In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
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Tyler Maroney, a former journalist and co-founder of the private investigation firm QRI, loves his job. And in his debut book, The Modern Detective: How Corporate Intelligence Is Reshaping the World, he explains why he thinks the work of corporate investigators is not only fascinating and fulfilling but also vitally important to the public.

Today’s private investigators aren’t just the stereotypical lone gumshoes we see in books and movies—although classic methods like surveillance and creative deception are still crucial. Modern-day corporate investigators’ work for “large companies, government agencies, A-list movie stars, professional athletes, non-profits, sovereign countries,” et al., is often performed by large firms that either employ or contract out people with a broad range of skills, from FBI agents to tech whizzes and former librarians.

In 10 quirkily titled chapters (“Bare Feet”; “A Cigar, a Cookie, and a Canoe”), Maroney introduces just such people and recounts memorable assignments he and his colleagues have undertaken, including recovering stolen money and exposing political corruption. The characters Maroney describes are plentiful and varied. There’s the former cop and confidential informant who recanted his paid-for-by-police testimony to help a wrongly convicted man regain his freedom, a wealthy couple on the lam with their beloved dogs, and a BBC reporter who falsified a portion of his TV expose about the garment manufacturer Primark.

Maroney’s thoroughness renders The Modern Detective a textbook of sorts, with blow-by-blow descriptions of each job, extensive details about investigators’ favored tools, specifics about licensing exams and more. It’s also a helpful resource for those concerned about their personal or professional security. Learning what information investigators look for and the methods they use to obtain it is sure to be instructive for anyone who wants to increase their privacy, protect their assets . . . or perhaps make a clean getaway.

Tyler Maroney, a former journalist and co-founder of the private investigation firm QRI, loves his job. And in his debut book, The Modern Detective: How Corporate Intelligence Is Reshaping the World, he explains why he thinks the work of corporate investigators is not only fascinating and fulfilling but also vitally important to the public. Today’s […]
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You might be forgiven for thinking that a book about a firebrand who pushes a centrist politician to take a more just position on race was written about current events. However, The Zealot and the Emancipator by H.W. Brands examines the relationship between two men who never met but played pivotal roles in 19th-century American history: John Brown (the zealot) and Abraham Lincoln (the emancipator).

Pulitzer Prize finalist Brands is a master storyteller whose previous books have covered topics as diverse as Andrew Jackson, the Gilded Age and post-World War II America. In The Zealot and the Emancipator, Brands uses his lucid writing to explore the rich ironies that surrounded Lincoln and Brown. Brown, a lifelong abolitionist who hated slavery more than he loved his life, raided the federal arsenal at Harpers Ferry, Virginia, in an ill-fated attempt to spark a revolt among enslaved people. Lincoln, a cautious lawyer who loved the Union more than he hated slavery, ignited a civil war two years after Brown was hanged for treason.

Brown, who had little time for politics or politicians, gave the new antislavery Republican party the energy it needed to defeat the proslavery Democratic party in the 1860 election. Lincoln, who would have happily given up on the idea of abolition if it would have saved the Union, became the Great Emancipator and the main proponent of the 13th Amendment, which abolished slavery. In the greatest irony of all, the very thing that Lincoln feared would destroy the country—the recognition that slavery was at the crux of the war and must be abolished—actually gave the North the impetus it needed to defeat the Confederacy and reestablish the Union.

Brands uses original sources and narrative flair to illuminate how Brown’s fierce moral clarity eventually forced Lincoln to confront the sins of slavery. The result is an informative, absorbing and heartbreaking American story, the reverberations of which are still felt today.

You might be forgiven for thinking that a book about a firebrand who pushes a centrist politician to take a more just position on race was written about current events. However, The Zealot and the Emancipator by H.W. Brands examines the relationship between two men who never met but played pivotal roles in 19th-century American […]
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Some memoirs recount riveting stories. Others are notable for their masterful storytelling. Debora Harding’s Dancing With the Octopus: A Memoir of a Crime accomplishes both. She has not one but two mesmerizing stories to tell, and the emotional honesty of her razor-sharp prose will hook readers on page one.

In 1978, when Harding was 14, she was abducted at knifepoint from her church parking lot in Omaha, Nebraska, raped, held for ransom and left to die during an ice storm. The young teenager displayed astonishing resilience in the face of such a brutal assault. Ironically, her calm, measured reaction may have been bolstered by the ongoing physical and emotional abuse she and her sisters endured at home from their mother. Harding had already developed strong survival instincts in the face of violence.

Decades after her assault, Harding decided to visit the prison where her attacker, Charles Goodwin, a repeat violent offender, was incarcerated. “I wanted to rid my brain of the image of that ski mask and see the human with the eyes,” she writes. In the years leading up to this face-to-face moment, she also tried to reconcile her relationship with her parents—her own forgiving, intellectual nature aided by a supportive husband, therapists and medicine. Ultimately, however, “trying to emotionally connect with Mom . . . was like trying to fix a broken cup with an empty glue stick.” Meanwhile, she wrestled with how much she adored her father but couldn’t ignore the fact that he had buried his head in the sand while his wife abused Harding and her siblings.

With remarkable perception, Dancing With the Octopus shows how, day by day, year by year, both her criminal assault and family dysfunction left Harding with a lifetime of consequences, including seizures, PTSD and depression. One of the book’s great strengths is how artfully Harding lays out the details of her multifaceted story, weaving in and out of time rather than relying on a chronological timetable.

Dancing With the Octopus begs to be compared to other exemplary bad-mother books, such as Jeannette Walls’ The Glass Castle. It’s completely different from Dani Shapiro’s Inheritance but is equally compelling. Ultimately, though, Harding’s memoir is unique and unforgettable, offering a multitude of insights that are as harrowing as they are uplifting and wise.

Some memoirs recount riveting stories. Others are notable for their masterful storytelling. Debora Harding’s Dancing With the Octopus: A Memoir of a Crime accomplishes both. She has not one but two mesmerizing stories to tell, and the emotional honesty of her razor-sharp prose will hook readers on page one. In 1978, when Harding was 14, she […]
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Princess Diana and Meghan Markle have both struggled with the downsides of marrying into the British royal family, but at least no one ever arrested them on accusations of treasonous witchcraft. Astoundingly, that really happened to four royal women in a 70-year period some six centuries ago, in a burst of bizarre prosecutions.

The Wars of the Roses, the dramatic 15th-century struggle over the English crown, have attracted writers from Shakespeare on. More recently they’ve inspired both "Game of Thrones" and the White Queen saga. Now author Gemma Hollman provides a new lens on this period in Royal Witches: Witchcraft and the Nobility in Fifteenth-Century England.

The four women—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were far from the witchy stereotype of solitary village women. They were all intelligent and cultivated, the wives or widows of powerful men: two kings and two kings' brothers. It was too dangerous for these men's enemies to attack them directly, so their adversaries undermined them by targeting the women.

Hollman expertly re-creates their courtly world—the lavish clothes, jewels and palaces that inspired so much envy. Their personalities necessarily remain elusive, but all four chose unusual paths to marriage, so their sense of agency is clear.

In the 15th century, belief in magic blended easily with nascent science; even serious scholars pursued alchemy. These women may indeed have turned to “love potions” or fortunetellers—but was it treasonous conspiracy against the king? The likes of Cardinal Beaufort and Richard III did their best to make that case.

The accused women were smart and lucky enough to escape the axe. But this was not a game: Eleanor’s supposed accomplices were tortured and executed. Eleanor herself, the beloved wife of popular Duke Humphrey of Gloucester, was forced to walk unhooded across London on three separate days in “penance,” her humiliating fall visible to all.

Even readers familiar with the basic history of the Wars of the Roses will see aristocratic skulduggery in a strikingly fresh way in Royal Witches, as we continue to grapple with the treatment of women who rise to important positions even in our own time.

Princess Diana and Meghan Markle have both struggled with the downsides of marrying into the British royal family, but at least no one ever arrested them on accusations of treasonous witchcraft. Astoundingly, that really happened to four royal women in a 70-year period some six centuries ago, in a burst of bizarre prosecutions. The Wars of […]
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Deborah Tannen, professor of linguistics at Georgetown University, is an expert on how we use words to both reveal and hide ourselves from the people who mean the most to us. Her work grows from a love of words that came from her father, Eli Tannen. While her mother, Dorothy, was difficult and often manipulative, Tannen’s father was witty, intellectual and loving. Yet despite (or maybe because of) their close relationship, there were frustrating gaps in his story, which Tannen wanted to fill. Finding My Father: His Century-Long Journey From World War I Warsaw and My Quest to Follow is her account of not only his extraordinary life but also her search for the truth behind his family, his work and his marriage.

Eli’s greatest joy was found in words. Raised in a Hasidic family in Warsaw, Poland, he arrived in America in 1920 at the age of 12 with little or no English. Within three years, he was fluent and had become a voracious reader. Upon his death at the age of 97, he bequeathed his daughter a tsunami of letters, journals, poems, interviews and handmade cards, all filled with his words. With all this source material, one would be forgiven for thinking that all Dr. Tannen had to do was transcribe it and arrange it in chronological order. However, instead of a neat road map, these relics were like pieces from different puzzles. Tannen had to evaluate and organize them in order to create meaning out of them.

As a result, Finding My Father is a beautifully constructed patchwork that Tannen has pieced together from her father’s words. A pattern emerges that reveals not one Eli but several frequently contradictory Elis: Eli the son, Eli the lover, Eli the husband, Eli the father, Eli the activist, Eli the friend. Somehow, all of these Elis add up to the singular and extraordinary Eli Tannen. Finding this Eli allows Tannen to see herself, her family and most especially her mother in a new and conciliatory light. Memory doesn’t only reconstruct the past, Tannen reminds us; it can also forge a new present.

Deborah Tannen, professor of linguistics at Georgetown University, is an expert on how we use words to both reveal and hide ourselves from the people who mean the most to us. Her work grows from a love of words that came from her father, Eli Tannen. While her mother, Dorothy, was difficult and often manipulative, […]

Vicki Laveau-Harvie’s The Erratics is a beautifully crafted, unblinkingly honest, often darkly funny lament for a loving family that never was. The author’s mother was a cruel and abusive narcissist, her father an enabler and Laveau-Harvie and her younger sister the casualties of their parents’ twisted way of inhabiting the world.

Their family home is in Okotoks, a rural area in Alberta, Canada, where an enormous ancient boulder called the Okotoks Erratic “dominates the landscape, roped off and isolated, the danger it presents to anyone palpable and documented on the signs posted around it.” Laveau-Harvie describes Okotoks and the Rocky Mountains that soar above it with wonder and grace. She movingly conveys the ways in which the landscape offered her solace as a child and inspires resolve as an adult. But to survive the trauma of her early years, she first had to leave—moving to France and eventually settling in faraway Australia. “When I could, I took to fleeing ever farther, a moving target working at making herself fainter in the cross hairs, while my sister stood her ground, solid in appearance and stern, modeling her life like play dough. Neither strategy was successful,” she writes.


ALSO IN BOOKPAGE: Vicki Laveau-Harvie discusses the long and winding path to publishing her stunning first book.


In 2006, Laveau-Harvie received a fateful phone call at her home in Sydney: Her elderly mother had broken her hip and was in the hospital, leaving her father alone in her parents' grand mansion. He was also, the author learned, timorous and frail as a result of his wife starving and isolating him. After being estranged from their parents for nearly 20 years, the sisters traveled to Okotoks in an effort to protect their father and procure the appropriate care for their mother.

Their six-year journey of navigating endless health care bureaucracy while revisiting familial pain makes for an engrossing and fascinating read, one that moves with the ebbs and flows of Laveau-Harvie’s supressed, impressionistic memories. She writes, “My past is not merely faded, or camouflaged under the dust of years. It’s not there, and I know a blessing in disguise when I see one.” Through this protective, gauzy “fog” beams the author’s light: an unflinching and empathetic memoir of the collision between past trauma and new outrage, dotted with precious moments of rueful levity and fleeting beauty.

Vicki Laveau-Harvie’s The Erratics is a beautifully crafted, unblinkingly honest, often darkly funny lament for a loving family that never was.

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