In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
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Gregory Boyington, otherwise known as Pappy, was a media darling before there was such a term. A Marine Corps fighter ace and leader of the famed Black Sheep Squadron during World War II, Boyington used and was used by the press during his long and tumultuous life. His fame took him all the way into the television age when Baa Baa Black Sheep, based on his autobiography, became a hit TV series during the 1970s. Author Bruce Gamble skillfully unravels the highs and lows of Boyington's paradoxical story in Black Sheep One: The Life of Gregory Pappy Boyington. Raised by an alcoholic mother and her common-law husband, Boyington managed to overcome the obstacles of his home life by entering the military, which would ultimately prove to be his salvation as well as his damnation. The Marine Corps trained him as a pilot and rewarded his sometimes reckless courage, but it also introduced him to his nemesis alcohol. The camaraderie and culture of the military made consumption of alcohol almost a requirement.

Despite his drinking binges, Boyington managed to down more Japanese planes than any other Marine fighter pilot and was awarded the Medal of Honor. Gamble's extensive use of military records, interviews and contemporary accounts all give Black Sheep One a wealth of detail. His prose style is clear and he dispassionately recounts the events of Boyington's career without condemning his excesses or extolling his virtues. Black Sheep One succeeds both as biography and history, but its strength lies in its power as a cautionary tale. Looking back at photos of his boyish face as a winning pilot, and later, at the alcohol-ravaged features of an old man, the reader can't help but wonder about the price of Boyington's success.

 

Gregory Boyington, otherwise known as Pappy, was a media darling before there was such a term. A Marine Corps fighter ace and leader of the famed Black Sheep Squadron during World War II, Boyington used and was used by the press during his long and tumultuous life. His fame took him all the way into […]

Readers in search of the best new writing in America need not search far. Trustworthy editors have scrutinized a year's worth of publications in nearly every field to cull the finest short stories, sports writing, mystery stories, essays, travel writing and poetry for new anthologies. Each collection may be enjoyed as a satisfying end in itself or as a convenient introduction to new or unfamiliar writers.

Grand Master Donald E. Westlake has assembled a fine collection in The Best American Mystery Stories 2000. Offerings range from Shel Silverstein's nimble "The Guilty Party" to Robert Girardi's gritty shocker "The Defenestration of Aba Sid." As in the other categories of Houghton Mifflin's Best American Writing Series, the editors provide a kind of runner-up list of distinguished stories (with sources) for interested readers to track down.

The Best American Essays 2000, edited by Alan Lightman, is another diverse grouping, characterized by struggles with "truth, memory, and experience. Writers range from notable newcomers like Cheryl Strayed, a graduate student at Syracause University, to Wendell Berry and Cynthia Ozick.

For compelling short fiction, turn to The Best American Short Stories 2000. Edited by E.L. Doctorow, it offers the finest short stories chosen from American and Canadian magazines. New works by Annie Proulx, Walter Mosley and Raymond Carver are balanced by relative unknowns like Nathan Englander, whose authority and imagination make "The Gilgul of Park Avenue" a real heartbreaker.

The Best American Science and Nature Writing 2000 is the first in what promises to be a remarkable series. Oliver Sacks, Wendell Berry (again) and Peter Matthiessen are some of the acclaimed writers represented. Paul DePalma's kvetchy "http://www.when_is_enough_ enough?.com" is a delightfully depressing plea to examine the Faustian bargain we strike with our own personal computers.

Another new addition to the Best American Series is The Best American Travel Writing 2000, edited by Bill Bryson. Readers are in safe hands with a guy whose last three travel books have been blockbuster bestsellers. Bryson's hand-picked 25 stories are predictable only by being unpredictable and engrossing. Take "The Toughest Trucker in the World" by Tom Clynes, about a man whose daily grind involves 18-foot alligators, leeches and some of Australia's harshest terrain. Or "Lard is Good for You" by Alden Jones, a coffee-starved gringa trying to go native in a small Costa Rican village.

The Best American Sports Writing 2000 has been delivering dramatic, thought-provoking pieces to fans for 10 years. Particularly interesting are the stories about lesser-known sports like machine gunning, curling, poker and cockfighting. The definition of "sport may be open to discussion, but the quality of writing is not.

In Best New American Voices 2000, an eclectic group of short stories has been sifted from the fertile ground of the most prestigious writing programs in the United States and Canada. It is the inaugural effort of a new series and ideal for lovers of cutting-edge fiction. No celebrated authors here, just those who promise to be groundbreakers.

Finally, in The Best American Poetry 2000, Rita Dove has distilled the finest work of her colleagues. Good poems are already distilliations of the complex chemistry of thought and feeling, so this book more than any other in the bunch gives us "the voice that is great within us. From the unnerving confessions of A.R. Ammons's "Shot Glass," to the radical refashioning of faith in Mark Jarman's "Epistle," to the sustained aria of discovery in Mary Oliver's "Work," this is the innermost country of America, and it is our country at its best.

Joanna Brichetto is on BookPage's list of best reviewers.

Readers in search of the best new writing in America need not search far. Trustworthy editors have scrutinized a year's worth of publications in nearly every field to cull the finest short stories, sports writing, mystery stories, essays, travel writing and poetry for new anthologies. Each collection may be enjoyed as a satisfying end in […]
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Time Management From the Inside Out is the latest book from popular organizing guru Julie Morgenstern. She's appeared on Oprah, National Public Radio and a host of other shows to talk about her unique approach to organizing work and home spaces. But who wants to read another super-organized Martha Stewart-type giving the rest of us tips on time management? Here's the catch: Morgenstern is one of us. Before she changed her ways, she was messy, disorganized and late for everything. The author describes a day when she wanted to go for a walk with her newborn baby. She started to collect the things they needed to go outside. Two hours later she was ready, but baby had waited long enough, filling the air with screams of hunger and exhaustion. New mom Morgenstern was ready to scream herself. What she did instead was change her habits and create organized time for herself. After reading this book, you'll know you can, too. If you can't get a task done, Morgenstern says, you may be the wrong person for the job. Learn to delegate to ease time pressures. Or maybe the task you've set for yourself is overly complex. Learn to simplify your work and break large projects into smaller steps. If you are constantly being interrupted during tasks, or have a disorganized partner, confront the offender. After all, you only have so much time in your day.

Time Management From the Inside Out is the latest book from popular organizing guru Julie Morgenstern. She's appeared on Oprah, National Public Radio and a host of other shows to talk about her unique approach to organizing work and home spaces. But who wants to read another super-organized Martha Stewart-type giving the rest of us […]
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In his new memoir, The Coalwood Way, Homer Hickam takes us on a nostalgic journey through the coal mines of small-town America in the 1950s. Birthed in coal dust and back-breaking labor, the people of "the Coalwood way are driven by a personal work ethic and patriotic responsibility that eludes many 21st century Americans. The residents of Coalwood and towns like it believed that without the mining of coal, there would be no steel, and without steel, there would be no United States as we know it. Attach this perspective to your mind as you enter the world of Coalwood as recreated by best-selling author and former NASA engineer Homer Hickam. Building on the success of his 1998 book, Rocket Boys, which inspired the movie October Sky, Hickam has spun yet another story of heartwarming possibilities. Now in their senior year of high school, the Rocket Boys are drafted to make Coalwood's annual Christmas pageant the best ever. Hickam's story is naively original and nostalgically humorous. Take, for instance, the names of some of its characters: Cuke (named after his love for cucumbers) Snoddy, Dreama Jenkins, Arnee Bee, the Mallet family consisting of Leo, Cleo, Rodney, Seibert and Germy, Tug and Hug Yates, Basil Ogelthorpe and Mrs. Anastopoulos.

This story works because it is honestly transparent and desperately realistic. The issues are real: a second son feeling second and sometimes unforgiven; a workaholic father feeling responsible, yet inadequate; an intelligent, perceptive mother feeling isolated, yet empowered; a lonely outcast from the wrong side of town feeling desperate and determined to belong and the town which seems unable to escape its petty provincialism; and finally, the struggle of a town's identity to move into a hopeful future without uprooting its promising past. Yes, The Coalwood Way is the story of a "Rocket Boy shooting for the moon." But it is also the story of the maturation of a boy, a family and a town who learn that growing up, while hard to do, is possible when we stay together, pray together and ultimately, learn to live together. That is not a bad lesson for our world to re-learn.

Dan Francis is a writer in Nashville and the grandson of a Kentucky coal miner.

 

In his new memoir, The Coalwood Way, Homer Hickam takes us on a nostalgic journey through the coal mines of small-town America in the 1950s. Birthed in coal dust and back-breaking labor, the people of "the Coalwood way are driven by a personal work ethic and patriotic responsibility that eludes many 21st century Americans. The […]
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As the chief drama critic of The New York Times from 1980 to 1994, Frank Rich was so powerful that the lights on a Broadway play could be darkened overnight by his criticism. Reviled by those he scorned in his reviews, Rich reveals in Ghost Light how his passion for the theater shaped and transformed his boyhood. Rich's memoir begins in the 1950s with a depiction of life in a dreamlike era. In the early chapters, I lingered on each page just to savor the memory. It is a treat to begin reading a book that does not foretell a harrowing future.

But in time things changed. Complicated family troubles marred Rich's otherwise blissful discovery of the theater. His parents' divorce was heartbreaking and reminds us how embarrassing it was for children in the '50s to endure the stigma of a broken marriage. His mother's remarriage was traumatic for Rich as a young boy and caused him insomnia. He was able to survive his woes with a unique escape: the theater.

Early on it was clear that things theatrical captivated Rich. As a young boy, he thought his Dad's hi fi was magic and found the lyrics from musical comedies irresistible. He listened to the music hour after hour. He even created stage productions in shoeboxes.

Rich was single-minded in his desire to immerse himself in the thrill of Broadway. Most youngsters are wide-eyed at stage productions, but Rich was possessed by them, hypnotized. His family's connections with the theater helped feed his voracious lust to see any live productions near his home in Washington D.C., or on Broadway.

Readers hoping to read about Rich's adult life may be disappointed, for this memoir ends when he is just 19 years old. Perhaps part two is in the works.

Ghost Light refers to the theatre superstition that a small stage light must be left on 24/7 to prevent a ghost from invading the premises. Like that ghost light, the theater itself became a beacon in Rich's life, eventually leading to his powerful position with the Times. The book provides a fascinating window into the boyhood that propelled him toward his destiny.

Mims Cushing is a columnist and book reviewer for The Florida Times-Union.

 

As the chief drama critic of The New York Times from 1980 to 1994, Frank Rich was so powerful that the lights on a Broadway play could be darkened overnight by his criticism. Reviled by those he scorned in his reviews, Rich reveals in Ghost Light how his passion for the theater shaped and transformed […]
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Louis D. Rubin, Jr., shares a delightful tale of his professional coming of age amid the closing of a wondrous era in American railroading in his latest book, A Memory of Trains. A retired journalist and professor of Southern literature, he shares stories and photographs that illuminate the years after the Second World War.

After being discharged from the military, Rubin returned home to South Carolina, hoping to embark on a career in journalism. Over the next few years, his plans changed as he worked on local papers in New Jersey and Virginia.

All the time he was writing and editing articles, Rubin was indulging a lifelong passion for trains. Primarily, that meant spending leisure hours taking photographs of steam and diesel locomotives, crack passenger trains and unheralded freights in a variety of eastern and southern states on an assortment of railroads. Adding poignancy to Rubin's account is the fact that, as he came to realize, a significant period was drawing to a close in the 1940s and '50s. The demise of the steam locomotive, replaced by the sleeker and more efficient diesel, coincided with the general shift in travel away from the train.

Changes in travel brought social and cultural changes that transformed America, the author's native South in particular. The sense of isolation that characterized the towns where Rubin lived and worked was breaking down. Soon the small papers he knew so well would vanish, swallowed up by regional and national chains. And the railroads he admired would lose their identities through mergers.

While chronicling these momentous changes and lamenting much of what was being lost, Rubin also describes his own coming of age. We see him gain confidence in his writing, endure loneliness before meeting the woman he marries, and decide to leave journalism for college teaching.

Dozens of the author's photos accompany the well-written chapters. A Memory of Trains will leave readers saddened by all that disappeared when railroads lost their grandeur, but they will appreciate the memories this autobiography stirs.

Roger Carp is on the staff of Classic Toy Trains magazine.

Louis D. Rubin, Jr., shares a delightful tale of his professional coming of age amid the closing of a wondrous era in American railroading in his latest book, A Memory of Trains. A retired journalist and professor of Southern literature, he shares stories and photographs that illuminate the years after the Second World War. After […]

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