In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
Faithful Unto Death is a thoughtful investigation into the bonds of pets and their owners that chronicles the ways in which we grieve and remember the animals we love.
Faithful Unto Death is a thoughtful investigation into the bonds of pets and their owners that chronicles the ways in which we grieve and remember the animals we love.
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Perhaps the most astonishing thing about the glory days of Al Capone—Scarface, Big Al, Public Enemy Number One—is how short they were: six years, from mid-level thug to big boss to jail. So why is he still the iconic American gangster, nearly 70 years after his death from the complications of syphilis?
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On November 13, 2015, the world watched with shock and sorrow as terror erupted at several sites in Paris, including the Bataclan Theater where at least 89 people were killed. Among the dead was Hélène Muyal-Leiris, whose husband, Antoine Leiris, was at home watching their 17-month-old son. Leiris soon posted a Facebook message to the attackers that went viral, beginning, “On Friday night, you stole the life of an exceptional being, the love of my life, the mother of my son, but you will not have my hate.”

You Will Not Have My Hate is his account of the immediate days after the attack as he struggled to make sense of his loss. Leiris’ slim memoir is a portrait of raw grief, of trying to keep one’s head above water in a world that no longer makes sense. His son, Melvil, became an anchor amid the tragedy, providing a need for daily routine that kept his father moving forward. The author describes the heartbreak of seeing his wife one last time in the mortuary, the beauty of his son’s innocent smile, and how he sat down at his computer one afternoon to write his famous post: “House, lunch, diaper, pajamas, nap, computer. The words continue to arrive. They come on their own, considered, weighed, but without me having to summon them. They come to me.”

His account ends with Hélène’s funeral and his subsequent visit to her grave with his toddler, as they bravely “go on living alone, without the aid of the star to whom they swore allegiance.”

The book reaffirms Leiris’ profound message that he will raise his son to “defy [the attackers] by being happy and free. Because [they] will not have his hate either.”

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

On November 13, 2015, the world watched with shock and sorrow as terror erupted at several sites in Paris, including the Bataclan Theater where at least 89 people were killed. Among the dead was Hélène Muyal-Leiris, whose husband, Antoine Leiris, was at home watching their 17-month-old son. Leiris soon posted a Facebook message to the attackers that went viral, beginning, “On Friday night, you stole the life of an exceptional being, the love of my life, the mother of my son, but you will not have my hate.”
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Marina Abramović is a legend in the world of performance art, but that’s a rarefied world, well outside the mainstream. While her work has always courted attention, a 2010 MoMA retrospective took the concept to a new level; Abramović sat in the gallery all day, six days a week, for three months, and invited the public to sit across from her. More than 750,000 people accepted the invitation. What compels a person to seek connection on a level that is both so grand and so intimate? Walk Through Walls offers many clues, but as with all art, it falls to the recipient to complete the story.

Born in postwar Yugoslavia, Abramović chafed under the restrictions of the Tito regime and her strict, neglectful parents. Access to art supplies proved to be an escape route; painting led to work with sound and then to performance pieces that were often violent and dangerous. Passionate and highly sexual (even now, at 70, as she reminds us here), her work and love lives often intertwined; years of collaboration with fellow artist and lover Ulay culminated in the two walking to meet one another midway on the Great Wall of China only to break up afterward.

From the pain of her upbringing to her tremendous success, it’s clear that Abramović was destined for a life lived on a grand scale. She’s candid about her process and the sources of her ideas, but the discussion never reduces the finished works to something simple. And while Walk Through Walls reads as a frank and straightforward retelling of a life story, it’s impossible to separate the memoir from the author’s milieu. Is this also a performance, confined to the page? Where is the dividing line that separates life and art? That question, and tension, make this an electrifying read.

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Marina Abramovi´c is a legend in the world of performance art, but that’s a rarefied world, well outside the mainstream. While her work has always courted attention, a 2010 MoMA retrospective took the concept to a new level; Abramovi´c sat in the gallery all day, six days a week, for three months, and invited the public to sit across from her. More than 750,000 people accepted the invitation. What compels a person to seek connection on a level that is both so grand and so intimate? Walk Through Walls offers many clues, but as with all art, it falls to the recipient to complete the story.
Wait—Albert Einstein, whose equations revolutionized our understanding of the origins of the universe, made a mistake? That’s what science writer David -Bodanis posits in Einstein’s Greatest Mistake. The personal qualities that allowed the young Einstein to make such enormous breakthroughs kept him from making similar advances in later years, Bodanis writes.

A biography of Emma Jung is by necessity also a biography of her husband, famed psychoanalyst Carl Jung. By placing the focus on Emma, however, Catrine Clay comes up with a fresh and compelling take on the story of Jung’s relationship with Freud and the early days of psychoanalysis.

Wealthy, educated Emma refused Carl when the penniless doctor first proposed, but with her mother’s encouragement, Carl asked and was accepted the second time around. In part, the attraction was intellectual: At the time, an educated woman was more likely to find mental satisfaction in her husband than through her own career. And Carl’s work as a resident doctor at Burghölzli, an asylum treating patients with a range of mental illnesses, was certainly fascinating. While Emma may have hoped to help Carl with his work, pregnancy and domestic cares soon preoccupied her. 

The young couple traveled to Vienna to meet Carl’s hero, the eminent Dr. Sigmund Freud, and the two men developed an intense attachment that was to shape the developing field of psychoanalysis until their infamous split a decade later. Here Emma also discovered Carl’s predisposition to infatuation with smart women. Throughout their marriage, Emma would have to grapple with the numerous frustrated, intelligent women who clustered around her husband, ultimately accepting one of them, Toni Wolff, into the household. 

Labyrinths does a fine job portraying the tightrope Emma walked to manage her husband’s health. Carl was haunted by a “second self,” an emanation from his unconscious that heard voices and saw visions. As much as Emma struggled with her husband’s flirtatiousness, she was also integral to his well-being, and they succeeded in building a long and solid marriage. Perhaps most happily, once her children were grown, Emma was able to write psychological essays, finally stepping into the limelight on her own.

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

A biography of Emma Jung is by necessity also a biography of her husband, famed psychoanalyst Carl Jung. By placing the focus on Emma, however, Catrine Clay comes up with a fresh and compelling take on the story of Jung’s relationship with Freud and the early days of psychoanalysis.
Our fascination with the Kennedys never wanes. Those interested in taking a fresh peek behind the scenes of this famous American family will eagerly gobble up The Nine of Us: Growing Up Kennedy by Jean Kennedy Smith, (the eighth of nine children born to Joseph P. Kennedy Sr. and Rose Fitzgerald Kennedy, and the last surviving member of the Kennedy clan). Now 88, she recalls her childhood in vivid detail—long summer days frolicking in the Hyannis Port surf, winter afternoons sledding near their spacious Bronxville, New York, estate, and her family’s experiences in London when President Roosevelt appointed their father ambassador to the Court of St. James.
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Although his father was a small-time actor (with outsize dreams), Bryan Cranston didn’t pledge himself to Thespis until he was stranded for six rainy days and nights in a picnic area on the Blue Ridge Parkway with only an anthology of plays for entertainment. He was 21 at the time and had already done a smattering of amateur theater. But until this soggy epiphany broadsided him, his focus had been on a career in law enforcement.

It would be another six years of small roles and TV commercials before Cranston found steady work, acting on the ABC soap opera “Loving.” There followed such memorable mileposts as six appearances on “Seinfeld” as self-aggrandizing dentist Tim Whatley, seven seasons as the goofy dad, Hal Wilkerson, on “Malcolm in the Middle” and, most triumphantly, five seasons on “Breaking Bad” as Walter White, the emotionally defeated high school chemistry teacher turned psychopathic drug lord.

Cranston’s memoir, A Life in Parts, is an engrossing blend of stories and tricks of the acting trade. He learns to slaughter chickens, becomes a mail-order minister, motorcycles from coast to coast with his brother, barely survives a crazy girlfriend and proposes marriage in a bubble bath. And that’s just a sampling. 

He advises aspiring actors to stay busy and go the extra mile to secure and inhabit a role, noting that he took rock-climbing lessons to score a candy commercial and clothed himself in live bees for an episode of “Malcolm.” He also explains how he adopted a mindset that turns even unsuccessful auditions into personal victories and presents a numerical scale by which to judge whether or not a part is worth taking. More subtle tips abound.

While there may have been bees on Cranston, there are assuredly no flies. “I never want to limit myself,” he writes. “I want to experience everything. When I die, I want to be exhausted.”

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Although his father was a small-time actor (with outsize dreams), Bryan Cranston didn’t pledge himself to Thespis until he was stranded for six rainy days and nights in a picnic area on the Blue Ridge Parkway with only an anthology of plays for entertainment. He was 21 at the time and had already done a smattering of amateur theater. But until this soggy epiphany broadsided him, his focus had been on a career in law enforcement.
As we are constantly reminded, all those quarter-pounders from McDonald’s add up—to billions and billions served. Not as well known but just as importantly, millions and millions in McDonald’s profits were doled out to charities by Joan Kroc, widow of longtime Chairman Ray Kroc, during her lifetime and beyond. Ray & Joan is Lisa Napoli’s highly readable account of the Krocs’ romance and marriage, the growth of the McDonald’s fast-food empire and how all that money came to be given away.

Tara Clancy is only 36, but she manages to make her 1980s childhood feel like a long-lost era. In The Clancys of Queens, she gives us a coming-of-age memoir defined by the distinctive neighborhoods she grew up in: Broad Channel, Queens, a “bread crumb of an island” where her Irish-cop dad lived; Bellerose, her grandparents’ Italian-American enclave; and tony Bridgehampton, Long Island, where Clancy spent half her weekends with her mom and Mark, her mom’s well-to-do boyfriend.

A frequent contributor to “The Moth Radio Hour,” Clancy expanded her Moth stories for this memoir. She offers colorful character studies of the people who filled her young life, like cursing Grandma Rosalie (“Fahngool” was Rosalie’s “go-to, catchall punctuation”) and the barflies at Gregory’s bar—English Billy, Joey O’Dirt—where young Clancy and her dad were regulars, and where she had her first Communion party, with her large Irish clan that includes 21 first cousins in attendance.

An always-in-motion tomboy, Clancy loved her scrappy St. Gregory’s softball team and her best friend Esther, but not school. Unable to sit still in elementary school, she’d wander out of class to chat up any grown-ups she could find. The memoir follows her through her more difficult teen years, where she went from drinking and smoking pot daily to finding herself obsessed with Shakespeare and scraping together the money for college.

The oddities of Clancy’s upbringing make for some hilarious passages, but each chapter also forms a love letter—to her parents, Grandma Rosalie, Mark, her friends and lovers. Although she sometimes skates over darker material, like her dad’s drunk driving, her own teenage partying and a close friend’s abandoning her baby while in the grip of drugs, that’s a small complaint. Clancy has written a breezy, funny memoir with a wonderful cast of characters and a terrific sense of place.

Tara Clancy is only 36, but she manages to make her 1980s childhood feel like a long-lost era. In The Clancys of Queens, she gives us a coming-of-age memoir defined by the distinctive neighborhoods she grew up in: Broad Channel, Queens, a “bread crumb of an island” where her Irish-cop dad lived; Bellerose, her grandparents’ Italian-American enclave; and tony Bridgehampton, Long Island, where Clancy spent half her weekends with her mom and Mark, her mom’s well-to-do boyfriend.
Almost as good as an evening at the theater: Simon Morrison’s Bolshoi Confidential lifts the curtain on one of the world’s oldest and most prestigious ballet companies. In this glittering, accessible history, Morrison tracks the ascent of the Moscow-based Bolshoi Ballet over two-and-a-half centuries while delivering a fascinating look at the dance-crazed culture of Russia, where the stars of the stage have long enjoyed celebrity status.
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When World War II ended in Europe, American, British and Soviet military units rolled into communities throughout Germany to establish order. Within a short time the country was officially divided into East and West zones, as was the city of Berlin. The Soviet Union occupied the East sector, and with the beginning of the Cold War and the establishment of a Communist-led government, the residents there would have their lives changed for decades to come.

In East Germany, one small, seemingly innocuous act judged, by a person in authority, as a challenge against the police state could lead to a reprimand, imprisonment or worse. Many were able to escape but many others were killed or captured during their attempts. A brave young woman named Hanna from the rural village of Schwaneberg was able to escape and eventually lead a free and happy life as a U.S. citizen. But her close German family, which included her parents and eight siblings, had been the center of her life, and she missed them terribly.

Nina Willner, Hanna’s daughter, tells the true story of what life was like for her mother and her East German family during this period in her compelling Forty Autumns: A Family’s Story of Courage and Survival on Both Sides of the Berlin Wall. Drawing on a wide range of sources including interviews with family members, memoirs, letters, archives, trips to relevant locations and historical records, this is a moving account of one family’s life under tyranny. In a fascinating twist, the author was the first woman to lead U.S. Army intelligence operations in East Berlin during the Cold War in the 1980s, and she relates some of her experiences.

At the heart is the story is Oma, the author’s grandmother, to whom the book is dedicated. Throughout the many devastating changes in their lives, she was able to keep up the morale of her children and her husband by word and deed, demonstrating the central importance of love and family.

After the war, as West Germany began to rebuild, people in the East went in the other direction, depriving many of basic items. The government’s propaganda, however, painted the West zone as much worse off.

Perhaps the most distressing aspect in the East was the establishment of the secret police, the Ministry for State Security, or Stasi, for short. Eventually it became responsible for the wholesale manipulation and control of all citizens. The Stasi used clandestine operations, fear tactics and intimidation, attempting to get everyone to spy on everyone else as a way of life.

Forty Autumns includes a family and historical chronology that helps the reader put events in context. Willner’s sensitive and well-written account causes us to reflect on what is really important to us and how we would react in a similar situation.

Nina Willner tells the true story of what life was like her East German family during the Cold War in her compelling Forty Autumns: A Family’s Story of Courage and Survival on Both Sides of the Berlin Wall.

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