In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
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How do you approach Mother’s Day? With reverence and joy, or sorrow and trepidation? Are you fulfilled, exhausted or both from being a dutiful child or caretaking parent? No matter what your emotions, these engrossing books about mothers, children and parenting are bound to speak to you.

Particularly wonderful is a collection gathered by Elizabeth Benedict, What My Mother Gave Me. Benedict, who had a trying, distant relationship with her mother, found herself surprised by the intense feelings she had about a long woolen scarf her mother gave her in the last years of her life. She began to wonder: “If this one gift meant so much to me, if it unlocked the door to so much history and such complicated feelings, might other women have such a gift themselves?”

Indeed they do, and their answers come to life in stories from such writers as Ann Hood, Mary Gordon, Elinor Lipman and Mameve Medwed. Lisa See’s mother taught her to pen “a thousand words a day and one charming note,” a work ethic that involves writing steadily and aiming high. Joyce Carol Oates describes the first days of her widow­hood, when she wrapped herself in a rainbow-colored quilt made by her late mother. The quilt became “a sign of how love endures in the most elemental and comforting ways.” And Emma Straub ponders gifts less tangible, such as tickets for a rainy, rather miserable but memorable cruise around a Wisconsin lake. Straub writes: “My own happiness during every terrible minute of the Betty Lou Cruise came from knowing that when it ended, I would get to tell [my mother] about it.”

BIG FAT GREEK LOVE

For some, the road to motherhood can be fraught with formidable roadblocks, as was the case for actress Nia Vardalos, the famed actress and writer of My Big Fat Greek Wedding. She tells her story in Instant Mom, which is as compelling, witty and wonderful as her now-classic movie about Greek family life. While Vardalos filmed the movie, went on press tours and was eventually nominated for an Oscar, she was desperately enduring a series of fertility treatments and heartbreaking miscarriages. Her dream of becoming a mother was finally fulfilled in 2008 when she and her husband became the unimaginably proud parents of a 3-year-old daughter that they adopted via the foster-care system. “After years of praying to be parents,” Vardalos says, “this little miracle simply appeared.”

The first few months involved exhausting efforts by all to acclimate and build trust, and Vardalos never sugarcoats the details, though she always buffers them with her and her husband’s complete joy and adoration of their headstrong, vivacious little girl. Vardalos brings readers along for a delightful ride as she navigates the toddler and preschool years, ending the story with a helpful question-and-answer section about the adoptive process. Her goal is to educate her readers about adoption, and she achieves it in an endlessly entertaining fashion.

SHARED LAUGHTER

Comedian Carol Burnett also has a powerful mothering story to share. Like many, I grew up watching “The Carol Burnett Show” and still grin at the thought of her Tarzan yell and the unflappable Mrs. Wiggins. Now Burnett bares her soul in her touching memoir, Carrie and Me.

Carrie Hamilton was the oldest of Burnett’s three daughters, a young woman who shared both her mother’s looks and her wide-ranging talent as an actress and singer. Burnett highlights the great triumphs and tragedies of her beloved daughter’s life, filling in details with stories, diary entries and letters. The pair went public in 1979 about Carrie’s adolescent struggle with drugs and alcohol—a multi-year battle from which she ultimately emerged victorious. Mother and daughter later collaborated on a play about Carol’s early life, and the adult Carrie lived in a Colorado cabin while writing a story called “Sunrise in Memphis,” which is included in the book.

Sadly, Carrie’s bold spirit and artistic talent were cut short by lung cancer in 2002. Carol and Carrie were lucky to have each other, and their ironclad bond shines through in this short but sweet memoir.

A LIFE RENEWED

Like Nia Vardalos, Glennon Doyle Melton became something of an instant mom, but in a very different way. On Mother’s Day 2002, this unwed 26-year-old was shocked to discover she was pregnant. What’s more, she was battling bulimia, alcohol and drug addiction. Happily, her life of struggle has become one of triumph, which she describes in Carry On, Warrior.

Becoming a wife and mother was a turning point for Melton, who is now the mother of three and the successful creator of the blog Momastery.com, some essays from which are collected here. She calls herself a “reckless truth teller,” and like Anne Lamott (one of her favorite writers), Melton has dedicated her life not only to her family but to religious faith and humor. She explains that once her husband and first child entered her life, she realized, “If two such good, kind, full people needed and wanted and loved me, could I really be so worthless? Suddenly, it seemed that there might be parts of life that were beautiful and good and meant for ME.”

All four of these books will make readers laugh and cry in recognition, and think more deeply about their own roots and relationships.

How do you approach Mother’s Day? With reverence and joy, or sorrow and trepidation? Are you fulfilled, exhausted or both from being a dutiful child or caretaking parent? No matter what your emotions, these engrossing books about mothers, children and parenting are bound to speak to you. Particularly wonderful is a collection gathered by Elizabeth […]
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People talk. There's no getting around it. People talk about each other and about themselves because we are social animals who love to communicate. This month we look at talk from three different points of view: talk as a marketing tool, as a sales technique and as an organizational development device.

Talk is at the heart of The Anatomy of Buzz: How to Create Word of Mouth Advertising by Emanuel Rosen. Why does a sleeper become a hit movie? Because people raved about it to their friends. Why did 65 percent of Palm Pilot users buy a Palm? Because someone told someone who told someone else the Palm Pilot was a great product. That's buzz, the largely immeasurable word-of-mouth network that spreads product information from one user to another potential user. This column is buzz, since I'm telling you about books I like.

Buzz is also the impression a product leaves with consumers. To create buzz, Rosen says, a product must have clearly identifiable traits. In addition to being innovative or solving a practical problem, the product becomes more useful as more people use it. If it also practically advertises itself (How many of your neighbors have blue New York Times bags on their lawn?) you've got buzz. How did you hear about the best-selling novel Cold Mountain? You probably read a review or someone told you about the book. That's buzz at work.

The Anatomy of Buzz follows the footsteps of Paul Lazarsfeld, a communications researcher who, in the 1940s, studied the influence of the mass media on election politics. He concluded that many factors played into voters' decisions, including the beliefs of "opinion leaders," people who influenced their decisions. The Anatomy of Buzz deftly links such communications theory with buying theory. This is not a stuffy research volume or a textbook, however. It's a layman's approach to a marketing strategy, one that many marketers have overlooked. They rely heavily on expensive ad campaigns that may not reap results. These days that's a huge and costly mistake. The Anatomy of Buzz should be required reading for anyone who works with new product development, advertising or public relations. Don't spend your money where it won't work, Rosen advises. As an alternative, talk is cheap and very effective.

Several years ago, the buzz word in sales and marketing circles was the "guerilla" approach to sales. Almost everyone knows a guerilla salesman at work. He's the guy with the take-no-prisoners attitude, who has perfected the hard sell and always seems to know what to say. In Three Steps to Yes: The Gentle Art of Getting Your Wayauthor Gene Bedell offers a primer for those of us who are flummoxed by guerilla tactics, but still need help in becoming effective communicators. Whether you're a salesperson, a PTA member or a job applicant, Three Steps to Yes shows you how to sell your ideas or yourself without subscribing to guerilla tactics.

Bedell refers to all of us who aren't comfortable with guerilla tactics as "poets." He prefaces Three Steps to Yes with the assurance that poets can learn to sell their ideas in ways that make sense to sensitive hearts. The author outlines a clear guide for instilling trust and respect in buyers, helping poets to say what they need to say. He teaches a method of understanding buyers' needs, all the while assuring poets that they need not compromise their values to make a sale Three Steps to Yes is peppered with stories from Bedell's home and work life. He makes it look as easy to talk with a 13-year-old as it is to win a new job. Illus- trated with cogent examples, interesting narrative and simple outlines, Three Steps to Yes helps poets slide quietly past guerillas in the war of words at work.

As the author of another new book sees it, all of us are "gorillas," and evolution can help us make sense of the workplace. In Executive Instinct, Nigel Nicholson uses evolutionary psychology to explain how organizations function.

This snappy, smart book convincingly draws parallels between the work environment and sociological models of human behavior. Executive Instinct gives common sense explanations of a range of human relations topics. Why do men and women have different work styles? Why do people need to share office gossip? Do you want to understand why your office atmosphere is stagnant and starched? Nicholson can tell you.

People enjoy gossip and networking because "evolution designed us to talk," Nicholson says. At the same time, we are not innately equipped to read and write. These attributes play out at the office and are reflected in workplace statistics. Nicholson notes that most managers show a strong preference for oral over written communications and hate to write. Employees also prefer talk, citing face-to-face channels as the top form of boss-employee communication.

Yet e-mail proliferates. Nicholson uses his evolutionary approach to argue that e-mail is causing a rash of communications disorders in organizations as people rely on it as a substitute for face-to-face meetings. Before you implement that new communications technology designed to put the whole company in touch, read Nicholson's book. What you may need instead is a new water cooler for employees to gather around. Our evolutionary instincts are clashing with our technological capabilities.

Executive Instinct is full of fresh, brash theories. Has evolution designed us to work in groups of no more than 150 employees? Nicholson says yes. He criticizes conglomerates that fail to make distinct small groupings within their organizations. Small groups feel more rational to humans, he says, because we have evolved in them. Companies like Dell Computer and Toyota, which have created rational groups, are the future, he says. Each has a modular structure and a decentralized supply chain. The best companies will manage with evolutionary insight, adapting organizations to nurture human nature. Briefly noted The Board Bookby Susan F. Shultz is a valuable tool for any business or nonprofit organization. Most CEOs underutilize or largely ignore their corporate boards in the day-to-day rush through business, but the collective wisdom, big-picture perspective and advice board members can provide is an invaluable resource. Best of all, it's free.

Shultz gives practical advice on how to choose, train and utilize a corporate board, and offers insights on managing board conflict and setting the stage for board leadership. Informative for CEOs and directors alike, this is a no-nonsense book that focuses on practical issues for board participation in the success of a company.

Sharon Secor is a Nashville-based business writer.

 

People talk. There's no getting around it. People talk about each other and about themselves because we are social animals who love to communicate. This month we look at talk from three different points of view: talk as a marketing tool, as a sales technique and as an organizational development device. Talk is at the […]
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War is a complex subject with many aspects to explore, but one thing is clear: It makes for good books. Four new releases examine the American experience in three wars through the remarkable stories and objects that survived them.

A GENERATION PASSES

Richard Rubin (Confederacy of Silence) roamed the country to interview The Last of the Doughboys, the only surviving American veterans of World War I. Just a few dozen of them remained when he began his research, including a man who transferred bodies to Meuse-Argonne American Cemetery and another who regretted not serving in combat. Though not all of the subjects are chatty, their remembrances give Rubin the opportunity to provide dignity to the elderly and show how a simpler time was actually quite complicated.

Rubin reminds us that 1.3 million men were killed in just one battle, the Somme. The era of WWI saw segregation as the norm, as well as the marginalization of women, who could not serve in combat. Immigrants were a significant presence in America, but the culture of the day was to support the U.S.—or else. Those are among several themes explored by Rubin, who is so determined to detail the battles and tasks of his interview subjects—while discussing other topics such as the challenges of interviewing 100-year-olds—that he’s nearly foiled by his own ambition. Still, he manages to fashion a nice ode to a generation whose role in shaping modern-day America is fading from public consciousness.

HITLER’S ART HEIST

Robert M. Edsel’s Saving Italy examines the United States’ attempt to save valuable artistic works in WWII-ravaged Italy. Bombings and gunfire were not the only threats: The Nazis were smuggling art from various Italian cities, including works by the most famous artists of the Renaissance. Salt mines in Austria were converted into a hideout for thousands of pieces of art, some of which belonged to Adolf Hitler himself.

Saving Italy works best in showing how a picture is worth more than a thousand words. For the Nazis, the paintings and sculptures were spoils of war. For the Italians, art was a crucial part of their history, one that the Americans recognized. Out of that concern rose “a new kind of soldier charged with saving, not destroying, what lay in the path of the conquering army.” Among these soldiers were the book’s two protagonists, “Monuments Men” Deane Keller and Fred Hartt.

Though some readers may grow impatient with the book’s structure, which loads the story with a detailed accounting of military strategy (including the Nazis’ surrender), Edsel tells a readable and ultimately triumphant story.

WRONG PLACE, WRONG TIME
Junius and Albert’s Adventures in the Confederacy: A Civil War Odyssey possesses the juiciness of a beach read. Peter Carlson’s excellent book covers the plight of two reporters from the New York Tribune, Junius Browne and Albert Richardson, who were captured by Confederate troops in the Battle of Vicksburg.

Since both men were non-military personnel, they were quickly paroled. But getting released was another matter entirely. Because the Confederacy so loathed the Tribune and prisoner exchanges between the North and the South had stopped, Browne and Richardson were stuck in purgatory. After 20 months, escape on foot and horseback to Union territory near Knoxville, Tennessee—a 340-mile journey laden with potential enemies—was their only option.

Carlson works with wonderful efficiency, describing the political and social environment both men faced but never losing sight of the story and its momentum. The writing is compact and vivid as readers are escorted to the hell both men endured. “Freezing rain fell all night,” Carlson writes, “and in the morning the corpses piled outside the dead house glistened with a thin coating of ice.”

THE WEIGHT OF HISTORY
I’m guessing the New-York Historical Society doesn’t have corpses, but it probably has everything else. The Civil War in 50 Objects, written by Civil War historian Harold Holzer, is a fantastic museum tour of a book. Fifty items out of the Society’s nearly one million Civil War items are presented in mostly chronological order. Holzer provides historical background and context for each piece, which range from a pike used by John Brown’s freedom fighters to a footlocker belonging to Lt. Col. William H. Paine of the Fourth Wisconsin.

The beauty of the book is its format. Readers familiar with the Civil War can head to an item of particular interest—as a reformed beat reporter, I flipped right to the prison newspaper—while casual readers will enjoy an inviting atmosphere for a historically intimidating subject. With such an effective strategy, it’s no wonder that Holzer is an editor. Perhaps he should have been a general.

War is a complex subject with many aspects to explore, but one thing is clear: It makes for good books. Four new releases examine the American experience in three wars through the remarkable stories and objects that survived them. A GENERATION PASSES Richard Rubin (Confederacy of Silence) roamed the country to interview The Last of […]
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As anyone who’s ever raised a child will tell you, they don’t come with instructions. Well, that may be true, but this fresh new crop of parenting guides offers stellar advice to help you raise healthy, happy, creative and productive kids.

CREATIVITY FOR LIFE

Julia Cameron has sold millions of copies of The Artist’s Way, her seminal book on how to find and embrace your creativity. In The Artist’s Way for Parents, Cameron helps parents unleash their children’s creativity and sense of wonder.

The beauty of Cameron’s advice is that she offers very specific, undaunting exercises for the, shall we say, less artistically inclined among us. For example, she suggests spending an entire evening with no screens: no iPads, no TV, no movies. That’s it. Don’t force watercolors and canvases on your child. Just spend time together and see what happens. “This may cause a great deal of resistance and anxiety, but if you can power through, the connection you will ultimately make with yourself and your family members will be deeper for it,” she says.

There is definitely a spiritual bent to Cameron’s work—readers of her memoirs know she is a Christian. But hers is a gentle, ecumenical approach, and she is never off-putting. Rather, her interest is in supporting calm, loving environments where children are free to explore and express themselves.

WHAT DO YOU SAY?

I’ve been dreading certain questions since my first child was born nine years ago, so I was happy to find some guidance for navigating those tricky conversations. Mom, I’m Not a Kid Anymore by Sue Sanders offers funny and useful advice on how to answer everything from “Do you believe in God?” to “You and Dad do that?”

Sanders has a teenage daughter, which I’d say is pretty much the only expertise required of someone writing this kind of book. She takes on bullying, materialism and slang (which she calls “the lingua franca of adolescence”) with a firm, positive and loving approach. She unflinchingly examines her own foibles in the service of making a larger point (like the time her daughter, then 4 years old, skipped down the city street shouting, “Mommy loves wine!”).

Sanders, who is based in Portland, Oregon, clearly loves parenting and has her eye on the end goal: raising a daughter who will become a productive and independent adult. But not too quickly: “She will soon be pulling away, literally, down the driveway and seeing us and her childhood in the rearview mirror. I know that one day in the not too distant future, I’ll give her the keys and let go. Or maybe not. Our city does have a fine public transportation system, after all.”

REAP THE REWARDS

It’s hard to beat advice from the director of the Yale Parenting Center.

In The Everyday Parenting Toolkit, Alan E. Kazdin starts with the premise that “you have to know what behaviors you would like, and when you want them. . . . That also gets you out of the habit of just noticing what you don’t want, and unwittingly reinforcing it with your exasperated attention.”

Kazdin’s method begins with the use of “antecedents,” a fancy word for anything that prompts a specific behavior. It could be verbal instructions, a note on the refrigerator door or the demonstration of a certain skill, such as using a fork. When the antecedent brings about the behavior you want, give your child positive reinforcement. Eventually, when the desired behavior appears regularly, you can fade out your use of the antecedent.

Lest you get the impression that Kazdin equates parenting with training a puppy, rest assured that he does not suggest using biscuits as rewards. He clearly relishes his work and is intrigued and excited by child and family dynamics, using real examples from his work with families at Yale to demonstrate his advice. This toolkit is jam-packed with solid advice any parent can use.

CULTURAL EXCHANGE

Effective parenting knows no nationality, according to Christine Gross-Loh, who, in Parenting Without Borders, shares what we can learn from families worldwide. Gross-Loh knows whereof she writes—she and her husband moved to Japan when their sons were 5 and 3, and they subsequently had two daughters while living there. They quickly found that what they had assumed were universal traits of good parents were, in fact, cultural. Japanese moms were more lax about sweets, television and behavior, and yet, Gross-Loh found, their children were just as mature and well-adjusted as hers.

Christine Gross-Loh explores what good parenting looks like in cultures all over the world.

Intrigued, Gross-Loh dove into researching parenting practices around the world, and culled the most interesting and surprising examples of how parents are succeeding. For instance, despite the stereotype of rigid and robotic Japanese schools, recess is actually as much a part of their curriculum as math and reading. Kids go outside as frequently as every hour. She visits one of some 700 “forest kindergartens” in Germany, where preschool children spend hours outdoors singing, building, playing and—horror of horrors for American parents—whittling with knives, which they have been taught to use safely.

She also examines schools in other parts of the world that promote healthy eating, in contrast to our tater tot and pizza-heavy cafeteria fare. “In Korea, a child at school would be served spicy chicken, noodles, soup, seasoned vegetables, and persimmon,” she writes. Gross-Loh finds schools in America that have begun emulating the fresher and veggie-heavy meals of foreign countries, concluding, “We can help our kids be ‘good at eating’ just as we’d teach them any other life skill, so that they can share in a world of food as love, as nurturance, and health.”

Gross-Loh offers an inspiring argument that we can all learn a lot from each other when it comes to the toughest job there is.

As anyone who’s ever raised a child will tell you, they don’t come with instructions. Well, that may be true, but this fresh new crop of parenting guides offers stellar advice to help you raise healthy, happy, creative and productive kids. CREATIVITY FOR LIFE Julia Cameron has sold millions of copies of The Artist’s Way, […]
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Caldecott. Sendak. Mo. They’re giants in the field of children’s literature, and they are the subjects of three 2013 releases, two at the hands of noted historian and scholar Leonard Marcus—Randolph Caldecott: The Man Who Could Not Stop Drawingand Maurice Sendak: A Celebration of the Artist and His Work—and one introduced by the legendary Eric Carle, Don’t Pigeonhole Me!, a Mo Willems collection. Anyone who follows children’s book illustration with interest could spend many happy hours exploring these entertaining books, each one appealingly designed and providing fresh insight into the celebrated illustrators featured therein.

THE LIFE OF A PICTURE-BOOK LEGEND

Both the late Maurice Sendak and author-illustrator Mo Willems have been recognized multiple times by the American Library Association with either Caldecott Honors or the big award itself, the Caldecott Medal. That award wouldn’t be possible without British illustrator Randolph Caldecott, the subject of Leonard Marcus’ new biography for young readers, Randolph Caldecott: The Man Who Could Not Stop Drawing.

As a young man in England, where he was born in 1846, Caldecott made a living as a bank clerk, doodling while on the job; Marcus even treats readers to several of those sketches in this art-filled biography, as well as previously unpublished drawings from the illustrator’s last sketchbook. After he landed his first editorial illustration assignment for a London monthly in 1872, his career accelerated and he became known for his lively illustrations, eventually finding success with picture books in England and the United States. It was in the States that he died while traveling, one month shy of his 40th birthday, and was buried in Florida.

Caldecott is remembered today for his innovative work in merging text and art to tell one seamless story. It’s for this reason that the American Library Association named the award in his honor in 1938. Prior to his time, children’s books included illustrations that made no effort to extend the story told by the words. Caldecott put page-turns to work to add drama, increase tension and establish unique rhythms, and he introduced story elements in his illustrations that were not mentioned in the text, further expanding a book’s storytelling possibilities. This, at the time of Walter Crane and John Tenniel, was revolutionary.

Marcus’ exploration of Caldecott’s pivotal contributions to picture books make this juvenile biography an essential read for picture book lovers of all ages. He tells the story of Caldecott’s life with great reverence (and thorough research), and those who appreciate good design may linger over such things as the thick, cream-colored pages and the endpapers filled with Caldecott’s picture book illustrations.

THE WORK OF A WILD THING

One of numerous illustrators inspired by Caldecott was Maurice Sendak. He often spoke during his lifetime about his deep respect for Caldecott’s work, even naming his 1989 anthology of essays on writing and illustrating for children Caldecott & Co. Recently, Abrams published Maurice Sendak: A Celebration of the Artist and His Work, a lavish volume edited by Leonard Marcus and released in conjunction with a June 2013 Society of Illustrators exhibition of Sendak’s work.

This one is a must-have for Sendak fans, a compelling tribute to the famed illustrator. It includes 12 essays from art collectors, librarians, editors, fellow illustrators and more. Featuring the private collection of art curators Justin G. Schiller and Dennis M.V. David, the book treats fans to rare drawings, posters, lithographs, sketches, commercial art and design work of all types. Some previously unpublished photos are also on display; Sendak mimicking a Wild Thing doll, circa 1970, captures an impish joy.

The essays in this in-depth volume, many giving us compelling peeks into Sendak’s personality, are not to be outdone by all the rare artwork on display. Author-illustrator Paul O. Zelinsky, whom Sendak taught at Yale, contributes an outstanding essay, writing about Sendak’s energy and conviction as a lecturer and teacher, as well as his disdain for those who condescended to children’s books: “He believed that art can be for children,” Zelinsky writes, “that it mustn’t be treacly or pandering, and that it should be as rich and good as the art that adults want for themselves.”

SKETCHES FROM ONE OF TODAY'S BIGGEST STARS

Like this Sendak tribute, Don’t Pigeonhole Me!—a look at two decades of Mo Willems’ sketches—is aimed squarely at adults. “Mo Willems is a master of the doodle, sketch, cartoon, and scribble,” writes Eric Carle in the book’s foreword. In the introduction, Mo explains that the book—which even shows the birth of the Pigeon, his most famous protagonist—is a culmination of decades of making art that is “purely mine, free from any restrictions, without regard for those who will eventually see it.”

Well, his fans can see it now, and it’s worth their time. It opens with sketches from the early ‘90s and takes readers all the way up to recent sketches made on the butcher paper laid out on the kitchen table in his home, where visitors are encouraged to sketch. Readers see Mo’s personality from just about every angle in this collection of his minimalist cartoon sketches. Some are particularly clever and funny; others, obscure and mildly to moderately amusing. “I was so tired,” Willems writes about the sketches in the “Wise Things” chapter, the most refreshing of them all, “of rendering jolly round-headed scamps that my subconscious just wanted to kill them.” This was the phase, he explains, where an Edward Gorey influence snuck up. The youngest of Pigeon fans need not apply, but for adults, it’s a trip.

The holiday season draws nigh. Consider any—or all, if your pocketbook allows—of these books great gift choices for the picture book fans in your life.

Julie Danielson conducts interviews and features of authors and illustrators at Seven Impossible Things Before Breakfast, a children's literature blog primarily focused on illustration and picture books.

Caldecott. Sendak. Mo. They’re giants in the field of children’s literature, and they are the subjects of three 2013 releases, two at the hands of noted historian and scholar Leonard Marcus—Randolph Caldecott: The Man Who Could Not Stop Drawingand Maurice Sendak: A Celebration of the Artist and His Work—and one introduced by the legendary Eric […]
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Whether written by an iconic Southern author in 1947 or compiled from emails written by a young pastor to the president in 2010, these gift books explore the enduring themes of spirituality and faith, reminding us that contemplating the divine can confirm our very humanity.

Spiritual thinking has been with us from the beginning, as The Religions Book: Big Ideas Simply Explained reminds readers in its opening sentences. While it may be difficult to come up with a definition for the concept of religion, “cave paintings and elaborate burial customs of our distant ancestors and the continuing quest for a spiritual goal in life” indicate its timelessness. This book offers a remarkable overview of major world religions through recorded time. Though the introduction acknowledges the difficulty of covering such an unwieldy topic, the subsequent pages are easily comprehensible, and even feel nearly comprehensive. Organized chronologically, the book opens with prehistory, moves through the ancient and classical beliefs (devoting the longest sections to Hinduism, Buddhism, Judaism, Christianity and Islam), and closes with a selection of modern religions (such as Mormonism and Scientology). The material is both dense and broad, yet the book’s reader-friendly layout and clever graphics invite lingering. An impressive board of contributors (mostly academics) shaped this content. The result is a book at once egalitarian and open-minded, ideal for a visually oriented student of religion or anyone interested in scrambling up the mountainside of human spirituality and taking in the panoramic views.

GRACE AND ART

We move from the lushly panoramic to the intensely personal with Flannery O’Connor’s A Prayer Journal. Penned by the Southern Gothic legend when she was just 22 years old and a student at the University of Iowa, these pages reveal O’Connor at the very beginning of her professional writing career. She prays to get something published, to understand God better and to be free of an ever-present concern that she is simply mediocre. Anyone interested in creative writing or literature will be thoroughly charmed by lines like this: “I am too lazy to despair. Please don’t visit me with it Lord, I would be so miserable.” Though O’Connor is delightfully glib, she worries about some of the big questions of faith and finds few answers. The journal illustrates her complexity of feeling. She criticizes certain sentences because they sound “too literary” and strikes out others altogether. A facsimile of the original diary in O’Connor’s own hand lets readers in on her process and makes the book feel very intimate. The volume is quite short, but that isn’t a drawback. The material that is here is well worth reading. I especially loved the last lines, written in September of 1947: “Today I have proved myself a glutton—for Scotch oatmeal cookies and erotic thought. There is nothing left to say of me.”

AN ECLECTIC REIMAGINING

During a 2011 retreat in Utah, a group of Jewish artists and writers found themselves hotly discussing Abraham’s binding of Isaac. Several admitted, though, that it had been a long time since they had really read a biblical text. Dialogue ensued and, luckily for us, so did Unscrolled: 54 Writers and Artists Wrestle with the Torah, edited by Roger Bennett. After the Torah was divided into 54 sections—which reflects the annual reading pattern of many synagogues—each contributor created his or her own Dvar Torah (“word of the Torah”) for an individual slice. Their creations range from short stories to poems, from personal essays to imaginary recipes for “bloody guilt offerings.” There’s even a drawing detailing how the Tabernacle could fit in modern-day Manhattan. (Spoiler alert: It would have to be tilted on its side.) I especially like when contributors cleverly juxtapose the Torah and their response, as in Aimee Bender’s piece on the Tower of Babel. She celebrates how language defines individuality rather than lamenting the loss of shared consciousness. Brief biblical summaries preceding each Dvar Torah feel contemporary and edgy, and unify the collection. In short, these artists and writers can certainly now say that they’ve read—yes, even wrestled—with a biblical text recently, and readers can be counted among the lucky beneficiaries.

DAILY DOSE OF INSPIRATION

The President’s Devotional began as correspondence between a White House staffer and President Obama, and has since become a public daily devotional. Obama appointed author Joshua DuBois to be the executive director of the White House Office of Faith-Based and Neighborhood Partnership in 2008. Since then, DuBois has emailed Obama a spiritual reflection every morning. The book pulls content from the best of these, providing readers one for every day of the year. DuBois opens each month with a personal essay. Some of these tell heartrending stories about our nation’s leader, as in DuBois’ account of Obama’s interaction with families of the victims of the Sandy Hook shootings. Other essays are more personal, as when the president encouraged DuBois to propose to the nice girl he’d been dating (he did). The devotions themselves are a diverse bunch. Some feature national heroes like Jackie Robinson and Johnny Cash, while others take inspiration from theological texts. The reader cannot help but wonder what was going on in the nation when certain devotions were emailed—like the one that extols the value of having a well-prepared army. Whatever the initial context, faith-filled fans of the president will want to add The President’s Devotional to their nightstands.

Whether written by an iconic Southern author in 1947 or compiled from emails written by a young pastor to the president in 2010, these gift books explore the enduring themes of spirituality and faith, reminding us that contemplating the divine can confirm our very humanity. Spiritual thinking has been with us from the beginning, as […]

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