Ann Claire’s deeply enjoyable Dead and Gondola transports readers to the fictional mountain village of Last Word, Colorado, where snow is falling and murder is in the air.
Ellie Christie has just moved back home to help her older sister, Meg, run the Book Chalet. The shop has been in their family for generations, and now the two bibliophile sisters are ready to make their mark on the business. When a mysterious man interrupts their weekly book club meeting and leaves behind a rare edition of an Agatha Christie novel, the sisters are puzzled. Spotting him in a crowd the next day, Ellie and Meg try to get his attention to return the book, but by the time they catch up with him on the gondola, the man is dead. Even though the sisters aren’t related to the famed Christie, they grew up reading her novels and are determined to put their sleuthing knowledge to good use by figuring out who the man was, who killed him and why.
Dead and Gondola is a lighthearted, fast-paced cozy mystery with a cast of likable characters. Besides Ellie and Meg, the Christie family includes their beloved Gram, who’s keen to trade baked goods for gossip, and Meg’s tech-savvy daughter, Rosie. Their bookshop cat is also a delight, with a personality as strong as any human’s—she’s named Agatha, of course.
Claire effectively heightens the stakes for the Christie women at the very start of the book, when an unexpected storm cuts off Last Word from the outside world. No one can get in or out, which means Ellie, Meg and their family are trapped in the small town with a murderer. In spite of this, Claire makes Last Word sound awfully appealing: Who wouldn’t want to ride a glass-domed gondola to a historic bookshop and cozy up by the fire with a good read?
Ann Claire’s lighthearted cozy mystery, Dead and Gondola, transports readers to a deeply appealing mountaintop town in Colorado, complete with gondola and historic bookshop.
Elly Griffiths’ third Harbinder Kaur mystery finds the detective inspector eager to prove herself after relocating from West Sussex to London. Her latest case begins when a reunion at the posh Manor Park School in Chelsea results in politician Garfield Rice’s murder.
Griffiths alternates between Harbinder’s perspective and that of Cassie Fitzgerald, a former student at Manor Park who was a member of “The Group,” a clique of popular students. When they meet for their 21st class reunion, there is a fair amount of tension. Some of the friends have moved abroad, others have found fame in writing and popular music and some have gone into politics. Cassie is the odd duck: She became a police officer and now works under Harbinder.
This makes Cassie’s dark secret even more shocking: She committed a murder at age 18, and she can’t help but wonder if Garfield’s death is related. Harbinder, of course, doesn’t know that one of her subordinates is a killer, but readers can count on her to methodically unbury the past and untangle the crimes of the present.
The small, intimate collection of suspects makes this mystery perfect for fans of Agatha Christie: Rather than a wide-ranging hunt for a killer, Bleeding Heart Yard feels cozy and local. However, the book is also filled with unreliable narrators, as members of The Group struggle to determine which of their memories are real since they may have been tainted by time or trauma or lost to time all together. Old diaries offer clues, but many of the characters have the same amount of questions as Harbinder herself.
While this book is accessible for newcomers to the series, established fans will be especially pleased with how Harbinder grows as a character and becomes more comfortable in her own skin. Harbinder is a lesbian, and in previous installments, her sexuality was a source of tension, especially when it came to her conservative family. But living in a larger urban environment allows her far more freedom, and she is able to explore a liberated life on her own terms.
Solid plotting, an intrepid sleuth and a group of well-developed suspects make this whodunit a must-read.
Detective Inspector Harbinder Kaur has to investigate one of her subordinates in Elly Griffiths’ must-read blend of thriller and police procedural.
If I had to sum up Lisa Unger’s Secluded Cabin Sleeps Six in 10 words, I would say “Cast of ‘Friends,’ dark and stormy night, soundtrack by Disturbed.” This friend group is much more disturbed than Ross, Chandler, Monica, et al., but there are parallels: a sister/brother pair; a female friend from the past; some canoodling that is, shall we say, detrimental to the group dynamic. Siblings Hannah and Mako are celebrating Christmas at their parents’ house when their father finds an unusual gift under the tree: DNA genealogy kits for the whole family, from an anonymous Santa. A few months later, when Hannah, Mako, their respective spouses and another couple head up to a remote cabin to unplug, the other shoe drops. Some of them did the kit and were unexpectedly proven to be the progeny of the same man, and they are not happy to know who (and what) their biological father was. Secrets abound in this psychological thriller; even the cabin itself harbors a hidden history, giving off unnerving vibes to renters and readers alike. At 400 pages, it’s a long book for a one-sitting read, but you’ll be sorely tempted.
1989
1989 is Val McDermid’s second installment of a trilogy (which this reviewer hopes will become a quadrilogy or even a quintology) featuring Scottish investigative reporter Allie Burns. The series began with 1979, and in the sequel, readers are mired with Allie in the late ’80s, when mobile phones were the size of lunchboxes, when AIDS was ravaging the U.K., when a jetliner was bombed out of the sky over Lockerbie, Scotland, and when the Soviet Union was on the verge of collapse. All in all, not a time to be nostalgic for, and true to form, McDermid spins the tale without a whiff of sentimentality. Allie works for media mogul Ace Lockhart, who bears more than a passing resemblance to newspaper publisher Robert Maxwell (father of Ghislaine, of Jeffrey Epstein-associate infamy): flamboyant, bullying and destined for disgrace. Lockhart, who has a number of business ventures based in the Eastern bloc, senses the upcoming upheaval and sends his daughter to secure his interests in the changing political landscape. When she is kidnapped in East Berlin, Lockhart sends Allie Burns on a rescue mission, and in short order, things careen out of control. You don’t need to read 1979 to hit the ground running with 1989, but you will want to have Wikipedia open to look up all the fascinating historical and cultural moments McDermid references along the way.
Viviana Valentine Gets Her Man
Emily J. Edwards’ Viviana Valentine Gets Her Man is, hands down, this month’s most entertaining mystery. Set in 1950 New York City, it chronicles the adventures of a plucky Pennsylvania country girl, the titular Viviana Valentine. Upon arriving penniless in the Big Apple, Viviana sweet-talks her way into a girl Friday job for Tommy Fortuna, a Philip Marlowe-esque private investigator who calls her dollface. But after Tommy goes MIA and a dead body is found on his office floor, Viviana is forced to take the helm of the agency, clear Tommy’s name and crack the case he was working on. Whatever she lacks in experience, Viviana more than makes up for with her in-your-face attitude, wicked sense of humor and snappy one-liners. Her friends and acquaintances include high society debutantes, models, mobsters, cops both arrow-straight and morally flexible and a host of other ’50s types that would slot neatly into a black-and-white detective film. Edwards nails the tone, with dialogue and milieu evocative of classic noir, and presents the era warts and all: conversations that are a bit politically incorrect; men behaving toward women in ways that are borderline or flat-out predatory; and a towering amount of smoking and drinking.
★ The Devil’s Blaze
In the same fashion that Sean Connery is the quintessential James Bond for many cinema aficionados, Basil Rathbone is widely regarded as the definitive silver screen Sherlock Holmes, even though the most famous films in which he took on the role are not set in the original Victorian and Edwardian eras but smack in the middle of World War II. Author Robert J. Harris expands upon those midcentury films with his Sherlock Holmes in WWII series, the second volume of which (after 2021’s A Study in Crimson) is The Devil’s Blaze. The Germans have developed a truly insidious weapon to use against their English adversaries, a death machine of some sort that causes people to spontaneously erupt into flames. As usual, there are only two people in England clever enough (or devious enough, depending on your point of view) to approach a mystery of this magnitude: Sherlock Holmes (natch) and his longtime archnemesis, Professor James Moriarty. There is certainly no love lost between the pair, but they are forced to forge an uneasy alliance to try and save England from this terrifying new weapon. Harris never lets readers forget that this is a Sherlock Holmes novel, with the narrative turning on a dime—or a twopence, if you prefer—such that only an experienced fishmonger would be able to sort through all the red herrings. Holmes is as cerebral and arrogant as die-hard fans would expect, and Watson hews closely to actor Nigel Bruce’s portrayal in the Rathbone films: thoughtful, taciturn and usually a step behind his mentor. And Moriarty, well, he should be giving TED Talks on the subject of villainy.
Lisa Unger will make you think twice about dabbling with DNA ancestry kits, plus Val McDermid returns with a new Allie Burns novel in this month’s Whodunit.
As the days grow shorter and the nights grow colder, we turn to all things cozy—and we can think of nothing more heartwarming than an unexpected friendship. Here are the platonic pairings that made the BookPage editors feel all snuggly inside.
In Tana French’s The Secret Place, Detective Stephen Moran gets his chance to join the Murder Squad when 16-year-old Holly Mackey brings him new evidence in an investigation into a murder that took place on the grounds of her boarding school. Stephen heads to Holly’s school to investigate alongside Antoinette Conway, the original detective assigned to the case. Their first interactions are anything but promising, given their diametrically opposed approaches to their work. Stephen masks his ambition behind a friendly, unassuming persona, but Antoinette, who is biracial, has long since given up on playing nice with people determined to hate her due to her gender, racial background or both. As they interrogate Holly and her friends over the course of one long day, a tentative respect begins to grow between the two of them, thanks to their mutual intellect and their common experience of clawing their way up the ranks from working-class backgrounds. It could be the start of a beautiful partnership, and French makes readers as invested in Stephen and Antoinette’s burgeoning friendship as they are in the mystery’s solution.
—Savanna, Associate Editor
Frank and the Bad Surprise
I’m going to cut to the chase here. The titular character in Martha Brockenbrough and Jon Lau’s Frank and the Bad Surprise is a cat who lives a good life with his humans, and the bad surprise is a new puppy. The puppy interrupts Frank’s naps, has gross puppy breath and eats Frank’s food, so Frank decides it’s time to move on. “Good luck with that puppy,” he writes in a note to his humans. “You will need it.” There’s so much to love about this illustrated chapter book, from the way Brockenbrough’s wry prose perfectly captures Frank’s feline perspective to the way Lau’s paintings bring Frank’s personality to life. In several images, you’ll swear you can almost hear Frank purring. But the best part is the way Brockenbrough engineers a moving reconciliation between the two former enemies, neatly sidestepping schlock and sentiment and going straight for understated emotional truth. It’s positively the cat’s pajamas.
—Stephanie, Associate Editor
Lolly Willowes
In Sylvia Townsend Warner’s 1926 novel, an aging woman breaks away from her grating London family and has a go at independent life in the countryside. After keeping house for her father and brother for over 40 years, Laura Willowes feels liberated in Buckinghamshire—finally free to take long walks in nature and enjoy her own company. Until her nephew visits. Suddenly she is reduced to her old Aunt Lolly self again—put upon and bedeviled—and she becomes so desperate that she calls out for help. Luckily Satan answers, and the novel transforms into a fantastical tale of Lolly’s burgeoning talents as a witch. Along the way, the devil turns out to be a chummy pal: giving Lolly the power to hex her nephew, listening to her complaints about society’s treatment of women. (Satan, as it turns out, is a compassionate and attentive listener.) It’s a darkly humorous novel of a middle-aged woman who is so desperate for autonomy that she’s willing to make a deal—or at least make friends—with the devil.
George Saunders’ first (and so far, only) novel brings together some odd characters. In Lincoln in the Bardo, a group of ghosts works together to save Abraham Lincoln’s 11-year-old son, Willie, from a place between life and death. Here in the bardo, the ghosts know all of one another’s quirks and faults and dreams and regrets. They’ve come to love one another, and as a reader, I found it easy to love them too. The most unlikely best friendship in the bardo is between middle-aged, carnally frustrated Hans Vollman and Roger Bevins III, a heartbroken young man who took his own life and now bursts involuntarily into poetry about the beauty of the world he left behind. One of Saunders’ most remarkable gifts is his ability to make even unpleasant characters deeply befriendable. He outdoes himself with this book, crafting 166 distinct, compelling voices and interspersing them with excerpts from real and invented historical sources. He fantastically spins a moment in American history into a philosophical exploration of how grief can either isolate or unite us.
People aren’t all that different, even though it often feels that way, and therein lies one of the key superpowers of the “unlikely friendship” trope: bridging polarized experiences to discover where people actually overlap, where one person’s hand fits snugly into another’s. Nancy Johnson’s debut, The Kindest Lie, is one of the novels that most successfully encompasses both the political optimism of 2008 and the insidious racial divisions that were worsened by the economic stress of the Great Recession. Johnson’s protagonist, Ruth, is a Black chemical engineer who returns to her Rust Belt hometown to seek out the child she placed for adoption when she was 17. Upon her return, Ruth bonds with Midnight, an 11-year-old white boy who is mostly being raised by his grandmother but still hopes for connection with his neglectful, bigoted father. Ruth’s and Midnight’s experiences of race, class and privilege are very different, but they’re both lonely, lost and understandably flawed people, and together they find something akin to belonging in a heartbreaking world.
—Cat, Deputy Editor
You’ve got a friend in me! These books feature platonic pairings that made us feel all warm and snuggly inside.
It’s 1952 in San Francisco, and homosexuality is illegal and largely frowned upon by society—except at Lavender House. The home of soap manufacturing magnate Irene Lamontaine has become a refuge for her extended queer family. But when Irene falls over a staircase railing to her death, her widow (in all but name) hires recently fired gay police detective Evander “Andy” Mills to discern if there is a killer in their midst.
The tone of this book is similar to the pulpy, hard-boiled style of your sci-fi mystery, Depth. Was there anything different about your approach this time around? Was there a particular author or series you drew upon to re-create that style of writing? It’s funny. With Depth I was trying to bring the flavor of old-school noir to a futuristic world. With Lavender House, the old-school noir is easier because of the setting. But because we’re talking queer history, which is so often erased, there was a lot more research involved and, weirdly, an emphasis on making sure everything felt believable. With sci-fi, people are either going to buy it or they’re not, depending on what they like and read. When talking about a history that keeps being erased, it’s about proving it—proving we existed.
As for the tone itself, the hard-boiled vibe, I always go back to Chandler. I have his complete works, and I’ve read them several times. There’s just something about the way he cuts a sentence. And, of course, the movies: I was raised on noir of the 1930s, ’40s and ’50s, so I saw most of the movies before I read the books. The vibe of those movies is what lives in my head when I’m writing, even more so than the books, because the movies sometimes had a bit of hope to them (Laura, The Big Sleep). They’re not happy endings exactly, but there’s a chance for a bright future at the end of them, and I knew I wanted that for this book. I wanted to show that not only did us queer folk exist before Stonewall, but that even though our lives were noir—in the sense that we were sort of trapped and stalked all the time—we still thrived in community. We found each other. We found love. And in that, we found a bit of hope.
“. . . queer history is always hidden and rewritten . . .”
How much research did you have to do to re-create the feel and culture of 1950s San Francisco? Are Lavender House and its inhabitants based on any real locations or people? I owe a huge debt of thanks to Nan Alamilla Boyd and her book, Wide-Open Town, for this one. It’s a book entirely about the queer history of San Francisco. Originally, when I was coming up with this story, my instinct was to put it in NYC (or just outside) because that’s where I’m from. But as I did research on the queer histories of various cities, what I found was that in the ’50s, New York’s queer culture was much more stratified. There wasn’t nearly as much mingling of gay communities of different classes or races as there was in San Francisco. And knowing it was going to be a series, I wanted a community that was more fluid. Luckily, for this first book, so much of it takes place outside the city that I could make stuff up—Lavender House itself is pure fiction, as are the characters in it—but I owe a lot not just to Boyd but to several San Francisco historians, photographers and Facebook groups where older people share stories and pictures of their neighborhoods. I’m sure I still got things wrong, but I hope they’re not too distracting.
What was the biggest challenge this book presented? What was the biggest opportunity? The research. So much research. And because queer history is always hidden and rewritten, the research often took me down many paths and led to several answers. There’s one sentence in Lavender House about a woman in a suit that’s changed so many times based on what I’ve learned about cross-dressing laws and ordinances at the time at the national, state and city levels—and I’m still not sure it’s accurate! Information is contradictory. California is so interesting in the early ’50s because of this state Supreme Court ruling in ’51 where a judge said it wasn’t illegal for gay people to congregate at a bar. It was a huge victory for the community, but it was also so small, because while being gay was suddenly legal (only in California), acting gay was not—and that could mean a lot of things. Same-sex dancing was still illegal, and so was touching the wrong way, if a cop decided it was the wrong way. So many cases and laws and the constant harassment of queer bars and people were about what the cop on duty was feeling and if he’d been bribed. So the small legal details were killer to figure out.
The biggest opportunity I’m less sure of! There’s so much I got to do; making a big queer family was such a blessing once I let myself do it. Even those laws being so hard to look up, since they were pretty subjective depending on the police, meant I could have them be as strict or lenient as I wanted (within certain bounds, of course). Sometimes the research being blurry just gives you more room to play. But I think overall the biggest opportunity was to get to the heart of what it means to learn to love yourself in ’52 as a queer man. Because if Andy can do it, I think people today can, too.
“You can be out and proud but still not quite know how to love your queerness and the queerness of others.”
Who is your first reader? What is most valuable or useful about that initial feedback for you? It varies, depending on people’s time and schedules. I have a writing group, I have writer friends who will read for me, I have a librarian husband. And I think what feedback is most valuable varies book to book as well. What am I worried about? Should I be, or did I pull it off? With Lavender House, my worry was always that it wouldn’t coast that line between noir and camp noir: the noir that’s a bit bigger and, frankly, a bit more fun. Lauren Bacall asking if you know how to whistle in To Have and Have Not? That’s a little camp at this point, but it’s my favorite thing. Some people see that scene and roll their eyes, but I light up. So did I pull off that tone in a way that feels authentic to a modern reader? Did they get it?
You’ve explored the idea of a sanctuary for members of the LGBTQ+ community before, in your young adult rom-com, Camp (written under the name L.C. Rosen). Why do you think you keep returning to this theme? How did Lavender House allow you to explore this idea further? It’s funny, I hadn’t thought of it that way; the word I’ve always used is community. But sanctuary, yeah, I guess I do write about that a lot. And I write about the push and pull between queer community or sanctuary and the outside world, where we may not always be allowed to be ourselves safely. Part of that is just that I like writing about a bunch of queer people: I think just one or two feels unrealistic, because we tend to find one another. I think it’s interesting the way we can sort of form our own community and deal with our own problems when we don’t have to worry about the outside world. Camp was about figuring out what sort of internal prejudices we bring into that sanctuary, because we all come from a world that tells us to hate ourselves or to only be one kind of gay. But Lavender House is about dealing with the fear of the outside knowing about us at all. That’s partially because of the historical element, of course, but I think it’s something we still see today: How much do we let other people in? How dangerous is it?
Do you see any parts of yourself in Andy? Sure. I see parts of myself in every character I write. I think you have to. Even when you’re writing someone bad, you need to understand where they’re coming from—and I don’t mean they need to be sympathetic or understandable. I think we as a society have actually gone too far, as a whole, in that sense. Sometimes bad people are just bad, and they don’t need a tragic backstory to make you feel sorry for them. We shouldn’t lose sight of that. But as writers, you have to understand their outlook, even if you don’t need to justify it to yourself. So why would someone do this? What are their values? How do they see the world?
With Andy specifically, I think certainly there’s a coming-out element to his story. He’s out, but he doesn’t love his queerness much, and over the course of the novel, he learns to do that. He learns to reconcile with what it means to be queer in 1952, and while that might be very, very hard, there’s a lot of benefit to it, too. I think that’s something every queer person should figure out. You can be out and proud but still not quite know how to love your queerness and the queerness of others. I don’t mean you need to want to clack a fan and wear heels, but you have to love that other guys do in order to really love what queerness is. Once you’ve done that, the world just becomes so much brighter.
What do you hope readers take away from this novel? The main thing I always hope a reader takes away is the feeling of having had a good time. I believe first and foremost my job is to entertain. If I can make people think or see things in a new light, that’s even better. And for Lavender House, I hope they take away a stronger understanding of queer history—not just the idea that we’ve always been here but also the idea that we’re still dealing with a lot of the same problems. Across the country, people are trying to ban books about queer teens—and often succeeding. They’re trying to prevent kids from coming out, and they’re firing queer teachers or making it illegal for them to talk about their queerness, even casually. They’re trying to make it now like it was in the ’50s, and I hope people see those parallels and understand that there’s still so much work to do if we want to say we’ve moved on.
What’s next for you? Will Andy Mills return at some point? It was a two-book deal, so he’s coming back at least one more time, though I’m hoping he’ll be around for a while. The sequel is titled The Bell in the Fog, and it should be out sometime in the fall of 2023. Before that, though, I also have Tennessee Russo coming out in the spring, which is the start to a YA series about a queer teen archeologist digging up ancient queer history to make sure it’s not erased while avoiding traps and pitfalls. More queer history! Just older.
Photo of Lev AC Rosen by Rachael Shane.
In the 1950s-set Lavender House, the titular home is a haven for the queer Lamontaine family—until one of them is murdered.
The sleuthing pensioners of the Thursday Murder Club are back and better than ever in Richard Osman’s The Bullet That Missed.
Life in the idyllic Coopers Chase Retirement Village is far from quiet, especially for the Thursday Murder Club. The group’s four members—Elizabeth, a retired MI5 agent with connections across the globe; Joyce, a former nurse with a knack for solving puzzles; Ibrahim, a well-mannered psychiatrist; and Ron, a retired union leader who never backs down from a fight—are trying to crack the cold case murder of TV presenter Bethany Waites. Ten years ago, Bethany was investigating a multimillion-dollar fraud operation. She told colleagues that she was close to unraveling it all, but before she could file her story, Bethany’s car was pushed off a cliff, and her body was never recovered.
As The Bullet That Missed begins, Osman’s septuagenarian sleuths have picked up the mantle. They’re working to uncover who’s behind the fraud and Bethany’s murder, not to mention the more recent deaths of two suspects in Bethany’s disappearance. In a parallel plot, Elizabeth’s past catches up with her when a mysterious man tasks her with carrying out an assassination. If she doesn’t comply, her and her friends’ lives will be forfeit. To protect herself and the people she loves, Elizabeth reconnects with an ex-KGB colonel (and former lover) to lay a trap for the man threatening her.
This intricately plotted novel weaves its multiple mysteries together with aplomb, all while bringing back familiar faces from previous installments such as Police Captain Donna De Freitas; her partner, Detective Chief Inspector Chris Hudson; and Bogdan, who’s still fiercely loyal to Elizabeth and the group. Osman’s wry humor continues to shine, especially in the sections of the story told through Joyce’s lively diary entries.
If there’s a flaw in The Bullet That Missed, it’s that readers need to be familiar with the previous books to fully appreciate some of the characters’ motivations and deepening relationships. However, with only two previous books in the series, it’s easy to get caught up. And mystery fans should absolutely do so, because this latest entry in the Thursday Murder Club series may be the best one yet.
The latest entry in Richard Osman's wry and hilarious Thursday Murder Club series may be the best one yet.
At the turn of the 20th century, English gentlewomen were meant to be seen and not heard, arm candy for their titled husbands. They were certainly not meant to be amateur sleuths. But Lady Emily Hargreaves becomes embroiled in a murder investigation (again) within hours of arriving in Luxor, Egypt, in Tasha Alexander’s 16th mystery starring the aristocrat, Secrets of the Nile. Lord Bertram Deeley, an antiquities collector of note and the Hargreaves’ host, is found dead on the dining room floor, the aroma of bitter almonds indicating that he was poisoned with cyanide. The Egyptian police identify a suspect in short order, but the suspect bolts, and truth be told, he didn’t fit the profile especially well anyway. As Lady Emily’s private investigation proceeds, it becomes apparent that many of the guests had reason to loathe their host; surprisingly, even her mother-in-law has a motive. In alternating chapters, Alexander tells the story of Meryt, a young female sculptor in ancient Egypt, whose work will play a prominent role in Lady Emily’s case some three millennia hence. Secrets of the Nile has it all: a glamorous locale, plucky heroine and supporting cast worthy of a Kenneth Branagh film.
The Furies
John Connolly’s latest mystery featuring private investigator Charlie Parker offers an intriguing change of pace for his legions of readers. The Furies is two masterfully crafted novels in one book, with each novel covering a separate but interconnected case. The first novel, The Sisters Strange, tells the story of sisters Dolors and Ambar Strange and their unusual relationship with Svengali-esque ex-convict Raum Buker. Raum is always on the lookout for an easy mark, and it seems as if he may have found it in Edwin Ellercamp, a collector of rare ancient coins. Edwin is soon found murdered, choked to death by a portion of his vast coin collection. Raum has no history as a killer, however, making the mystery of who murdered the collector one that will test Parker’s mettle like very few cases have. The second novel, The Furies, finds Parker in the employ of two women. The first is Sarah Abelli, a mob widow suspected of knowing where her husband hid a fortune in dirty money before he was killed in prison. Extortionists have stolen mementos of her deceased daughter and will not return them until she coughs up the cash, which she maintains to anyone who will listen that she does not have. The other is Marjorie Thombs, whose daughter is trapped in an abusive relationship—a situation exponentially exacerbated by the COVID-19 pandemic and subsequent lockdown. Of course, as is the case with all of the Charlie Parker mysteries, there is an element or two of the supernatural to factor in—nothing to the degree of books by Stephen King or Anne Rice, but certainly enough to occasion some vague uneasiness if you are reading late at night.
Fall Guy
Archer Mayor’s Fall Guy, the latest in his long-running series featuring Joe Gunther, field force commander of the Vermont Bureau of Investigation, opens with a dead body in the trunk of a stolen car. The details of the car’s theft are suspect, however, as its GPS data mark it as being outside a strip club at the time that it was purportedly stolen from the owner’s driveway. Along with the dead body, the car contains a cell phone with evidence of the sexual abuse of a child. An interjurisdictional task force is formed to investigate, which allows Gunther and his subordinates to cross state lines—in this case, into nearby New Hampshire—to follow the clues. Gunther’s team, based in Brattleboro, Vermont, is more like a family than a collection of co-workers. Thirty-plus books into the series, the evolving relationships among the characters never detract from the police procedural structure. In fact, the web of connections enhances the story, showing how the various members of Gunther’s team deploy their strengths and shore up one another’s weaknesses to function as a well-oiled crime-solving machine. If you’re new to Joe Gunther, don’t be surprised if upon finishing Fall Guy you immediately seek out the previous books in the series.
★ Sometimes People Die
Simon Stephenson’s darkly hilarious mystery, Sometimes People Die, harks back to classic English satire a la Kingsley Amis or Evelyn Waugh, perfectly updating their sarcastic yet somehow still endearing tone for modern-day readers. Stephenson’s unnamed narrator is a third-rate Scottish doctor in a third-rate London hospital, on probation for stealing opioids and still dealing with his addiction on the q.t. He has little use for anyone else and typically thinks he is the smartest person in the room—but he usually isn”t. Nonetheless, he is pretty funny and occasionally displays a redeeming quality or two despite himself. Then patients in his ward start inexplicably dying, and he finds himself at the epicenter of the police inquiry into these suspicious deaths. When a suspect is finally arrested, our protagonist has his doubts and launches his own clandestine investigation. His sleuthing skills turn out to be little better than his medical skills, however, and things rapidly go wildly off course. With ten months of 2022 behind us, I am confident this will be a (or perhaps the) best book of the year for me.
When his patients start mysteriously dying, a third-rate doctor has a chance to become a first-rate sleuth in Simon Stephenson's darkly hilarious Sometimes People Die, this month's top pick in mystery.
True crime writer Gage Chandler, the protagonist of John Darnielle’s Devil House, jumps at the opportunity to live at the “Devil House,” a building where two gruesome, possibly satanic murders took place in 1986. Blamed on some rebellious teenagers, the case remains unsolved. Once Gage moves in and starts researching the murders, he’s drawn into a deeper examination of the significance of his own work. At once a magnetic thriller and an intriguing look at the true crime genre, Darnielle’s novel is filled with rich themes for discussion, including the slippery nature of crime reporting and the demands of the artistic process.
In Gilly Macmillan’s I Know You Know, Cody Swift seeks closure regarding his two childhood friends’ murders, which occurred 20 years ago in Bristol, England. Undertaking his own investigation, Cody returns to Bristol in search of new information and launches a podcast to share his story. But then a body is discovered in the same place Cody’s friends were found, and soon a new homicide investigation is underway. Macmillan incorporates flashbacks to Cody’s childhood and episodes of his podcast in this sophisticated, multilayered mystery.
Denise Mina’s Conviction tells the story of Anna McDonald, who loses herself in true crime podcasts as she struggles to put her painful past behind her. After Anna’s husband leaves her for her best friend, Estelle, Anna connects with Estelle’s husband, singer Fin Cohen. Together they delve into the murder case that’s the subject of Anna’s favorite podcast and start a podcast of their own. When Anna realizes that she is linked to the case, a tragic chapter from her life is reopened. Mina’s skillful development of multiple plot lines and crack comic timing will give reading groups plenty to talk about.
In Megan Goldin’s The Night Swim, Rachel Krall, host of the popular true crime podcast “Guilty or Not Guilty,” travels to a small North Carolina town to report on the trial of swimming champion Scott Blair. Accused of raping the teenage granddaughter of the local police chief, Scott and his case have attracted national attention. While in North Carolina, Rachel is also drawn to a cold case involving the drowning of a 16-year-old that took place more than two decades before. As she works to unravel the two cases, she realizes that they share disturbing parallels. Goldin builds a mood of intense suspense in this searing look at how crime can impact a small community.
Go meta with one of these mysteries starring true crime podcasters and writers.
Author William Kent Krueger’s Cork O’Connor is an unusual sort of protagonist, a fast-food restaurateur who doubles as a private investigator. One might not necessarily think that a man with those qualifications would find a lot of sleuthing work in rural Tamarack County, Minnesota, but one would be mistaken. In Fox Creek, the 19th entry in Krueger’s long-running series, Cork is approached by one Louis Morriseau, whose wife, Dolores, has gone missing. Louis is concerned that she has run off with another man, Henry Meloux, an Ojibwe healer who also happens to be the uncle of Cork’s wife, Rainy. This scenario seems . . . unlikely, as Henry is somewhere in the neighborhood of 100 years old. As it turns out, Dolores actually is with Henry, but he’s guiding her through a sweat lodge ceremony. However, Louis is not actually who he claims to be but rather a member of a team of mercenaries bent on kidnapping Dolores for reasons unknown. Henry senses trouble and narrowly escapes upcountry with Rainy and Dolores in tow, but an expert tracker and two gunmen are in hot pursuit. Not far behind them, Cork and a tribal cop with a vested interest in the case join the fray. Tension mounts as Krueger pits modern tech against Ojibwe traditions, with unexpected twists abounding until the very end.
Bad Day Breaking
A bit to the east of Krueger’s Tamarack County lies Bad Axe County, Wisconsin, the setting of John Galligan’s riveting Bad Day Breaking. Beleaguered Sheriff Heidi Kick is facing uphill battles on at least two fronts: first, a personnel issue involving an overly aggressive deputy, and then a strange, Jonestown-esque cult that has taken up residence in a self-storage facility (to the chagrin of many locals, who are starting to resemble the torch-bearing, pitchfork-wielding villagers in dystopian horror movies). Sheriff Kick attempts to placate both the cult and the locals, with limited success at best. The pressure ratchets up dramatically after one of the cult members is murdered. And if there wasn’t enough on her plate already, Sheriff Kick must deal with the reappearance of a very difficult ex-boyfriend, a man whose imprisonment she caused who now, unsurprisingly, seeks to exact revenge upon her for his incarceration. Bad Day Breaking is a page turner of the first order, with a killer cliffhanger that will have readers anxiously awaiting Sheriff Kick’s return.
WAKE
In rural New South Wales, Australia—part of the legendary Outback where spiders, snakes, crocodiles, etc., are all eagerly waiting to kill you—it bodes well to remember that sometimes the human inhabitants can be lethal as well. Such is the case in Shelley Burr’s debut, WAKE, which centers on the 20-year-old cold case of missing (and now presumed dead) Evelyn McCreery. Evelyn’s twin sister, Mina, soldiers on, now something of a recluse in her remote farmhouse. All these years later, she remains a suspect in the disappearance of her sister, particularly in online forums where the acronym WAKE is used to mean “Wednesday Addams Killed Evie,” a nod to Mina’s resemblance to actor Christina Ricci in the 1990s films about the creepy, unorthodox Addams family. Mina is forced to revisit Evelyn’s disappearance when Lane Holland arrives in town. A freelance private investigator, Lane makes his living via the rewards he collects after solving missing persons cases. Mina’s late mother established a reward of $2 million, but Lane isn’t just motivated by the money; something altogether deeper, darker and more personal has led him to Mina’s door. Burr won the 2019 Crime Writers’ Association Debut Dagger award for WAKE, and after reading it, you’ll be applauding their choice right along with me.
★From the Shadows
In James R. Benn’s From the Shadows, Captain Billy Boyle, a onetime Boston cop now assigned to the European theater of World War II, is snatched from some much needed R & R in Cairo and tasked with a dangerous new mission: Billy must locate an English operative in the wilds of Crete, after which they will head to newly liberated France via Algiers, liaise with the French Resistance and weed out enemies from allies. That’s the plan, anyway; but in wartime, things do not often go according to plan, and this mission is no exception. As is the case with the 16 previous books in the Billy Boyle series, the action takes place against a backdrop of real-life operations and personnel. The reader is introduced to Jack Hemingway, son of iconic writer Ernest; to Wells Lewis, son of author Sinclair; to the heroic 442nd Regimental Combat Team, the most decorated unit in U.S. military history, which was composed primarily of Nisei, second-generation Japanese Americans; to the stubborn and tragically inept General John E. Dahlquist, commander of “The Lost Battalion”; and to Daniel Inouye, who lost his right arm to a grenade in France and went on to serve as a U.S. senator for Hawaii. Without a doubt, I have learned more about WWII history from Benn’s novels than I ever learned from a textbook. Where he excels, though, apart from superb suspense plotting, is in documenting vignettes of humanity and its black-sheep cousin, brutality. Benn makes combat feel real and immediate to his readers, even those who have never experienced it firsthand. It would be impossible to depict war accurately without killing off some of the good guys, and there are a couple of losses here that will truly hurt, as they should.
These beautiful rural landscapes are anything but peaceful, plus James R. Benn's latest gets a starred review in this month's Whodunit column.
Fans of Laurien Berenson’s long-running Melanie Travis canine mysteries will be thrilled with Peg and Rose Solve a Murder, the first entry in a new spinoff series featuring Melanie’s engaging aunts, Peg Turnbull and Rose Donovan.
Peg and Rose are not friends. They’re sisters-in-law, linked by their love for Peg’s late husband, Max, who was Rose’s brother. After 40 years of fighting, Rose shocks Peg with an olive branch: an invitation to join the local bridge club as partners. Peg and Rose are surprised to find that they can enjoy each other’s company, but just as they begin to build a tentative friendship, a member of their bridge club is killed. As the newest members, the sisters-in-law are considered suspects. To clear their names, they must work together to solve the murder—before another is committed.
Readers don’t need to be familiar with the rules of bridge to enjoy Peg and Rose Solve a Murder; the actual gameplay takes up very little space, with the bulk of the story devoted to introducing Peg and Rose to new readers and, of course, solving the mystery. Fans of the Melanie Travis series are already very familiar with these sisters-in-law, and in Peg and Rose Solve a Murder, they stand on their own as capable, witty women who are more than up to the task of crime-solving. Berenson’s fans will also enjoy seeing Peg in action as a dog breeder, owner and show judge, as her passion for poodles features heavily in the book.
While Peg and Rose work together to clear their names, they must also come to terms with decades of infighting, grudges and hurt feelings. When the women finally begin to trust each other, readers can see a great friendship starting to blossom—one that will hopefully form the backbone of this new cozy series.
Laurien Berenson's new spinoff series will thrill fans right out of the gate thanks to its capable, witty sleuths.
When the main characters in these two novels return to their hometowns after long absences, mysteries past and present collide.
★ Jackal
In Jackal, 30-something Black woman Liz Rocher reluctantly returns to her childhood home for the wedding of her longtime friend Melissa Parker. While she’s overjoyed at Mel’s newfound happiness and upcoming marriage, she’s less than enthusiastic about her return to Johnstown, Pennsylvania, a predominantly white town nestled in the Appalachian Mountains that immediately rekindles haunting memories.
Years ago, Keisha Woodson, one of Liz’s only Black friends, disappeared after a party in the woods. She was discovered dead, her heart ripped from her chest. Police were quick to close the book on the case, concluding that Keisha died from exposure and that her body was ravaged by a bear. But Liz has always had doubts. When Mel’s daughter, Caroline, also goes missing, Liz launches an investigation into the other Black children who have disappeared over the years. As suspicion, racial tension and even irrational fears of a legendary creature in the woods grow, Liz desperately tries to discover the truth and save Caroline before it’s too late.
In her debut novel, Erin E. Adams transcends the typical hometown mystery with an effective blend of social and supernatural terrors that build in intensity and mystique throughout. Liz’s first-person narration accentuates the emotional stakes of what’s happening in Johnstown, drawing readers in as they sympathize with her plight.
The Witch in the Well
Norwegian author Camilla Bruce’s The Witch in the Well revolves around popular spirituality influencer Elena Clover, whose return to her hometown (referred to only as F”) ignites a feud with her former childhood friend Cathy over their town’s local legend, the titular witch.
Cathy had been researching and blogging for years about Ilsbeth Clark, who was accused of being a witch, then arrested and tried for the deaths of numerous children in 1862. Ilsbeth was eventually acquitted, but believing the court made a mistake, the townsfolk threw her in the local well and drowned her.
Elena, who believes that each person has a voice in their head that can converse with their soul, is convinced that Ilsbeth is that voice for her. She returns to F” to write her next book about Ilsbeth, which prompts Cathy to exact a series of petty retaliations.
The book begins with an open letter to the community from Cathy, who contends that she has been wrongly implicated in Elena’s death. Bruce, who earned accolades for her previous thriller You Let Me In, expertly unravels the trio’s stories, jumping back and forth in time via Elena’s journal, Cathy’s blogs and Ilsbeth’s own archived accounts. The Witch in the Well is a compelling, creepy story of angst, obsessions and lost friendship.
In Erin E. Adams' Jackal and Camilla Bruce's The Witch in the Well, the places you know best are the ones that pose the greatest threat.
A Killing in Costumes, Zac Bissonnette’s first Hollywood Treasures mystery, deftly balances a tightly plotted mystery with glamorous characters and a unique setting in the world of movie memorabilia.
Decades ago, Cindy Cooper and Jay Allan were bona fide celebrities. The married-in-real-life performers starred as a couple in a popular soap opera to great acclaim—until they decided to reveal their true sexual orientations to the world. Jay and Cindy lost their acting careers and ended their marriage but remained close friends.
They now own Hooray for Hollywood, a movie memorabilia store in Palm Springs, California. Business is slow, and they’re in danger of having to close the shop for good until they’re offered a chance to represent retired silver screen legend Yana Tosh in the sale of her personal collection of film costumes and memorabilia. When a vice president of the auction house competing for Yana’s collection is found dead, Jay and Cindy become suspects in the investigation. To clear their names, keep their business afloat and win Yana’s collection, the friends must work together to solve the case—before the killer strikes again.
Bissonnette does an exceptional job constructing A Killing in Costume‘s central whodunit: Each entertaining suspect has believable motives and opportunities, and mystery fans are sure to appreciate his deftly hidden clues. But the heart of the story lies in Cindy and Jay’s close friendship, which has weathered the collapse of their careers, new jobs and relationships, and every success and loss along the way. Both are deeply funny people who are fiercely protective of each other, and their passion for and knowledge of the film industry will delight readers who are also movie buffs. Finally, Cindy’s struggle to find a new normal after the loss of her beloved wife to cancer provides a serious note that is both touching and authentic.
A Killing in Costumes has all the hallmarks of a great cozy: a unique setting, an intriguing cast of characters and an exciting mystery.
A Killing in Costumes has all the hallmarks of a great cozy: a unique setting, an intriguing cast of characters and an exciting mystery.
George Dawes Green made a huge splash onto the literary scene with his mid-1990s bestsellers, The Caveman’s Valentine and The Juror. The release of his critically acclaimed third novel, Ravens, came 14 years later. And now, 13 years after that, Green is back with the intriguing and immersive The Kingdoms of Savannah, a darkly mesmerizing mystery that will enthrall readers with its original premise and characters as Green escorts them through the titular city’s glittering society circles, criminal underworld and extensive homeless community, all rife with terrible secrets past and present.
While Savannah, Georgia, has, as one character muses, “all the conviviality and the outrageous beauty and the characters and the sunlight and the aromas,” it also “rests upon a bed of history so vile no novelist could invent it,” as the author writes in a note at the book’s beginning. What Green did invent, though, is the wealthy and powerful Musgroves, a white family whose roots in the city reach back to the 1800s. When Luke, a young man experiencing homelessness, is found stabbed to death in a decrepit building and his friend Stony, a 43-year-old Black woman who works as a contract archaeologist, goes missing, Morgana Musgrove is hired to investigate. (One of her late husband’s many businesses was a detective agency, you see.) The owner of the building where Luke’s body was found is the mobster-esque Archie Guzman, and he’s offering a lot of money for answers as to what happened. But why does Guzman care about Luke and Stony? And why is he insisting Morgana play detective?
Morgana’s granddaughter Jaq, an amateur documentarian, and estranged son Ransom, who’s been living at an encampment under the highway, join her on the case. The trio pingpongs off one another in ways that are both entertaining and poignant, their different life experiences and painful histories affecting how they see both one another and the case. Family secrets bubble up to the surface even as the trio ignores ruffled society-people feathers and you’d-better-back-off threats. Green follows Morgana, Jaq and Ransom on their quest for truth, moving between marvelous mansions and homeless encampments, police stations and dive bars. All the while, ghost-tour carriages rattle by in the background, serving as chilling reminders of tragedy twisted into glib entertainment.
Green’s historical notes at the end of the book offer fascinating details about the real-life people and events that inspired him to write The Kingdoms of Savannah, which is a masterful and multifaceted work: finely crafted mystery, thought-provoking social commentary and an indelible portrait of a complicated city.
The Kingdoms of Savannah is a finely crafted mystery, a thought-provoking social commentary and an indelible portrait of the titular city.
Sign Up
Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.
Maria Ressa’s book is a political history of the Philippines and an intimate memoir, but it’s also a warning to democracies everywhere: Authoritarianism is a threat to us all.
Sean Adams has dialed down the dystopian quotient from his first satirical novel, The Heap, but that element is still very much present in The Thing in the Snow.
