The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
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Kate Zernike’s impeccably researched book about MIT’s discrimination against its female faculty members is both enlightening and inspiring.
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In 1767, Phillis Wheatley arrived in Boston via a slave ship at the age of 7. In the years leading up to the start of the American Revolution in 1775, she became famous across New England and in London for her poetry. For all her talent and influence on the issues of her day, such as abolition, emancipation and revolution, the details of Wheatley’s life are still unknown to many. Award-winning historian David Waldstreicher sets out to change that with his in-depth, engrossing biography, The Odyssey of Phillis Wheatley: A Poet’s Journeys Through American Slavery and Independence.

At a time when enslaved—and free—Black people were regarded by many colonists as barely literate “barbarians” and possible threats to Massachusetts’ rebellion against England, Wheatley earned her fame with words. Recognizing her unique ability, Wheatley’s wealthy, white enslavers gave her the time and privacy to write. Her poems, such as “On Being Brought From Africa to America,” were metered, not free verse, and spoke to the intellectual and impassioned Christian beliefs of her times. Wheatley’s elegies for the dead were distributed as broadsides at funerals, and her poems—which managed to praise British soldiers as well as American patriots and abolitionists—were published in newspapers on both sides of the churning political divide. Waldstreicher includes the text of many of Wheatley’s poems, explaining them well for those less familiar with the classical forms she used.

When an enslaved man fled his captors while they were visiting England, the ensuing public and legal controversy revealed the hypocrisy of a group of colonies seeking freedom while allowing slavery to persist. Within this context, Wheatley’s own position was precarious. She often had to prove that a young enslaved Black girl could indeed be a brilliant poet. In 1773, she achieved her emancipation with the help of her many patrons in Boston and England after the publication of her first book—at a time when very few women could get published.

Waldstreicher documents the long, tortuous journeys toward independence for both the poet and the American colonies in The Odyssey of Phillis Wheatley. Along the way, the likes of Samuel Adams, Benjamin Franklin and Abigail Adams cross Wheatley’s path, and events like the Boston Tea Party and the Boston Massacre feature prominently. This account of Wheatley’s life adds much to the tumultuous Revolutionary chapter of America’s political and racial history.

David Waldstreicher’s engrossing biography of the enslaved poet Phillis Wheatley adds much to the tumultuous Revolutionary chapter of America’s political and racial history.
Therapist Vienna Pharaon is a cheerleader and confidant throughout The Origins of You, helping readers break negative family patterns and find healing.

Bozoma Saint John’s list of accomplishments is long. She has built a career as a marketing executive, most recently at Netflix, and filled her resume with hall of fame memberships and other accolades. You could be excused for wondering if her memoir is an executive’s story of professional success; this reviewer asked the same question. But no, The Urgent Life isn’t an executive’s guide to anything. It’s Saint John’s personal story of grief and survival.

In 1982, Saint John’s mother fled Ghana with her daughters. Their father was taken into political detention, and Saint John didn’t know when she would see him or their home country again. Her father rejoined the family in the United States months later, but from that point on, the young Saint John was familiar with loss. She later became acquainted with death after her grandmother’s passing, and more intimately so following the death of her college boyfriend.

When Saint John’s husband, Peter, received a terminal cancer diagnosis in 2013, her perspective on loss quickly changed. The couple had been separated and in the process of divorcing, but in light of this development, they called it off. With limited time left together, they knew they wanted to live in the here and now. “We had to make haste, whether that meant moving back in together after being separated for years, booking a trip to our favorite getaway, or eating lasagna before it had time to cool,” she writes.

As Saint John vividly recounts the couple’s waning time together, she also reflects on the path that led them to each other. Their first meeting was acrimonious, but Peter quickly won over Saint John by reading her favorite book, Toni Morrison’s Song of Solomon, and taking her to dinner to discuss the novel. His insights impressed Saint John.

The couple fell fast after that, but the differences in their life experiences and upbringings—hers Ghanaian American, his Italian American—became difficult to sort through. Although Peter hadn’t previously been in a relationship with a Black woman, his 6-foot-5-inch, redheaded self fit into Black spaces with ease. He was content to watch Saint John and her friends dance at a club, nodding in time with music he didn’t otherwise listen to as he waited along the wall. She appreciated his comfort in her world while acknowledging that it was because of his whiteness that he was at ease. “There was no place that would deny him entry,” she writes.

The Urgent Life is an unflinching examination of Saint John’s experiences as a Black woman, the difficulties that almost ended her marriage and the love she and her husband clung to in his final days. Facing a life without Peter, Saint John made a decision to live urgently, recognizing that time spent with the people she loves isn’t guaranteed.

The Urgent Life is Bozoma Saint John’s personal story of the difficulties that almost ended her marriage and the love she and her husband clung to in his final days.
Derek Leebaert’s absorbing narrative goes behind the scenes of the FDR administration via the revealing perspectives of four cabinet members.
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Edith Bolling Galt Wilson, the controversial first lady of 28th president Woodrow Wilson, had some impressive predecessors. There was women’s rights advocate Abigail Adams, wife of second president John Adams and mother of sixth president John Quincy Adams. During the War of 1812, Dolley Madison, wife of fourth president James Madison, rescued the nation’s treasured artwork from a burning White House. Edith was also followed by trailblazers, such as Eleanor Roosevelt, whose looming legacies have sometimes left Edith in history’s shadow. With Untold Power: The Fascinating Rise and Complex Legacy of First Lady Edith Wilson, historian Rebecca Boggs Roberts gives Edith her due, demonstrating that, as the first unelected woman to govern the country, Edith has no match.

Like several other first ladies, Edith had little formal education. She came from a Virginia family who had been dispossessed after the Civil War and grew up in a crowded apartment above a general store, which she eventually left for Washington, D.C., where a tall, striking beauty like herself could better shine. When she married Norman Galt, a jewelry business owner, she became his helpmate; when he died, she became a working widow. 

Woodrow lost his first wife, Ellen, soon after taking office in 1913. When he was introduced to Edith, he promptly fell in love. He shared with her every aspect of his work, soon darkened by the looming threat of a world war that many Americans wanted no part of. During those early years of her marriage, Edith knew her place—and how to get around it. When women were not allowed at important White House meetings, she hid in drapes to watch. When a stroke left Woodrow incapacitated shortly into his second term, Edith quietly took over, deciding which pieces of news wouldn’t be too stressful for him, who could visit and how to keep everyone, especially his political enemies and the press, from seeing the truth of the president’s condition.

Untold Power brims with details, from the colors of the signature orchids Edith wore to the troubled corners of Woodrow’s mind after his stroke. Senator Henry Cabot Lodge is there, bent on destroying the president’s obsessive quest for a League of Nations, and sheep populate the White House lawn (one of Edith’s successful—and profitable—wartime ideas). This well-told history, based on sources that are often at odds with Edith’s own memoir, also begs the question: How could so much in the White House have gone unseen and unknown for so long? And, chillingly, could it happen again?

With Untold Power, Rebecca Boggs Roberts gives first lady Edith Wilson her due, demonstrating that, as the first unelected woman to govern the country, Wilson has no match.
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In What’s Eating Us: Women, Food, and the Epidemic of Body Anxiety, author and four-time Emmy Award-winning television journalist Cole Kazdin declares there’s hope for those who have tried and failed to quit diet culture. As only someone with firsthand experience can, Kazdin explains in unflinching detail just how damaging dieting can be to our mental and physical health. Although What’s Eating Us centers on Kazdin herself—a journalist determined to reach recovery for her eating disorder—this isn’t just one woman’s story. Neither is it just a fact-based report aimed at finding answers. It’s both of these things: personal and illuminating, subjective yet relatable. Citing medical research alongside real-life testimonies, with a balance of personal candor and well-executed analysis, this book will resonate with anyone who’s ever been critical of their reflection in a mirror.

From body positivity to neutrality to liberation, Kazdin explores the different approaches to redefining our relationships with our bodies. For most people, this journey begins when we challenge our understanding of weight, health and dieting, which are topics mired in misinformation. Separating weight and health, Kazdin explains, becomes even more difficult when you factor in the ways that diet companies misleadingly brand themselves as holistic health and wellness programs. 

But perhaps the real feat of Kazdin’s book is its ability to propel the reader into thinking about their body in a way that feels connected to society—to gender, race and economic class—which makes the individual burden feel a little less heavy. The ways in which the scientific and medical communities have failed individuals when it comes to dietary health, Kazdin argues, is often rooted in systemic structures around racism, sexism and prejudice against larger bodies. For example, the toxicity of diet culture impacts everyone but especially women of color, whose health concerns often go unheard or ignored by doctors.

Folded within the book’s narrative are statements that may seem radical but are actually evidence-based and supported. Yes, people of all sizes can be healthy. No, a person’s weight is not always within their control. And yes, dieting to lose weight typically leads to gaining it back again. With empathy and understanding, Kazdin offers the reader everything they need to better understand this difficult topic. There are the daunting, disheartening facts; the levity of shared incredulity; and finally, the neutrality needed to see the number on the scale as just that: a number.

With its balance of personal candor and research, Cole Kazdin’s What’s Eating Us will resonate with anyone who’s ever been critical of their reflection in a mirror.
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The Philosophy of Modern Song

In The Philosophy of Modern Song (6.5 hours), celebrated singer-songwriter Bob Dylan once again proves he’s a masterful storyteller. In these essays, Dylan provides rich, detailed commentary on 66 songs by other artists, including insight into the songwriting process and the backstories of the writers, musicians and performers involved. The audiobook is performed by Dylan, along with an all-star cast: Jeff Bridges, Steve Buscemi, John Goodman, Oscar Isaac, Helen Mirren, Rita Moreno, Sissy Spacek, Alfre Woodard, Jeffrey Wright and Renée Zellweger. Numerous performers appear per chapter, each adding a unique resonance to the narrative with a powerful, lyrical effect. This is a gorgeous tribute to songs, their creators and the music of life itself.

Playing Under the Piano

While Hugh Bonneville’s musical interests mostly involved playing under a piano as a child, his performance in this entertaining memoir will be music to your ears. Blending animated self-deprecating humor, earnestness and charm, Bonneville recounts humbling experiences of being an actor, as well as tasty morsels of celebrity insights. Perhaps most famous for his roles as the Earl of Grantham on “Downton Abbey” and Paddington Bear’s hapless friend Henry Brown, Bonneville lends a spectrum of voices and tones to his stories, infusing them with warmth, tenderness or grand amusement. A witty and delightful listening experience, Playing Under the Piano: From Downton to Darkest Peru (10 hours) hits all the right notes.

Read our review of the print edition of Playing Under the Piano.

Surrender

In this collection of 40 essays, each titled after one of Bono’s songs and introduced by an audio clip, the singer-songwriter and humanitarian activist provides a sumptuous selection of stories that charts his journey from growing up in the tumultuous north side of Dublin in the 1970s, to becoming the frontman of the celebrated rock band U2. His Irish accented voice is gentle but has a bit of an edge, and he reveals a wisdom that can be traced back to his childhood spent listening to the music of David Bowie and Bob Dylan. Filled with enlightening details about the people and experiences that inspired him, Surrender (20.5 hours) is a candid, moving expression of how music can touch your life and make you realize what’s important.


This article has been updated to correct information regarding the songs Bob Dylan writes about in The Philosophy of Modern Song.

Music is “a thing with which to make memories,” writes Bob Dylan. These three memoirs each play to their own tunes that will, hopefully, spark a memory for you.
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