Throughout 2024, biographies consistently stole the show. From renowned authors to heads of state, game-changing activists and cultural icons, these 12 illuminating profiles delighted and inspired us.
Throughout 2024, biographies consistently stole the show. From renowned authors to heads of state, game-changing activists and cultural icons, these 12 illuminating profiles delighted and inspired us.
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It’s not as if birth control methods weren’t used in the olden days. Condoms, pessaries and douches didn’t magically appear in the late 19th century. But something did change significantly at that time in the United States: The Comstock Act of 1873 effectively criminalized the distribution of contraceptive devices and information about their use. The result was several generations of vituperative battles over a practice that had previously been routine for many, though seldom discussed in public.

At the vanguard of the fight for safe, effective and accessible birth control in the early 20th century were two dedicated activists, Margaret Sanger and Mary Ware Dennett. Author Stephanie Gorton tells the story of their interconnected lives in The Icon and the Idealist: Margaret Sanger, Mary Ware Dennett, and the Rivalry That Brought Birth Control to America, a compelling dual biography that has striking parallels to the contemporary abortion debate.

Despite a common goal, the two women loathed each other. Sanger, the “icon” now remembered as the mother of Planned Parenthood, spearheaded a mass movement that broke laws and made questionable compromises. Dennett, the “idealist,” played a more genteel inside game, lobbying Congress for a permanent change to the Comstock Act.

Obviously, they should have coordinated their efforts. But Dennett made a foolish mistake about Sanger early on, and Sanger never forgave her. Gorton adeptly shows how their contrasting backgrounds and personalities fed a grudge that helped shape our current world. The fact that you’ve probably heard of Sanger but not of Dennett tells you who prevailed at the time. But, as Gorton notes, the debate about whether court challenges or statutory change is the wiser long-term strategy has been renewed after the Supreme Court’s overturning of Roe v. Wade in 2022.

Gorton doesn’t shy away from the fact that both women allied themselves with the racist and xenophobic eugenics movement, which put “a scientific sheen on white supremacy and ableism.” Dennett and Sanger, she writes, “were intent on disrupting a specific form of oppression and yet were active in perpetuating another.” Wherever readers fall on the impact and morality of the two reformers, after reading Gorton’s fair-minded biography, it’s indisputable that their efforts helped an increasing number of ordinary Americans use birth control more safely and effectively. As Gorton writes, “Dennett and Sanger were instrumental in forcing lawmakers to recognize the kind of world Americans actually lived in, one where fertility control was nearly universally practiced.”

 

The Icon and the Idealist is a compelling, warts-and-all dual biography of the warring leaders of the early 20th-century birth control movement: Margaret Sanger and Mary Ware Dennett.
There is something truly exhilarating about the candor of The Backyard Bird Chronicles, a curated collection of excerpts from novelist Amy Tan’s personal birding journals that sparkles with cleverness and compassion.
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From the Scottsboro Nine to Black Lives Matter, Black youth have positioned themselves at the center of the battle for civil rights for the past 100 years. In Resist: How a Century of Young Black Activists Shaped America, award-winning Nigerian American journalist Rita Omokha makes an unwavering push to put these young Americans’ stories at the forefront of the public record. 

Omokha’s research was spurred partially by the tragic murder of George Floyd and the unprecedented wave of protests around the country. A master of storytelling with a knack for thoughtful investigative journalism, Omokha has created a shining reexamination of history through a Black lens. For example, most of us learn about the Scottsboro Nine—the nine Black teenagers falsely accused of raping two white women in 1931—by reading the outlines of their case and legal proceedings, but how many of us see the ordeal from the Nine’s perspectives, or realize how thousands of students organized for charges to be dropped? It’s here where Omokha excels, providing a ground-level look at how young people were often thrust into organizing for civil rights. “Crucially, the most illuminating insights from history were not solely defined by actions but by the fervent optimism of the young. . . . Young ones who have intentionally learned from history, cautious of its perils, ready with their folded chairs at the table.” 

Omokha draws a clear line from these young people to the Black youth activists of today, exploring how technology has helped resurrect Black liberation movements in the past 20 years. When George Zimmerman was acquitted of second-degree murder for killing Trayvon Martin, three Black women—Patrisse Cullors, Alicia Garza and Ayo Tometi—“declared what seemed spiritual, a sacred psalm in three simple words preceded by a hashtag: #BlackLivesMatter.” Resist includes the stories of Darnella Frazier, the woman who videotaped George Floyd’s murder, and Johnetta Elzie, a co-creator of the Mapping Police Violence project, who launched into action after the shooting of Michael Brown. With the help of Omokha’s meticulous reporting, their stories go beyond the headlines and hashtags.

Ultimately, Resist is a must-read for anyone looking to dive into the collected history of Black youth activism and its immense impact on America—and perhaps learn how to take action themselves.

Rita Omokha’s Resist is a must-read for anyone looking to dive into the history of Black youth activism and its immense impact on America.

When we bring our mobile phone to life with a tap or settle in behind the wheel of our car, few of us give much thought to the raw materials required to make these sometimes miraculous- seeming devices work. Journalist Vince Beiser has reflected deeply on that subject, and the result, Power Metal: The Race for the Resources That Will Shape Our Future, is a sharp cautionary tale about the dilemmas facing humanity as we advance deeper into what he calls the Electro-Digital Age, especially as we pursue the essential transition to an energy-renewable future.

Everything comes with a cost, Beiser reminds us, even when it comes to the use of so-called critical metals like lithium, cobalt and nickel. These resources are fundamental to the massive expansion of electric cars and the clean energy sources (namely solar and wind power) that are necessary to combat climate change. What makes that truth problematic, he argues, is that the inevitable price of progress often falls most heavily on the residents of impoverished countries who bear the burden of first extracting these materials and later disposing of the batteries and printed circuit boards, for example, in which they’re used.

Beiser’s journey to this insight takes him from the streets of his hometown of Vancouver, British Columbia, where he tracks an “urban miner” digging through dumpsters for salvageable products like copper wiring, to a lithium mining operation in Chile’s Atacama desert, to a garbage dump in Lagos, Nigeria, where “e-waste scrappers” work in hazardous conditions to recycle electronic products. Power Metal is a concise, but thoroughly researched, work crammed with eye-popping statistics—among them the fact that 75 pounds of ore must be mined to build one four-and-a-half ounce iPhone. It investigates highly touted technologies like sea mining, whose promised benefits may conceal massive environmental risks. 

In the final section of his book, Beiser offers some prescriptions to reduce the planet’s insatiable demand for resources that go beyond costly and energy-intensive recycling, including broadening the scope of right to repair laws, making urban spaces more friendly to bicyclists and deeply questioning our infatuation with the automobile. Whatever one thinks of the practicality of some of his proposals, Beiser has performed a vital service by alerting both policymakers and ordinary citizens to some of the critical choices facing us. 

Power Metal sounds the alarm on the environmental and social consequences of electronic and digital energy—and how the ways we are combating climate change come at a cost.
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Ira Gershwin has long been regarded as one of the major lyricists of the Great American Songbook. Many of his contributions to Broadway shows, movies and recordings from the 1920s to the 1950s remain popular today. Three of his songs were nominated for Academy Awards but did not win. Today, those songs “The Man that Got Away,” “They Can’t Take That Away from Me” and “Long Ago (and Far Away),” are standards. Among the artists who have released all-Gershwin recordings in recent years are Willie Nelson, Tony Bennett, Diana Krall, Brian Wilson and Michael Feinstein.

The celebrated and much beloved George Gershwin, best known for his “Rhapsody in Blue” and the “folk opera” Porgy and Bess, was Ira’s younger brother and frequent collaborator. George developed a brain tumor and died at age 38. This devastating turn of events not only was a profound personal loss for Ira but also made him the custodian of George’s estate. While continuing to pursue his own career with other composers, he had to contend with long-disputed legal and financial aspects of this inheritance.

In Ira Gershwin: A Life in Words, the first full-length biography of its subject, Michael Owen beautifully captures the life and times of the Gershwin brothers as they crafted musicals for Broadway, including Of Thee I Sing, for which Ira received the Pulitzer Prize in Drama 1932 for his lyrical contribution; George missed out on the award, for there was not a prize for music at this point. Owen writes that Ira “was honored to be recognized but was equally perturbed by the ignorance of the committee that discounted the inventiveness of the music, which allowed his words to come to life.”

So too does Owen’s engaging and insightful portrait illuminate Ira’s life. Ira Gershwin is meticulously researched, thoughtfully drawing from a wide range of sources to take us behind the scenes of the highs and lows of writing for stage and screen. Through Ira’s musings, personal letters, production notes and business correspondence, as well as interviews with those who knew him, we see how this low-key, erudite and keen observer of life and language became not only an outstanding wordsmith, but also the chief archivist of his and George’s musical achievements.

There are numerous theatrical and academic projects inspired by and named for the Gershwins. The best known is the Library of Congress Gershwin Prize for American Popular Song. The award, established in 2007, recognizes the important place popular song has in our country. Among the recipients are Paul Simon, Carole King, Billy Joel, Stevie Wonder, Joni Mitchell and Garth Brooks. And, of course, the Gershwin songs continue to be heard and enjoyed.

Michael Owen’s thoughtful, engaging biography illuminates the life and work of Ira Gershwin.
In his sensual, vibrant memoir, Ingrained, Callum Robinson shows off his skills as a woodworker and wordsmith.
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To read Rolling Stones columnist Rob Sheffield’s Heartbreak Is the National Anthem: How Taylor Swift Reinvented Pop Music is to slide into a rich, somewhat zany, kaleidoscopic and wildly enthusiastic discussion of the greatness of Taylor Swift. While the structure of the book is loosely chronological, the substance of the chapters has little in common with a traditional biography. Instead, the book takes detours into particular anecdotes that will satisfy both deeply devoted fans and those newer to this raging cultural phenomenon.

I came to Heartbreak as a new fan, having followed the lead of my tween daughter. I’d made friendship bracelets and even seen the Eras Tour, but I didn’t really understand how the singer of 2006’s “Our Song” became the prolific author of 11 studio albums that ranged from the synth-pop of 1989 to the dark cottagecore of evermore. Sheffield shows Swift’s trajectory—one of constant reinvention without letting her old personas go. His view of Swift’s evolution is more front-row than most; as a journalist, he first listened to many of her new albums in her Tribeca apartment, where she held release parties because she knew the rooms weren’t bugged.

Read our interview with Rob Sheffield, author of ‘Heartbreak Is the National Anthem.’

While Sheffield does offer glimpses of encounters with the songwriter, the book mainly deals with Swift from a knowledgeable superfan’s perspective, geeking out over minutia like her use of the word “nice” and her journey to releasing the 10-minute version of “All Too Well,” which he regards as her best song. His observations contain a fantastic level of detail, drawn from both his own close readings and a wealth of secondary sources. Readers will learn about Swift’s signature bridges, the power of her fifth tracks and the poetry of her lyrics. I will never hear the song “happiness” the same way after reading Sheffield’s story about it: His friend had an ugly cry while listening to it, wondering how Taylor, a single woman in her 30s, could know so precisely what it feels like to get divorced in your 40s. “It’s like she’s a witch, but a good witch,” the friend said.

Readers will do well to read Heartbreak Is the National Anthem with access to Swift’s abundant collection of albums, as Sheffield’s expansive, expressive biography will inspire you to tune in to the superstar’s hits and deep cuts.

 

Rob Sheffield’s kaleidoscopic, wildly enthusiastic biography, Heartbreak Is the National Anthem, will satisfy both superfans and those less familiar with the prolific phenom Taylor Swift.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.

Acclaimed scientist Kathy Willis trained as a paleoecologist, a fact, she notes, “that can stop the conversation dead at parties, since not many people know what it is (never mind how to spell it).” In fact, her field of study is fascinating: Willis and her peers study the fossilized remains of plants to reconstruct how vegetation has changed over time in response to climatic changes and human impact.

While you might expect someone who studies plants for a living to also be a keen gardener, Willis admits it wasn’t until she served as director of science at the Royal Botanic Gardens, Kew, in 2013 that she found herself looking up from her microscope to enjoy the vast array of plants around her. And not just the plants, but also the garden visitors who “stopped to inhale their fragrances, bask in their shade, or reach out to touch leaves or stroke bark.” She became intrigued by the question of the positive health impact of plants on humans.

While the notion that spending time in nature has physiological or psychological benefits is not new, Willis shows an exceptional ability to weave together science, history and personal experience in her engaging Good Nature: Why Seeing, Smelling, Hearing and Touching Plants Is Good for Our Health. Fans of the BBC program Gardeners’ World and its coverage of the Royal Horticultural Society Chelsea Flower Show will be especially delighted to read the chapter titled “Flower Power,” in which Willis provides research-based (and highly entertaining) information about the positive effects of flowers. We learn about the evolutionary history of flowers, the calming impact of a vase of pink roses on workers’ desks, and research that suggests yellow flowers may make us more creative. Elsewhere, she details the benefits of nature sounds, plant scents, “digging for health” and even “the proven health benefits of tree hugging.”

“We cannot survive without a diverse nature around us,” Willis writes. Good Nature convincingly argues that we must protect plants and make them a priority in built environments. After all, she concludes, “We need nature more than it needs us.”

Paleoecologist Kathy Willis explores the surprising physiological and psychological benefits of plants on human health in her entertaining, absorbing Good Nature.
Eliot Stein’s vivid Custodians of Wonder documents the last people maintaining some of the world’s ancient cultural traditions, and proves that comfort, community and beauty never get old.

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