James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
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Adventure, anyone? While Ikumi Nakamura is best known as a Japanese video game artist and developer with an interest in horror and mystery, she has another fascinating side. As Project UrbEx: Adventures in Ghost Towns, Wastelands and Other Forgotten Worlds reveals, she’s also a fearless, adventurous photographer who has long traveled the world to explore and capture unusual and hidden locations. (For the uninitiated, UrbEx is short for urban exploration, a sometimes-dangerous pastime exploring structures and abandoned ruins in the human-made environment.)

This volume includes images from Nakamura’s explorations in North America, Europe and Asia accompanied by short, evocative essays and captions by Cam Winstanley, written based on interviews with Nakamura. The photos range from an old Italian garment factory, a decaying theme park in Bali nearly overgrown with lush vegetation, and the ruins of military planes baking in the Mojave Desert sun. A few depict Nakamura herself in precarious positions as she attempts to capture a shot.

It is unfortunate that the text is printed in neon orange, which readers may find difficult to read. Otherwise, this beautifully designed book is an intriguing conversation starter that may inspire photographers to undertake their own explorations.

 

In Project UrbEx, photographer Ikumi Nakamura explores and captures unusual and hidden locations throughout the world.
As Texas threatens LGBTQ+ people with draconian laws, KB Brookins’ memoir, Pretty, is an act of resistance against those who would silence trans writers.

Summer vacation has arrived, and with it the euphoric urge to pack a bag and hit the road (or skies. Or sea). But what is a well-traveled LGBTQIA+ person (or ally!) to do when the same old vacation spots have gotten a bit too-well trodden? Let Out in the World: An LGBTQIA+ (and Friends!) Travel Guide to More Than 120 Destinations Around the World guide the way!

Card-carrying, globe-trotting gays Amy B. Scher and Mark Jason Williams have assembled an impressive guide on where to go when and what to do when you get there, whether you’re a rugged hiker, a small town sightseer or are simply looking to relax at as many vineyards as possible before returning to real life. Even better, they’ve done it with an eye especially for the queer traveler, compiling lists of LGBTQIA+ owned eateries, tour companies, shops and bed and breakfasts. (They even note which hotels are dog-friendly, in the event of a furry plus one). Divided into chapters with headings such as “Where No One Gets Hangry,” “Nature and Nurture” and “Our Favorite Small Towns With Big Pride,” Out in the World is packed with unexpected and delightful new places to explore while unabashedly being exactly who you are.

Out in the World is an LGBTQ+ travel guide packed with unexpected and delightful new places to explore while unabashedly being exactly who you are.
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Mike De Socio loves the Boy Scouts. In Morally Straight: How the Fight for LGBTQ+ Inclusion Changed the Boy Scouts—and America, De Socio, an Eagle Scout, details how Boy Scouts gave him, a nerdy misfit, the space to thrive. He is also queer, coming out while in college in 2015, the same year that the Scouts lifted its ban on gay leaders and two years after it had lifted the ban on gay Scouts. De Socio learned he was not alone: Boy Scouts had provided a safe haven for many other queer Scouts, a haven that was repeatedly taken away because of a policy that they had no idea even existed.

Taking its title from the Boy Scout Oath, Morally Straight weaves detailed journalism and De Socio’s deeply personal memories in its recounting of the effort to lift bans on LGBTQ+ Boy Scouts and their leaders. It starts with the story behind Dale v. Boy Scouts of America, the 2000 Supreme Court case that allowed the Scouts to discriminate against queer boys and men.

At the heart of De Socio’s book is the work of Scouts for Equality (SFE), an activist group formed in 2012 after the Scouts expelled lesbian den leader Jennifer Tyrrell. Headed by Zach Wahls and Jonathan Hillis, two straight Eagle Scouts, SFE evolved into a broad-based alliance of LGBTQ+ and straight Scouts, parents and supporters that eventually persuaded the Scouts to rescind their policies.

Under Wahls and Hillis’ leadership, the SFE became a juggernaut. In their early 20s, both men  were uniquely qualified to take on the BSA. The son of two lesbian mothers, Wahls was already a LGBTQ+ activist and the author of My Two Moms. Hillis was a prominent youth leader at the BSA’s national level. Ironically, both credit the Boy Scouts with developing the moral courage and leadership skills that made SFE possible.

Morally Straight is both clear-eyed and optimistic. BSA is now a broader tent, accepting gay, trans and even female Scouts. But, as De Socio’s own experiences show, it still grapples with how to give its members the space and tools to remain true to who they are.

Morally Straight weaves detailed journalism and author Mike De Socio’s deeply personal memories in its recounting of the effort to lift bans on LGBTQ+ Boy Scouts and their leaders.
Invisible Labor is a sobering, provocative and deeply researched look at the history of C-sections and how they impact women’s lives.
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In her memoir-in-essays, I Shouldn’t Be Telling You This: (But I’m Going to Anyway), Emmy-nominated comedy writer Chelsea Devantez recounts her rise to success through a series of moments that range from comical to harrowing. She came up in Chicago’s highly competitive improv club The Second City, whose alumni list boasts everyone from John Belushi to Tina Fey. Eventually, Devantez became the head writer of The Problem With Jon Stewart, but the road there was not easy. She toiled for years in the grueling improv/comedy industry. Often when opportunity knocked, like one to create a television show, things never quite panned out. According to TV execs, she was too ethnic or not ethnic enough; too funny or not funny enough.

Devantez is no stranger to finding humor in the absurd and traumatic around us. Growing up in a family that was often tumultuous, and at the mercy of her mother’s romantic partners, Devantez learned how to make even the most difficult situations comedic. There were bright spots amid her personal and career woes: other women. Throughout I Shouldn’t Be Telling You This, Devantez shows how she couldn’t have made it in the business or in life without the complicated women and girls who surrounded her. From Devantez’s mesmerizing comedy partner who broke her heart, to the gossipy adversary she aptly names Shitbitch, to her ever-supportive mother who often struggled to free herself from abusive men, each taught Devantez something critical about the world and herself.

Devantez excels at exploring the interiority of her mind while conjuring a colorful cast of characters. As her career and life develop, she’s inspired by drag queens, evangelizing Mormon girls, cruise ship theater troupes and the memoir of comedy legend Rachel Dratch. Readers will also appreciate her frank discussions about money. In the memorable “Roger Roger,” Devantez proudly calls herself “glamorous trash” and examines the true cost of not benefiting from nepotism. Her adept critique extends beyond her lack of “a cousin who had a cousin who had a cousin who knew the accountant for Jennifer Aniston” but truly considers the reality of how race and gender play into comedy success. How does one “make it” in Hollywood—or anywhere—when you aren’t the type of person who usually does?

In I Shouldn’t Be Telling You This, Devantez answers this question and many others with acute honesty as she romps through personal embarrassments, traumas and triumphs, often proving that success is not only measured by what you do, but by who joins you along the way.

Comedy writer Chelsea Devantez romps through personal embarrassments, traumas and triumphs in her memoir, I Shouldn’t Be Telling You This.
Steeped in steam and serenity, photojournalist Greta Rybus’ Hot Springs is perfect for those looking for a vacation destination or their next book to savor in the (hot) bath.
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Adam Higginbotham’s international bestseller, Midnight in Chernobyl, chronicled the disastrous 1986 nuclear reactor explosion in Ukraine that was caused by a Soviet program plagued with a toxic combination of unrealistic timelines and dangerous cost cutting. His new book, Challenger: A True Story of Heroism and Disaster on the Edge of Space, describes a surprisingly similar catastrophe that very same year, this time at the hands of NASA: the explosion of the space shuttle Challenger that killed all seven people aboard. Hefty, compelling and propulsive, Challenger overflows with revelatory details.

Reading this book is like watching a train wreck unfold in slow motion. One can’t help but hear a drumbeat of dread while getting to know the astronauts—Christa McAuliffe, Gregory Jarvis, Ron McNair, Ellison Onizuka, Judith Resnik, Dick Scobee and Michael Smith—and their families. Details will stay with readers long after they close the book: McAuliffe’s appearance on The Tonight Show, her husband’s increasing anxiety at launch time, the horror and disbelief of the families as they watch their loved ones die, the grim details of the recovery efforts and the attempts of professionals both to warn against the mission and to bring to light why it failed.

Among the latter is engineer Roger Boisjoly, who, over a year before the explosion, wrote a memo voicing fears to senior management, stating, “It is my honest and very real fear that if we do not take immediate action . . . we stand in jeopardy of losing a flight along with all the launch facilities.” Unbelievably, in the hours just before the mission commenced, Boisjoly and a team of 13 other engineers unanimously advised against the launch, yet their concerns were not even voiced up the command chain. After the explosion, physicist Richard Feynman sought to bring clarity to the commission tasked with investigating the tragedy. The scientist noted that “the management of NASA exaggerates the reliability of its product to the point of fantasy.”

Higginbotham excels at delineating not only the science, technology and history of NASA’s Space Shuttle program, but also the bureaucratic snafus and mismanagement that led to the catastrophe, including economic pressures and a nonstop race to get people into space. As with Midnight in Chernobyl, Challenger proves Higginbotham is a master chronicler of disasters, demonstrating an unflinching ability to pierce through politics, power and bureaucracies with laser-sharp focus.

Challenger proves Adam Higginbotham is a master chronicler of disasters, piercing through politics, power and bureaucracies with laser-sharp focus.
The exuberant American Diva celebrates “extraordinary, unruly, fabulous” women who earned their diva status and stood the test of time.

Growing up together means our siblings understand “not just who you are but why you are,” as author Annie Sklaver Orenstein writes. Sometimes the “why” is even a direct response to the siblings themselves; we may follow in an older sibling’s footsteps or rebel against expectations set by their example.

We expect siblings to not only grow up with us but also grow old alongside us; even when relationships are strained or barely existent, siblings share history, and their family experience may most closely mirror one another’s. When a sibling dies early, it can be a devastating, isolating loss. But there aren’t a lot of resources for sibling-specific grief. Orenstein has learned this firsthand in the 13-plus years since her oldest brother’s death in Afghanistan when she was 25.

In Always a Sibling: The Forgotten Mourner’s Guide to Grief, Orenstein addresses this gap in resources by providing tips, related reading and exercises to help readers face their grief after a sibling’s death. A researcher and oral historian, Orenstein puts her skills to use by collecting stories of sibling loss, braiding anecdotes and data with her own experience with grief.

Her plain-spoken, direct style ensures that the research she shares remains relatable. Sometimes she names too many interview subjects and their siblings, leaving the stories at risk of running together. But at their best, the stories help readers feel seen. For example, Orenstein recounts a woman at a party who opens up after hearing that the author is working on this book. The woman quickly warms to the subject and asks, is her experience normal? Or are the feelings she’s faced since her sibling’s death just her own? 

And that’s Always a Sibling’s greatest triumph. There are grief support groups and resources for parents, spouses and kids whose parents have died. But it isn’t often that young (or youngish) adults encounter others who share sibling loss. Orenstein shows her readers that they aren’t alone. Their feelings and reactions aren’t unusual. And their grief matters, too.

Always a Sibling braids stories, data and the author’s own experience with loss to provide a rare guide to mourning a sibling’s death.

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