In beautifully colored and evocative frames, Brittle Joints shares illustrator Maria Sweeney’s experiences living with a rare disability.
In beautifully colored and evocative frames, Brittle Joints shares illustrator Maria Sweeney’s experiences living with a rare disability.
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Greenwich Village in the 1970s did not have a shortage of local eccentrics, but one was particularly notorious. Wandering at random, clad in a dirty bathrobe and slippers and adorned with several days’ stubble, Vincent “the Chin” Gigante certainly appeared to be unwell. Yet even when he was on one of many stays in mental hospitals, Gigante was a shot-caller of the first order, the head of the Mafia’s Genovese family. Chin is the story of his mob career and the ruse that kept him out of prison for four decades.
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If you gravitate toward wholesome, “Dear Abby”-style advice, steer clear of Heather Havrilesky. But if profound, profane wisdom is your jam, this book is for you.

How to Be a Person in the World compiles some of Havrilesky’s best columns from “Ask Polly,” which ran first on quirky website The Awl, then on New York magazine’s The Cut. It also includes a lot of fresh material. Saying that Havrilesky has a way with words is like saying Marilyn Monroe liked diamonds. Havrilesky doesn’t just write—she dances with the words, building empathetic responses that can’t be classified as just advice columns. They are more keen observations of human behavior.

“When you spend your days staring at bony teenagers in tall boots and touching soft things that cost more than your monthly salary, it eats away at your soul like a hungry little demon-rabbit,” she writes to a woman working in fashion who feels miserable and shallow. 

“Repeat after me, WB: ‘I will not lose myself. I can earn money and create art, too. I can befriend Buddhists and women in $300 heels. I am not a one-dimensional, angry human with boundary issues, like those others who get so fixated on being ONE THING AND NOTHING ELSE.’”

It was hard to choose a favorite quote, mostly because she’s so pithy but also because so many of the quotes I loved in this book included a string of F words. 

The contents are divided into sections with titles such as Flaws Become You and Weepiness is Next to Godliness, each prefaced by a deadpan comic strip. 

Whether she’s tackling alcoholism, STDs or deadbeat boyfriends, Havrilesky is a pure joy to read. She’s the tough-love friend who tells you what you need to hear, not what you want to hear. As she tells one advice seeker, “This is your moment. Seize your moment, goddamn it!”

 

This article was originally published in the July 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

If you gravitate toward wholesome, “Dear Abby”-style advice, steer clear of Heather Havrilesky. But if profound, profane wisdom is your jam, this book is for you.
Like almost everyone else in the U.S., Atlanta attorney Joseph Madison Beck had read To Kill a Mockingbird, and he decided in 1992 to satisfy his curiosity about the similarity between the novel and an episode in his own family history. He wrote to author Harper Lee: Did she know about his white father’s legal defense of an African-American man accused of raping a white woman in 1938, not far from where Lee was then growing up in south Alabama? No, Lee wrote back politely; though she could see there were “obvious parallels,” she didn’t recall the case at all.
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When Diane Arbus committed suicide in 1971, she was only 48 years old, and her career was on the climb. One of the foremost photographers of the 20th century, she had the remarkable ability to call up and capture the idiosyncrasies of just about anyone who submitted to her lens. As Arthur Lubow observes in Diane Arbus: Portrait of a Photographer, she “excavated the truth—or a truth” about her subjects.

In this new biography, which is brisk and accessible despite its 700-page length, Lubow tells the story of an artistically brilliant but emotionally fragile figure. During her relatively brief career, Arbus managed to capture with her camera a broad cross-section of humanity, including nudists, cross-dressers and the mentally handicapped. Born in 1923 into an affluent Jewish family (her brother was the poet Howard Nemerov), Arbus grew up in New York City. She received her first camera from her husband, Allan Arbus, with whom she started a successful fashion photography enterprise. Around 1956, she quit the business and began taking the forthright, unstaged portraits that made her famous, shooting in black and white the very young and the very old, mixed-race couples and nuclear families, millionaires, movie stars, bums, and sideshow freaks.

The book’s chronology is cued by her photographic output. In tracking the timeline of Arbus’ life through her art, Lubow brings to bear on the narrative a deep appreciation for her pictures and an impressive technical grasp of photography. An award-winning journalist, he explains the circumstances that shaped Arbus’ most iconic shots and—prompted by newly discovered letters and exclusive interviews—explores the controversy she courted by becoming close to some of her subjects. Bringing Arbus out from behind the lens, Lubow sheds new light on her genius and delivers a definitive portrait of the artist.

When Diane Arbus committed suicide in 1971, she was only 48 years old, and her career was on the climb. One of the foremost photographers of the 20th century, she had the remarkable ability to call up and capture the idiosyncrasies of just about anyone who submitted to her lens. As Arthur Lubow observes in Diane Arbus: Portrait of a Photographer, she “excavated the truth—or a truth” about her subjects.
One would be hard-pressed to think of a more beloved, admired or popular scientist than Albert Einstein. In the third installment in their graphic biographies, following Freud and Marx, writer and historian Corinne Maier and illustrator Anne Simon take us through the life of our first rock star intellectual from March 14, 1879 to April 18, 1955.

Fans of Thad Carhart’s bestselling 2001 memoir, The Piano Shop on the Left Bank, will be glad to know that his latest book, Finding Fontainebleau: An American Boy in France, offers a similar mix of memoir, history and wonderful digressions about France.

Carhart spent several years of his 1950s childhood in the village of Fontainebleau, France, where his Air Force pilot dad served as a staff officer at NATO (then headquartered at Chateau de Fontainebleau). Finding Fontainebleau’s main narrative follows the family, five kids ages 2 to 12 and their beleaguered parents, as they settled into an immense old house next door to the chateau. Carhart recounts adjusting to to French Catholic school, both its strictures—including Saturday classes—and pleasures—1950s French schoolboys were as crazy for marbles and coonskin caps as American boys. The family’s daily life mixed French and American: They shopped for food at the traditional outdoor market and boulangeries as well as the American military commissary, and had wine delivered (35 cents a bottle); and they piled into their Chevy wagon, heading to Paris for Carhart’s dad’s fencing competitions, and on near-disastrous camping trips in the French countryside and in Spain and Italy.

The book’s other narrative gives us a lively history of Chateau de Fontainebleau, built in 1137 as a hunting lodge, then added on to by successive kings, queens, and two Napoleons. Carhart takes us into closed-off rooms, where architects, carpenters, and other craftsmen work at restoration. He sees the rambling chateau, with its idiosyncratic additions, as a more fitting symbol of France than the more well-known Versailles.

Throughout, Carhart turns his observant eye on small, sometimes odd-seeming details—the once-ubiquitous Turkish toilets in cafes, the uniquely French method of taking household inventory, French cars of the 1950s. These lovely digressions, along with Carhart’s own family’s story, illuminate French culture in an appealing way. 

Fans of Thad Carhart’s bestselling 2001 memoir, The Piano Shop on the Left Bank, will be glad to know that his latest book, Finding Fontainebleau: An American Boy in France, offers a similar mix of memoir, history and wonderful digressions about France.

When Harry Crews died in 2012, the Southern Gothic tradition that started gathering steam when the “Dixie Limited,” William Faulkner, rolled down the tracks—picking up Flannery O'Connor, Carson McCullers, Larry Brown, James Dickey and Barry Hannah along the way—died with him.

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In this gorgeous collection of 12 essays, published to mark the centennial of the National Park Service, Terry Tempest Williams provides a poetic and searing portrait of the land and, by extension, of America itself.

Philanthropists loom large in the history of our national parks and Williams draws them in compelling detail: Teddy Roosevelt riding out to North Dakota wearing spurs he bought at Tiffany’s, Laurance Rockefeller donating his family’s ranch to Grand Teton National Park and having every object meticulously cataloged (including the positions of ashtrays) so the ranch could be recreated later. She describes the difficult test that would-be tour guides in Gettysburg must take (since 2012, only two have passed). There’s the pleasure of journalism, the unexpected detail that never disappoints, the feeling of seeing something from an inside angle. But there’s poetry, too.

The intimate moments Williams experiences in these parks, often accompanied by beautiful photography, speak to the reader—what it’s like to witness the body of a bison eaten by other animals on the plain; what kind of lichen grows on the chilly tundra; what oil-soaked sand feels like between the toes. “To bear witness is not a passive act,” she writes. 

Williams’ reverent eyes catalog how humans have impacted the wilderness, but The Hour of Land is a hopeful book. “We are slowly returning to the hour of land,” she writes, “where our human presence can take a side step and respect the integrity of the place itself.”

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

In this gorgeous collection of 12 essays, published to mark the centennial of the National Park Service, Terry Tempest Williams provides a poetic and searing portrait of the land and, by extension, of America itself.
Ann Patty was at loose ends after being forced into early retirement from her high-powered job in book publishing. It was 2008, the recession was grinding everything to a halt, and suddenly Patty, the editor of the bestselling Life of Pi, was rattling around her home in upstate New York. She joined Match.com, read piles of books and weeded her garden. But something was missing from this new life.
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It’s fitting that Eddie Huang’s follow-up to the bestselling Fresh Off the Boat—adapted into a TV series—opens as he phonetically transcribes a Charlie Parker sax riff. Double Cup Love: On the Trail of Family, Food, and Broken Hearts in China is a foodie travelogue and comic tour de force, but it’s also something of a word-jazz concerto.

The setup is simple: Feeling pressured by his success, Huang ventures to Chengdu to cook with street vendors and dig further into the roots of the food he’s known for. He also plans to fly his girlfriend out and propose. 

Huang’s hip-hop patois infuses his writing, whether he’s describing a bout of chili-induced diarrhea (and there are several) or exploring the difficult family dynamics that shaped him as a young man. He captures the pressures of the kitchen, which are even greater while he’s in China, since as often as not he’s cooking in a converted closet, battling chili fumes along with carbon monoxide. 

Huang’s romance takes some unexpected twists (on his way to propose he is almost left behind at a rest stop where he’s once again paying for his gastronomic bravery), but Double Cup Love has more to offer than that. The rooftop parties and underground clubs, chewy intestines and all that swagger reveal a family story that’s tender at the core.

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s fitting that Eddie Huang’s follow-up to the bestselling Fresh Off the Boat—adapted into a TV series—opens as he phonetically transcribes a Charlie Parker sax riff. Double Cup Love: On the Trail of Family, Food, and Broken Hearts in China is a foodie travelogue and comic tour de force, but it’s also something of a word-jazz concerto.
Robert Shelton, George Wallace and Michael Donald may no longer be in the news, but they are forever entwined in this riveting account of a racist murder in the Deep South. The Lynching: The Epic Courtroom Battle That Brought Down the Klan, by journalist and author Laurence Leamer, recounts 19-year-old Donald’s horrific death in 1981 at the hands of Alabama Ku Klux Klan members. The book is also a deftly researched history of the civil rights movement. Most vividly, it is the story of Morris Dees, born poor and white in solidly segregated Alabama, who abandoned his inherited segregationist leanings to become a civil rights attorney and cofounder of the Southern Poverty Law Center.
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What child would not long for a secret password that opens a magical door? At age 3, Claire Hoffman was given just such a word—a mantra she believed was created just for her. It provided entry into the intense spiritual world inhabited by her mother, a practitioner of transcendental meditation (TM). Hoffman’s thoughtful memoir, Greetings from Utopia Park, chronicles a childhood immersed in TM and the teachings of Maharishi Mahesh Yogi, as well as the adult reckonings that followed. 

From a trailer on the campus of the National Headquarters for Heaven on Earth in Fairfield, Iowa, Hoffman watched the Maharishi’s quest for world peace through meditation rise and fall outside her bedroom window. Her story could be yet another tale of growing up in and escaping a religious cult, but she is careful to note not only the heartbreaking ways her innocence was taken from her, but also the life-affirming sense of community and purpose she gained in Fairfield. 

This balanced approach, likely related to her career as a reporter for the Los Angeles Times, sets Hoffman’s story apart from more simplistic retellings. She never pulls punches in the personal arena—young Claire’s unchecked enthusiasm comes through as clearly as her adolescent skepticism.

Although she analyzes the social and historical influences on the Maharishi’s movement, in the end, Hoffman’s story is intensely personal and spiritual. When she goes back to gather the threads of meaning that remain for her in TM, we understand that she has reached a new kind of transcendence, one that accepts uncertainty without giving up hope.

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

What child would not long for a secret password that opens a magical door? At age 3, Claire Hoffman was given just such a word—a mantra she believed was created just for her. It provided entry into the intense spiritual world inhabited by her mother, a practitioner of transcendental meditation (TM). Hoffman’s thoughtful memoir, Greetings from Utopia Park, chronicles a childhood immersed in TM and the teachings of Maharishi Mahesh Yogi, as well as the adult reckonings that followed.

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