In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
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The concept of a body-mind connection is nothing new. With the recent rise in the use of alternative therapies to treat illness, the public has been swift to recognize this connection. Larry Dossey, one of the first in the scientific community to write about mind-body integration, now shows how this powerful combination can further affect our own personal healing. In his recent book, Reinventing Medicine, he explains the present shift away from how we have viewed medicine in the past and offers a fascinating look at what the future holds for creating wellness in our lives. Dossey identifies what he sees as three recent eras in medicine. He explains how we have gone beyond Era I (the 1860s) in understanding the mechanical or physical healing that takes place in the body. We have also ventured well beyond Era II (1950s), which allowed us to discover that the mind could actually influence the body, for better or worse. Now, Dossey believes that we have entered Era III, a combination of the two previous eras . . . with a twist. The mind-body interaction in Era III is characterized by phenomena such as familiar, unaccountable hunches, prophetic dreams, and bursts of creative energy. Although science has traditionally distrusted these phenomena for lack of evidence, Dossey offers the recent work of scientists at universities such as Harvard, Princeton, and Stanford to add convincing weight to his argument.

A perhaps troubling aspect for those in the scientific field is Dossey’s key concept, which characterizes Era III medicine, the concept of the nonlocal mind. The author believes that there is sufficient evidence to show that the mind operates beyond the body and is not subject to time. To strengthen his claim, he offers impressive studies for nonlocal events, which suggest that there is not only startling interaction between humans, but also between humans and plants, humans and animals, and even humans and inanimate objects. Anyone interested in the mind-body connection, how it influences our well-being, and how we can focus on it to positively affect our health will be interested in this book.

The concept of a body-mind connection is nothing new. With the recent rise in the use of alternative therapies to treat illness, the public has been swift to recognize this connection. Larry Dossey, one of the first in the scientific community to write about mind-body integration, now shows how this powerful combination can further affect […]
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In his new book, Summer at Little Lava, Charles Fergus follows Thoreau’s advice and gives a clear account of himself: I had come to Little Lava for my own reasons, my own rewards: solitude, birds on the wing, the healing breath of the wind in my face, and the chance to take the days one at a time, the long bright days of the Northern summer. One adjective in that paragraph stands out healing. Few notions have been loaded with more soft-focus, warm-fuzzy blather than the curative virtues of the natural world. Still, although we may be fancy animals, we’re still animals, and we are just as much a part of nature as birds and moss. We haven’t outgrown that kinship; we’ve merely forgotten it. To return to it and embrace it means more to us than we yet understand. Charles Fergus knows this. Shortly before he and his wife and son left for the abandoned Icelandic farm they called Little Lava, his mother was murdered. Then his niece died in the crash of TWA flight 800. Although Summer at Little Lava is by no means a self-help guide, the process of grieving does color its appreciations of nature and life. Ultimately, however, the book is not melancholy but celebratory. Fergus’s quick sketches of the terrain and its inhabitants, especially birds and scattered native humans, are well observed and entertaining. His dominant character is Iceland itself its landscape, people, and its tongue-twisting language (full of words such as Sn¾fellsjškull). Little Lava was without what we like to call the modern conveniences. It forced its inhabitants to face their relationship with the world around them. Early on, Fergus invokes Henry Beston’s masterpiece The Outermost House, a 1920s’ account of many months alone on the shore of Cape Cod. Iceland, to my mind, Fergus writes, was itself an outermost house of the Western world. And the physical house we called Little Lava on the far shore of a tidal lagoon, bound by marsh and mountain and ocean and the vast Icelandic sky seemed to me the quintessential outermost house. Such a reference invites comparison. Fergus lacks both Beston’s offhand lyricism and his perfect pitch. But, thanks to Fergus’s attention to detail, his enthusiasm for Iceland, and his emotional candor, Summer at Little Lava is great fun, an adventure with a charming and knowledgeable companion. Michael Sims is the author of Darwin’s Orchestra (Henry Holt).

In his new book, Summer at Little Lava, Charles Fergus follows Thoreau’s advice and gives a clear account of himself: I had come to Little Lava for my own reasons, my own rewards: solitude, birds on the wing, the healing breath of the wind in my face, and the chance to take the days one […]
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Welcome to hard times From a high school history class in the late 1950s, I remember a teacher, attempting to shake us children of relative privilege out of our apathy, telling a personal story to illustrate the awfulness of the Great Depression. Out of work himself in those years, he was walking along a city street one day when he saw a small crowd at a doorway, encircling what proved to be the dead body of a man. Only later, he said, did he learn that the man had died of starvation.

I don’t know about my fellow sloths, but obviously I was affected enough by the story to remember it. Not that I or they needed his anecdote. We could have had anecdotes aplenty if we’d wanted them, which we mostly didn’t from our mothers and fathers, our aunts and uncles people now part of what T.

H. Watkins calls in The Hungry Years: America in an Age of Crisis, 1929-1939 a generation of witnesses who are passing from the scene and to whom he intends his book to be a tribute.

If any subject comes close to rivaling the Civil War and World War II for being written about, it is the Depression. Indeed, Watkins himself has written an earlier book about the period and an award-winning biography of one of its leading figures, Harold Ickes. So why another tome on the pile? The author explains in his foreword that he wanted to write not so much about the New Deal and politics as about the people whose lives were changed by what the Great Depression brought, to take the story as far beyond Washington, D.

C., as I can get it, and wherever possible present the story from the ground up. In this he largely succeeds. He divides his book into three sections, the first a chronological overview, the other two examinations of the Depression’s grip on urban and rural America. These last two are, as he intends, considerably more descriptive and anecdotal than the first, but even here there is still plenty of detail about what might be called the story from the top down the lives and motivations of Franklin D. Roosevelt, other politicians, union leaders, businessmen, and so forth.

Except in incidental ways Watkins is not interested in what movies people watched, books they read, or songs they sang and danced to. The Hungry Years is almost exclusively a political, social, and economic as distinct from cultural history. He devotes his book to Americans’ struggle with hard times and to an examination of Roosevelt’s attempts to get the nation out of the economic morass that he believes FDR’s predecessor, Herbert Hoover, did little to keep it from sinking into.

In this interpretation he is hardly alone, of course. Hoover’s fiddling while America burned has pretty much become the revealed truth of 20th-century American history. Watkins admires the New Deal’s nobility of purpose that few governments have ever entertained, but calls it, when all is said and done, a magnificent failure whose reach far exceeded its grasp. Watkins deftly rounds up all the usual suspects and grills them hard. One of his best examinations is of the nation’s exclusive dependence on volunteerism, local aid, self-reliance, and private charity that, to give Hoover his due, made a good and capable man a prisoner of ideology and kept him from doing more than he did.

FDR was not about to be any such prisoner. Immediately upon achieving office he began serving up the famous alphabet soup of public works and relief: the soil soldiers of the Civilian Conservation Corps, for example; and the Public Works Administration, which eventually would put at least one construction project in all but three of the country’s 3,073 counties; and the most ubiquitous program of all, the oddly named Works Progress Administration, which included the federal writers, music, and theater projects. One of the New Dealers’ signal failures, he writes, is in the decade’s labor unrest and rising unionism, because of their lack of understanding of and sympathy for the working class. He maintains that they were more comfortable giving workers government jobs than helping them fight for their own.

All too soon our own children will no longer have a generation of witnesses to these hard times. Luckily, they or at least the few who show more interest than my generation did will have The Hungry Years to tell them what they were fortunate to have missed. ¦ Roger K. Miller is a freelance writer. He can be reached at roger@bookpage.com.

Welcome to hard times From a high school history class in the late 1950s, I remember a teacher, attempting to shake us children of relative privilege out of our apathy, telling a personal story to illustrate the awfulness of the Great Depression. Out of work himself in those years, he was walking along a city […]
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Anyone who has read Vladimir Nabokov’s novel Lolita has probably wondered what Mrs. Nabokov thought about her husband’s literary preoccupation with pedophilia. Stacy Schiff writes that Vera Nabokov was actually responsible for Lolita, in one respect at least: she saved the manuscript from the fire into which Nabokov was determined to throw it. Schiff writes that Lolita‘s survival "is testimony to Vera’s ability to — as her husband had it — keep grim common sense from the door, shoot it dead when it approached. She feared that the memory of the unfinished work would haunt him forever."

This episode characterizes the Nabokovs’ marriage, which Schiff explores and explicates in Vera (Mrs. Vladimir Nabokov). Their lives were entwined to the point that even Nabokov’s authorship was not entirely his own. Schiff’s biography follows this inextricability even in its subtitle: "Portrait of a Marriage." Thickly footnoted, illustrated with a wide variety of photographs, and written with an eye toward Nabokov’s writing as well as his wife, Schiff’s book paints a comprehensive picture of one of literature’s more complex couples. She employs interviews with their son, grocery lists, diaries, and correspondence in her work to illustrate the extent of the Nabokovs’ impact on one another. Their inseparability was not merely romantic; as Schiff writes, "The man who spoke so often of his own isolation was one of the most accompanied loners of all time." Schiff notes that the Nabokovs’ unique marriage did provide some confusion: "It was no wonder that Vera appeared to have some trouble discerning where she ended and her husband began . . . ‘I ask you to bear in mind that we have a poor mind for legal expressions,’ she contended." Ultimately, however, Schiff’s depiction reveals an unrivaled intertwining of personalities. As she writes of Nabokov, "For many years he had been a national treasure in search of a nation; Vera was a little bit the country in which he lived."

Anyone who has read Vladimir Nabokov’s novel Lolita has probably wondered what Mrs. Nabokov thought about her husband’s literary preoccupation with pedophilia. Stacy Schiff writes that Vera Nabokov was actually responsible for Lolita, in one respect at least: she saved the manuscript from the fire into which Nabokov was determined to throw it. Schiff writes […]
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Awakening to the Sacred is further proof that Eastern thought continues to influence a certain kind of American mind one formed by Western religious values, but not content with the usual Western answers to key questions of meaning.

In the 19th century similar aspects of Indian thought influenced Emerson and Thoreau, as they attempted to deepen their spiritual lives. With this book Indian thought has gone through a Tibetan filter and returned again to New England (where the author lives) and to American mainstream spiritual seekers: readers of all faiths who seek a deeper spiritual life, who, like Emerson and Thoreau, are looking for answers to life’s big questions.

Author of the best-selling Awakening the Buddha Within, Lama Surya Das started as a Jewish American seeking spiritual growth. He spent several years in India training as a Tibetan Buddhist monk and also trained in Japan as a Zen monk. Das’s purpose in this book is to help the reader see if some aspects of Tibetan Buddhism might encourage spiritual growth. Because different people have diverse spiritual needs and dissimilar backgrounds, Das provides an exceptionally wide range of behaviors and practices from which to choose.

All the practices are based on a simple perspective: enlightenment is about the daily experience of reality, not some otherworldly experience. For example, Das quotes the great Zen master Dogen about the value of meditation: Don’t doubt its possibilities because of the simplicity of its method. If you can’t find the truth right where you are, where else do you think you’ll find it? For the mainstream spiritual seeker, this book has achieved its purpose to provide specific advice for the beginning steps on the path to awakening. Provided they practice the exercises, readers using this book can develop a deeper spirituality in daily life. As the Buddha said: Try it and see that is the best approach.

Douglas J. Durham has practiced Theravada Buddhism since 1992.

Awakening to the Sacred is further proof that Eastern thought continues to influence a certain kind of American mind one formed by Western religious values, but not content with the usual Western answers to key questions of meaning. In the 19th century similar aspects of Indian thought influenced Emerson and Thoreau, as they attempted to […]
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It is impossible to read The Murder of Helen Jewett and not be reminded of the O.

J. Simpson murder trial. The similarities are striking: a beautiful young woman found murdered, the victim of a brutal slashing; a handsome, prosperous man arrested for the crime; a mad scramble by reporters to reveal every detail of the case; a high-profile trial complete with bungling prosecutors and slick defense attorneys; and finally, a stunning acquittal of the accused.

So why bother reading Patricia Cline Cohen’s account of a 19th-century prostitute when we have O.

J.? Perhaps to understand that history does repeat itself; maybe to realize that elements we find abhorrent about today’s legal system and media coverage have been commonplace since the infancy of our nation; or simply because the demise of Helen Jewett makes for an interesting potboiler.

Cohen is a professor of history at the University of California at Santa Barbara, and she approaches her subject with the keen eye of an historian. This prosaic style can lead to some dry spots in the text. There is, for instance, more information than most readers need about the history of the sex trade in New York City, the setting for the story. But much of the chronicle of Helen Jewett’s life and violent death is engrossing, and the care Cohen gives to relating each detail paints a vivid portrait of the crime.

Helen Jewett was discovered murdered in her bed on April 10, 1836. Three bloody gashes covered her face, and her body had been set on fire by her assailant. When the flames were extinguished, constables discovered a man’s handkerchief near the bed. Later, a hatchet was found in the back yard. Evidence quickly mounted against Richard P. Robinson, a frequent client and sometime suitor of Jewett. The mercantile clerk, an educated man from an established East Coast family, was arrested, setting the stage for a lurid passion play that enthralled New York and the nation.

Among the more interesting facets of the book is Cohen’s analysis of how the press covered the crime and subsequent trial. Jewett’s murder occurred at the beginning of a circulation war among a dozen or so New York newspapers, many of which used the grisly crime to sell more copies. The intense competition compelled reporters to constantly dig for new information, and some resorted to fabricating evidence and confessions. Even the reputable newspapers were forced to chose between responsible journalism and higher revenues, most settling for the latter.

Actions in the courtroom were equally reprehensible. Cohen shows how the prosecution failed to introduce key evidence, including a series of love letters between Jewett and Robinson. One of the last letters Robinson wrote was threatening in nature. Meanwhile, his trio of high-profile lawyers took courtroom oratory to new heights, mesmerizing the jury. Robinson’s eventual acquittal resulted in the same kind of shock waves as when Simpson was found not guilty.

The Helen Jewett case ultimately fails to match the excitement and emotion generated by the Simpson trial. But readers can come away from Cohen’s book with a deeper historical perspective of the imperfections inherent in the criminal justice system and the press and a realization of how little things have changed in 160 years.

John T. Slania is a writer from Chicago.

It is impossible to read The Murder of Helen Jewett and not be reminded of the O. J. Simpson murder trial. The similarities are striking: a beautiful young woman found murdered, the victim of a brutal slashing; a handsome, prosperous man arrested for the crime; a mad scramble by reporters to reveal every detail of […]

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