In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
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Jo Ann Beard’s masterful essays shimmer with emotional intensity, especially when evoking the flashes of memory that come on the threshold between life and death.
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“Con men” is a familiar term for slick, slippery dudes who are out to relieve their victims of money—often taking honor, dignity and a prosperous future along with it. Now meet Tori Telfer’s Confident Women: Swindlers, Grifters, and Shapeshifters of the Feminine Persuasion. These ladies lured people with their reassuring self-confidence and then, post-swindle, left their victims’ own confidence forever shattered. Tricked. Deceived. Cast aside with picked pockets and broken hearts. It’s awful stuff, but with Telfer at the wheel, reading these tales of plunder—littered with diamonds, fancy cars, mansions, booze and furs—is a fun, spicy romp.

Take Cassie Chadwick, a 19th-century counterfeiter and fortuneteller who proves “that the most ordinary woman could become someone truly memorable if they just bluffed hard enough.” Among other things, she claimed to be Andrew Carnegie’s illegitimate daughter (unbeknownst to him), swindling bankers out of a fortune before finally getting caught. Though she died in prison, perhaps she could rest in peace knowing that female scammers had become known as “Cassies.”


ALSO IN BOOKPAGE: Tori Telfer reflects on the fine line between herself and the dazzling con artists she profiles in Confident Women.


Then there’s Tania Head. A member of what Telfer calls “the tragediennes,” Head claimed to be a survivor of the 9/11 terrorist attack in New York City. She described her ordeal in such excruciating detail that she became a hero, a “World Trade Center superstar” and the “undisputed queen of the survivors.” But was she even there that day?

Anastasia Romanovs abounded in the 20th century, each claiming to be the youngest child of Nicholas II, Russia’s last czar. Among them were Franziska and Eugenia, whose accents didn’t sound quite right but who were believed and supported anyway—until “DNA, that great equalizer, eventually came for both.”

As Telfer stuffs the stories of these grifters, drifters, spiritualists and fabulists in mesmerizing detail, she more than succeeds in giving them their due. But, she warns, make no mistake about the damage they left in their wake. Confident Women is also a dark cautionary tale about the fragile nature of trust and why we choose to believe.

With Tori Telfer at the wheel, reading these tales of plunder—littered with diamonds, fancy cars, mansions, booze and furs—is a fun, spicy romp.
Come Fly the World is an eye-opening account of female flight attendants’ successes and struggles in the not-so-distant past.

Freelance journalist Theo Padnos only wanted to grab a byline in a prestigious publication for a story about some riveting world event. But as he describes in his harrowing and absorbing Blindfold: A Memoir of Capture, Torture, and Enlightenment, he got much more than he bargained for.

In 2012, equipped with little more than a backpack and a copy of Paul Theroux’s Dark Star Safari, Padnos traveled to Turkey to report on the civil war in Syria. He met up with some young Syrians whom he hoped would help him ease into villages where he could observe the conflict. However, Padnos soon discovered that these men were not journalists as they’d claimed but rather operatives of al-Qaida. They kidnapped Padnos and whisked him away to the first of 13 prisons he would endure over his next two years in captivity.


ALSO IN BOOKPAGE: Theo Padnos shares his experience of transforming memory and truth, joy and pain, into his gripping memoir, Blindfold.


Padnos’ exquisitely painful accounts of his torture, and the tortures and deaths of his fellow inmates, both horrify and provoke a strange hope that it can’t get any worse. He survives, in part, by dreaming of a brook in Vermont, letting his mind drift to the most important parts of his life and, eventually, writing a novel on paper given to him by one of his captors. When he’s freed and returns to America, he lives his “first hours of freedom within a bubble of euphoria” before settling into his new life.

Blindfold unfolds at a slow pace with a tedium that evokes Padnos’ own physical and psychic experiences. By the book’s conclusion, we’re drained and relieved that Padnos has survived. With emotional clarity, Padnos endows his captors with humanity, casting them as people struggling to survive in a world turned upside down, just as he is.

 

ALSO IN BOOKPAGE: Discover more great memoirs this Memoir March.

Theo Padnos recounts being kidnapped and imprisoned by operatives of al-Qaida in his gripping memoir, Blindfold.

Michelle Nijhuis highlights the environmentalists who first realized that unless preservation laws were introduced, many amazing species would cease to exist.

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Acquiring a new skill is often daunting, and as an adult it can be downright embarrassing to struggle with an unfamiliar process. In Beginners: The Joy and Transformative Power of Lifelong Learning (7.5 hours), author Tom Vanderbilt invites us to work through our fears and embrace the joy of learning something new.

Vanderbilt, who reads his own book, acknowledges that adults are rarely comfortable learning new skills. He takes listeners on an exploratory tour through infant psychology, educational theory and cognitive science. As he chronicles his own experiences of studying how to sing, surf, draw, weld and juggle, he encourages listeners to embrace a “beginner’s mind” that facilitates lifelong learning. He’s also subtly radical in his unabashed rejection of futurism. There may be instructional videos galore on YouTube, he argues, but it’s still better to learn with a class and a teacher.

Whether inspiring parents to join their children in trying new activities, encouraging group learning experiences or explaining how a neurobiologist might benefit from studying the tango, Vanderbilt maintains an upbeat and optimistic tone, like an encouraging friend.

 

To guide you on the path of positivity in the new year, four books provide support, affirmation and inspiration.

In Beginners: The Joy and Transformative Power of Lifelong Learning (7.5 hours), author Tom Vanderbilt invites us to work through our fears and embrace the joy of learning something new.
In The Soul of a Woman, Isabel Allende describes the experiences that imbued her with the feminist grit and tenacity that define her today.

The opioid epidemic has ravaged the nation and claimed the lives of thousands. How did we, as a nation, get to this point? How did the medical practice of “pain management” become a for-profit scheme conducted by pharmaceutical companies seeking to keep addicts as repeat customers?

Charlotte Bismuth’s Bad Medicine: Catching New York’s Deadliest Pill Pusher provides detailed insight into how America’s opioid problem can be pinned not to a single moment or person but to the negligence of systems intended to improve vulnerable people's lives, and to the indifference of people in positions of power within that system. Rather than placing the blame on a definitive cause, this knowledgeable account emphasizes overarching systemic failures, rooted in the greed of those who are meant to “do no harm.”

Bismuth, a graduate of Columbia Law School and a former prosecutor, describes the case of Dr. Stan Xuhui Li, the first doctor in New York state charged for and convicted of homicide based on the overdose deaths of his patients. Bismuth joined the New York County District Attorney’s Office in 2008 as an appellate attorney, and in 2010 she transferred to the Office of the Special Narcotics Prosecutor. In December of that year, the office received a tip from an NYPD detective about a physician who was “prescribing medication to young kids who don’t need it.” Bismuth was asked to dig into the complaint, which kicked off her yearslong journey of bringing Li to justice.

The doctor, who was based in New Jersey and employed as an anesthesiologist at a teaching hospital, had opened a basement clinic in Flushing, Queens, that soon became a popular pill mill. Li was found to have written prescriptions for patients even after concerned family members begged him to stop. And though he didn't physically force patients to abuse their medications, Li’s actions, or rather lack of actions, contributed to the overdose deaths of 16 patients, “some within a few days, some within a month or a few months; others within a year” of their last meeting with Li at his office.

Bismuth writes in the author’s note that her book “does not purport to be a journalistic overview” but “a memoir from the trenches.” Told in nonchronological order, Bad Medicine isn't a stuffy, detached reenactment of the trial. Bismuth provides the necessary background to contextualize the opioid crisis, the evolution of related laws and the requirements of legal procedures, but she also shares the personal chaos that influenced her courtroom battle, including the breakdown of her marriage and contentious divorce, the demands of parenting and the crushing dread of depression and anxiety.

Some readers may wonder why the narrative switches focus from chapter to chapter, hopping from the nitty-gritty aspects of building a case to reflections on the author's inability to live up to her own expectations in her personal life, but the overall result shows Bismuth’s commitment to a higher calling. Bismuth came to know the victims’ surviving relatives as well as the deceased themselves. She portrays Li not as a doctor who cared too much or trusted his patients to a fault but as someone who had all the right educational training and chose to keep endangering his patients anyway—whose apathy and need for financial gain overruled his sacred duty as a doctor.

The greatest strength of the book is the author’s ability to break down the legal jargon of the court system and the prosecution’s evidentiary path to conviction. The text links each piece of evidence in a clear path to confirm Li’s self-serving motivations, despite the jumps in the timeline. Bismuth humanizes Li’s patients and does not pass judgment on their substance abuse problems.

For readers who prefer more of a straightforward nonfiction account that centers on the scientific data rather than the messiness of the human condition, Bismuth’s work may be too close to the bone. However, Bismuth does not claim to offer the final authoritative take on the opioid epidemic but instead provides one important piece of the puzzle.

Charlotte Bismuth provides detailed insight into how America’s opioid problem can be pinned not to a single moment or person but to the negligence of systems intended to improve vulnerable people's lives, and to the indifference of people in positions of power within that system.
In Dress Codes, Richard Thompson Ford has created a thorough and well-thought-out history of fashion from a legal and societal perspective.
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From a young age, writer Jennifer Berney knew she wanted a baby. Her longing is palpable and moving in The Other Mothers: Two Women’s Journey to Find the Family That Was Always Theirs as she expresses her desire to care for another little creature, to nurture a life and see it thrive. But her partner, Kellie, is less sure, and Berney shares their story, relating how she and Kellie stayed present with each other as they felt their way through the decision to start a family. It’s a decision that cannot be rushed and requires both women to be patient and steadfast. Once they agree, the book moves on to explore the unique concerns of two women pursuing pregnancy and making a family. 

Questions of where to acquire sperm, how to aid conception and how to know if you are receiving adequate medical care unfold through a series of well-drawn scenes. As a queer woman living in Seattle, Berney expects that medical spaces will be designed with her in mind. The truth proves far more complicated—and infuriating. From impersonal and patriarchal sperm banks to maddening appointments with dense doctors, the journey often feels like a roller coaster. To contextualize her experiences, Berney investigates the history of queer family-making in the Seattle area and finds that informal community networks often facilitated the donation and fertilization processes. Such networks declined during the AIDS epidemic, but in Berney’s present-day story, as the months lengthen, she and her partner begin to pursue similar avenues within their community. Unlike the impersonal and expensive medical experts, these people truly understand the couple—and want to help them. 

In all, this is a beautiful book about love, family, identity and queer community by a gentle and observant writer. Berney is attuned to her body as it goes through the process of fertilization and loss, pregnancy and birth, and as it responds to the people she loves, whether her mother (who can make her heart race) or her partner (who makes her breathe deep) or her friends. As someone who had a child in the last year, I found myself nodding and tearing up as Berney describes what it feels like to want, conceive, carry and bear a child. And as the book reached its closing pages, I found myself wanting to cheer as Berney and her partner become the parents they always wanted to be.

The Other Mothers is a beautiful book about love, family, identity and queer community by a gentle and observant writer.
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To outsiders, Emily Rapp Black seemed to have overcome the death of her son and dissolution of her first marriage through finding a new partner and getting pregnant. “Congratulations!” they exclaimed. “You’re so strong and brave!” These sentiments, though well-meaning, haunted their recipient. At one point, Black did not want to communicate with anyone who had not recently lost a child. “There are few people who can go to that place with me,” she said while on tour for her second book, The Still Point of the Turning World, which explores the illness of her son, Ronan. Sanctuary, Black’s third book, probes the concept of resilience, extracting it from dewy notions of rebirth and foregrounding the enduring pain of life after trauma.

Taking cues from the history of the word resilience—including the natural processes of butterflies (resin in their wings enables them to fly) and Viking ship construction (resilient ships were the ones that could absorb small wrecks)—Black ultimately aims to shed the shallow and damaging notions of resilience that outsiders continually tried to stick onto her story. To combat the lonely feelings that arose in response to these words, Black did the only thing that felt natural: She wrote about her experiences and researched everything she could find, scouring history, the natural sciences and, inevitably, self-help.

In all, Black offers a memoir of the dear grief she bears for her son, sharing, for example, what she did with the clippings from his only haircut. At the same time, she details her intense feelings of new love and the elated exhaustion of early parenthood. When Black’s daughter, Charlie, was born, she was a joy and a balm. And Charlie, now a toddler, seems to know better than most about the hole that exists in their family, about a brother who is missing and the mother who deeply and steadfastly loves both of her children.

If you are someone feeling a hurt that will never go away, someone who would be affirmed and comforted by real stories of people moving forward while wounded, then Black’s new memoir will be a balm to you, too.

Sanctuary, Emily Rapp Black’s third book, probes the concept of resilience, extracting it from dewy notions of rebirth and foregrounding the enduring pain of life after trauma.
In Land: How the Hunger for Ownership Shaped the Modern World, Simon Winchester shows how land is a precarious, ever-changing reality that has been stolen, purchased, defended and damaged by human activities.

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