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All Mystery Coverage

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Have you ever wondered about the aftermath of a great detective’s big case or how the damage reverberates among the grieving families of murder mysteries? In Sherry Thomas’s irresistible eighth Lady Sherlock mystery, A Ruse of Shadows, Charlotte Holmes solves several interlocking puzzles, bringing justice to characters who were collateral damage in previous installments in the series.

In the beginning, things look bleak for the inimitable Miss Holmes, the real genius behind the celebrated consulting detective Sherlock Holmes. Charlotte is a person of interest in the murder of Lord Bancroft Ashburton and, as one of the last people to see the victim alive, she faces questioning by two of Scotland Yard’s finest: upright Inspector Treadles and retired Chief Inspector Talbot. It’s a sticky wicket for both Treadles and Charlotte: She is the adored partner of the victim’s brother, Lord Ingram Ashburton (“Ash”), who happens to be Treadles’ friend as well. Charlotte also recently cleared Treadles from a false murder indictment.

As a result of Charlotte’s investigative efforts, the formerly powerful Bancroft had been exiled to Ravensmere, “a cushioned facility for sensitive prisoners,” for selling the Crown’s secrets. And yet, just weeks prior to his death, Bancroft summoned Charlotte and coerced her into tracking down his missing henchman, Mr. Underwood. Multiple murders and twists ensue as friends, foes and loved ones of earlier victims return and plot strands get brilliantly tied together in a case that serves as a culmination of everything that’s occurred in the series so far. 

The twists are creative and compelling; it’s always rewarding to watch Charlotte’s mind work and see how she wrests control from men who would use her. But her emotional journey alongside Ash is the real centerpiece of the novel. Now divorced, Ash is finding his way in his newly unconventional life. While cushioned by his gender, wealth and privilege, he has still become a social anomaly: “the Upper Ten Thousand was not accustomed to recently divorced men at their social functions and his presence had caused some tongues to wag.” He’s taking cues from his unorthodox better half, who is unlikely to ever want to marry, but Ash still worries about his children’s reputations. Yet, this is the happiest readers have ever seen the couple. Their relationship blooms in intimate moments, culminating in the series’ most satisfying scenes ever. With Ash and Charlotte’s flame burning higher and hotter, A Ruse of Shadows is an unmissable high point in a joyfully original historical mystery series with a romantic twist.

A Ruse of Shadows is an unmissable high point of Sherry Thomas’ Lady Sherlock, a joyfully original historical mystery series with a romantic twist.
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The Last Murder at the End of the World

In Stuart Turton’s post-apocalyptic thriller, The Last Murder at the End of the World, the world as we know it came to a cataclysmic end some 90 years back, when a malevolent insect-infested fog engulfed the globe, killing everything in its amorphous path. Only a handful of survivors on a remote Greek island are still alive. The leader of the island is an older (17 decades’ worth of older) woman named Niema, who developed the means to keep the fog at bay, albeit too late for everyone in the world save for the island’s 122 villagers and two of her fellow scientists. And there they sit, living out the peaceful existence that somehow eluded humanity in all the millennia leading up to the end times. But there is trouble in paradise, as the narrator (a disembodied female voice eerily reminiscent of HAL the computer from 2001: A Space Odyssey) lets the reader know from early on. The unthinkable is about to happen on the island—a murder, the resolution of which is key to saving the island from the fog, which has begun to penetrate the defenses that Niema set up all those years ago. If you like some sci-fi with your murder, or conversely, some murder with your sci-fi, you have come to the right place. It’s a locked-room mystery expanded to island-sized dimensions, with a narrator who may be putting a finger on the scale that will determine the continuing existence of humankind: Y’all ain’t seen nothin’ like this before.

The Last Note of Warning

Call it the Jazz Age, the Prohibition era, the Roaring ’20s; whatever you call it, it’s Vivian Kelly’s golden ticket to the naughtiness and revelry denied by her strict Irish upbringing before she emigrated to America. Her venue of choice is the Nightingale speak-easy, where she works pouring drinks for the high society clientele. The Last Note of Warning marks Vivian’s third appearance in Katharine Schellman’s popular series, in which atmosphere doubles as a character and murder abounds. This time out, the murder hits rather closer to home: The prime suspect is none other than Vivian Kelly herself, the damning evidence being wealthy businessman Buchanan’s dried blood on her hands. Luckily for her, some well-placed friends come to her rescue, but the best deal they can broker puts Vivian in the unenviable position of having to serve up the real killer within seven days’ time. The mystery grows, um, mysteriouser when Vivian starts to suspect that someone intentionally framed her for Buchanan’s death. And heaven knows there is no shortage of shady types hanging around the Nightingale. The characters are colorful, the story is deliciously well-spun and the ambiance will make you wish that you too had been a-struttin’ in the Jazz Age.

When We Were Silent

Auspicious debut alert: Fiona McPhillips’ When We Were Silent is the strongest first novel I have read in ages, right up there with Attica Locke’s Black Water Rising, my go-to example of first-timer excellence. If you attend Dublin’s prestigious Highfield Manor private school, the first thing you learn is “What happens at Highfield stays at Highfield,” even if it involves episodes that border on the unspeakable. Louise Manson is haunted by one such episode, even though it’s been nearly 40 years since her time at the school. By most measures, she didn’t really belong at Highfield. She was working class, inhabiting the same hallowed halls as the elite by virtue of a scholarship, not old money and familial connections. And she was not there for the prestige: She was there to exact revenge for her best friend’s suicide and to take down those she deemed responsible. Not to give away anything here, but this endeavor did not go too well. Spectacularly badly, in fact, and decades later Louise is still dealing with the fallout. But now in the modern day, thanks in part to that unwritten Highfield code of silence, she may have a second chance at retribution—or she may face fallout that far surpasses that first time around. When We Were Silent is not always a comfortable read, but you didn’t come here for comfortable, did you?

Farewell, Amethystine

Easy Rawlins is 50?? How the hell did that happen? When we think of him, we think of a young Denzel Washington from the film Devil in a Blue Dress, adapted from the book that introduced Walter Mosley’s iconic private investigator to the world way back in 1990. But hey, even Denzel is past 50 now. As Farewell, Amethystine opens, the 50-year-old Ezekiel “Easy” Rawlins of 1970 is, by comparison to his younger days at least, less the firebrand and more the respectable businessman. That said, when a gorgeous young Black woman with a sad story enters his office, an event that has taken place with some regularity over the years, he can still be coaxed into action, and it is a fair bet that he will acquit himself much as he did in his younger days. Amethystine Stoller is missing one husband, and she appears convinced that Easy Rawlins is the go-to guy to find him. Which, of course, he does in short order, but the husband is sadly quite dead. Normally, Easy would tap his cop buddy, Melvin Suggs, to give him a hand with the parts of an investigation that only the police have access to. But at the moment, Suggs is in the wind with problems of his own. Do those problems include another beautiful woman? Well, yes. And will those disparate story lines have some points of connection? Seems likely. And will Mosley wrap it all up better than pretty much anyone else in the field? A resounding yes on that.

The iconic author’s latest Easy Rawlins mystery is another winner, plus our mystery columnist crowns the best new thriller writer since Attica Locke.
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Ann Claire takes readers on a scenic cycling tour through the French countryside in A Cyclist’s Guide to Crime & Croissants.

In the wake of her best friend’s death, Sadie Greene’s grief nearly overwhelmed her. But when she got the chance to turn their shared dream of running a cycling business into a reality, she took it—even if it meant quitting her job in finance and moving halfway around the world to France.

As the new owner of Oui Cycle, Sadie hopes to honor Gemma’s memory and help others find their passion for cycling. But just as she begins to settle into life as an expat, someone vandalizes and threatens Oui Cycle. Then, during a cycling tour that includes her former boss from Chicago and his family, as well as a hard-to-impress travel writer, tragedy strikes. One of her cyclists dies, and the gendarmes believe it may have been murder. To save her fledgling business and the rest of her cyclists, Sadie must figure out who’s targeting her tour—before anyone else winds up dead.

Claire’s sun-soaked southern France setting is almost another character in A Cyclist’s Guide to Crime & Croissants, and readers will enjoy her in-depth descriptions of picturesque villages and droolworthy French cuisine. It’s enough to make anyone want to travel to Sadie’s new (tragically fictional) home of Sans-Souci-sur-Mer—despite the seemingly high risk of murder.

Sadie is a dynamic, multifaceted main character. Prior to Gemma’s death, she was content with her risk-averse, if boring, job. Losing Gemma—and Sadie’s guilt over not accompanying her on her ill-fated final bike ride—forces Sadie out of her comfort zone, all the way to France. When the book begins, Sadie is trying hard to become the best version of herself while also coming to terms with her grief. Claire punctuates the story with Sadie’s diary entries, which are addressed directly to Gemma. The intimate and raw messages give the mystery more emotional depth, and it’s all the stronger for it. There’s plenty of humor, too, especially from international cyclists Manfred, Philomena and Constance as they offer much-needed comic relief and support for Sadie. 

A Cyclist’s Guide to Crime & Croissants is a fun, fast-paced ride through France, and readers will be left eager for a return trip to Sans-Souci-sur-Mer.

A Cyclist’s Guide to Crime & Croissants is a fun, fast-paced cozy mystery set in the sun-soaked south of France.
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Missing White Woman

Kellye Garrett’s stark Missing White Woman offers a Black woman’s perspective on the investigation of, and public reaction to, the disappearance and subsequent murder of a white woman. Jersey City, New Jersey, may not sound like a dream destination for a romantic weekend with your sweetheart, but it does serve up some lovely views of the Manhattan skyline after dark. At first, it is idyllic for Breanna Wright and her boyfriend, Tyler Franklin, offering Bree a break from her humdrum daily life in Baltimore. And then on the last day, the idyll is totally ruined: Bree pads downstairs and finds the bloodied, badly battered and quite dead body of a blond white woman, and Tyler is nowhere to be found. Then the investigation begins, recounted to us by Bree, and it becomes painfully clear that a) the attention and dedication put in to solving the disappearance and subsequent murder of a white woman is quite intensive, much more so than if the victim had been Black, and b) when there are Black people central to—or even peripheral to—the investigation, they receive a lot more unwanted attention from the police than white people. Clear-headed and opinionated, Breanna is a compelling guide through the morass. The troubling, eye-opening but still highly entertaining Missing White Woman would be a superb choice for a book club, guaranteed to stimulate lively discussion among the participants.

Death and Glory

One would not necessarily expect a detective novel set in 1894 London to be concerned with unfinished business regarding the U.S. Civil War, a conflict that had been over for the better part of 30 years. But author Will Thomas does not let any of that stand in his way in his latest historical mystery, Death and Glory. Private enquiry agents Cyrus Barker and Thomas Llewelyn have been called in by Scotland Yard and the crown. Their assignment? Arrange face time with the prime minister and four former Confederate leaders. Elements of the Confederacy are still alive and well in Central America, itching for a chance to rewrite history, and the four representatives hope to hold the prime minister to a past promise. In the closing months of the war, the Confederacy ordered and paid for an ironclad warship along the lines of the Merrimack and the Monitor; Great Britain was officially neutral, so it presented no diplomatic problems to take the order. However, the war drew to a close before delivery could be made. Now these so-called envoys must be dealt with in some form or fashion—a task riddled with pitfalls, some of which are deadly and not the least of which is determining if they truly are who they say they are. Fans of Thomas’ depiction of Victorian-era London and his delightful use of surprising, off-the-wall cameos by historical figures will have their expectations repeatedly exceeded.

Lost Birds

Anne Hillerman took over the Leaphorn & Chee mystery series after the death of her father, renowned Western author Tony Hillerman. The title of her latest, Lost Birds, refers to hundreds of Native American children who, under the midcentury Indian Adoption Project, were adopted by white families and separated from their tribal communities and heritage. Retired Navajo Tribal Police Lieutenant Joe Leaphorn, now a private investigator when the mood strikes him, has been retained to find the family and birth identity of a woman who possesses nothing more in the way of clues than an old photo of a Southwestern rock formation and a hand-woven baby blanket. (Note: Have a box of tissues ready. Seriously.) Meanwhile, married Navajo cops Jim Chee and Bernadette “Bernie” Manuelito pursue an investigation of their own: a huge explosion at a school and the concurrent disappearance of its caretaker, a longtime acquaintance of Leaphorn. Subplots abound, weaving the main characters together and displaying their near-supernatural bonds with one another, with their Navajo Nation home and with their history. Hillerman has shown endless respect for the work of her father in her writing, but also brings a female perspective to the stories, featuring Bernie more prominently and offering a look at the issues facing Native American women today. Tony’s legacy is in safe, loving hands.

Death of a Master Chef

Police Commissaire Georges Dupin returns in Jean-Luc Bannalec’s latest mystery, Death of a Master Chef. Dupin is visiting the Breton port town of Saint-Malo to attend an meeting about advancing cooperation among various local police forces (yawn). In a local food market where Dupin is judiciously sampling the wares, a murder takes place virtually right under the commissaire’s nez. Although he gives chase, he quickly loses sight of the suspect. But no matter; everyone knows that the murder victim was well-known chef Blanche Trouin, and everyone also knows that the killer was Lucille Trouin, Blanche’s sister and a famed chef in her own right. The pair had long stoked the fire of the longest running sister-feud since Joan Fontaine and Olivia de Havilland. This will not be the last murder: The victim’s husband meets his untimely demise soon after, followed in short order by a close friend. The case(s) will give the various Breton police departments a textbook opportunity to test out their skills at working together—let’s just say that Commissaire Dupin is not best pleased about that element of the investigation. French mysteries are like French cars (I know this from experience via my elderly but well-loved Peugeot convertible), cushy and tres confortable, a bit slow from a standing start, charmingly quirky. With Death of a Master Chef, Bannalec delivers on all counts.

A Black woman discovers the internet’s latest obsession dead in her vacation home in Missing White Woman. Plus, excellent new entries from Will Thomas, Anne Hillerman and Jean-Luc Bannalec in this month’s Whodunit column.
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In Close to Death, the fifth installment of his meta Hawthorne and Horowitz mystery series, Anthony Horowitz delivers another diabolically complex whodunit, rife with misdirection and murder.

When an obnoxious resident of the ritzy and otherwise close-knit Riverside Close neighborhood is murdered, law enforcement officials are puzzled. The remaining residents of the luxury community immediately close ranks—they all had motive to kill the unlikable Giles Kenworthy. So London officials call on former detective-turned-private investigator Daniel Hawthorne and his partner, John Dudley, to solve the sensational crime. Within weeks, the case is closed. Five years later, writer Anthony Horowitz is getting desperate. He’s written four crime novels with Hawthorne, mostly by following the prickly detective and chronicling his work. Now though, Horowitz has a looming publishing deadline for their next book, but the pair haven’t solved a case in months. He asks Hawthorne to revisit the already-solved Kenworthy case for an easy-to-write, ready-made mystery. But Hawthorne withholds almost as much information as he shares, and Horowitz realizes there’s much more to this case.

Horowitz (the real-life writer, not the character in his books) is a master of intricately plotted and deeply satisfying mysteries, and Close to Death is no exception. This fifth installment in the Hawthorne and Horowitz series is structured very differently than the previous works: Rather than having the fictional Horowitz follow Hawthorne’s sleuthing in real time, the pair are reviewing a long-closed case. Still, Horowitz is in the dark for much of the novel, trying to make sense of Hawthorne’s brief recaps and terse explanations. Horowitz is also deeply curious about Dudley, Hawthorne’s previous assistant. Why did the pair stop working together? Did it have something to do with the Kenworthy murder? Readers will enjoy following Horowitz as he works to unravel the many mysteries that surround this particular case.

Close to Death offers a supremely engrossing and expertly plotted mystery that will challenge and delight even the most well-read mystery fans. Suspects include two former nuns, a celebrity dentist, a landscaper and a chess champion, all of whom have secrets to hide. The clues are there for readers to find, hidden in this Agatha Christie-style mystery. This installment may be the strongest book yet in the superb series.

Close to Death offers a supremely engrossing and expertly plotted whodunit that will challenge and delight even the most well-read mystery fans.

Under the Storm

In November 1994, the rural Swedish community of Marback was forever changed when Lovisa Markstrom’s body was found in the ruins of a massive farmhouse fire, and her boyfriend, Edvard Christensson, was charged with her murder and the subsequent arson cover-up.

There was never any doubt he did it. As rookie policeman Vidar Jörgensson muses, Edvard’s father was a violent man, and in Marback, “sons turn out like their fathers; daughters like their mothers. Weaknesses and burdens are passed down, just like in other places. Then again, so are strengths and good traits—but people seldom consider those.”

Edvard’s 7-year-old nephew, Isak Nyqvist, does, though: He simply can’t fathom that his beloved uncle could have done such a thing. Edvard’s always been kind and attentive, and he loved Lovisa. But Isak’s parents tell him he must keep quiet about it and they must cut all ties with Edvard so they can remain in Marback and have some semblance of peace.

Carlsson demonstrates impressive character development and a knack for slow-building suspense.

And so, in Christoffer Carlsson’s intricately crafted Under the Storm, a mantle of grief settles on Isak’s small shoulders, setting him on a life path marked by unresolved anger: at his uncle, his parents and the town that sees him as just the latest bearer of his family’s tainted bloodline.

Under the Storm has three parts. The first draws readers into the initial investigation. In the second, which takes place nine years later, a more experienced Vidar reexamines the case in the wake of possible new evidence. The third section, set in 2015, brings together the tragedies and tribulations of the preceding 30 years as Isak and Vidar push toward the truth, no matter the cost.

As in his internationally bestselling American debut, 2023’s Blaze Me a Sun, Carlsson demonstrates impressive character development and a knack for slow-building suspense as he invites readers to consider the shock waves that can emanate from “One single event. That was all it took to redirect the path of a life. Like the filament of a root moving through time.”

The Hunter’s Daughter

On the opening page of Nicola Solvinic’s standout debut, The Hunter’s Daughter, Sheriff’s Lieutenant Anna Koray greets the reader with the following: “The first time I killed a man was on Tuesday.”

That terrible result to a domestic violence incident brings Anna’s past crashing into the present, opening a Pandora’s box of memories that were locked away via hypnosis 30 years ago. It’s a fascinating premise, one that becomes darker and more twisted as the pages turn and Solvinic, a career criminologist, reveals that said memories are of Anna’s father, a serial killer known as The Forest Strangler.

This engrossing, often hallucinogenic read vibrates with increasing tension and danger.

With the help of the psychiatrist who originally created her “memory vault,” Anna (re)discovers her father was responsible for the deaths of at least 27 young women, each of them bound with poison ivy and arranged in horrifying flower-filled tableaux. Anna’s been living under an assumed identity since his capture. Even as she reels from the discovery, she learns that someone is killing in their rural Midwestern county once again, with a MO very similar to her father’s. Could it be him, somehow? Or is it a copycat? Making matters even worse, the killer’s been taunting Anna with their knowledge of her true identity, the revelation of which would destroy her career and the life she loves.

Solivinic draws readers into Anna’s confused, conflicted mind: She loses time, worries that she’s descending into madness and sees shadowy supernatural figures in the dense forest surrounding her home. For most of The Hunter’s Daughter, Anna straddles the uncertain territory between a repressed state and full knowledge, unsure whether she can trust her boyfriend, her colleagues or herself. It makes for an engrossing, often hallucinogenic read that vibrates with increasing tension and danger as Anna relentlessly works to determine whether biology and destiny are one and the same.

Under the Storm and The Hunter’s Daughter explore the aftermath of murder for both the perpetrators’ families and the dogged detectives assigned to the case.

Who doesn’t love a pretty village? In these two debut mysteries, rolling countryside, cobbled streets and grand medieval manors create perfectly pastoral backdrops for murder most foul. 

The Antique Hunter’s Guide to Murder

Freya Lockwood is at loose ends: Her ex-husband is forcing the sale of their London home; their daughter, Jade, has left for university; and it’s been years since Freya’s been enthused about anything aside from motherhood. 

She once worked as an antiques hunter alongside her mentor, the debonair and wickedly intelligent Arthur Crockleford. They returned stolen antiquities to their rightful owners, a pursuit both exhilarating and fulfilling. But after a trip to Cairo ended terribly, Freya cut contact. She hasn’t spoken to Arthur or returned to her hometown of Little Meddington in the 20 years since.

As C.L. Miller’s The Antique Hunter’s Guide to Murder opens, Freya’s beloved and fabulous Aunt Carole calls with news of Arthur. He’s been found dead in his Little Meddington shop, and Carole’s convinced he’s been murdered. To add to the emotional upheaval, Arthur left Freya a letter imploring her to find the culprit using cryptic clues he’s set out for her.

The quest begins at an antiques enthusiasts’ weekend at nearby Copthorn Manor. The ivy-covered mansion is set on beautiful grounds, but inside the house, things are far from pretty. The shifty cast of characters present is filled with likely suspects, all of whom are ill-mannered at best and dangerous at worst. Can Freya and Carole untangle the deadly connections between past and present before the killer strikes again?

Miller adds authenticity by name-checking real antiques with help from her late mother, the author and “Antiques Roadshow” expert Judith Miller. Readers will enjoy following the trail of clues alongside Freya and Carole, who must also contend with their conflicting feelings about Arthur. This series kickoff capably combines a treasure hunt, a murder mystery and complex relationship dynamics, and is sure to keep readers curious and engaged, while perhaps pining for their own special antique, too.

How to Solve Your Own Murder

Kristen Perrin’s How to Solve Your Own Murder also centers on amateur sleuths who are aunt and niece. Although in this lively, twisty tale, Great-Aunt Frances is the recently deceased victim, found in the library of her stately mansion in the village of Castle Knoll.

Her 25-year-old great-niece and aspiring mystery novelist, Annie, is present for this sad discovery, being one of the family members and advisors Frances summoned to Gravesdown Hall to discuss her will. But while Frances’ demise is a terrible shock to the group, it wouldn’t have surprised Frances herself: In 1965, a fortuneteller told the then-teenager, “All signs point toward your murder,” and she’s been trying to preemptively solve her own murder ever since.

Castle Knoll residents have long scoffed at Frances’ belief in the prophecy, and bristled at her investigations of their foibles and indiscretions—all of which are detailed on a floor-to-ceiling murder board. That board will come in handy, since Frances left Annie and the other guests at Gravesdown an assignment: Whoever solves Frances’ murder within the week will be the sole heir to her money and property. If the police crack the case first, the estate will be turned over to real estate developers, thus destroying the charm of the village filled with those who doubted Frances.

Those drawn into Frances’ game include Saxon, her nephew and the village coroner; handsome and enigmatic Detective Crane; and Walter, her lawyer and friend. There are secrets and conflicts of interest galore, plus multiple ways to access Gravesdown Hall undetected, making for an absolute pile of red herrings. And while Castle Knoll is “like a picture on a biscuit tin,” there’s plenty of ill intent roiling beneath its delightful surface. Can Annie stay safe and find the murderer before week’s end? 

Perrin juggles characters and clues with aplomb, sketching in the past via teen Frances’ journals and immersing readers in the present through Annie’s determined, good-hearted point of view. Readers will root for her as she gains hard-won confidence in this entertaining exploration of family secrets.

All whodunit fans know that little country towns are really dens of sin.
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Meddy Chan and her meddlesome family are back in The Good, the Bad, and the Aunties, Jesse Q. Sutanto’s delightful final entry in her bestselling Dial A for Aunties trilogy.

Meddy and her new husband, Nathan, are ending their extended honeymoon with a stop in Jakarta, Indonesia, where they’ll spend the Lunar New Year with Meddy’s extended family. Of course, Meddy’s mom and the Aunties have traveled from America to celebrate, too. The holiday kicks off with a visit from a special admirer of Second Aunt’s—who may or may not be a mafia lord. He brings gifts to woo Second Aunt and the Chans, but accidentally gives away something very valuable, meant for a rival crime boss. Meddy and the Aunties jump into action to retrieve the gift and wind up facing down criminals, kidnappings and rude teenagers in their wildest outing yet. 

You don’t need to read the first two Dial A for Aunties mysteries to follow all the hijinks in The Good, the Bad, and the Aunties, but fans of the series will recognize how much Meddy has grown, especially when it comes to asserting herself to her loving but domineering Aunties. They may frustrate Meddy with their headstrong opinions, but they will delight readers with their often unintentional funny moments. All of the humor is top notch, despite the threats of warring crime lords and kidnappings. It’s touching to see how each Auntie thrives during their return to Indonesia, and Meddy and Nathan’s relationship is another highlight. Nathan is as steady and supportive as ever, despite all the chaos. When the book ends, Meddy’s no longer looking back on all the troubles she and the Aunties have escaped; instead, she’s looking forward to her future with Nathan. 

The Good, the Bad, and the Aunties is a fun, fast-paced read and a satisfying conclusion to the popular series.

With top notch humor and endearing relationships, The Good, the Bad, and the Aunties is a satisfying conclusion to Jesse Q. Sutanto’s beloved series.
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The Mystery Writer

I tend to be skeptical of conspiracy theorists—wait, let me rephrase that: I think most conspiracy theorists are bat-guano-crazy, howl-at-the-moon wingnuts. So it was with some trepidation that I embarked on the reading of Sulari Gentill’s The Mystery Writer. One of the main characters is a dyed-in-the-wool conspiracy theorist caught up in an online matrix of resistance, revolution and heaven knows what else, who is led by a character named Primus, who for all we know may be a 42-year-old who still lives in his mom’s basement. Rent free. But let’s put that aside for a moment, and focus on the protagonist, Theodosia “Theo” Benton. Theo has made her way from Tasmania to her brother’s house in Kansas in hopes of becoming a writer. Against all odds, she befriends her literary idol in a local coffee shop, published author Dan Murdoch, whose presence in the corporeal world is, unbeknownst to him, racing toward a violent close. Oh, also, he may have been the aforementioned Primus. Or not. Conspiracy theories are notoriously flexible that way. But when Theo begins to look into the death of her friend/mentor, she will be forced to come to terms with the real-world consequences of internet rants. Gentill’s follow-up to The Woman in the Library is an original and entertaining read with likable characters (even some of the wingnuts), although it may put me off Kansas for a while.

The Stars Turned Inside Out

It’s been six years since author Nova Jacobs’ debut, The Last Equation of Isaac Severy, hit the bookstands, garnering an Edgar Award nomination for best American debut. And then we waited, and waited some more. I am quite happy to report that her second novel, The Stars Turned Inside Out, is well worth the intermission. Deep underground, in a secret location somewhere outside Geneva, the Large Hadron Collider goes about its business of smashing subatomic particles, allowing scientists to conduct all manner of experiments regarding the nature of the universe. When the body of physicist Howard Anderby is found in one of the tunnels, having apparently been exposed to lethal levels of radiation, security consultant Sabine Leroux is called in to determine the cause. Her investigation unearths several troubling situations that lend credence to the idea that Anderby’s death was not accidental. Sabine conducts interviews with other physicists and staff on-site, volleying scientific jargon back and forth, but it is all clearly explained, never overwhelming and will engender curiosity in the non-scientist reader. In Jacobs’ first book, the murder mystery was overlaid with mathematics; in this book, the murder mystery is overlaid with physics. I live in hope that the next one will feature chemistry or biology, and that I can further my education while doing what I enjoy—reading murder mysteries. 

Cast a Cold Eye

If violence is your cuppa oolong, look no further than Cast a Cold Eye, installment two of Robbie Morrison’s Depression-era, Scotland-set Jimmy Dreghorn series. His first, Edge of the Grave, won the 2021 Bloody Scotland Debut Prize for Crime Novel of the Year and I wouldn’t be surprised if the sequel carries on in that grand tradition. Violent crime in 1930s Glasgow tends to be domestic abuse or the result of gang-related scuffles, with fists, knives or razors as the weapons of choice. So when a boatman is executed with a single bullet to the back of the head, it is a shock. Inspector Jimmy Dreghorn and his sidekick, “Bonnie” Archie McDaid, get the case. The pair is awash in contrasts: Dreghorn is complex and unlucky in love, a John Rebus-like character out of place in the era; McDaid is a onetime Olympian wrestler who employs his martial arts skills to great advantage, often with humor that will be appreciated by readers, if not by his opponents. Morrison paints the Glasgow milieu in somber shades of gray and brown, often water-streaked and more than occasionally blood-streaked as well. The dialog is spot on, which is to say that there is a good case to be made for having a Scots-English dictionary near at hand. If you’re here for the action, the history, the brothers-in-arms camaraderie and a cracking good story, you’ve come to the right place, laddie.

Pay Dirt

V.I. Warshawski returns for her 22nd adventure in Sara Paretsky’s latest mystery, Pay Dirt. In this installment, the PI is not in her usual digs in Chicago, but rather in Lawrence, Kansas. That will not keep her out of trouble, though; she manages to find that pretty much anywhere. This time it’s in the form of Sabrina Granev, a teenage soccer player barely clinging to life after being found in a drug house, and a second woman who was not so lucky—found dead in the same house a few days later. The mystery explores financial greed; closely held family businesses; the mutual back-scratching of corporate interests, politicians, law enforcement officials and jurists; and a bunch of ripped-from-the-headlines points of contention: critical race theory (and ongoing racism in general), the specter of reparations, conspiracy theories, “wokeness” and more. And of course there are a couple of murders, and if the bad guys have their way, they will add Warshawski to that (growing) list. Warshawski remains in top form as she ages; battered some by life, perhaps a bit more acerbic and wryly cynical, but still a keen observer and first-person chronicler. As was the case with the 21 volumes that preceded it, Pay Dirt is unputdownable, a worthy addition to one of the finest series in modern suspense fiction.

Plus, the latest whodunits from Sulari Gentill, Robbie Morrison and Sara Paretsky round out a great month in suspense fiction.
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March 12, 2024

9 true crime-inspired mysteries and thrillers

With the huge boom in true crime books, podcasts and documentaries has come a parallel wave of mysteries and thrillers that examine the pleasures and pitfalls of the genre. These books form a literary hall of mirrors, turning the voyeuristic gaze of true crime back upon the reader. You may not like what you find.

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These books turn the voyeuristic gaze of true crime back upon the reader. You may not like what you find.
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The Boy Who Cried Bear

Building on the success of her Rockton series, Kelley Armstrong’s Haven’s Rock series is about a secret town in Canada’s Yukon wilderness, where people fleeing a dangerous situation can hide safely in the company of other, similarly afflicted residents. Think of it as a private witness protection program, with security provided by remoteness rather than hiding in plain sight. The latest installment, The Boy Who Cried Bear, has an absolute doozy of a setup. As you’d expect from the title, one of the residents, a preteen boy, sees a bear while on a hike. Or perhaps a yeti. Or perhaps it is just a tall tale, because he swears the bear had human eyes. But when the boy disappears into the forest, and bear fur is found near where he went missing, the search becomes a race against time to find him before the cold and the wildlife finish him off. His mother remains unconvinced.. She knows her son would not go off into the forest on his own, and she strongly suspects that one of the other members of the community is a pedophile. The truth of the matter is slightly more complicated. OK, a lot more complicated. And dangerous enough that a couple of folks will die violently before it becomes evident.

Hard Girls

J. Robert Lennon’s thriller, Hard Girls, is the story of Jane and Lila Pool, a pair of twins dealt a bad hand in life early on. When they were youngsters, their mother left one day and never came back. There were rumors about her departure, perhaps a clandestine lover or something altogether darker. Their distracted professor father didn’t keep much of a rein on them after that, and in fact paid them as little attention as possible. It wasn’t abuse, exactly, but it was certainly benign neglect. And as is often the case with twins, Jane and Lila were competitors as well as sibs, further egging each other on with each passing year, until one night a series of escalating events culminated in homicide. Justifiable? Arguably, but the actions they took after the fact muddied those waters significantly. They parted company with some recriminations, but with little choice in the matter. And so they remained for quite some time until out of the blue, their missing mother reappears in their lives, leading them on a merry chase across the continent and deep into Central America. I am just scratching the surface here: There are CIA-related complications, deadly expats, car chases, first-rate skulduggery and the weirdly resilient family ties that bind. All in all, Hard Girls is an original, multilayered and quite engrossing thriller.

★ Little Underworld

You could make a case for the prosecution that PI Jim Beely doesn’t mean to murder Vern Meyer in the opening scene of Chris Harding Thornton’s Little Underworld. It would be a hard sell, though, as Meyer molested Beely’s 14-year-old daughter, and Beely does, after all, hold Meyer’s head underwater rather longer than the world record for holding one’s breath. He thinks long and hard about how to dispose of the remains, and finally throws the body into the backseat of his car and heads back to town, with a plan to meet his undertaker friend who, for a fee, will help him dispose of the evidence. There he happens upon crooked cop Frank Tvrdik, who greets him with “Hate to break it to you—You got a dead guy in your backseat.” But Frank doesn’t much care about the body, except perhaps as leverage to get Beely’s help in taking down a corrupt politician. And nobody cares that the politician is corrupt, except that his corruption seems to be getting in the way of their corruption, and that cannot be allowed. Little Underworld is set in 1930s Omaha (of all places), with period-correct dialogue that is often darkly hilarious, reminiscent in tone of black-and-white gumshoe movies from the golden age of Hollywood. 

★ Black Wolf

The big news in mystery circles these days is Juan Gómez-Jurado’s Antonia Scott series, which has sold like panqueques (hotcakes) in its home country of Spain. Volume two of the trilogy, Black Wolf, has just been released. The temptation is strong to compare central character Antonia Scott to Stieg Larsson’s antihero Lisbeth Salander, but a) that has been done already by pretty much every reviewer up to now, and b) I think a much more apt comparison is to Keigo Higashino’s uber-talented police consultant Dr. Manabu Yukawa, aka Detective Galileo. Both Scott and Yukawa visualize connections that others miss, and both are in high demand with the police for their brainiac skills. Scott’s police contact is Jon Gutiérrez, a strong but slightly less than graceful gay man from the Basque Country. While Gutiérrez is trying (and failing) to fish a dead body out of a river in Madrid, a mafia figure is murdered in his home a half-day’s drive away on the south coast. The man’s wife is targeted as well, but she escapes, albeit barely. In hot pursuit is an assassin known as the Black Wolf (in Spanish, la loba negra). It falls to Antonia and Jon to track her down before the killer locates her. There is one area in which a comparison to Larsson is warranted: The Antonia Scott series is hands-down the best suspense trilogy to come along since Larsson’s Millennium Trilogy. Nothing else even comes close. The third one needs to arrive soon—make it so.

Our mystery columnist hails Juan Gómez-Jurado’s Antonia Scott novels as the best suspense series since Stieg Larsson’s Millennium Trilogy.

Podcasts, subreddits and social media: There are countless ways to feed constantly hungry true crime fanatics. But where does lore end and truth begin?

Lucy Chase is an Angeleno with a deadly secret . . . that she can’t even remember. The snarky antihero of Amy Tintera’s Listen for the Lie has spent years away from her small, less-than-charming hometown of Plumpton, Texas, where one night after a wedding, her best friend, Savannah “Savvy” Harper, was found dead in the woods. Lucy was found on the side of the road covered in blood and bruises, Savvy’s skin under her fingernails. Everyone thinks Lucy did it—even her parents—but so far no one’s been able to prove it, though Ben Owens hopes to find answers with his popular true crime podcast, “Listen for the Lie.” After Lucy reluctantly returns to Plumpton to attend her beloved grandmother’s 80th birthday party, she’s determined to avoid Ben and his probing questions, her nice-guy ex-husband, Matt, and the voices in her head urging her to kill. There’s just one problem: Ben is incredibly persuasive and exceedingly attractive. Will Ben’s interviews with Lucy and the citizens of Plumpton lead her to finally remember what happened to Savvy—and to herself? 

Tintera is both a New York Times bestselling young adult author and a Texas native, and her adult debut features a protagonist who’s as laugh-out-loud funny as she is complex. Little does her family know, Lucy is a successful pseudonymous author of romantic comedies who’s worried that her burgeoning career will be damaged if she’s unmasked as a potential murderer. Skillfully alternating between Ben’s podcast transcripts and Lucy’s compelling narration, Listen for the Lie grabs ahold of the reader from its first line—“A podcaster has decided to ruin my life, so I’m buying a chicken.”—and doesn’t let go until the jaw-dropper of a resolution.

Unlike Lucy, Theodora “Teddy” Angstrom of Kate Brody’s Rabbit Hole still lives in her hometown; she even teaches at her old high school. A decade after Teddy’s wild child of an older sister, Angie, left for a party when she was 18, never to be seen again, Teddy’s father intentionally drives off a bridge, leaving Teddy and her now thrice-widowed Irish immigrant mother to reckon with their complicated and tragic family history. What begins as a casual glance at Reddit threads about Angie’s disappearance leads Teddy down the titular rabbit hole—and to speculation that Angie is, in fact, still alive. Does Teddy’s estranged half brother hold the key? What about Angie’s teenage crush, Bill, now a local handyman and conspiracy theorist whom Teddy becomes romantically involved with? And why is Reddit user and local college student Mickey almost too eager to help Teddy find answers? 

Brody’s debut novel is both a suspenseful mystery and a provocative portrait of a broken family. Teddy is a sharply intelligent and rather cinematically flawed heroine—with her weaknesses for alcohol, junk food and, eventually, firearms—who readers will nonetheless find themselves rooting for. Cases involving young, pretty missing women are veritable catnip for the online true crime community, who can and do project endless speculations, theories and questions that often damage more than they resolve. Teddy’s story urges readers to consider the real people behind the clickbait, who often hunger for closure to no avail.

Two female-driven mysteries explore our cultural fascination with tragedy.
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Ian Moore’s culinary cozy mystery Death and Fromage brings readers back to the picturesque Vallée de Follet in France, where murder is on the menu.

British expat Richard Ainsworth enjoys a quiet life running a bed-and-breakfast in Vallée de Follet, Moore’s peaceful stand-in for the Loire Valley. A middle-aged film scholar, Richard prefers the slow pace of the French countryside and the company of his beloved hens. But his tranquil life is challenged when a culinary scandal explodes involving feuding Michelin-starred chefs, cheese sabotage, nasty reviews and a possible murder. Valérie d’Orçay, a beautiful and mysterious return guest at the B&B, decides to investigate and asks for Richard’s help, bringing perhaps too much excitement to the expat’s life. As the bodies pile up, Valérie and Richard uncover a decades-old betrayal that’s about much more than cheese.

In the second installment of his Follet Valley series, Moore captures the beauty and drama of life in a small town. Richard is an unconventional hero: He’s unassuming and quick to deploy self-deprecating humor. Valérie, his lodger and investigation partner, fits the sleuth bill much better. She’s beautiful, brave and an exceedingly competent bounty hunter. They’re an unlikely pair, but they work well together while unraveling the many mysteries that surround them. 

Moore’s wry humor is a highpoint of Death and Fromage, as Richard’s self-deprecating British wit is often at odds with his French neighbors to great comedic effect. Secondary characters like the dogged commissaire Henri LaPierre and Richard’s estranged wife, Clare, provide both tension and laughs as they circle Richard and the investigation. Clare is a hilarious force of nature, often steamrolling Richard to get what she wants. 

The series would benefit, however, from deepening the characters of Valérie and Richard. It would be nice to see Richard come into his own, rather than following the lead of others, and while Valérie is an entertaining femme fatale, she has potential to be so much more. Hopefully, both characters will grow in future installments of this charming series.

In his second Follet Valley cozy mystery, author Ian Moore captures the beauty and drama of life in the French countryside.

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