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All Mystery Coverage

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Mysteries (especially ones with a supernatural element) are to fall what light romances are to summer: the perfect accompaniment to the season. Trial by Treason and Dig Your Grave are ideally paired with a blanket, cooling weather and the smell of falling leaves in the air.

Steven Cooper’s Dig Your Grave, the second in the series, opens as Phoenix has been struck with a grisly murder—a body left in a cemetery with a gruesome note that warns of more to come. As detective Alex Mills and his crew begin to investigate, it soon becomes clear that there are no leads, no clues as to who committed the murder or why. When a second body appears with no leads in sight, Mills turns to his friend, local psychic Gus Parker, for a hand. But Gus’ visions are vague, and as the investigation begins to narrow it becomes less clear whether his intuitions are about the case or about a series of cryptic threats directed at Gus himself.

Dig Your Grave occupies an unlikely space somewhere between a story about balancing life as a middle-aged man and a hardboiled detective novel. It takes some of the tropes of the second genre—the clinical investigation, the careful police work, and the interdepartmental struggles—and presents them unapologetically. This is the reality of solving a murder, these details tell the reader, and they ground us, guiding us through the macabre mystery. But surrounding that plot is also a story about the struggle with the banalities of middle age and everyday life. Mills wrestles with what it means to be a good father and husband but still give his all to his job. Parker worries about his relationship with his rock star lover. Neither issue overshadows the main mystery. Instead, both give it context, reminding us that there is something darker on the other side of normal life.

Dave Duncan’s Trial by Treason takes readers out of the modern era and into 12th century England, where King Henry has received a letter from one of his allies warning him of a plot against the throne at Lincoln Castle. Although the letter is unbelievable, the king sends two of his familiares, the young knight Sir Neil d’Airelle and the newly minted enchanter Durwin of Helmdon, whose education he has financed for two years. When Durwin and his compatriots arrive in Lincoln, they soon discover that, far from an idle threat, the Lincoln Castle conspiracy may threaten the life of the king himself.

Duncan’s Trial by Treason, the second installment in his Enchanter General series, is simultaneously straightforward and thoughtful. Its narrator, Durwin, is matter of fact in his recounting—so matter of fact that some of the more surprising plot points can just seem like mere matters of course. However, while the book’s conspiracy is straightforward, the book itself is by no means simple. Duncan refrains from talking about his characters as merely English or French. They are Saxon, Norman or remnants of the old Danelaw. And while those details may seem initially insignificant to a modern reader, they are representative of the kind of care that Duncan has put into the construction of Trial by Treason. And that care and attention to detail are exactly what makes the book so hard to put down.

Mysteries (especially ones with a supernatural element) are to fall what light romances are to summer: the perfect accompaniment to the season. Trial by Treason and Dig Your Grave are ideally paired with a blanket, cooling weather and the smell of falling leaves in the air.

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E.J. Copperman’s second entry in the Agent to the Paws series, Bird, Bath, and Beyond, finds animal talent agent Kay Powell on the set of a TV show with a parrot whose owner has the flu. When the show’s (human) star turns up dead, the parrot is surprisingly talkative, and since he’s Kay’s client, she’s drawn into the search for a killer. The well-populated story zips along—Kay’s parents visit, the show’s cast and crew are all suspects, and the human-animal banter is snappy. Glimpses of show business at its best and worst (the hard work, the giant egos) and the ways animals are used on film give this clever tale a realistic feel. So far, Kay is two for two when it comes to adopting her animal clients. As the series evolves, what kind of zoo will she end up with? For cozy fans, it will be fun to find out.

TILL DEATH DO US PART
The town of Tinker’s Cove, Maine, is in an introspective mood at the start of Silver Anniversary Murder. A quarrelsome couple is renewing their vows, and everyone’s invited. Lucy Stone reaches out to her best friend, Beth, to reminisce about her own wedding day, only to learn that Beth has died. But was it suicide, or did one of Beth’s four ex-husbands help her off that balcony? To find out, Lucy goes back to New York City and reflects on her own past while searching for clues. This is bestselling author Leslie Meier’s 25th Lucy Stone mystery, but the small-town hospitality of Tinker’s Cove welcomes all readers, new and old alike. Lucy is observant by nature, and her reporter’s instincts are both an asset and a liability; anyone with something to hide had better do it well, or else keep Lucy out of the way. The resolution to this mystery takes a few unexpectedly dark turns, but Lucy lands on her feet. After all, it’s hardly her first time to be embroiled in matters of life and death.

TOP PICK IN COZIES
In the 1950s, Brighton, England, was bucolic and lovely—if you disregard the hooligans, Teddy Boys and other criminal mischief-makers lurking about. In A Shot in the Dark, author Lynne Truss of Eats, Shoots and Leaves (2003) fame introduces Inspector Steine, a police captain who wants nothing more than for crime to simply relocate itself so he can enjoy his ice cream in peace. When a well-known theater critic is gunned down just before he’s supposed to share crucial evidence in an old case, earnest Constable Twitten is determined to buck departmental tradition and actually solve a crime. This farcical tale is packed with interwoven plotlines, clues strewn about like confetti and a comically oblivious chief inspector. It reads like a stage comedy, and in fact Truss has written four seasons’ worth of Inspector Steine dramas for BBC Radio. There are no dark and stormy nights here, just gorgeous seaside views marred by occasional corpses. The ’60s are coming, but for now, women are still largely ignored; this turns out to be its own kind of liberation, since who would suspect them? Sharp and witty, A Shot in the Dark is a good time.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lovers of puns (and fiendish murder) unite! It's our very first cozy mystery column.
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Martin Limón’s fine series of military police procedurals, set in South Korea in the mid-1970s, features George Sueño and his sidekick, Ernie Bascom—U.S. Army Criminal Investigation Division agents who are the go-to guys when there’s a murder or some similarly sensitive issue regarding the military in the Land of the Morning Calm. The Line finds our heroes investigating the murder of a young Korean soldier whose body is found a few feet north of the line dividing North Korea from South. Technically, Sueño and Bascom shouldn’t have dragged the body back across the line into the South, but they’ve never been sticklers for details like that. When a suspect presents himself, the powers that be are eager to pin the murder on him. Sueño and Bascom think the whole thing is just a little too pat, however, and despite explicit orders to the contrary, they decide to delve into the matter. They find themselves caught up in a criminal enterprise that involves fraud, smuggling and perhaps human trafficking, plus the aforementioned murder. I have read every Limón book since 1992’s Jade Lady Burning, and I have every intention of continuing to do so; they are that good.

A SECRET THAT CAN’T BE KEPT
Catriona McPherson successfully channels the mystery chops of Agatha Christie and the dialogue skills of Noël Coward (apologies for the dated references, but this book has that sort of feel about it) in her standalone psychological thriller Go to My Grave. Back in 1991, there was a Sweet 16-ish party at a Scottish manor house that had seen better days, and something seriously awful happened. Now in present day, whether by happenstance or by design, several of the 1991 revelers find themselves back at the same B & B, which has been restored and is virtually unrecognizable. The eight guests are all family members, by blood or by marriage. But there is bad blood—and bad marriage—on display here, and another something awful is poised to take place. I’m not giving anything away to say that even a newbie reader of suspense fiction will feel a Stephen King-esque prickle of menace as things start to get out of hand, and even the most jaded of suspense aficionados should be gobsmacked by the twist at the end.

BECOMING BOND
Occasionally an author’s estate or a publisher gets the idea to craft a prequel to a popular series, and Anthony Horowitz performs this duty for ace British spy James Bond in Forever and a Day. As the book opens, M (the big boss of MI6) is discussing the death of agent 007, which initially seems odd, as this is at the inception of Bond’s illustrious career. But it turns out that the 007 under discussion is the previous holder of that particular license-to-kill number, and Bond is quickly promoted to take on his predecessor’s responsibilities. His mission takes him to the south of France, where he engages the first of the legendary villains that will characterize the adventures of Bond’s later life. The book uses some source material from original Bond author Ian Fleming, and of all the Bond books that have come out since Fleming’s death, this one may hew closest to the originals. The racy English sports cars, check. The sultry femme fatale, check. The oversize (both in girth and in ego) villain, check. Oh, and here’s a bonus: For those who have ever wondered why Bond drinks his martinis shaken, not stirred, this book is where you will find the answer.

TOP PICK IN MYSTERY
Ken Bruen’s Jack Taylor series has been a mainstay of my professional and pleasure reading since the Shamus Award-winning The Guards (2001). The series follows the downfall of Galway cop Taylor and his efforts to climb out of the (very deep) hole he created for himself with his alcoholism and his exceptionally poor choices of friends and lovers. The opening pages of In the Galway Silence find Taylor a little more settled than before: There is a romantic interest that tentatively seems to be working out, a bit of money in the bank, and he has the drinking under control for the most part. When bad stuff starts happening, only Taylor’s harshest critic could assign the responsibility to him—although it goes without saying that Taylor is his own harshest critic. One child is kidnapped and brutalized, another murdered, and a killer is on the rampage. Taylor knows who the culprit is and is powerless to do anything about it. But you can push Taylor only so far, and when he snaps, he’s gonna go bat%#@& crazy, which is the high point of Bruen’s books for most readers. Taut plotting, a staccato first-person narrative, deeply flawed yet sympathetic characters and the windy, wet Irish milieu conspire to put Bruen’s novels into a class by themselves.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

November's best mysteries include both the beginning of Bond and a house party gone murderously wrong . . .

For readers who enjoy fascinating characters, gritty plots and unforgettable settings, Jonathan Lethem and Katrina Carrasco have crafted two detective novels with a distinctive edge.

The Feral Detective is Lethem’s first mystery since his award-winning 1999 novel Motherless Brooklyn, while Carrasco’s The Best Bad Things is an unforgettable debut. Both novels spotlight smart female protagonists whose determination and feisty dispositions see them through a barrage of incredible situations that would send a lesser person running.

Phoebe Siegler, the lead character in The Feral Detective, is a fiercely independent, modern-day woman with a tongue-in-cheek attitude. When a close friend’s teenage daughter, Arabella, goes missing from her university in Portland, Oregon, Phoebe welcomes the opportunity to drop everything and go find her. A credit card receipt points Phoebe to California’s high desert, where she enlists the aid of mysterious private detective Charles Heist, whom she quickly dubs “the feral detective” after meeting his unusual pet, an opossum named Jean that’s living in his desk.

Rather than sit back and wait for Heist to do his job, Phoebe insists on accompanying him on his quest into the desert. In this landscape that is as dangerous as it is beautiful, Phoebe meets an assortment of enigmatic characters living off the grid (including a tribe of women known as Rabbits who are feuding with a clan of men known as Bears) and discovers Heist’s bizarre relationship with this desert underworld. But with Arabella in danger, Phoebe and Heist must risk it all to get her home safely.

Risks, meanwhile, are par for the course for Alma Rosales, a take-no-prisoners woman of the 1880s who doesn’t hesitate to bust a few knuckles in The Best Bad Things. A former agent with the Pinkerton Detective Agency, Alma uses her sharp wit and guile to deceive her targets any way she can, even by disguising herself as a man.

“Wearing only her own skin and hair, she is unbound,” Carrasco describes Alma. “Unbound. Powerful. She can mold her form into any shape.”

It’s this effort—when she’s disguised as goon Jack Kemp—that gets Alma in trouble with local smuggler Nathaniel Wheeler and a step closer to exposing crime boss Barnaby Sloan’s opium operation in Port Townsend, one of the nation’s busiest ports of entry in 1887. Alma infiltrates the smuggling operation at the behest of her lover/employer Delphine Beaumond, while secretly working to get back in with the Pinkertons. The complicated plot, subplots, violence and double-crosses all serve to keep readers hooked from start to finish.

While both books offer memorable characters and wild situations, the authors’ vivid use of language, deep points of view and evocative settings make these novels a special joy to read.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

For readers who enjoy fascinating characters, gritty plots and unforgettable settings, Jonathan Lethem and Katrina Carrasco have crafted two detective novels with a distinctive edge.

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After completing the Harry Potter series, J.K. Rowling started writing a mystery series under the pseudonym Robert Galbraith. And happily, her virtuosic talent as a spinner of stories with intricate plots and singular characters is front and center again. Lethal White is the fourth in the Cormoran Strike series, and it’s perfectly narrated by Robert Glenister, who can ace a wonderfully wide range of British accents. In Lethal White, Strike, a London private investigator with a reputation for unraveling high-profile cases, and his able, lovely (yes, their attraction thrums below the surface) assistant, Robin, are in the thick of it, investigating political blackmail and the murder of a Tory minister, all wrapped in a blur of populist politics, replete with a wild cast that includes radical lefties, conservative snobs and a mentally ill young man who desperately wants Strike’s help. After this 22-hour treat, I can’t wait for Strike five.

FINAL CHALLENGE
Henry Worsley was 13 when he read Ernest Shackleton’s The Heart of the Antarctic, which detailed Shackleton’s expedition to the Antarctic in the early 20th century. Worsley fell under Shackleton’s spell, and the book shaped his own future as an explorer. The White Darkness, originally published in The New Yorker, is David Grann’s cogent, intensely drawn portrait of Worsley, his fascinating life, his lifelong obsession with the Antarctic and his relentless passion to follow in Shackleton’s footsteps and succeed where he didn’t: crossing Antarctica on foot, alone. Only two and a half hours long, The White Darkness is one of the most powerful audios of the year, made so by Grann’s deftly crafted prose and Will Patton’s unwavering performance, delivered with conviction and calm urgency. Worsley eventually made two successful Antarctic expeditions with teams in 2008 and 2011 and went back for a fateful third expedition alone in 2015. You’ll feel the icy cold, his exhaustion, courage and formidable will as he battles the “obliterating conditions” on his transcontinental quest. Perhaps you’ll come to understand what drove him and the brave few among us to challenge frontiers, regardless of risk.

TOP PICK IN AUDIO
In her new book, These Truths: A History of the United States, Jill Lepore writes, “The past is an inheritance, a gift, and a burden. . . . There’s nothing for it but to get to know it.” To make our past more knowable, Lepore has penned an astonishingly concise, exuberant and elegant one-volume American history that begins with Columbus and ends with Trump. Lepore questions, as Alexander Hamilton did, “whether societies of men are really capable or not of establishing good government from reflection and choice.” Lepore tells us upfront that much historical detail is left out; this is a political history, an explanation of the origins of our democratic institutions, and it lets history’s vast array of characters speak in their own words when possible. It also makes clear that slavery is an intimate, inextricable part of the American story. This is the past we need to know. Listen closely as Lepore reads with unexpected pizazz.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Three absorbing audiobooks for all your holiday travels.
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December isn’t typically the strongest of months for new book releases, but this year, what is lacking in quantity is more than made up for in quality, with books from four of the finest contemporary suspense writers from North America, Europe and Japan.

A BOGGLING MYSTERY
It’s 1944, the closing days of World War II. Two men dig feverishly in a peat bog in Scotland to create a hole large enough to accommodate a pair of American motorcycles. Fast-forward to current day, when the granddaughter of one of the men decides to unearth the motorcycles. The first motorcycle has survived its lengthy incarceration beautifully, but there’s a dead body where the second should be. Enter Karen Pirie, cold case detective (because, hey, cases don’t get much colder than this), in the fifth installment of Val McDermid’s popular Karen Pirie series, Broken Ground. Things take a turn for the weird(er) when the body, supposedly buried for some 70 years, is discovered to be wearing a pair of Nikes. McDermid’s books are relentlessly excellent, with sympathetically flawed characters, well-crafted storylines, a clever twist or two and crisp dialogue. It’s no wonder she is considered the queen of Scottish crime fiction.

A NEW CRIME DUO
Cold cases are a running theme this month, as Michael Connelly pairs series stalwart Harry Bosch with Renée Ballard in their first (but hopefully not their last) adventure together, Dark Sacred Night. Ballard first showed up in 2017’s The Late Show as a solo act, but she and Bosch work exceptionally well as a duo, investigating the unsolved 2009 murder of a young runaway. The case holds a personal component for Bosch, as the mother of the murdered girl is staying at his house. There aren’t many clues available after the passage of so much time, but Bosch is dogged in his pursuit, and his personal creed—everybody counts or nobody counts—gets a run for its money this time out. Connelly does an exceptional job of giving voice to both his protagonists. They share a bit of an outsider’s perspective—respected for their work but not always liked by their peers—and this is what makes them such a formidable team. My favorite Connelly books pair Bosch with protagonists from his other books, like Mickey Haller in The Lincoln Lawyer, and this latest pairing is truly inspired.

NEIGHBORHOOD SECRETS
Keigo Higashino is one of Japan’s best-known suspense authors, and he has begun to carve a niche for himself in the rest of the world thanks to The Devotion of Suspect X, Malice and his latest Detective Kaga novel, Newcomer. Since we last saw Kaga, he has suffered a demotion from the Tokyo Police Department’s Homicide Division to a more local role in the quiet neighborhood of Nihonbashi. But his homicide experience soon gets him assigned to the team investigating the death of a woman found strangled in her apartment. Kaga’s Zen approach to crime solving is at odds with conventional police procedures, but it would be hard to find fault with his results. One by one, he interviews shopkeepers, neighbors and denizens of the streets, and he begins to create a picture of a homicide that has an entire neighborhood of potential suspects. Kaga, a modern-day Hercule Poirot, thinks even further outside the box than his Belgian predecessor, to the great delight of mystery aficionados.

TOP PICK IN MYSTERY
Louise Penny’s novels are unique for how seamlessly they straddle the line between charming small-town mysteries and big-city police procedurals. As Kingdom of the Blind opens, protagonist Armand Gamache, former head of the Sûreté du Québec, receives a strange invitation to an abandoned farmhouse, and an even stranger request to act as executor of a will crafted by someone he never met. It is something of a wacky will, with bequests that suggest that the writer was not playing with a full deck of cards. And then a body turns up, and the document takes on a decidedly darker aspect. Meanwhile in Montreal, a huge drug shipment is about to hit the streets, in part because Gamache allowed it to slip through the cracks as part of his plan to bring down the cartels. Most of the drugs were rounded up—except for one large shipment that threatens to destroy many lives, perhaps including Gamache’s. Each Gamache adventure (we are now at the 14th) displaces the previous one as the best in the series. I have read each one twice—first as a one-sitting page turner, and then shortly afterward as a leisurely reread in which I revel in the artistry of the prose, the characterizations, the locales. It’s not to be missed!

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

December isn’t typically the strongest of months for new book releases, but this year, what is lacking in quantity is more than made up for in quality, with books from four of the finest contemporary suspense writers from North America, Europe and Japan.

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James Lee Burke is one of a small handful of elite suspense writers whose work transcends the genre, making the leap into capital-L Literature. You don’t have to get past the opening paragraph of The New Iberia Blues to see his mastery of the craft: “Desmond Cormier’s success story was an improbable one, even among the many self-congratulatory rags-to-riches tales we tell ourselves in the ongoing saga of our green republic, one that is forever changing yet forever the same, a saga that also includes the graves of Shiloh and cinders from aboriginal villages.” First-person narrator Dave Robicheaux is on hand and in fine fettle. Fans have watched Robicheaux age in real time, battling his demons, losing one wife, then another and another, raising the refugee girl he rescued from a submerged airplane when she was a small child and skating close to the edge (and sometimes over the edge) of the law. This time out, he will investigate the ritual slaying of a young black woman, nailed to a cross and left to the vagaries of the rising tide. There is a film company in town, and Robicheaux cannot shake the notion that they are somehow at the epicenter of this homicide, and as he gets closer to proving his thesis, the body count piles up. It is a long book, but I read it slowly, pausing from time to time to digest the first-rate prose, the atmospheric bayou setting and the complex interactions of people I feel I have known for 30-plus years.

In James Bond movies, one of the many ways of ratcheting up the tension is to introduce a Bad Thing About to Happen in, say, five minutes’ time, and to regularly return to the flashing digital countdown amid the action to see how much time is left before the Bad Thing transpires. Author Taylor Adams updates this suspense-building device in his supercharged novel No Exit with a dwindling cellphone battery peppering the high-tension text. The scene: a lonely snowbound rest area in rural Colorado, a place with little to no cellphone service, and a protagonist who has left her charger at home on what will prove to be the worst night of her life. At risk are a kidnapped child, albeit a rather resourceful one; a pair of innocent (or maybe not) bystanders; and the aforementioned protagonist, a college student named Darby Thorne, who was en route to her mother’s hospital bedside before her plans were interrupted by the freakish snowstorm and an even more freakish group of fellow strandees at the mountain shelter. Oh, and one last thing, and it really is the last thing—the twist ending is way cool.

Gytha Lodge’s suspenseful new psychological thriller, She Lies in Wait, tells the story of a ruinous outing and its aftermath decades later. Thirty- odd years ago, six friends went camping. Only five came home, and there was never a trace of the missing girl, Aurora Jackson. Her friends, a wide-ranging volunteer search party and even police with cadaver dogs turned up nothing—until now, when a young girl on a family holiday discovers a detached finger beneath a hollow tree within steps of the friends’ original campsite. Police Detective Chief Inspector Jonah Sheens knew Aurora peripherally from his high school days, but he decided to stay on the investigation—a decision his assistant, Detective Inspector Juliette Hanson, will come to question as the investigation proceeds. This isn’t the only secret that comes to light: One of the campers, an Olympic star in later life, displayed a morbid fascination with young women; another of the group, now a well-regarded politician, was caught by Aurora in flagrante delicto with another boy, and more importantly, he had placed a large supply of Dexedrine in the hollow of that tree. I am just scratching the surface of the secrets here. There are plenty more to unearth for yourselves.

In any gathering of mystery writers, Tim Dorsey would be the resident jester, providing more laughs per page than virtually anyone else. His amiably psychopathic protagonist, Serge Storms, is a modern-day Don Quixote, tilting at the windmills of politics, ageism, sexism and any other –ism that happens to catch his fancy. In his latest adventure, No Sunscreen for the Dead, Storms invades a Florida retirement community in the wake of a very public sex scandal featuring a 68-year-old retiree and her much younger boy toy. There are two reasons behind Storms’ invasion, one being that he is perversely fascinated by this salacious news item, the other being that he wants to find an interesting place to live out his golden years. He has all the necessary gear for that, including plaid shorts and knee-length black socks. And the white belt, without which the ensemble, well, c’est incomplète. As the plot develops, Storms gets conscripted into the investigation of some big-dollar swindling in the old folks’ community, and high jinks ensue. And because it is Dorsey chronicling said high jinks, be prepared for mirth—lots and lots of mirth.

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

James Lee Burke is one of a small handful of elite suspense writers whose work transcends the genre, making the leap into capital-L Literature. You don’t have to get past the opening paragraph of The New Iberia Blues to see his mastery of the craft: “Desmond Cormier’s success story was an improbable one, even among […]
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Jarrett Creek, Texas, exemplifies small-town living. Neighbors look out for one another, or so you’d think. When a beloved local baking wizard, Loretta Singletary, turns up missing, police Chief Samuel Craddock realizes he missed several changes in his friend’s appearance that may have been clues. A Risky Undertaking for Loretta Singletary is an old-fashioned story with a modern problem at its center. Terry Shames’ latest book finds the town divided over church involvement in a goat rodeo when Loretta goes missing. The discovery that she was considering online matchmaking services is mildly scandalous, and Craddock must explore the world of online dating in order to begin the investigation. The tension ratchets up when a body is found and linked back to the same dating sites, and the search for Loretta intensifies. The resolution to this tale is a bit offbeat, but the setting is lush and absorbing, and the tension builds perfectly along the way. 

Bryant & May: Hall of Mirrors is Christopher Fowler’s 16th tale of the Peculiar Crimes Unit, and this time we’re off to London in the swinging ’60s. Even in their youth, detectives Bryant and May had a habit of doing things their own way, and a simple assignment—keep a man alive for a weekend and get him to court to testify on Monday morning—takes several hard left turns. There’s slapstick comedy and swift wordplay (the duo’s word games are briefly upstaged by Bryant dangling upside down from a trellis during a window escape) as well as food for thought. Standout moments include exchanges between hippies in love with the idea of freedom and the elders who fought in World War II but don’t see their own definition of “freedom” in loose morals and patchouli fumes. If this is your first outing with Bryant and May, you’ll want to read them all.

It seems that Major Sir Robert and Lady Lucy Kurland need only drop in on a new city for a death to occur. Thankfully they’ve become so adept at sleuthing they can almost schedule it alongside their travel itinerary. In Death Comes to Bath, the sixth in Catherine Lloyd’s series, Robert has had a medical setback, so the pair, along with Lucy’s sister, travels to “take the waters” in England’s famed Roman baths. After befriending an older gentleman, the pair is dismayed when he drowns, and foul play is apparent. Lloyd balances period history (Robert was injured in the Battle of Waterloo), a tense romantic subplot and some extravagant vacation shopping while respecting the grave nature of the crime. Class divisions—and the way money can help one surmount them—make for a rich suspect pool. It may be cruel to hope Robert and Lucy keep visiting new cities, given what tends to happen, but watching this duo in action is a joy. 

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Jarrett Creek, Texas, exemplifies small-town living. Neighbors look out for one another, or so you’d think. When a beloved local baking wizard, Loretta Singletary, turns up missing, police Chief Samuel Craddock realizes he missed several changes in his friend’s appearance that may have been clues. A Risky Undertaking for Loretta Singletary is an old-fashioned story with a modern problem at its center.

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The literary exploits of John Lescroart’s San Francisco attorney Dismas Hardy, now numbering 18, have been a mainstay of my reading pleasure since 1989’s Dead Irish. Fast-forward 30 years, and an older and wiser Hardy plies his trade ever more ably in The Rule of Law. Phyllis McGowan, Hardy’s secretary, has been a stalwart pillar of support in his personal and business life. But lately, she seems to have gone off the rails. First, there is her mysterious disappearance for several days, and shortly after that, her surprise arrest as an accessory to murder. The evidence, while not entirely damning, is at least suggestive. Extortionist Hector Valdez, who worked for a modern-day Underground Railroad specializing in spiriting immigrants without documentation out of the Border Patrol’s reach, was murdered at the time of McGowan’s disappearance. In the old days, Hardy had a good working relationship with the district attorney, and likely could have negotiated on McGowan’s behalf, but the new DA has a political and personal chip on his shoulder where Hardy is concerned. Thus, this time out, Hardy is doomed to spend as much time battling the supposed good guys as trouncing the supposed bad guys. Lescroart crafts some of the finest legal thrillers out there today, with interesting characters, complex relationships, a taut narrative and, of course, the (now expected, but still somehow surprising) twist ending.

The original plan was for Caroline to lend Audrey $150 for a bus ticket back to Minnesota to visit her dying father. But on the way to the station, Caroline glances over at her friend and says, “Road trip?”—thus setting the stage for Tim Johnston’s second gripping thriller, The Current. The trip will not end well. Being from Georgia, Caroline has no experience with driving in icy conditions, and after an unanticipated and uncontrolled skid, their car hovers atop a precipice above an icy river. They are shaken but safe, at least until they see the flare of headlights in the rearview mirror, then feel the tap of the bumper that nudges their car over the edge. One dies, one barely survives. The small Minnesota town is in shock. Rumors fly about the presence of a second car at the scene, and the whole situation reminds people of a similar case 10 years prior, one that was never solved. As the official investigation progresses, a grieving father, a dying sheriff and a determined young woman begin covert investigations of their own. All are in search of answers, but none is prepared for what they will find.

Fans of the exploits of Charles Cumming’s MI6 agent Thomas Kell will find a lot to like in the author’s new standalone spy thriller, The Moroccan Girl. Bestselling thriller author Kit Carradine is poised to attend a literary festival in Marrakech when he receives a request that would make any suspense writer champ at the bit: track down a mysterious woman, one Lara Bartok, and surreptitiously deliver a passport to her. However, Carradine’s “handler” has been remarkably spare with details concerning Bartok, leaving out such juicy morsels as the fact that she is a well-placed member of an international terrorist outfit and is quite capable of taking care of herself when facing a potential confidant or adversary (especially one whose espionage exploits are limited to his imagination and the printed page). Things heat up when rival intelligence agencies join the fray, all in search of Bartok for conflicting—and often lethal—reasons. And Carradine is about to find out the hard way that real-life espionage bears little resemblance to his page-turning depictions. Cumming channels the dreamy romance of classic spy movies (think Casablanca, Notorious, The Thirty-Nine Steps) and juxtaposes it with a modern, relentlessly intense and staccato delivery.

June 1947, Beverly Hills. Mobster Benjamin “Bugsy” Siegel has just been shot to death in his own home by person or persons unknown. Several hundred miles away, rancher Jonathan Craine tends to his daily chores. In an earlier life, Craine was the unofficial liaison between the Los Angeles Police Department and the movie studios, the “fixer” who kept stars and execs safe from exposure and prosecution—but that was a long time ago and far, far away from his current existence. That is all about to change, as hired lackeys from a sinister boss’s crime syndicate arrive by private aircraft to solicit Craine’s assistance in finding Siegel’s killer. And they won’t take no for an answer—cue the music portending graphic violence. Guy Bolton’s The Syndicate reads like a period thriller, with dialogue true to the golden age of film noir, which the author so obviously admires. The plot seamlessly blends fact with fiction, overlaying a series of real-life events with a fast-paced fictional narrative that is riddled with tension. And bullets.

 

This article was originally published in the February 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Fans of the exploits of Charles Cumming’s MI6 agent Thomas Kell will find a lot to like in the author’s new standalone spy thriller, The Moroccan Girl. Bestselling thriller author Kit Carradine is poised to attend a literary festival in Marrakech when he receives a request that would make any suspense writer champ at the bit: track down a mysterious woman, one Lara Bartok, and surreptitiously deliver a passport to her.

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The title of Michelle Obama’s blockbuster bestseller, Becoming, lets you know that you’ll get the answers to many of the questions you’ve had about this extraordinary woman. You’ll find out how a kid who grew up in a cramped apartment on Chicago’s South Side graduated from Princeton and Harvard Law to ultimately become our first African-American first lady and one of the most admired women in the galaxy. More importantly, you’ll understand how she kept her authenticity, grace and sense of self while in the glare of an unrelenting media spotlight, where everything you say and do and wear is scrutinized. Obama is candid and frank, talking about the problems in the early years of her marriage, about being a mother, her dislike of politics and her distress with the current administration. She reads in her warm, familiar voice, and you’ll be swept up in her story, her triumphs and her trials. She’s lived a version of the American dream, but one shadowed by the very American nightmare of racism and prejudice.

It’s been much too long since I spent time with Precious Ramotswe and her colleagues at the Number 1 Ladies’ Detective Agency, and it’s always a quiet joy to return. Colors of All the Cattle, Alexander McCall Smith’s 19th installment in his bestselling series, wonderfully narrated again by the liltingly voiced Lisette Lecat, transports us to the sunny charms of Botswana and Mma Ramotswe’s unshakable belief in “old-fashioned” Botswana kindness. Though she’s taken on a difficult case for a victim of a hit-and-run accident, Mma Ramotswe has been pushed into reluctantly running for city council by her friend, the formidable matron of the local “orphan farm.” Smith and Mma Ramotswe never let us down—modesty and honesty trump bravura, and keen but gentle detecting skills solve the case.

A private investigator went missing in 2006, his body never found, the case marred by mistakes and innuendos of corruption. That cold case heats up when some kids come across a red VW in a remote, wooded park, with a handcuffed skeleton in the trunk. That’s for openers in Ian Rankin’s 24th Rebus novel, In a House of Lies, performed by James Macpherson in an authentic Scottish burr that’s still soft enough to be easily understood. Though John Rebus is officially retired from Police Scotland’s Major Crime Division, he was on the case 12 years ago and is as eager as ever to get involved again. And with his former protégé, Detective Inspector Siobhan Clarke, assigned to the investigating team, that’s not hard to accomplish. Pay close attention—Rankin’s in great form, and there’s a lot going on in this intricately plotted police procedural.

 

This article was originally published in the February 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

The title of Michelle Obama’s blockbuster bestseller, Becoming, lets you know that you’ll get the answers to many of the questions you’ve had about this extraordinary woman. You’ll find out how a kid who grew up in a cramped apartment on Chicago’s South Side graduated from Princeton and Harvard Law to ultimately become our first […]
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Baking whiz and amateur sleuth Hannah Swensen’s love life has been totally upended, but that doesn’t mean she won’t be able to solve the latest murder in Lake Eden. In anticipation of Joanne Fluke’s 24th Hannah Swensen mystery, Chocolate Cream Pie Murder, we’re sharing the titular recipe as it appears in the novel.


Chocolate Cream Pie

This pie is a pudding pie with whipped cream and does not bake in the oven.

The Crust:

8-inch or 9-inch prepared crushed chocolate wafer or crushed Oreo pie crust.

Hannah’s First Note: You can also use a prepared crushed cookie pie crust, a graham cracker pie crust or a shortbread pie crust. You can even use a regular pie crust as long as you bake and cool it first.

The Chocolate Filling:

6 large egg yolks (save the whites to make your favorite meringue cookies)

¾ cup white (granulated) sugar

2 tablespoons cornstarch

3 cups light cream (half-and-half)

1 cup mini semi-sweet chocolate chips, finely chopped (measure AFTER chopping)

½ stick (4 Tablespoons, ¼ cup, 18 pound) salted butter

The Whipped Cream Topping:

1 and ½ cups heavy cream

¼ cup powdered (powdered) sugar

½ teaspoon vanilla extract

Decorations: (optional)

shaved chocolate curls

maraschino cherry halves

butterscotch or caramel ice cream topping to drizzle on top
 

Directions:

Place the egg yolks in a medium-size saucepan off the heat.

Whisk the egg yolks until they are well combined.

Add the white, granulated sugar and the cornstarch.

Whisk everything together, off the heat, until the ingredients are well incorporated.

Turn the stovetop burner on MEDIUM-HIGH heat and add the 3 cups of light cream (half-and-half) SLOWLY, whisking continuously while the mixture is heating.

Whisk and cook until the mixture is slightly thickened. (This will take from 3 to 4 minutes.)

Stirring constantly, boil mixture for 3 minutes.

Hannah’s Second Note: This is much easier to do if you have a hand mixer turned to LOW speed, but you’ll have to make sure that all areas of the saucepan are being mixed. If you miss an area, your chocolate filling may scorch and you’ll have to start over!

Whisk in the finely chopped mini chocolate chips and the half-stick of salted butter. Keep your whisk moving the entire time!

Lower the temperature of the burner to LOW and continue to whisk until the mixture is as thick as pudding. This should take about 5 to 6 minutes.

When the chocolate mixture has thickened, remove the saucepan to a cold stovetop burner and let it sit for five minutes.

Use a heat-resistant rubber spatula to transfer the contents of your saucepan to the pie crust of your choice and smooth the top with the heat-resistant spatula.

Cover the surface of the chocolate layer with plastic wrap and place your partially completed Chocolate Cream Pie in the refrigerator to chill for at least 2 hours. (Overnight is even better, too.)

To Make the Whipped Cream Topping:

Hannah’s Third Note: If you’re tired or in a hurry and want a shortcut, simply thaw a small tub of Original Cool Whip and stir in butterscotch ice cream topping or caramel ice cream topping. It will hold its shape better than homemade whipped cream and you can put it on your chilled filling an hour or so before your guests arrive, rather than whipping the cream at the last minute!

Using an electric mixer, whip the heavy cream until stiff peaks form.

Turn the mixer off and sprinkle the powdered sugar on top of the whipped cream.

Mix on HIGH until the powdered sugar is mixed in.

With the mixer running on HIGH, sprinkle in the half-teaspoon of vanilla extract and mix it in.

When everything has been thoroughly incorporated, shut off the mixer and take out the bowl with the whipped cream topping. Give it a final stir with a rubber spatula and set it on the kitchen counter.

Get the pie crust with its chocolate filling out of the refrigerator and set it next to the mixer bowl with the whipped cream topping.

Peel the plastic wrap off the chocolate filling and use the rubber spatula to transfer mounds of whipped cream to the surface of the chocolate filling.

Work quickly to dot the entire surface of the chocolate filling with whipped cream. Continue transferring the whipped cream until the mixer bowl has been emptied.

Using the rubber spatula, spread the mounds of whipped cream together to cover the entire surface of your Chocolate Cream Pie. Make sure the whipped cream topping goes all the way out to the edge of the pie crust.

Using the flat edge of the rubber spatula, press it against the surface of the whipped cream topping and pull it up quickly. This should cause the whipped cream to form a point on top. Make “points” over the entire surface of your Chocolate Cream Pie.

Choose the decorating topping you wish to use on top of the whipped cream. You can use more than one topping to really make it look fancy.

If you choose shaved chocolate, use a sharp knife to “shave” the edge of a bar of sweet chocolate. Place the shaved pieces in a bowl and, using your impeccably clean fingers, sprinkle the shaved chocolate over the surface of your pie.

If you choose chocolate curls to decorate the top of your pie, simply run a sharp knife down the long edge of a bar of sweet chocolate. If you don’t lift the knife blade, it will form a curl of chocolate. Use these chocolate curls to decorate the top of your Chocolate Cream Pie.

Maraschino cherries are always colorful on top of a pie. Cut the Maraschino cherries in half vertically and transfer the halves to the surface of the whipped cream topping, rounded side up. Make a large circle of cherry halves around the edge or a design of your own making using the cherry halves.

If you choose butterscotch or caramel ice cream topping, simply drizzle it all over the surface of your pie in a pretty design.

Refrigerate your Chocolate Cream Pie for at least 2 hours before serving.

To serve, cut your Chocolate Cream Pie into 8 pieces and remove the pieces with a triangle-shaped spatula. Place each piece on a dessert plate and serve with a carafe of strong, hot coffee or tall glasses of milk.

Yield: This pie will serve 8 people . . . or 7 if you invite Mother. She’ll tell you she couldn’t possible eat more of something so rich, but you won’t have to twist her arm to get her to agree to a second helping.


Recipe from Chocolate Cream Pie Murder by Joanna Fluke, copyright 2019; used with permission of Kensington. All rights reserved.

Baking whiz and amateur sleuth Hannah Swensen’s love life has been totally upended, but that doesn’t mean she won’t be able to solve the latest murder in Lake Eden. In anticipation of Joanna Fluke’s 24th Hannah Swensen mystery, Chocolate Cream Pie Murder, we’re sharing the titular recipe as it appears in the novel.

Brooklyn
By Colm Tóibín

To be fair, there is sadness in Tóibín’s story of Eilis, a young Irish woman who emigrates to New York City—homesickness has never been so effectively portrayed. But as Eilis adapts to a dizzying amount of opportunity and freedom, she sees how her new life can be more fulfilling than anything she could have attained in Ireland. Brooklyn is masterfully understated, and Tóibín’s ability to capture his protagonist’s emotional state is astonishing. The tentative warmth of new love, the longing for a family across an ocean and the rush of liberation are nearly tangible on the page, and Tóibín’s evenhanded depictions of both Ireland and America give the novel a lingering, melancholic beauty.

—Savanna, Assistant Editor


Conversations with Friends
By Sally Rooney

 

Friends become lovers, lovers become friends—Rooney’s debut novel is an introspective tale of fleeting pleasures, female sexuality, chemistry and miscommunication, as readers are invited to explore between the cracks of a 20-something woman’s relationships. Frances performs her spoken-word poems in Dublin with her best friend and former lover, Bobbi, and at one of these events they meet an enigmatic photographer named Melissa. Frances and Melissa’s husband, Nick, soon become entangled, and Frances finds herself sinking into a dark place, as her life becomes a web of messy emotions and convoluted motives. The drama is a slow build, the humor is sly, and the dialogue is on point.

—Cat, Deputy Editor


The Commitments
By Roddy Doyle

Doyle is known for his ability to spin an incisive yarn about the painful challenges of modern life and the struggles of the Irish people, like his Man Booker Award-winning novel, Paddy Clarke Ha Ha Ha. But his 1987 debut, The Commitments, is decidedly lighter fare. There’s just something about a story of disaffected youth who forge a bond through a shared love of music and pop culture that’s simply irresistible to me, and if you feel the same way, then you’ll inhale this story of a bunch of cheeky, working-class Dubliners determined to bring soul music to their fair city. It’s a rollicking and irreverent story steeped in the 1960s sounds of Motown. Be prepared to fall in love with these brash and complicated lads.
Hilli, Assistant Editor


Himself
By Jess Kidd

A darkly comic murder mystery set in a small Irish village, Kidd’s debut also has a macabre twist. Her handsome sleuth Mahony, who rolls into town to catch his mother’s murderer, can see and talk to the dead. His unjustly slain mother, Orla, had the same powers—which may or may not have led to her death while Mahony was still an infant. To catch the killer, Mahony teams up with one of the town’s many eccentrics, former actress Mrs. Cauley, and they hatch a plot straight out of a Shakespearean drama. They’ll put on a play and place their suspects in the cast. If you’ve read or seen Hamlet, you know things aren’t going to go well. In Kidd’s hands, the chaos is glorious.

—Savanna, Assistant Editor


Broken Harbor
By Tana French

If you haven’t read French’s bestselling six-book Dublin Murder Squad series, now is the time, as Starz is planning an adaptation of the first two books, but it’s not necessary to read them in order. Broken Harbor (the fourth book) is my personal favorite. It’s more of a classic murder mystery than some of the others (and not nearly as emotionally eviscerating as In the Woods), and I loved the narrator, Detective Mick “Scorcher” Kennedy, who was a bad guy in Faithful Place but gets a second chance during this investigation of a grisly triple homicide in Dublin. Add in Scorcher’s sister, a troubled woman who dregs up some unsavory childhood memories, and readers are in for a hell of a ride. It’s chilling, creepy and addicting—a perfect police procedural.
—Cat, Deputy Editor 

There’s no shortage of brilliant Irish books, but they can tend to be a wee bit bleak. (It’s either the weather or the centuries of oppression.) So we’re sharing a few of our favorite stories set on the Emerald Isle that are a bit lighter. With humor, magic, young love and classic mystery, any of these books would be perfect for reading with a pint or whatever libation tickles your fancy.

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Three new serial killer thrillers approach their murderous subjects in vastly different ways. One is a game of cat and mouse, another probes the psychological makeup of a killer, and a third is disarmingly funny.

Peter Swanson sets Before She Knew Him in a charming Massachusetts neighborhood. Two young couples live next door to one another, and at a casual dinner they hope will lead to friendship, Hen notices something in her neighbor’s studio that alarms her. It appears to be evidence in an unsolved murder. Worse yet, she can tell her neighbor, Matthew, saw her react. She fudges a reason to go back and double-check, and suddenly the item has disappeared. What now?

Hen must act with caution—she has a history of mental illness that led her to fixate on the very case she suspects Matthew of being connected to, and her husband, Lloyd, is adamant that she not pursue the matter further. But it’s not long before she’s an eyewitness to something horrible, and now both she and Lloyd are at risk.

Swanson artfully plays the tension in this story. The details of Hen’s job as an illustrator and printmaker are fascinating, and the dynamic between both couples who can’t quite get along lull the reader into forgetting that one of the four might be a murderer. There’s a neat twist at the end, but the real surprise is the way characters are allowed to grieve their losses, a luxury not always allowed in stories of this type. For a fast-paced thriller, Before She Knew Him achieves an impressive significance in its pauses.

The Devil Aspect is Scottish author Craig Russell’s American debut, and it’s a knockout. Set in Czechoslovakia in 1935, it tells parallel stories that converge in an explosive conclusion. Viktor Kosárek, a psychiatrist, has come to work at an asylum for the criminally insane that is housed in a castle and contains just six patients, the most dangerous killers in the country. In Prague, police are trailing a serial killer who seems to be imitating Jack the Ripper. And over the border in Germany, Nazism is on the rise. Welcome to the pressure cooker.

Kosárek is interviewing the asylum’s inmates to try and identify the “devil aspect” that leads them to kill, and their stories are terrifying and extravagantly gory. Prague police eventually appeal to the doctors at the asylum for help with their own case—catching the murderer they’ve nicknamed “Leather Apron.” The combination of research and investigation takes place while people gradually take sides in the new political climate, adding up to an edge-of-the-seat suspense tale and Gothic tragedy in one.

The fine details of the investigation (part of it hinges on a single glass bead), and a romance between the doctor and a Jewish hospital administrator who is thus on constant guard, are given space to breathe and described in lush detail. Even characters that appear only briefly are memorable and realistic. Russell sets up these converging stories, then adds a twist that could give a reader whiplash. It’s no wonder the film rights have already been snapped up. Read it now, though, before the spoilers get out. The Devil Aspect is the best of its kind.

A serial killer is targeting pairs of best friends in Sophie Hannah’s latest, The Next to Die. Police can’t nail him down, though they’ve helpfully given him the nickname “Billy Dead Mates.” A radical feminist columnist is using the killings to highlight misogynist violence while pointedly ignoring that one of the victims was male. And comedian Kim Tribbeck would find this all hilarious—that is her job, after all—but for the fact that she might be next on the killer’s list. The killer’s calling card is a tiny white handmade book with a bit of verse inside. Kim received one but has no best friend or desire for one. Police are left to wonder if it was a mistake, or if the killer might be moving on to solo targets.

Woven into the investigation is a subplot particular to two of the detectives on the case who are married, which Kim inadvertently gets involved in, and which adds to the story’s extended meditation on relationships, be they friendly, familial or maybe just a thing on the side.

Told in a mix of memoir excerpts, newspaper columns and narration from varied points of view, The Next to Die will keep you guessing and also, perhaps unexpectedly, laughing. Hannah lets the line slacken then pulls it back in with a jolt as needed. The shifts in narration demand close attention and add to the suspense, though the police seem to take the most roundabout path possible to finally solving the case, including a road trip to Kim’s prior performance venues to find the one where she was given the book. Playing freely with the conventions of the genre, The Next to Die is a funny, philosophical, reflective and taut whodunit.

Three new serial killer thrillers approach their murderous subjects in vastly different ways. One is a game of cat and mouse, another probes the psychological makeup of a killer, and a third is disarmingly funny.

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