follow on a moving journey that hits all the milestones: marriage, parenthood, trying illness, burial of loved ones and the highs and lows in between. Frances shares the spotlight with her attorney husband Dennis, only daughter Margo and son-in-law—with whom she chaffs—Stuart. On the periphery are Dennis’ parents and sister, characters that aid in relaying a story of unwavering familial support and friendship.

Daniel strikes a perfect balance of wit, weakness and tenderness in Stiltsville. As Frances raises a daughter, contemplates infidelity and cares for an ailing husband, her values are challenged and ultimately defined. It is not as light as other beach reads on the market, but Stiltsville emerges wonderfully buoyant.

—Lizza Connor Bowen
 

 

With more and more new writers getting published each month, it’s sometimes daunting to decide which newly minted authors to add to your reading list. From historical novels to literary fiction to mysteries that will keep you up all night, here’s a look at the…

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Whether you’re shopping for a serious scholar or an armchair academic, a mystery addict or a collector, we have a title for every bibliophile on your list. Stuff a stocking with one of the books below, and you’ll look smart this holiday season.

INSIGHTS OF A FAMOUS WIFE
Offering the inside scoop, so to speak, on what it’s like to live with a moody, complicated genius, The Diaries of Sofia Tolstoy, translated by historian Cathy Porter, provides readers with the rest of the story regarding one of Russia’s greatest writers. Sofia Behrs married Count Leo Tolstoy in 1862, when she was 18. Documenting their 48-year union, her fascinating diaries span five decades and chronicle events both personal and political. The daughter of a doctor, Sofia was smart and spirited, and she turned to journaling for both expression and confession. Tolstoy also kept a journal, and the two often shared their writings, no matter how hurtful the content.

As Sofia’s diaries make clear, the couple had a tumultuous relationship. Although she bore Tolstoy 13 children and supported him in his work, copying out his manuscripts and overseeing their domestic affairs, he was often cold and neglectful, and Sofia’s journals are filled with angst-ridden entries that describe her struggles to negotiate their shared life. Written with precision and earnest emotion, the diaries reveal the daily dramas—family quarrels, illnesses and financial concerns—that enlivened the Tolstoy household, and they show that Sofia was an accomplished artist in her own right. Featuring an introduction by Doris Lessing, this volume will strike a chord with both history buffs and literature lovers.

UNDER THE INFLUENCE
The title says it all: Writers Gone Wild: The Feuds, Frolics, and Follies of Literature’s Great Adventurers, Drunkards, Lovers, Iconoclasts, and Misanthropes catalogues notorious moments in the lives of famous authors. Compiled by journalist Bill Peschel, this tantalizing collection of true anecdotes documents a different kind of literary history—one of scandal and abandon, packed with scenes worthy of a bestseller. Peschel offers what amounts to mug shots of the literati, as he recounts incident after unbelievable incident: There’s Norman Mailer stabbing his wife, Adele, at the close of a night of carousing, and Theodore Dreiser slapping Sinclair Lewis during a formal dinner that becomes a bit of a brawl. Taking it to the streets are J.P. Donleavy and Brendan Behan, who duke it out on a London sidewalk.

Of course, the vino flows liberally throughout Peschel’s book, providing fuel, in most cases, for each writer’s act of passion. Peschel has organized the proceedings into chapters (“Public Embarrassments,” “Unfortunate Encounters,” “Fight Club”—you get the picture) and includes recommendations for further reading. An artful writer, he presents each priceless nugget of trivia with style and flair. Bibliophiles will love this enormously entertaining look at authors who succumbed to the very impulses they wrote about. When life imitates art, look out!

THE BEST AND THE BRIGHTEST
The Updikes and Munros of tomorrow are featured in 20 Under 40: Stories from The New Yorker, a terrific new collection compiled by Deborah Treisman, the magazine’s fiction editor. Proving that the short story form is as vital as ever, the volume presents a talented new generation of writers, all under the age of 40, whose work was showcased in the magazine this past summer.

The narratives are wonderfully varied, and the roster of authors is diverse. David Bezmozgis and Dinaw Mengestu, both transplants to the West, contribute powerful tales of the immigrant experience. Innovators Téa Obreht and Jonathan Safran Foer push the boundaries of the genre in stories that surprise, while ZZ Packer and Wells Tower use narrative voice as the foundation for their rich explorations of character. Bringing humor to the table, Joshua Ferris and Gary Shteyngart offer sharply realized satires.

The New Yorker has a reputation for fostering great fiction writers. With 20 Under 40, the magazine continues its tradition of spotlighting authors with fresh styles and exciting visions. Readers concerned about the state of literature in this digital era can rest easy: As 20 Under 40 demonstrates, the future of fiction looks bright.

’TIS THE SEASON OF SUSPENSE
Get ready for poisoned sugarplums and Santas who sleuth. Christmas at the Mysterious Bookshop, edited by Otto Penzler, offers readers a different kind of Yuletide yarn. Penzler, a connoisseur of suspense fiction, owns the esteemed Mysterious Bookshop in New York City. Every year, come Christmas, he solicits a story from one of his partners in crime—i.e., some of the most popular mystery writers working today. For guidelines regarding plot and character, Penzler offers only the following: Each narrative should take place during the holidays, be centered around a mystery and use as its setting—for at least a few scenes—his shop.

Penzler started this spine-tingling tradition in 1993, publishing the tales as limited-edition pamphlets, which he gave to his customers as gifts. Christmas at the Mysterious Bookshop brings the stories together for the first time in one volume. The 17 contributions include diverting whodunits and sophisticated crime dramas, as well as narratives written with good old-fashioned fun. Featuring pieces by Ed McBain (“I Saw Mommy Killing Santa Claus”), Donald Westlake (“Give Till It Hurts”) and S.J. Rozan (“The Grift of the Magi”), this roundup of holiday tales with a sinister twist is the perfect gift for the mystery lover on your list.

CRIME FICTION'S IT GIRL
Movie fans and fiction lovers alike have Lisbeth on the brain—Lisbeth Salander, that is. The heroine of Stieg Larsson’s Millennium Trilogy, Lisbeth is equal parts guerrilla girl and math geek—a street-smart genius with a knack for hacking who uses her computer skills to take on the baddies of Swedish society. Her adventures, chronicled in Larsson’s trio of bestsellers, The Girl with the Dragon Tattoo, The Girl Who Played with Fire and The Girl Who Kicked the Hornet’s Nest, have bewitched readers around the world.

Coinciding with the holidays is the arrival of the Millennium Trilogy Deluxe Boxed Set, a handsome slip-cased collection that will provide fans with an extra Lisbeth fix. The set contains new hardcover editions of the three novels, which have been outfitted with a fresh design that includes maps, unique engravings and one-of-a-kind endpapers. Rounding out the collection is On Stieg Larsson, a volume of previously unpublished essays and correspondence with the author, who died in 2004. With more than five million copies in print, Larsson’s thrilling trilogy has turned Lisbeth into the queen of crime fiction, and her story gets the royal treatment here. This lavish set is a must-have for Millennium devotees and readers in search of suspense.

Whether you’re shopping for a serious scholar or an armchair academic, a mystery addict or a collector, we have a title for every bibliophile on your list. Stuff a stocking with one of the books below, and you’ll look smart this holiday season.

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Do you prefer your fiction pulse-pounding, heart-wrenching, sprinkled with belly laughs or loaded with hairpin twists and turns? These new inspirational fiction titles offer something for everyone and are sure to deliver.

As if the complicated emotional relationships between animals and humans weren’t enough to stir the soul, Neil Abramson adds a harrowing twist of legal suspense to his moving first novel. Hauntingly told through the voice of a dead woman, Unsaid finds former veterinarian Helena caught between this world and the next as she watches her loved ones and worries about a dark secret she’s taken to the grave. Her widower, David, is still struggling to get back to his law practice, deal with his grief and find a way to care for the many rescue animals (all with their own issues) that Helena had nurtured. 

But David is forced into action when Cindy, a chimpanzee Helena had loved, suddenly becomes the target of a dangerous lab experiment. It is up to David to save Cindy through a harrowing legal battle that (unbeknownst to him) could release Helena from her sad purgatory. Unsaid explores the miracle of sentience in humans and animals, and every character in this story makes heartbreaking mistakes. This compassionate and suspenseful story will remind you to savor every moment of every meaningful relationship you may ever be blessed with—whether human or animal.

LOVE AND MARRIAGE

Whether you’ve read the previous five Bug Man novels by Tim Downs or not, Nick of Time will show you just who Nick Polchak, aka the Bug Man, really is deep down inside. Though Nick is a forensic entomologist who studies insects from murder victims’ remains, this time he faces a much more precarious situation: He’s getting married. And never has Nick Polchak ever been more out of his element. Dead bodies and bugs? No problem. Wedding cake and honeymoon decisions? Run! And whether consciously or unconsciously, he does run—or rather, accepts an invitation from the Vidocq society to attend a forensic specialists meeting just a few days before the wedding ceremony.

Alena Savard, the bride-to-be and a trainer of cadaver dogs, is none too happy about Nick’s sudden departure. Then Nick and Alena, along with several other interesting folks—most of whom are forensic professionals who relish solving dead-end crimes—suddenly find themselves fearing for their lives. Downs uses plenty of humor to expose the quirks of these odd characters. In fact, Bug Man fans might be in for a jolt at the story’s close when the day arrives for Nick and Alena to tie the knot. 

END OF DAYS

Tim LaHaye’s best-selling Left Behind series cast him as an expert on prophetic fiction. The second entry in the End Series, written by Lahaye and Craig Parshall, Thunder of Heaven, does not disappoint. Political squabbling, governments and agencies butting heads, an angry Mother Nature, global warming and unemployment aren’t only today’s top news headlines—they are the bones of this knockdown, drag-out tale that grips readers from the start. 

Almost anyone can identify with Deborah Jordan as she sits in a plane on a tarmac awaiting departure. The hassle of security, boarding and cramped seating just isn’t fun. But unbeknownst to her, her plane—along with several others in other cities departing at the same time—is part of a coordinated attack on America. From there, the pace doesn’t let up until the last page as all the members of the Jordan family do their dead level best to thwart the destruction of our country, in spite of the politically driven media, inept government, soulless terrorists, global threats and enormous personal sacrifice.

A MOTHER’S HOPE

Mark Schultz, an award-winning Christian music artist, has touched millions of hearts with his song “Letters from War.” The song tells an unforgettable story, reminding listeners of the sacrifices our military men and women make for our freedom and the unwavering courage of their families. Now, writing with Travis Thrasher, Schultz has expanded that song into a novel that follows the emotional journey of one soldier’s family, friends and community. Readers get to know one military mother, Beth, who refuses to give up hope even after two years of not knowing whether her son James is being held prisoner, wounded or dead. She finds strength in her faith, continuing to pray and write letters to her son, even as well-meaning friends say hurtful things. The ripple effect of how one missing soldier can change the lives of so many people is vividly portrayed in Letters from War. But most powerful throughout the story is Beth, who continues to give to her family and to her community even though her heart is fighting despair. 

A true master at storytelling, whether in song or in prose, Schultz has written a tale that will bring a tear and lift your spirit, all while honoring the service of our military families. 

 

Do you prefer your fiction pulse-pounding, heart-wrenching, sprinkled with belly laughs or loaded with hairpin twists and turns? These new inspirational fiction titles offer something for everyone and are sure to deliver.

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Literature lovers have cause to rejoice this holiday season, with riches aplenty in the way of new releases. Need a gift that will impress your favorite bibliophile? Here’s your cheat sheet for holiday shopping!

Since its debut in 1953, The Paris Review has served as a platform for outstanding fiction. A terrific new collection pairs gems from the journal’s archives with expert analysis. For Object Lessons, 20 of today’s top authors picked their favorite stories from the review and composed introductory essays about each work. The contributors—including Wells Tower, Ali Smith and Jonathan Lethem—offer critical praise and sterling insights into the craft of fiction writing. In his essay on James Salter’s “Bangkok,” Dave Eggers describes the story as “an eight-page master class in dialogue.” For Jeffrey Eugenides, the Denis Johnson classic “Car Crash While Hitchhiking” succeeds in part because of the author’s instinct for “knowing what to leave out” of the narrative. Object Lessons will appeal to both aspiring writers and lovers of the short story form.

KING OF THE ROAD, AND MORE

Author of On the Road, the 1957 novel that immortalized the edgy, uninhibited nature and questing sensibility of the Beat Generation, Jack Kerouac never seems to lose his allure. Yet, as Joyce Johnson demonstrates in her thoughtful new biography, The Voice Is All, there’s more to the Kerouac myth than meets the eye. Beneath his reckless exterior was a committed artist who took his craft seriously. A former flame of Kerouac’s, Johnson had rare access to her subject, and she draws on personal recollections, important Beat writings and newly available archival materials to create a compelling portrait of the author’s early years, the factors that shaped him as a writer and his quest for an authentic authorial voice. “Jack’s voice was his center,” Johnson says. “Outside that center was chaos.” The Voice Is All is an invaluable biography that gives an icon of cool some well-deserved critical validation.

WHAT WRITERS ARE READING

For bibliophiles, this is bliss: My Ideal Bookshelf, an irresistible new anthology, features the favorite literary selections of more than 100 artists and writers. Providing a peek at the private libraries of David Sedaris, Junot Dí az, Rosanne Cash and other notables, the volume includes brief interviews with the participants, who discuss the significance of their picks. “I derive strength from these books,” Jennifer Egan says of her selections, which include Don Quixote and Tristram Shandy—both narratives that demonstrate “how flexible the novel form is.” Photographer William Wegman chose titles he loved as a kid—science texts, encyclopedias, a Hardy Boys mystery. “These books are nostalgic for me,” he explains. “That’s the spell.” Jane Mount’s stylish illustrations of the selected titles—spines colorfully rendered, typefaces faithfully reproduced—underscore the allure that books possess as objets d’art. My Ideal Bookshelf is a treat from cover to cover.

LETTERS FROM A LITERARY LIFE

While she was editing material for Selected Letters of William Styron, Rose Styron, widow of the acclaimed author, had a revelation about her husband: “I realized that half the endless hours I thought he was working on novels . . . he was actually writing letters.” Spanning almost six decades, the book is an intriguing chronicle of one writer’s interaction with his peers, including Henry Miller, Philip Roth, George Plimpton and Robert Penn Warren. Styron, who died in 2006, earned numerous honors for his fiction, including a Pulitzer Prize for The Confessions of Nat Turner and a National Book Award for Sophie’s Choice. The letters document his student days at Duke University, his steady artistic ascent and his path as a world traveler. They’re studded with classic anecdotes—the stuff from which literary legends are spun. Styron spots T.S. Eliot on a London subway, engages in a verbal brawl with Norman Mailer and locks horns with Harold Bloom, whom he refers to as “a foolish ass of a Yale professor.” Offering an in-depth look at the esteemed author, this collection proves that letter-writing is indeed an art.

A CRIMINAL COLLECTION

Mystery aficionados will be captivated by Books to Die For, a spine-tingling anthology edited by two masters of the genre, John Connolly and Declan Burke. In this one-of-a-kind collection, today’s crime pros offer insights into their favorite works of suspense. The collection kicks off with essays on books that were foundational to the genre (such as The Adventures of Sherlock Holmes), then moves on to the the heyday of hardboiled crime fiction with contributions from David Peace, Michael Connelly and Laura Lippman on classics like Raymond Chandler’s The Little Sister. Moving decade by decade, this expansive anthology offers plenty of surprises. Pieces on Daphne du Maurier’s Rebecca and Donna Tartt’s The Secret History (contributed by Minette Walters and Tana French, respectively) underscore the breadth of the mystery genre and the ingenuity of its practitioners. With essays from 119 authors, Books to Die For will thrill any mystery enthusiast.

NEW LIFE FOR CLASSIC TALE

They’ve been in circulation for two centuries, yet the Grimms’ fairy tales feel more vital than ever. Now, in Fairy Tales from the Brothers Grimm, Philip Pullman, himself a spinner of fabulous stories, retells 50 time-tested favorites. In his hands, the simple magnificence of stories like “Cinderella” and “Rapunzel” shines through. He successfully channels the unsettling mix of innocence and perversity, horror and delight for which the tales are famous. In addition to the standards, Pullman shares less prominent stories, including two spellbinding little selections whose startling titles speak for themselves: “Godfather Death” and “The Girl with No Hands.” Beguiling from beginning to end, Pullman’s skillful retellings will surely enchant the book lover on your gift list.

Literature lovers have cause to rejoice this holiday season, with riches aplenty in the way of new releases. Need a gift that will impress your favorite bibliophile? Here’s your cheat sheet for holiday shopping!

Since its debut in 1953, The Paris Review has served as a…

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It’s always a pleasure to read books by longtime favorite authors, but finding a new writer who can keep you up all night is a special treat. Here are three new voices in crime fiction, each worthy of recognition.

Fina Ludlow could have taken the easy route—a cushy corporate gig with her family’s high-powered law firm—but it had the look of a velvet prison. Instead, she dropped out of law school and hung out her shingle as a private investigator. Grudgingly, her domineering father has kept her somewhat in the fold, utilizing her sleuthing talents whenever they are required for a first-class (read: underhanded) defense of a clearly guilty client. It is a matter of devotion, after all, that defines the family’s values and offers up the title of Ingrid Thoft’s engaging debut, Loyalty. When Fina’s sister-in-law abruptly disappears, the cops focus on the husband, Fina’s older brother Rand, who was seen carrying a large chest to his boat, then sailing off and returning with no chest to be found. Fina senses that there is more here than meets the eye, but she pursues the case out of familial obligation. Her allegiances will be tested, as will her detective skills, for it is likely that someone close to her is singularly undeserving of her loyalty.

ALSO IN BOOKPAGE: Read an interview with Ingrid Thoft for Loyalty.

SUMMER SUSPENSE
Having lamented the disappearance of such complex and haunted stalwarts as John Rebus from the mystery pantheon, let us welcome a wonderfully troubled new entry, Barcelona police inspector Hector Salgado, in Antonio Hill’s The Summer of Dead Toys. The charge against Salgado: police brutality. The fallout: probation and self-imposed exile to his homeland of Argentina. Now, however, Salgado is back, and he needs a far-reaching case to take his mind off the savaged Nigerian girl and the sleazy human trafficker who provoked his uncharacteristically violent behavior. Instead, Salgado’s boss gives him an easy re-entry into the workforce, a no-brainer case of an accidental death (or perhaps suicide) of a young man who fell from an apartment window. That initial assessment doesn’t stand up to close scrutiny, however, and the case files quickly become littered with tales of drug deals gone sour, cover-ups protecting the rich and the resurfacing of crimes long buried. This fine debut will appeal to fans of Nesbø and Rankin, especially ones who enjoy a little Catalonian sunshine illuminating the darker corners of their mysteries.

VIRTUAL SINS
Jonathan Holt’s gripping debut, The Abomination, book one of a planned trilogy, is unique in that it is set in two places in one time—sort of. Both settings are modern-day Venice: one, the beloved city; the other, a brick-by-brick cyber replication courtesy of a website called Carnivia, in which anonymous users can conspire and move information clandestinely throughout virtual Venice without government interference. Meanwhile, a highly unusual murder takes place. The victim is a woman dressed in the sacred robes of a Catholic priest—but the Catholic Church does not recognize female priests, and the corpse becomes known as “the Abomination.” The case is assigned to Captain Kat Tapo, who quickly finds her pursuit leading her in strange directions: to superannuated U.S. military bases, unforthcoming clerics and the convoluted virtual world of Carnivia. The Abomination is a tantalizing debut, a masterful melding of religious mystery, political intrigue and just a bit of fantasy/sci-fi.

It’s always a pleasure to read books by longtime favorite authors, but finding a new writer who can keep you up all night is a special treat. Here are three new voices in crime fiction, each worthy of recognition.

Fina Ludlow could have taken the easy…

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Best-of collections and one-of-a-kind compilations are as abundant as twinkling lights this time of year, and we’ve rounded up a few of the best new volumes. Mysteries, poetry, witticisms, mythology and more—there’s something for all kinds of readers.

Whether writing about the intrusiveness of email or the futility of the war we all wage against aging, Nora Ephron infused her essays with a confidential tone—a comforting, we’re-all-in-this-together quality that made the reader feel select. Ephron, who died last year, was a writer of extraordinary range, a journalist, novelist and author of screenplays who also blogged regularly for The Huffington Post. Her many dimensions are generously represented in The Most of Nora Ephron, an expansive new collection that, once dipped into, quickly becomes addictive.

Along with choice cuts from her acclaimed collections I Feel Bad About My Neck and I Remember Nothing, the book includes Ephron’s best-selling novel, Heartburn; the never-before-published play Lucky Guy; and the complete screenplay of When Harry Met Sally. . . . What’s not to like about this terrific anthology? As a compassionate commentator on the absurdities of everyday experience, Ephron is unrivaled. To read her is to love her.

MERRY LITTLE MYSTERIES

Otto Penzler, the prime minister of crime fiction, delivers the goods once again with his latest anthology, a collection of holiday whodunits that’ll have you eyeing the department-store Santa with suspicion. The Big Book of Christmas Mysteries is the 12th discerningly curated collection from Penzler, who owns the Mysterious Bookshop in New York City.

The book features 60 Christmas capers, including a number of forgotten and hard-to-find chestnuts. Penzler has sorted the stories into clever categories—pulpy, scary, classic, uncanny . . . the list goes on (who knew that Christmas was such a prime time for crime?)—and the result is a well-rounded anthology that represents the many facets of the mystery genre. There are old-fashioned tales of Sherlockian sleuthing, dark noir dramas and unsettling yarns along the lines of A Christmas Carol. With contributions from Agatha Christie, Damon Runyon, Donald Westlake and Mary Higgins Clark, Penzler’s new compilation is a future classic. Can you crack these Christmas cases? We dare you to try.

THE CLASSICS + GRAPHICS

There’s no denying it: College skirmishes with the masterworks of modern literature left many of us permanently scarred. Fortunately, a corrective has arrived. An extraordinary anthology of art inspired by prime pieces of literature, The Graphic Canon, Vol. 3: From Heart of Darkness to Hemingway to Infinite Jest will make readers forget old grievances and contemplate the classics anew. 

This remarkable anthology—the third in a series created by visionary editor by Russ Kick—focuses on 20th-century literature and features art by more than 70 contributors. It contains graphic adaptations of both time-tested works (“The Waste Land,” Ulysses) and contemporary fare (The Wind-Up Bird Chronicle). High points include Dame Darcy’s hallucinatory take on Blood Meridian: stark, black-and-white drawings that accurately capture the fever-dream quality of Cormac McCarthy’s classic; and selected scenes from Infinite Jest, a group of colorful, in-your-face outtakes by Benjamin Birdie that serve as teasers for David Foster Wallace’s monumental work. A heady trip through the land of high literature, this mad, inspired anthology is sure to lure new readers to the canon while arousing curiosity in those already acquainted with it. 

AN AMERICAN COLLECTION

The latest entry in the much-praised poetry series that started 25 years ago, The Best American Poetry 2013 is a can’t-go-wrong-with-this gift for the literature lover on your list. Guest editor Denise Duhamel, herself an acclaimed poet, chose 75 pieces for this powerful new collection, and many of them articulate unmistakably native mindsets. Stephen Dunn’s bull’s-eye observation that Americans “like to live in the glamour between exaltation and anxiety” is one of many revelatory moments in his poem “The Statue of Responsibility.”

Other selections evoke a distinct sense of place. Emma Trelles’ vivid “Florida Poem” describes the humid, overripe environment of her home state: “ Gardenias swell, / breathing is aquatic and travel / is a long drawl from bed to world.” War—perhaps unsurprisingly—is also a recurring theme in the book. Sherman Alexie’s chilling “Pachyderm” features a Vietnam veteran confined to a wheelchair that’s “alive with eagle feathers and beads and otter pelts” and who has lost a son in Iraq.

A contemporary chronicle of the American experience, this visionary collection also includes poems by Kim Addonizio, Billy Collins, Louise Glück, James Tate, Kevin Young and the late Adrienne Rich.

Here’s to another 25 years of amazing poetry!

ANCIENT STORIES REBORN

In the intriguing anthology xo Orpheus: Fifty New Myths, Aimee Bender, Heidi Julavits, Kevin Wilson and a host of other notable writers re-imagine timeless tales from around the world. Edited by Kate Bernheimer, the collection presents ingenious retellings of a wide range of archetypal narratives, from ancient coyote myths to the story of the Trojan Horse to the tale of Sinbad the Sailor.

Newly interpreted, these classic stories take on fresh resonance for the reader. In “Demeter,” Maile Meloy modernizes the well-known myth, setting it in present-day Montana and giving the heroine a pharmaceutical habit and an ex-husband named Hank. Joy Williams spins an unforgettable yarn from the perspective of Odysseus’ loyal dog in “Argos,” while Elizabeth McCracken updates the terrifying Greek tale of a child-eating demon in “Birdsong from the Radio.” This one-of-a-kind collection serves as a testament to the open-endedness and staying power of great stories—and also to the world’s enduring hunger for them.

Best-of collections and one-of-a-kind compilations are as abundant as twinkling lights this time of year, and we’ve rounded up a few of the best new volumes. Mysteries, poetry, witticisms, mythology and more—there’s something for all kinds of readers.

Whether writing about the intrusiveness of email or…

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Failure and sin, redemption and healing form the backbone of these five novels, much as they do in the Bible that inspires writers of Christian fiction. From thrilling mystery and longed-for relationships to tests of will and heart, these works of fiction highlight God’s grace to man—who desperately needs it.

In Billy Coffey’s The Devil Walks in Mattingly, past misdeeds haunt a husband and wife in a way that blurs the line between the real world and something beyond. The sleepy town of Mattingly, Virginia, recalls Flannery O’Connor with its glimpses of the grotesque and supernatural. In this small town—prone to gossip and an inability to let bygones be bygones—the past and the present collide when heinous crimes are committed and an evil is let loose.

Coffey introduces his readers to Jake and Kate Barnett and their shared demons, centered on a boy named Philip McBride. A third party, a shadowy figure named Taylor, emerges broken from the backwoods that have borne witness to the whole shameful story. Soon the events of 20 years ago press their weight on Kate, Jake and Taylor, and sweep new victims into the arc of pain.

The story unwinds slowly and with a convincing voice that draws the reader deep into the unexplainable. The evil that wreaks havoc on Mattingly shakes many out of their stupor and awakens them to the possibility of forgiveness. Extricating themselves from the darkness of the past will mean bravely forging headlong into it.

FOLLOW YOUR CONSCIENCE
“It’s Andersonville. Men die for no meaning.” Such is the overwhelming impression felt while reading Tracy Groot’s The Sentinels of Andersonville, which focuses on the evils both within and without the infamous Civil War prison. Yankee soldiers died by the thousands in squalid conditions that Groot describes with a deft accuracy, interspersed with historical accounts and journal entries from men who died and men who lived.

A privileged but well-meaning Southern belle named Violet Stiles discovers the shocking abuses at Andersonville. Aided by a possible suitor named Dance Pickett and a Rebel soldier named Emery Jones, who had to deliver his newfound Yankee friend to the prison, they form a society to bring the horrors to light. Their hometown of Americus, Georgia, is not far from Andersonville, but its residents wish to remain removed from the goings-on there, even when confronted with the sad reality. Groot ably captures the despair of prisoners and soldiers alike, as well as the divided emotions of the Southern townsfolk, who have lost sons to the cause and hate the Yankees but want to be “good Christians.” When told of the appalling cesspool that is Andersonville, many won’t believe, others believe but won’t act, and still more focus only on the technicalities and red tape involved. Groot truthfully renders the struggle between patriotism and Christ’s call to help the suffering regardless of their affiliation.

THE CALL OF THE PRAIRIE
As in her previous “prairie romances,” Janette Oke highlights the timidity as well as the growing perseverance of a young protagonist making her way in the rough world. For Where Courage Calls, Oke shares the authorial role with her daughter, Laurel Oke Logan, and the two relate a tale that is as much about family relationships (those born and those made) as it is about faith.

Elizabeth “Beth” Thatcher has embarked on a journey to teach school in the Canadian mining town of Coal Valley, far from the shelter and comfort of her family home. The story reads like Beth’s journal as she encounters obstacles in her new community—having all her belongings stolen at the train station, being treated as an outsider, struggling with illness and uncovering the threat hidden in the woods around her new home. Her growing love for the children she teaches as well as the town’s maligned Italian immigrant workers fuels her to meet the many challenges of frontier life. Eventually her mistakes give way to truly following the call of Christ as she endeavors to improve her pupils’ lives. Readers of Oke’s previous books, which include the best-selling Love Comes Softly series, will find much to enjoy in this new novel, filled with her familiar balance of just the right amount of romance and mystery.

VIRTUAL SEDUCTION
What if you could create your perfect friend? One who literally was always available? That’s the driving question behind John Faubion’s suspenseful tale of the seductive power of technology, Friend Me. The fictional Virtual Friend Me software takes email or social networking sites and goes one better: allowing users to create the friend or companion they seek.

Scott and Rachel Douglas, parents of two, succumb to the software’s promise. Given her husband’s long hours at work, Rachel needs someone she can talk to, so she re-creates the best friend she lost to cancer. Scott sees what the intriguing new software offers his wife, and, in a life-altering decision, chooses to create a female friend. Unsurprisingly, things take an intimate turn. Little do Rachel and Scott know that Melissa Montalvo, the woman behind the cutting-edge software, has taken a personal interest in the couple. Convinced that Scott is the perfect man for her, the unhinged Melissa begins a systematic effort to break them up by any means.

The twists here are numerous, and the revealed details of Melissa’s backstory grow more disturbing. Though the characters are somewhat sketchily drawn, their dissatisfaction and mistakes lead them plausibly down a very wrong road. Will they be able to change course before it’s too late?

NO SIMPLE DEATH
Amber Wright runs the Amish Artisan Village in Middlebury, Indiana, a collection of shops where people come to admire a simpler way of life, buy handicrafts and enjoy the unique culture, charm and cooking. It is not a place where people die mysteriously. Yet as Murder Simply Brewed opens, one of her store owners, Ethan, dies in a way that is ruled natural at first. Until, that is, odd and threatening events occur and curious clues start piling up. Prophetic verses from the book of Daniel are found scrawled in blood-red paint, along with other offerings meant to frighten.

To uncover the truth, Amber and her begrudging, widowed neighbor, Tate, follow the trail. Soon, everyone from the man’s wife to his co-workers and mentally unstable sister becomes a suspect. Vannetta Chapman keeps the action suspenseful, and the who-done-it mostly unpredictable as her Amish and English characters work together to solve the mystery. Out of even such dreadful circumstances come moments of grace: between Amber and her Amish employee Hannah and between Amber and Tate, who had each given up on love.

Failure and sin, redemption and healing form the backbone of these five novels, much as they do in the Bible that inspires writers of Christian fiction. From thrilling mystery and longed-for relationships to tests of will and heart, these works of fiction highlight God’s grace to man—who desperately needs it.

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