In beautifully colored and evocative frames, Brittle Joints shares illustrator Maria Sweeney’s experiences living with a rare disability.
In beautifully colored and evocative frames, Brittle Joints shares illustrator Maria Sweeney’s experiences living with a rare disability.
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In 1993, Mardi Jo Link was a 31-year-old wife and mother of two and a bar waitress with a college degree. Just before sunrise on an October Michigan morning, Link and three friends set off on what would become an annual get-the-hell-out-of-Dodge adventure to the isolated refuge of Drummond Island on Michigan’s Upper Peninsula. In 1993, Link was the newest member of the sorority, but she eventually became the chronicler of the highs and lows of the annual island weekend.

In The Drummond Girls, Link proceeds roughly year-by-year as the conclave grows from four to eight, and as each of the friends passes through the peaks and valleys of life, from marriage and divorce to birth and death, including the sudden death of one of their own, Mary Lynn.

Link regales readers with tales of nights and days spent exploring the North woods, running into some of the island’s more colorful inhabitants—both animal and human—and bonding deeply with a group of women who, as Link says, would “do ninety days at a minimum-security prison camp or plan a hostile takeover of a Caribbean beach resort” for each other.

So pick up this book: You’ll laugh; you’ll cry; you’ll find yourself pondering the meaning of life’s small disappointments and its greatest joys, especially the “fierce friendships” at the heart of this remarkable story. 

 

This article was originally published in the July 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

In 1993, Mardi Jo Link was a 31-year-old wife and mother of two and a bar waitress with a college degree. Just before sunrise on an October Michigan morning, Link and three friends set off on what would become an annual get-the-hell-out-of-Dodge adventure to the isolated refuge of Drummond Island on Michigan’s Upper Peninsula. In 1993, Link was the newest member of the sorority, but she eventually became the chronicler of the highs and lows of the annual island weekend.
In this fascinating explanation of the techniques of forensic science, Val McDermid takes readers on an “evidential journey” that begins at the crime scene and ends in the courtroom. McDermid, a Scottish crime fiction writer and former newspaper crime reporter, turns out to be a remarkably intelligent and witty guide for a tour of such gruesome subjects as blood spatter, DNA analysis, toxicology exams and forensic entomology, a discipline that McDermid writes, mordantly, is “based on one grisly fact: a corpse makes a good lunch.”
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Tracy Slater thought she’d stay in Boston forever. A writing teacher with a Ph.D. in literature, Slater worked with diverse students, practiced yoga, published essays and enjoyed her close-knit community of friends. Yet one fateful summer, she agreed to teach English in Japan. “Don’t fall in love,” said her mother. Naturally, she did. 

Enter Toru, a soft-spoken and quietly joyful Japanese man. Toru and Slater develop a deep emotional bond that baffles Slater’s friends and family. Against all odds, the pair indulges in a transcontinental romance that lingers long after Slater’s teaching stint in Asia ends. The Good Shufu chronicles their romance in all its charming—and occasionally painful—detail.

Slater is candid about the intellectual, emotional and cultural tensions in her new life. Why, she wonders, would a devoted feminist be happy to play shufu, or housewife, in a traditional Japanese context? How has life led to her cooking dinner three nights a week for her boyfriend and his dad? Why would someone who loves Boston so much take up a life in a land where she will always be a cultural outsider?

These questions are very much Slater’s own, yet anyone whose life didn’t quite turn out as they imagined can relate. The pleasure of this book is Slater’s ability to wrestle with very real contradictions in her life even as she masterfully unfolds a story of falling in love and finding home in unexpected places. 

 

This article was originally published in the July 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Tracy Slater thought she’d stay in Boston forever. A writing teacher with a Ph.D. in literature, Slater worked with diverse students, practiced yoga, published essays and enjoyed her close-knit community of friends. Yet one fateful summer, she agreed to teach English in Japan. “Don’t fall in love,” said her mother. Naturally, she did.
Taking your boat out on open water any time soon? Already there? You’ll want to weather life’s inevitable storms by keeping your anchor and flares aboard at all times. If an emergency strikes, you will need something to hold you steady, and lights can summon help. In this tender follow-up to her 2007 bestseller, Here If You Need Me, Kate Braestrup weathers her own storms—the sudden death of a spouse and the inevitable departure of a child growing up—and calls upon her work as chaplain for the Maine Game Warden Service to help in her most personal ministry, her family.
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It’s a match made in heaven: Aziz Ansari, one of America’s top comics, and the subject of love. In Modern Romance, Ansari delivers dispatches from the front lines of dating in the digital age and proves to be as befuddled by love as the rest of us. 

The “Parks and Recreation” star is up front about the fact that his own lack of success with the ladies provided the motivation for writing the book, but it’s much more than a comic romp. For research assistance, Ansari enlisted NYU sociology professor Eric Klinenberg, and Modern Romance is filled with their findings—case studies, factoids and hard data that demonstrate how dating has evolved in our device-driven era, a time when the quest for amour is both aided and complicated by the omnipresent Internet. 

A smartphone is like “a 24-7 singles bar,” Ansari says. “Press a few buttons at any time of the day, and you’re instantly immersed in an ocean of romantic possibilities.” Of course, navigating that ocean can be a challenge. While technology expedites connection, it comes with its own set of singular difficulties, and Ansari explores many of these, providing survey-supported info on the best way to initiate a date (phone call versus text message), how to take a winning photo for a dating site (girls, avoid using pix in which you’re posing with an animal or guzzling a Bud) and more.

Ansari broadens his scope by reaching into the past—he talks to seniors at a retirement home about what their love lives were like—and pondering timeless questions: How prevalent is cheating? Do you need to get married? His report on the contemporary pursuit of a perfect partner mixes solid research with hilarious riffs—all delivered Ansari-style. It’s an irresistible pairing. 

It’s a match made in heaven: Aziz Ansari, one of America’s top comics, and the subject of love. In Modern Romance, Ansari delivers dispatches from the front lines of dating in the digital age and proves to be as befuddled by love as the rest of us.
The story of how the Internet brought the imperious music business to its knees has never been told more succinctly and readably than it is here. Beginning his narrative in 1995, when the compact disc format reigned, Stephen Witt focuses on the transformative importance of four primary figures.
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When Barton Swaim read a column by his state’s governor, he promptly sat down and wrote him, “I know how to write, and you need a writer.” He got the job, but his writing skills went to waste as the governor insisted on a “voice” that bore only a slight resemblance to proper English.

Fortunately, Swaim puts those skills to good use in The Speechwriter, a highly readable account of his three years in the governor’s employ. Part All the King’s Men and part Horrible Bosses, it’s fascinating and almost impossible to put down.

For reasons of his own, Swaim does not name the man behind the curtain. He’s “the governor,” or “the boss.” But as sure as Myrtle Beach has miniature golf courses, it’s Mark Sanford, the maverick governor of South Carolina from 2003 to 2011 who made “hiking the Appalachian Trail” a euphemism for pursuing an extramarital affair in Argentina. 

Swaim’s lofty approach to the job is undercut early on, when he is told “Welcome to hell” by a co-worker. Not surprisingly, the governor is a difficult man to work for, and readers who have had to answer to unreasonable, demanding and slightly unhinged bosses can relate. It’s hard to defend such a man, and Swaim wisely doesn’t try.

Things come to a head with a crisis over the governor’s refusal to accept the federal stimulus package, followed by the Appalachian Trail fiasco. By the end, Swaim has had enough—but fortunately, he ends with a rumination on politics: “Why do we trust men who have sought and attained high office by innumerable acts of vanity and self-will?”

That’s a good question, and perhaps one to ask “the governor” (now a U.S. congressman) at his next news conference.

 

This article was originally published in the July 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

When Barton Swaim read a column by his state’s governor, he promptly sat down and wrote him, “I know how to write, and you need a writer.” He got the job, but his writing skills went to waste as the governor insisted on a “voice” that bore only a slight resemblance to proper English.
Ah, alcohol: the cause of, and solution to, all of life’s problems (to misquote “The Simpsons”). In Blackout: Remembering the Things I Drank to Forget, Sarah Hepola reveals the ugly side of addiction with humor and honesty. She writes gracefully of blackouts, junk food binges and unnerving sexual encounters. Along the way, she touches on loneliness and cats and hangovers and alternative weeklies. Although she claims that alcohol made her fearless, her true bravery emerges in this memoir’s witty candor.

Paris in World War II—a time when young people in the French resistance risked their lives every day. Often the difference between life and death, between escape and capture, was a matter of luck, of coincidence, of fate.

Charles Kaiser’s remarkable portrait of one Parisian family examines the high cost and often tragic consequences that accompanied the decision to resist. The Cost of Courage is also a story of recovery and resilience, brought to life thanks to the author’s commitment to honoring Christiane Boull-oche-Audibert and her family.

Kaiser, the son of a diplomat, first met the Frenchwoman in 1962, when he was 11 years old. An enduring bond developed between the two families, but one topic always seemed off-limits: World War II.

As Kaiser would eventually come to learn, Christiane—along with her sister Jacqueline and brother André—was an active member of the French resistance, while their parents and older brother, Robert, were not. Christiane helped transmit radio messages, and coded and decoded telegrams to and from London. Christiane and Jacqueline managed to evade the Gestapo, but André was wounded and sent to a concentration camp. Still, after the invasion of Normandy, it seemed that the family would persevere. Those hopes would be tragically dashed just three weeks before the liberation of Paris.

A former New York Times reporter, Kaiser brings a journalist’s eye to uncovering one family’s painful history. The Cost of Courage is a poignant reminder that there are many untold stories of World War II, but that those who lived them will soon be gone.

 

This article was originally published in the July 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Charles Kaiser’s remarkable portrait of one Parisian family examines the high cost and often tragic consequences that accompanied the decision to resist. The Cost of Courage is also a story of recovery and resilience, brought to life thanks to the author’s commitment to honoring Christiane Boull-oche-Audibert and her family.
Anyone who has completed a grueling round of sun salutations may be glad to learn that such exertions were intended for adolescent boys. Yoga, as it was taught to Americans by Indra Devi in the 1950s, was a slower series of postures, yet it was no more “authentic” than the intense hatha yoga of today. As Michelle Goldberg capably illustrates in The Goddess Pose: The Audacious Life of Indra Devi, the Woman Who Helped Bring Yoga to the West, yoga has always been a bizarre blend of Eastern and Western tradition, particularly in the U.S. Like many other trends, yoga’s popularity began in Hollywood.
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Despite being a vast topic, economics seems at the simplest level to be about connecting buyers and sellers. But what about exchanges where money's not involved? From life-or-death matters like organ donation to finding Junior a spot in that prestigious preschool, "matching markets," where both sides must choose each other, are also an economic force.

In Who Gets What—And Why: The New Economics of Matchmaking and Market Design, Stanford professor and Nobel laureate Alvin E. Roth is plainly passionate about his subject matter. Thankfully he's also adept at translating the big concepts here into lay language. Much of his work has focused on kidney transplants and expanding the available pool of donor organs. When someone offers a kidney to a patient in need, if they turn out to be incompatible, the story can end abruptly with no transplant performed. As Roth has demonstrated, kidney "exchanges," where willing donors extend the offer to anyone who's a good match, can result in kidneys being paid forward many times over, improving the outcomes for numerous patients.

This model can affect school choice, sports team playoffs, even something as mundane as the judgment calls made when choosing a parking space. Understanding how these matches work can hopefully lead us to choose well without too much equivocation, whether we're bidding in an eBay auction or applying for a job. 

Roth's goal for the book is to bring awareness of economic forces to our attention, but also to point out that they're amazing, much as the natural world becomes more seductive the closer you look. At first glance the ideas in Who Gets What—and Why can seem tangled, but tease them apart a bit and you'll find Roth has met his goal. This is heady science that will change your view of the world around you.

Despite being a vast topic, economics seems at the simplest level to be about connecting buyers and sellers. But what about exchanges where money's not involved? From life-or-death matters like organ donation to finding Junior a spot in that prestigious preschool, "matching markets," where both sides must choose each other, are also an economic force.
The day the music died wasn’t when Buddy Holly went down in that now infamous plane crash; the music stopped flowing on December 10, 1967, when Otis Redding died in a plane crash in the icy waters of a Wisconsin lake. During his short career, Redding built the reputation of a small Southern studio, Stax, generating a funky and distinct sound whose energy fueled the music of Rufus and Carla Thomas, Wilson Pickett, Isaac Hayes, Booker T. and the MGs, and Sam and Dave, among others.

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