Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
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Jennifer Neal’s essential memoir and travelogue, My Pisces Heart, proves that Black people exist all over the world and, in many cases, always have.
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Justene Hill Edwards’ incisive Savings and Trust: The Rise and Betrayal of the Freedman’s Bank examines a noble idea destroyed by corruption. The idea emerged at the end of the Civil War when John Alvord, a Congregational minister and antislavery activist, realized that newly emancipated people would need a banking institution they could trust. Drawing on examples of military banks established for formerly enslaved Union soldiers, Alvord formed the Freedman’s Bank in March 1865. At its height, Edwards notes, “freed people had opened over one hundred thousand accounts and deposited over $75 million ($1.9 trillion today).” But within nine years, the bank failed.

Edwards, whose previous book, 2021’s Unfair Markets, examined the internal workings of enslaved people’s private economic activity, is a trustworthy guide through details concerning the early promise of the Freedman’s Bank, its improper transactions and the host of institutional and individual failings that led its collapse. 

She lays primary (but not sole) blame at the feet of railroad executive Henry D. Cooke (brother of 19th-century finance titan Jay Cooke) who headed the bank’s finance committee. Cooke and his committee moved the bank’s headquarters from New York City to Washington, D.C., opening it to political influences; approved illegal loans; altered its charter; and loaned Black depositors’ money without due diligence, primarily to white bank trustees and other insiders, and only infrequently to Black depositors. As the bank failed, trustees fled responsibility and brought in the great Black activist Frederick Douglass, to his eternal regret, to do damage control.

Edwards also points out that Alvord and other well-meaning supporters were ill-equipped to oversee such an institution. More tellingly, Edwards questions the underlying assumptions of the bank. It promoted the virtue of saving to the newly freed population, but it included no Black founders, advisors or early trustees. The white bankers assumed the depositors would be wage earners; but most of the Black savers wanted to own and work their own land independently and thus needed a broader, more flexible array of financial services than the bank ever offered.

The collapse of Freedman’s Bank has reverberated throughout U.S. history: “Black people’s generational distrust of financial institutions can be traced to the founding, plunder, and failure of the Freedman’s Bank,” Edwards points out. And white Americans used the failure “to fuel stereotypes about Black people’s laziness and their lack of fitness for . . . political and economic inclusion.” Savings and Trust adds materially to our understanding of the racial wealth gap and our long legacy of social injustice.

Justene Hill Edwards’ incisive Savings and Trust chronicles the formation and failure of the Freedman’s Bank, and reveals the deep history of the racial wealth gap.

Lucy Ives writes with a madcap intellectualism—think David Sedaris with a Ph.D. Her new collection of essays, An Image of My Name Enters America, sutures together such heterogeneous topics as fetal consciousness, unicorns, the medieval mystic Margery Kempe and the end of the world. Much like in Ives’ fiction (Impossible Views of the World), her meticulously crafted prose weaves these disparate threads into beautiful essays that surprise and delight with their interconnecting patterns. 

The five essays in this collection are linked by Ives’ experience of pregnancy and childbirth during the COVID-19 pandemic. In “Of Unicorns,” her midwife recounts a dream (or memory?) of being perfectly happy in a smooth enclosed place, perhaps her own mother’s uterus. Ives then pivots to her own childhood obsession with the My Little Pony toys of the 1980s, before turning to Zoroastrianism and the Renaissance unicorn tapestries that hang in New York City’s Cloisters museum. The lines Ives draws between these elements are astonishing and moving, and “Of Unicorns” is one of the best essays I’ve read in a long time. 

The titular essay returns to the theme of memory, both individual and cultural. Childhood memories also play a role, but so too does anamnesis—the recollecting of knowledge from before birth—prompting Ives to explore her family’s immigration story, which began with the Assyrian genocide of the 1910s. Although this violent historical event long precedes Ives’ own birth, it “refuse[s] to be forgotten,” and she feels its presence even before she is consciously aware of it. Questions of memory and identity persist across each of the essays grouped in this volume, lending a satisfying sense of cohesion to the collection. 

In the final essay, Ives links Cixin Liu’s science fiction novel The Three-Body Problem with the difficulty of finding words to accurately depict childbirth. Is the experience of giving birth, of moving from a pre- to post-natal state, akin to a holy state of nothingness, a place where language fails? The body-in-labor may be the ultimate testing ground for Ives’ thoughts on identity and language. 

An Image of My Name Enters America carries its scholarship lightly and with a wink. While each essay is scrupulously footnoted, the notes can be ignored (although interested readers will find further reading suggestions galore). Readers are advised to sit back and enjoy the many splendors of Lucy Ives’ magpie brilliance.

An Image of My Name Enters America shows Lucy Ives’ magpie brilliance in essays that weave together My Little Pony, childbirth, her family’s immigration story and much more.
Noelle Johnson’s book includes charts to help gardeners and homeowners choose the best trees, shrubs, vines and plants for their region.

Based in Melbourne, Australia, permaculture expert Connie Cao brings a joyful exuberance to her book about growing and enjoying Asian vegetables, herbs and fruits. Whether you’re an expert or new to Asian culinary traditions, Cao’s enthusiasm is contagious. Cao is the daughter of immigrants from Shanghai, who moved to Australia in 1988, and she grew up watching her dad tend his garden. Cao notes, “The thing that got me into gardening is the magic that happens from seed to food.” Your Asian Veggie Patch: A Guide to Growing and Cooking Delicious Asian Vegetables, Herbs and Fruits provides an excellent introduction for anyone wishing to experience that magic for themselves.

Cao’s well-organized, easy-to-follow book provides guidance on growing, harvesting and cooking Asian veggies. Many of the recipes that appear were inspired by her own family’s traditions. Cao is trained in permaculture, and also includes principles and practices of this sustainable, regenerative approach to gardening and agriculture.

Cao has an easy, conversational style. In Part 1, she covers many gardening basics, including a page on plant families that is especially helpful for gaining a better understanding of vegetables and herbs. Part 2 features plant profiles organized by season. For instance, Asian mustards come first in cool-season veggies, while vegetables like eggplant and long beans appear in the warm-season section. Each plant’s profile includes photographs that show how to plant, grow, harvest and cook it. 

Interested but not sure where to start? Browse through all the gorgeous, mouthwatering pictures of finished dishes in this delightful book: You won’t go wrong picking any of these options to grow and cook yourself.

Connie Cao’s well-organized, easy-to-follow book provides guidance on growing, harvesting and cooking Asian veggies.
With its seamless integration of gardening principles with advanced design ideas, Garden Wonderland is the perfect gift for new gardeners—or anyone in need of a little inspiration.

The Story of Perfume: A Lavishly Illustrated Guide successfully pulls off one of my favorite literary tricks: It takes something extremely specific—in this case, perfume—and gets so immersed in it that all manner of connections among seemingly disparate worlds begin to take shape. From ancient Greek mythology to traditional Indian medicine, from the French Revolution to the sexual revolution, from Salvador Dali to Christian Dior, perfume was there through it all. And although fragrance is an area of study that is traditionally skipped by scholarly treatment, historian Élisabeth de Feydeau takes her subject seriously. The Story of Perfume is much more scholastic than you might expect. For example, the chapter “The First Iconic Perfumes” includes an entry about the 16th-century French king Francis I, whose edict to treat gunshot wounds with an elixir made from aromatic plants became so popular among the general public that it helped forge a path for legendary perfume house Guerlain. The stories Feydeau tells are fascinating, and they’re matched with a slew of equally compelling visual elements, like an ancient Roman fresco that depicts a seated woman decanting perfume, photographs of fragrant herbs and more elaborately detailed glass bottles than I was able to count. This is a great reference for fragrance lovers, but might also be an unexpected supplement for students of history—from ancient times through the Industrial Revolution, in particular.

The Story of Perfume is a sumptuous reference for fragrance lovers and an unexpected supplement for students of history.
James Beard Award-winning author Alexander Smalls’ The Contemporary African Kitchen collects recipes that span an entire continent filled with innumerable culinary styles and traditions.

For anyone who’s ever perused a bulb catalog and been overwhelmed trying to choose among the many varieties of daffodils, tulips or amaryllises, this book by British garden designer and author Lucy Bellamy is for you. With bright, full-color photographs by Jason Ingram, A Year in Bloom: Flowering Bulbs for Every Season takes the guesswork out of selecting bulbs that will brighten your yard year-round. 

A Year in Bloom is clear and well-organized. Bellamy provides a helpful introduction, then introduces her featured 150 bulbs by season, beginning with late winter/early spring. Bellamy’s text and selections are especially helpful for gardeners seeking to adapt to climate change and focus on sustainability. For instance, she notes a new emphasis on bulbs that are perennial over single-use hybrids. The selections here also recognize the desire of many gardeners to support pollinators and encourage biodiversity. 

As a former editor of Gardens Illustrated magazine, Bellamy made her selections by calling on her network of international garden designers, landscape architects and head gardeners. These recommendations add depth and interest to the text. For instance, in recommending the snowdrop called “E.A. Bowles,” Bellamy consulted British nurseryman Joe Sharmon, known as “Mr. Snowdrop.” Bellamy includes a complete list of those who nominated their favorites in the back matter, along with an indexed list of bulbs by function, conveying which are best for shade, for planting in pots, naturalizing, for cut flowers, etc.

Planting bulbs usually means planning ahead. A Year in Bloom is a practical, beautiful handbook that will find a place in any gardener’s library.

Planting bulbs usually means planning ahead. A Year in Bloom is a practical, beautiful handbook that will find a place in any gardener’s library.
Ashleigh Shanti’s excellent, lavishly presented Our South twines the recipes and culture of Black Appalachia with the chef’s own culinary journey.

Sure to inspire leisurely, locally crafted meals paired with excellent conversation and luscious wine, The Artful Way to Plant-Based Cooking: Nourishing Recipes and Heartfelt Moments is a breathtaking cookbook created by mother-daughter team Trudy Crane (a ceramic artist) and Chloé Crane-Leroux (a New York City-based food and lifestyle photographer) that could do double duty as an attractive coffee table display. Blending artistry with plant-based dishes, the duo makes enticing connections between food, taste and presentation, proving vegetables can be colorful works of art. With stunning photographs taken in Spain, the book highlights the shared love of travel that has always been a “deeply meaningful connection” between the mother and daughter. Divided into six sections of appetizers, date night dishes, friends for dinner, weekday favorites, solo suppers, and slow mornings and brunch favorites, a wide range of recipe types and flavor combinations are represented, among them crumbed artichokes with cashew aioli, a ricotta and squash galette, a traditional Greek salad and savory chickpea pancakes. I made the shawarma spice tofu skewers with hummus and wilted spinach, which proved to be a delicious blend of flavors and textures.

In their breathtaking new cookbook, mother-daughter team Trudy Crane and Chloé Crane-Leroux prove that vegetables can be colorful works of art.
Clarice Lam’s Breaking Bao is a striking collection of thoughtfully crafted baked goods that highlights the inventive pastry chef’s love of Asian flavors.

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