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In Polar, Deputy Ray Tatum has two mysteries to solve: the disappearance of Angela Dunn, a wordless child who wanders into the woods, never to be seen again by her parents, and the sudden prophetic powers of the formerly worthless Clayton, a shiftless town institution best known for his preference for the porn channel. One mystery will be solved, while the other remains tantalizingly out of reach.

But these strong narrative engines are not what really drives Polar, T. R. Pearson’s latest novel. What Pearson seeks to do, instead, is capture the feel of small town life and the myriad personalities that give it texture, without resorting to the usual platitudes that pretend such towns have more than their share of unspoiled innocence. In other words, Pearson’s small-town Virginia is no Mayberry. Nor is it inhabited by the Cleavers.

The novelist thinks nothing of interrupting the flow of his narrative to give the life story of a minor character who may never appear in the book again. This doesn’t constitute an aesthetic flaw. After all, the true, unvarnished motivations of man are what Polar is really all about.

It’s about characters like Ivy Vaughn, a woman who remains in such a high dudgeon she never pays attention to the road and leaves a trail of dead animals in her wake. It’s also about Mrs. Dunn, who turns the loss of her daughter and husband into profit, launching a career as a radio celebrity whose collective losses make her an authority on flagging American morals.

And, of course, there is Clayton, whose television satellite is arced over his garage at an angle that betrays, for all to observe, his addiction to televised erotica. Clayton seems an unlikely candidate to be blessed with the gift of second sight. But fate, which has a definite sense of humor in a T.R. Pearson novel, chooses Clayton to become a small-time, small-town prophet.

Only Deputy Tatum is able to turn Clayton’s obscure prognostications to good purpose in his search for Angela. Motivated by the haunting memory of his own dead child, Ray pursues Angela’s story long after the media, the FBI and even the girl’s parents have given her up for lost. Using the prism of Tatum’s grief, Pearson critiques small-town pretensions and, by extension, America’s chronic hypocrisies.

In Polar, Deputy Ray Tatum has two mysteries to solve: the disappearance of Angela Dunn, a wordless child who wanders into the woods, never to be seen again by her parents, and the sudden prophetic powers of the formerly worthless Clayton, a shiftless town institution…

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What would happen if the man you just married yet hardly knew died suddenly, leaving behind not only a vast fortune, but a host of secrets as well? If you were an aristocrat in Victorian England, you'd certainly let sleeping dogs lie and focus your attentions on finding a new husband after an appropriate period of mourning. Fortunately for us, the independent-minded heroine in Tasha Alexander's debut novel has other ideas. Lady Emily Ashton has never been one to follow society's conventions, and after finding a mysterious cautionary note in her late husband Philip's personal effects, she decides to investigate his death.

Embarking on a search for answers that takes her from the halls of the British Museum to Paris and beyond, Emily plunges into a fascinating world of ancient antiquities, Greek mythology and scholarly pursuits not at all suited for a lady, as her class-conscious mother constantly reminds her. Undeterred, she delves further into her investigations and finds herself belatedly falling in love with her late husband, whom she'd married primarily as a means of escaping her mother's clutches. When her sleuthing reveals elements of forgery, theft and deception lurking beneath the surface of the genteel world of statuary collecting beloved by her husband, Emily ends up facing the same danger that may have brought about his untimely demise. Confiding in two of his dearest friends, both of whom vie feverishly for her affections, she soon realizes that in life, as in art, appearances can be deceiving.

Engagingly suspenseful and rich with period detail, And Only to Deceive provides a fascinating look at the repressive social mores and painstaking rules of etiquette in Victorian high society. Barrier-breaking sleuth Nancy Drew has nothing on Alexander's fearless and tenacious Lady Emily, and readers will be glad to discover that there's an encore performance in the works for this unconventional heroine.

Joni Rendon lives in London and loves novels about Victorian England, but is grateful for today's more relaxed code of conduct.

 

What would happen if the man you just married yet hardly knew died suddenly, leaving behind not only a vast fortune, but a host of secrets as well? If you were an aristocrat in Victorian England, you'd certainly let sleeping dogs lie and focus your attentions on finding a new husband after an appropriate period of mourning. Fortunately for us, the independent-minded heroine in Tasha Alexander's debut novel has other ideas.
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Whenever a novel by Mario Vargas Llosa (Aunt Julia and the Scriptwriter, Death in the Andes) hits the stands, it is cause for celebration among critics and readers alike. It took the better part of a year for his latest novel, The Feast of the Goat, to be released in translation, and the many English-speaking fans of this Spanish-language master (this reviewer included) have been champing at the bit in anticipation. As the novel opens, we find that Urania Cabral has made quite a good life for herself. She lives in an expensive Manhattan high-rise and serves as a corporate lawyer for the World Bank. At 49, she is one of the major power brokers of the New York financial community. Her success has not been without its shortcomings, however: she has been estranged from her family for some time and has no significant other with whom to mark the passing of the years.

She decides on a whim to return to her childhood home of Santo Domingo, capital of the Caribbean island nation of the Dominican Republic. Her homecoming will be something of a self-imposed test, an experiment to see whether the city can still stir up the feelings of nostalgia, rage, bitterness and impotence she felt when she left. It will also offer her the opportunity to visit her ailing father, a high-ranking government official who fell out of favor in the aftermath of the murder of dictator Rafael Trujillo in 1961. (Trujillo’s government, though arbitrary and bloody, had been propped up by the U.S. government, largely because of his vehement anti-communist stance.)

Jump ahead a chapter, and you find yourself transported back to 1961. Trujillo is at the height of his power, and he rules the country with the proverbial iron fist. He routinely beds the wives of his generals and confidants and publicly brags about it in front of them, a modern-day Caligula in a tropical suit. Slowly the notion of assassination takes hold in the hearts and minds of a small group of patriots.

Deftly cutting back and forth from the assassination plot to the present day, Llosa weaves the story of a family and a country torn apart by the abuse of power. The Feast of the Goat succeeds on many levels. Llosa’s writing is, as always, rich and earthy, complex and elegant. The story is a classic, marking the downfall of a despot and the unforeseen consequences for his inner circle, his enemies and his country.

 

Whenever a novel by Mario Vargas Llosa (Aunt Julia and the Scriptwriter, Death in the Andes) hits the stands, it is cause for celebration among critics and readers alike. It took the better part of a year for his latest novel, The Feast of the…

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Grab a cup of decaf before settling down with Goldy Schulz's latest culinary caper. Zippier than a double hit of espresso and filled with the usual array of mouth-watering recipes, Double Shot has more twists than a fresh batch of fusilli. Diane Mott Davidson's 12th culinary mystery begins as Goldy's jerk of an ex-husband, John Richard, is found murdered. No one is more surprised than Goldy when she's framed for the crime. Sure, both she and her best friend, Marla (a fellow ex-Mrs. Jerk), were still seething that he'd been let out of prison, but did they really wish him dead? With a heavy catering schedule serving most of the creme de la creme of Aspen Meadow society, Goldy barely has time to rework the menus, much less commit a murder. Of course, John Richard never had a problem making enemies, including a bushel of jilted women. Socialite Courtney MacEwan, the most recent casualty of John Richard's affections, certainly has reason to top the list of suspects. A few hundred thousand reasons, that is. No one believes for a moment that John Richard Korman could possibly afford his country club estate and all the trimmings without the help of Ms. MacEwan's checkbook. As rumors begin to boil surrounding John Richard's forays into money laundering and unpaid debts, and more of Aspen Meadow's social register comes under scrutiny, another dead body surfaces.

With questions swirling like the inside of a cinnamon strudel, Goldy is torn between investigating the murders and keeping her head off the chopping block. Perhaps worst of all, Goldy and John Richard's son, Arch, seems to be juggling his grief with a secret that could hold the key to his father's murder.

Seasoned with dicey characters from the local strip club, hints of church corruption and a dash or two of unrequited love, Double Shot serves up a mystery that even the most avid of fans won't unscramble until the last bite.

Sheri Swanson enjoys trying new recipes and heartily recommends Goldy's Nuthouse Cookies.

 

Grab a cup of decaf before settling down with Goldy Schulz's latest culinary caper. Zippier than a double hit of espresso and filled with the usual array of mouth-watering recipes, Double Shot has more twists than a fresh batch of fusilli. Diane Mott Davidson's 12th…

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Disparate family histories collide and long-buried secrets resurface in this ingeniously crafted modern-day suspense narrative that combines elements of a traditional detective novel with riveting psychological character studies. Kate Atkinson, award-winning British author of Behind the Scenes at the Museum and two other novels, artfully incorporates her gothic sensibility and keen observations on human nature into a compelling page-turner that explores the fine line between love and obsession, grief and recovery, guilt and redemption.

Case Histories introduces us to a convincing mix of unconventional families and imperfect individuals whose lives are pockmarked by loss, abandonment and regret. Startling connections between them emerge when three different decades-old mysteries are thrust into the lap of private detective Jackson Brodie. First, there's the disappearance of three-year-old Olivia Land, whose aging sisters discover a disquieting clue among their deceased father's possessions; then the inexplicable stabbing of 18-year-old Laura Wyre by a deranged stranger during a routine workday at her father's law office; and finally, the grisly ax murder of a hapless husband ostensibly by his young wife in a fit of despair and rage. The tragedy and horror of these bygone crimes is brought sharply into focus through the use of omniscient narration, which crisscrosses family histories and vividly allows us to examine the three crime scenes in both the past and present tense.

Although decades may have intervened and the tragic headlines are now forgotten by most, the family members affected by these traumas still crave closure, leading them to Brodie's doorstep in a final attempt to lay their ghosts to rest. The emphatic private eye absorbs the burden of their collective grief while attempting to track down new leads and piece together the missing links of the long-unsolved cases. Meanwhile, he struggles with his own host of personal problems including an acrimonious divorce, a daughter growing up too quickly, and the sudden appearance of a mysterious enemy who seems to want him dead. Increasingly, Brodie's own life takes a backseat as he becomes irreversibly entangled in the melancholic lives of his clients the quirky and spinsterish Land sisters, the lonely and grief-obsessed father Theo Wyre, and the enigmatic sister of the convicted ax murderess, who harbors a dark secret. As he begins to unravel the threads of their seemingly incongruous cases, he uncovers subtle connections and painful truths that eventually help heal old wounds as well as bring his own troubles into sharp relief.

Featuring an engagingly offbeat private detectives and an equally intriguing cast of complex and lovably eccentric characters, Case Histories propels the reader forward with a rare intensity and compassion. With an unerring eye for domestic detail, Atkinson peels back the cozy trappings of family life to expose the imperfections that often lie beneath the favoritism, selfishness and jealousy that can form dangerous fault lines. Expertly laying bare human frailties and failings, the novel exposes the indelible bonds that connect individuals and the power of emotions to alter the course of family histories. Atkinson has conjured a wonderfully inventive take on the classic detective novel that jolts readers out of complacency by combining ordinary settings with macabre twists. The result is a highly original and entertaining novel that is the author's best to date, successfully blending elements of comedy and tragedy with rich insights into the human heart.

 

Joni Rendon writes from Hoboken, New Jersey.

Disparate family histories collide and long-buried secrets resurface in this ingeniously crafted modern-day suspense narrative that combines elements of a traditional detective novel with riveting psychological character studies. Kate Atkinson, award-winning British author of Behind the Scenes at the Museum and two other novels, artfully…

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What's it about?
Best-selling author Rita Mae Brown is launching a series that introduces two new animal sleuths—but this time, they're of the canine persuasion. In A Nose for Justice, Mags moves in with her great-aunt Jeep after losing her Wall Street job, bringing her dachshund Baxter, who clashes with Jeep's German shepherd mix King. But Baxter and King have to put their differences aside when a killer targets their small Nevada town and Mags teams up with local Deputy Pete Meadows to solve the mystery.

Bestseller formula:
Talking dogs + romance + murder mystery + Nevada history

Favorite lines:
Baxter lifted his head, sniffed deeply. "Something's in the creek bed." . . . Transfixed, the two animals stared at the human corpse stashed there. One wouldn't see it from the road. Coyotes had eaten some of the best parts—including the nose and lips—but since it froze at night what wasn't chewed was well enough preserved.

Worth the hype?
Should be another winner for dog lovers and fans of Brown's Mrs. Murphy series.

What's it about?
Best-selling author Rita Mae Brown is launching a series that introduces two new animal sleuths—but this time, they're of the canine persuasion. In A Nose for Justice, Mags moves in with her great-aunt Jeep after losing her Wall Street job,…

It is something of a literary tradition to portray the small town as a breeding ground for dark secrets that emerge to shatter its innocuous facade. In his gripping new novel, Lost Souls, Michael Collins effectively depicts the sinister underside of an unnamed, economically depressed Midwestern town coping with the aftermath of a horrific tragedy. As the story unfolds, long-buried secrets about the town's residents and leaders come to the surface, with ultimately ruinous consequences.

The tale opens on Halloween night, when three-year-old Sarah Kendall is reported missing. Local police officer Lawrence, the novel's narrator, is the one who discovers the child's lifeless body buried beneath a pile of leaves by the side of the road. Fittingly dressed in an angel costume, little Sarah appears to be the victim of a hit-and-run accident.

When high school football star Kyle Johnson, the struggling town's bright shining hope, is named as the prime suspect in the accident, Lawrence becomes the key player in a cover-up designed to absolve Kyle of any wrongdoing. Promised a promotion to police chief by the crooked mayor, Lawrence initially goes along with the scheme. But as his unease intensifies, he is determined to discover the truth about what happened. In Lawrence, Collins has fashioned a complex character who struggles with demons of his own. Divorced and dealing with the remarriage of his wife and custodial loss of his young son, Lawrence leads a solitary and booze-soaked existence. With his spare and haunting prose, Collins skillfully creates parallels between the undoing of the town and Lawrence's own emotional downslide. The Irish-born Collins, whose past works include the Booker Prize-shortlisted novel The Keepers of Truth, writes adeptly about a corrupt American culture. You may not want to live in Collins' version of small-town USA, but this literary visit is a dark, page-turning pleasure.

Rebecca Krasney Stropoli lives in New York City.

 

It is something of a literary tradition to portray the small town as a breeding ground for dark secrets that emerge to shatter its innocuous facade. In his gripping new novel, Lost Souls, Michael Collins effectively depicts the sinister underside of an unnamed, economically…

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It is always a pleasure to pick up a new mystery and find out: a) that the book is written in the first person, and b) that it’s situated in Los Angeles, where all good murder mysteries should be set. The Wicked and the Dead by BookPage columnist Robert Weibezahl finds struggling screenwriter Billy Winnetka embroiled in an inquiry into the death of a prominent cinema producer. As the story unfolds, it turns out that several of the major players in a controversial religious movie have met accidental deaths in recent months, and Billy takes it upon himself to do a bit of discreet investigation. The suspects abound: a nutball zealot religious leader (or one of his flock); the body-building gay lover of one of the major characters; the unpleasant (and quite possibly corrupt) cop. Weibezahl worked in film production for a number of years and it shows in his writing; he offers his readers a vivid insider’s look at the Hollywood machine. Winnetka is an engaging sort, a competent screenwriter wryly disillusioned by the lack of respect accorded to his profession. We look forward to reading his further adventures.

The Wicked and the Dead is Weibezahl’s first novel, but it is not his first foray into the genre: he has been an Agatha and Macavity Award finalist for his role as editor of A Taste of Murder and A Second Helping of Murder.

It is always a pleasure to pick up a new mystery and find out: a) that the book is written in the first person, and b) that it's situated in Los Angeles, where all good murder mysteries should be set. The Wicked and the Dead
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In a Baltimore suburb built on dreams of success, three girls play out a variation of Benjamin Franklin’s adage, an epigraph to this engaging psychological thriller: three can keep a secret, if two are dead. As To the Power of Three opens, an unidentified high-school senior forgoes fashion in favor of a more practical method of carrying a gun. An hour later, in a locked bathroom, one girl is dead, one is critically injured and one is lying. What appears at first to be the truth behind this horrific tragedy masks what really happened in the bathroom, and among the three girls who have been friends for 10 years: Kat, sweet and smart, the daughter of a man who’s living his thwarted dreams through his only child. Perri, an aspiring actress who decides to expose the truth about her lifelong friend. Josie, the athlete, who came to the trio late and never feels certain of her position in the friendship triangle. Laura Lippman is a Baltimore resident and former journalist whose previous books, including her Tess Monaghan series, have won every major mystery award. Her experience as a reporter for The Baltimore Sun provided valuable insight into the lives of policemen, criminals and victims. In To the Power of Three, she tells the story of every community’s nightmare. But how much of the story is true? Through the eyes of several narrators students, teachers, parents and Baltimore County police sergeant Harold Lenhardt readers see pieces of the puzzle, including snapshots of the girls’ developing friendship from their third-grade meeting through its implosion. But like Sgt. Lenhardt, who appeared in Lippman’s thought-provoking Every Secret Thing, readers must wait for the final clue a glimpse of a young woman’s anger to see the full picture. Lippman knows what Baltimore County looks like. She knows what matters to its teenagers, and how insider kids torture the outsiders. And just as Lippman knows the importance of the right shoes, especially to the girl who can’t afford hundred-dollar sandals, she clearly also remembers how it feels to walk in them. To the Power of Three lets readers walk that same treacherous path. Leslie Budewitz lives in Montana and is a legal consultant for writers.

In a Baltimore suburb built on dreams of success, three girls play out a variation of Benjamin Franklin's adage, an epigraph to this engaging psychological thriller: three can keep a secret, if two are dead. As To the Power of Three opens, an unidentified high-school…
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Sassy, Irish-Jewish PI Tess Monaghan, protagonist of Laura Lippman's popular series, returns in the suspenseful By a Spider's Thread. This time out, Tess takes on a referral from her Uncle Donald (of the Weinstein side of the family) and finds herself getting in touch with her Jewish side. Hired by Mark Rubin, a devout Orthodox Jew, to find his wife and three children, Tess spars with tradition, treachery and of course Tyner, her former employer and soon-to-be uncle-in-law. She works this case without help from any of her usual companions: boyfriend Crow, former roommate Whitney, former client-now-friend, Jackie. However, ex-nemesis Gretchen O'Brien reappears as the leader of a whole new web of support for Tess and other women PIs. Rubin's penchant for privacy and naiveté regarding his wife and the state of his marriage make for an initially unsympathetic client. His oldest son, Isaac, however, instantly wins our hearts as a scrapper an instinctive survivalist. Without his beloved books to keep him company, Isaac spends his time concocting new ways to escape, or at least contact his father. Through him, we see a softer side of Mark, that of a father who wishes "first and foremost that you would be a virtuous man" but who also uses Advanced Mission Battleship to teach his son that he need not be the smartest one to win.

Trapped with a mother not acting herself and a man posing as his father who clearly considers him a threat, Isaac reminds us of both the resilience of children and their sometimes overlooked maturity beyond their years.

With her usual bullheadedness, Tess bends rules, interferes where she's not welcome and experiences a handful of near-death experiences. In the process, she attains a new level of self-perspection, and takes what fans might hope is a first step in the right direction. Acclaimed author Lippman knows how to keep the reader guessing: the only thing we know for certain is that in this case, the butler didn't do it.

Like Tess, Sheri Swanson has a grandmother Weinstein.

Sassy, Irish-Jewish PI Tess Monaghan, protagonist of Laura Lippman's popular series, returns in the suspenseful By a Spider's Thread. This time out, Tess takes on a referral from her Uncle Donald (of the Weinstein side of the family) and finds herself getting in touch with…

Lee Child's improbable odyssey from British television executive to best-selling American novelist began in London in 1989. With businesses downsizing, he found himself at a cocktail party with colleagues from work discussing what they'd all do after the ax fell. Child told his friends, I'm going to write novels, but not while I'm working full-time. It was 1995 before he was finally fired, but by then Child was more than ready to move on. Seven years later, with the publication of his latest book, Without Fail, Lee Child finds himself well into a successful career as a novelist.

Without Fail is the sixth appearance for Child's appealing lead character, Jack Reacher, a downsized military police major. Reacher, a man in early middle age who grew up as a well-traveled Army brat and subsequently spent 18 years overseas in the military police, has a parochial view of the country he served. Now a rootless and reluctant civilian, he finds himself back in America, seeing his country for the first time with an immigrant's eye, much like his creator, who moved to the U.S. in 1998.

As a very young boy in England in the late 1950s, American popular culture consisted mainly of fragmentary artifacts left over from World War II, Child explains from his home in suburban Westchester County, New York.

Child's love affair with American popular culture continued and, by the time he went to work in British television in the mid-1970s, he was deeply immersed in it. He married an American woman and began devouring American mystery/suspense fiction and noticed a paradigm shift in the genre that disillusioned him. Except for the works of authors like Robert B. Parker and John D. MacDonald, the protagonists of many novels seemed to have figurative, if not literal, bullets near their hearts, Child says. Damaged people with a lot of self-doubt and even self-loathing. He was determined that any protagonist of his would not be one of those wounded souls.

At the same time Child committed himself to becoming a novelist, he was reading MacDonald's Travis McGee novels. He found McGee, a physically imposing man of action who never hesitated to do what he thought was right, tremendously appealing. Inspired by that model, Child created Jack Reacher, very much his own man of action, albeit one who has broad-based appeal to men and women alike.

According to the fan mail Child receives, many male readers admire the fact that Reacher isn't afraid to take drastic and sometimes deadly action, always on the side of the underdog and always for the right reason, while a significant number of female readers find his combination of physical strength and fundamental decency attractive. Men want to be him, and women want to be with him, Child explains. Reacher is heroic without being a caricature. I've often been asked to categorize Reacher, Child says. And I really can't call him a private investigator, because he doesn't have any real structure to his life. Child finally decided that Knight Errant, a wandering knight seeking adventure to prove his chivalry, was the only appropriate category for his character.

Without Fail finds Knight Errant Jack Reacher enlisted by the Secret Service to help its agents protect the vice president-elect against a credible threat on his life. Reacher assists the Secret Service in tightening up its protective tradecraft while seeking the identity of the potential assassins.

While the novel's many Secret Service personal protection details have an authentic feel to them, they aren't the result of agency cooperation, Child reveals. Anyone who says they've gotten official Secret Service cooperation regarding personal protection isn't being truthful. As its name implies the Secret Service doesn't divulge trade secrets. Finding no useful secondary sources to work with, Child decided the best way to create a believable setting for his novel was to accurately portray the institutional memory of the Secret Service. The thing that haunts the Secret Service is the JFK assassination, and virtually everything they do is predicated on making sure nothing like it ever happens again, Child says. Toward this end, he fabricated details of how they might go about protecting someone. Add the able assistance of Jack Reacher, and it all makes Without Fail a convincing and compelling read. British writer Lee Child features a uniquely American man of action in his Jack Reacher series.

Michael Grollman is a freelance writer in New Jersey.

Lee Child's improbable odyssey from British television executive to best-selling American novelist began in London in 1989. With businesses downsizing, he found himself at a cocktail party with colleagues from work discussing what they'd all do after the ax fell. Child told his friends, I'm…

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Yes, that Tolkien. Simon Tolkien is the grandson of the famous author, no doubt a double-edged sword for a first-time novelist, but instead of the world of elves and trolls, this Tolkien delves into the world of judges and detectives. His famous grandfather, J.R.

R. Tolkien, wrote about the things he knew legends and myths. So, too, does the grandson, an Oxford-educated barrister who takes us from the manicured grounds of a mansion in Suffolk to the gritty holding cells of London’s Old Bailey.

Final Witness involves a manor house, an influential politician, a secret room, an unlocked door and missing jewels, all of which give this mystery a distinctly British air. Lady Greta Grahame Robinson, the one-time personal assistant and current wife of Sir Peter Robinson, is on trial for the murder of Robinson’s first wife. Her accuser is Thomas Robinson, the embittered teenage son of the murdered woman, who claims he was a terrified witness to the crime from within a hidden room. As the trial progresses, Tolkien flashes back to the beginnings of the relationship between the beautiful and enigmatic Greta and the Robinson family. Working from various points of view, Tolkien shows us the events that led to the crime, even as Greta’s flamboyant attorney spars with the state’s relentless prosecutor. As so often happens in the justice system, be it American or British, the truth is hard to pin down. Between the moody and troubled Thomas, his cold and angry father, and the complicated and mysterious Greta, Tolkien keeps us guessing as to the killer’s identity.

Simon Tolkien has the potential to become a British John Grisham. Writing in the shadow of his grandfather is certainly no easy task, but with clever plot twists, capable handling of courtroom scenes and an unerring ability to build suspense, he has proven in Final Witness that he can uphold the family name.

Yes, that Tolkien. Simon Tolkien is the grandson of the famous author, no doubt a double-edged sword for a first-time novelist, but instead of the world of elves and trolls, this Tolkien delves into the world of judges and detectives. His famous grandfather, J.R.
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The Digger looks like you, the Digger looks like me. He walks down the wintry streets the way anybody would, shoulders drawn together against the damp December air . . . He’s not tall and not short, he’s not heavy and not thin . . . If you glanced at his eyes you wouldn’t notice the shape or the color but only that they don’t seem quite human, and if the Digger glanced at you while you were looking at him, his eyes might be the very last thing you ever saw . . .

From the very first page of Jeffery Deaver’s new thriller, The Devil’s Teardrop, both the reader and the party-hatted residents of Washington, D.C., know they’re in for a very wild last night of the century.

"I try to write roller coasters if there’s any possible way," he says.

This is the way: The Digger, a human killing machine, is programmed to randomly slaughter pedestrians at four-hour intervals until his handler receives a $20 million ransom and calls off the carnage. But when the Digger’s accomplice is killed in a freak traffic accident, the massacre continues with seemingly no way to stop it. FBI Special Agent Margaret Lukas and former FBI document specialist Parker Kincaid must search for answers within the only piece of evidence they have, the ransom note, and find the Digger before he finds them.

Deaver’s intricately woven plot explores the world of document specialists in much the same way that his recent books, The Bone Collector and The Coffin Dancer, delved into other aspects of forensics. Lincoln Rhyme, the quadriplegic hero of those books, even makes a cameo appearance. (Rhyme will take center stage again next year in Deaver’s forthcoming The Empty Chair.) There is a leitmotif throughout the book: it’s always the little things.

"I really focus on the forensic detail," Deaver admits. "In fact, in solving crimes, that really is what people focus on. You rarely find the smoking gun. The smaller details somehow resonate more clearly with people. We have small details in our own lives; we tend not to have quite so many boulders rolling toward us. I try to make it something people can really relate to."

To get there, Deaver spends roughly eight months constructing his plots, a laborious task that results in a detailed 120-page outline. Then comes another three months writing the prose and transitions, where all the hard work pays off. "Once the outline is finished, I have no problem writing 30 pages a day," he says.

Deaver takes great care to place his hero in the utmost peril, working backward to set the trap. "The endings are the most important part of the book for me, and I don’t mean the last page but the last 30 or 40 pages," he says. "The Bone Collector came to me that way. I wanted my hero to be utterly helpless at the end of the book, in a locked room with the villain and nobody coming to save him. And I thought, helpless, helpless . . . well, we can tie him up with duct tape but that’s really boring, we’ve seen that a lot. Well, I’m going to make him a paraplegic. Yeah, but then we have Ironside. No I don’t want to do that. Well, I’ll make him a quadriplegic, I’ll just up the ante. So I worked backward from there."

Of equal concern are his villains, in this case, the Digger. "I wanted a complete cipher. He really has no condition other than just brain damage. I’m so sick of the abused child who turns into the psychotic killer. And here’s a case where I wanted, not some run-of-the-mill cheap psychological explanation for why somebody was the way he was, I just wanted a killer. It would be like trying to profile a gun. He is simply a tool. That, to me, was completely terrifying."

Two camps have influenced Deaver’s writing. Stylistically, he cites literary authors Saul Bellow, Bernard Malamud, Theodore Dreiser, John Dos Passos, and more contemporary writers such as Mark Halpern, Jane Smiley, and Annie Proulx. In crime fiction, he credits Ian Fleming’s James Bond series, Donald Hamilton’s Matt Helm books, and John D. MacDonald as inspirations.

His other major influence will come as no surprise to his fans.

"Movies were very important to me," Deaver says. "I don’t write my books, as some thriller writers do, to make political points, to get up on a soap box, to teach the reader esoteric information that they probably wouldn’t have access to otherwise. I want their palms to sweat and when they finish the book, say, ‘Whew, I survived.’ And movies have largely done that."

Despite the recent spate of political thrillers set in the nation’s capital, Deaver admits he chose it as the setting for The Devil’s Teardrop for a different reason. "I needed the FBI headquarters," he says. "There is such an inflation, such a ton of these political thrillers, most of which don’t really grab me very much, and I wanted to write a Washington book that didn’t really have to do with politics other than the internal politics that happen in the mayor’s office."

It’s also a city he knows well; five years ago, Deaver moved from Manhattan to Clifton, Virginia, just 20 miles west of Washington, D.C.

The Devil’s Teardrop is the 15th suspense novel from the engaging former journalist and lawyer from Glen Ellyn, Illinois, who says he’s done things a little backwards to get where he is today. "I never wanted to be a practicing attorney. I wanted to get a job with the New York Times or the Wall Street Journal reporting on legal matters. So what I did, when I was working as a journalist in New York, I went to Fordham law school at night with the idea that I would have some expertise that would get me a job at one of the better newspapers. But I happened to do real well at school. I had a lukewarm undergrad career but for some reason I really enjoyed law school."

He was recruited by the Wall Street legal firm of Lord, Day & Lord, where he practiced civil law for eight years before leaving to write fiction full-time. During those years, he published his early novels featuring a spunky punk Nancy Drew named Rune. He says Bantam Books is preparing to reissue them.

What most surprises people when they meet Jeffery Deaver for the first time? "That I’m basically a nice guy," he says with a chuckle. "It’s tough to get dates sometimes, if anybody’s read my books. People do tend to identify someone with the books they write, with some justification, but for me it’s just a job. I’ve learned what people like, I’ve learned how to craft a product that gives them some pleasure. I like to cook. I like to entertain. I like to have parties. I still have friends who will say, in the middle of one of my dinner parties, ‘God, I can’t get over that you’re the guy who writes that real creepy stuff.’"

 

Jay Lee MacDonald is a writer in Naples, Florida.

The Digger looks like you, the Digger looks like me. He walks down the wintry streets the way anybody would, shoulders drawn together against the damp December air . . . He's not tall and not short, he's not heavy and not thin . .…

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