Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Previous
Next

All Nonfiction Coverage

Filter by genre

In most parts of the United States, homeowners share the land with herds of deer seen nibbling on garden plants, wandering through neighborhoods and running across highways. They are so ubiquitous that it is difficult to imagine a time when they were not so abundant. But as poet and journalist Erika Howsare explains in The Age of Deer: Trouble and Kinship With Our Wild Neighbors, the clearing of forests and constant unchecked hunting that Europeans wrought upon the land in colonial America began to decimate deer habitats and communities. By the early 20th century, deer populations had “gone down to zero” in many areas, only to rebound as conservation efforts allowed deer to multiply in droves throughout the U.S.

Through carefully wrought prose and evocative imagery, Howsare depicts how deer and human populations have both relied on and butted up against one another for eons. Traveling through history and culture, she provides insight into the practical, environmental and spiritual “kinship” between our species: Cherokee hunters were mindful of Awi Usdi, a white deer who reminded them to ask each felled deer for forgiveness; villagers in the West Midlands of England celebrate the animal with a centuries-old pagan tradition called the Abbots Bromley Horn Dance; and deer riders abound in mythology, such as the Hindu god Chandra and Slavic hunters called vile, who bewitch men with their beauty.

The animal, Howsare writes, “perfectly symbolizes the way we live with nature now, and the way we will carry on into whatever weird, paradoxical future awaits.” Her rigorous research, along with personal anecdotes, relates the impact of human intervention on the deer population and the damage that overpopulation wreaks on forests. Howsare rides along on a culling mission with Princeton, New Jersey’s sole animal control officer, and she discusses other methods government and wildlife officials have used to reduce their numbers, like sport hunting and sterilization.

Throughout the book, Howsare returns to a proposition stated in her introduction: “To look at our modern relationship with deer . . . means asking the biggest question of all: How will we live on this planet?” The Age of Deer is a thorough, eye-opening invitation to ponder our own relationships with the natural world, practically and reverently.

Erika Howsare’s The Age of Deer invites us to consider the practical, environmental and spiritual relationships we share with a most ubiquitous species.
Jacqueline Alnes’ memoir, The Fruit Cure, is a spellbinding, cautionary tale about falling prey to fad diets to resolve medical ailments.
Review by

On vacation in Rome in her early 20s, Elizabeth Flock was drugged and raped by a tour guide. She couldn’t defend herself during the attack, and she never reported it to the police. Over the years, she often wondered whether she would be better off if she had killed him the following morning. In The Furies: Women, Vengeance, and Justice (Harper, $32, 9780063048805), Flock, now an Emmy-winning journalist who has written for The New Yorker, the New York Times and The Atlantic, examines three women who did what she couldn’t do. It turns out the answer to her question is “maybe, but probably not.”

The figure of the avenging female is powerful and frightening. Flock notes that the Furies of ancient Greek mythology, who tormented Orestes, were hideous and pitiless—the stuff of nightmares. Flock makes a compelling argument that women who stand up for themselves are still seen in this same light. The three “furies” in the book certainly appear powerful and frightening, at least at first glance. The first, Brittany Smith, a young mother from Alabama, was imprisoned for murder after shooting the man who had brutally beaten and raped her. Flock travels to northern India to report on Angoori Dahariya, a Dalit woman who organized thousands of women to use bamboo canes to punish domestic abusers. In Syria, she reports on Cicek Mustafa Zibo, who joined an all-female militia to protect Kurdish women from the ISIS terrorists who were raping, torturing and murdering them.

Flock deeply admires these women for refusing to accept the terms of a society that prefers a dead, submissive woman to a living one who defends herself. But Flock also sees their frailty and their struggles. Brittany had lost custody of her four children due to her addiction to methamphetamines; at the time of her crime, she was off drugs and “confident all that was behind her.” Angoori can judge situations too quickly, sometimes with disastrous results. And Cicek is so traumatized by her physical and psychic war wounds that she becomes increasingly cut off from her family and her humanity. The women are drawn in shades of gray, and that is what makes The Furies so powerful. Brittany, Angoori and Cicek are not mythical figures, but ordinary, flawed humans who fight for their lives, their dignity and justice—despite the cost.

In The Furies, investigative reporter Elizabeth Flock follows three women who struck back at their abusers.
Manjula Martin’s searing memoir, The Last Fire Season, recounts her experience living through the 2020 Northern California wildfires in mesmerizing prose.
Review by

In his intimate, inspiring memoir, Soundtrack of Silence: Love, Loss, and a Playlist for Life, Matt Hay celebrates the power of music, technology, the brain and how the human spirit can be made invincible by love.

When Hay was in elementary school, he copied his classmates’ annual audio tests to hide the fact that he couldn’t hear the tone. He continued to cover up symptoms of hearing loss until he was a college sophomore, when a free checkup at the school’s medical center led to an MRI, which led to a diagnosis of a rare disorder. Hay had neurofibromatosis type 2, which meant that tumors were growing on the hearing nerves of his brain and eventually, he would be deaf. Hearing aids worked for a while, but surgeries were necessary to remove the tumors, one of which was growing at the base of his brain. Hay practiced lip reading and learned sign language with his future wife, Nora, preparing for the day his world would go silent, and still hoping it would never come.

Hay wanted to preserve the sounds that mattered most, the music that conjured up memories of his youth, coming of age and falling in love. He listened to his favorites: The Beatles’ “Blackbird,” Beck’s “Beautiful Way,” Bob Marley’s “Three Little Birds,” over and over again, embedding them in his brain, training it to preserve and be stimulated by vibrational information that corresponded with memorable times. Together, Matt and Nora created a playlist that would become the soundtrack of his life.

And then it happened: At work one day, Hay’s hearing left him. He was 25. Research led him to try a new device, an auditory brainstem implant (ABI) then in use by only 200 people.

Hays tells his story in an endearingly plain, straightforward style. His fearless approach to an insidious disease is inspirational; his attention to the science of hearing and technical remedies is educational; and his ability to showcase his personal plight in order to raise awareness and thus further benefit research is true generosity. Soundtrack of Silence is a testament to the human spirit and the forces of love and science, all wrapped up in the universal power of music.

Matt Hay’s memoir, Soundtrack of Silence, is a testament to the human spirit, the forces of love and science, and the universal power of music.
STARRED REVIEW

Our Top 10 books of January 2024

Jami Attenberg’s guide to writing, Derek B. Miller’s World War II art heist and Abbott Kahler’s thriller debut are among January’s top reads.
Share this Article:
Book jacket image for The Curse of Eelgrass Bog by Mary Averling

Mary Averling bewitches with her debut middle grade novel, The Curse of Eelgrass Bog, which straddles the line between slimy and sweet, concocting a fantasy

Read More »
Book jacket image for Lunar New Year Love Story by Gene Luen Yang

Gene Luen Yang’s writing and LeUyen Pham’s illustrations blend seamlessly to introduce readers to Vietnamese American Val and her evolving relationship with love.

Read More »
Book jacket image for The Curse of Pietro Houdini by Derek B. Miller

The Curse of Pietro Houdini boasts a little bit of everything—a truly fascinating setting; rich, quirky characters; tragedy, suspense, warmth and humor. Derek B. Miller

Read More »
Book jacket image for My Friends by Hisham Matar

Pulitzer Prize-winner Hisham Matar imbues each scene of this scintillating coming-of-age novel with rich, nostalgic emotion, combining history and fiction as he follows a young

Read More »
Book jacket image for Where You End by Abbott Kahler

A woman loses her memory and the only person she can trust is her twin sister in Abbott Kahler’s scary, tense and provocative debut thriller.

Read More »

Deborah G. Plant’s indictment of America’s criminal justice system, Of Greed and Glory, has the power of a sermon and the urgency of a manifesto.

Read More »
Book jacket image for 1000 Words by Jami Attenberg

Bestselling novelist and memoirist Jami Attenberg collects and distills her #1000wordsofsummer project in a wise and frank new book.

Read More »
Book jacket image for The Fruit Cure by Jacqueline Alnes

Jacqueline Alnes’ memoir, The Fruit Cure, is a spellbinding, cautionary tale about falling prey to fad diets to resolve medical ailments.

Read More »
Book jacket image for The Last Fire Season by Manjula Martin

Manjula Martin’s searing memoir, The Last Fire Season, recounts her experience living through the 2020 Northern California wildfires in mesmerizing prose.

Read More »
Book jacket image for The Parliament by Aimee Pokwatka

Far more than simply “‘The Birds,’ but with owls,” The Parliament is the kind of captivating novel that comes along all too rarely.

Read More »

Get BookPage in your inbox!

Sign up to receive reading recommendations in your favorite genres every Tuesday.

Recent Features

Recent Reviews

Jami Attenberg’s guide to writing, Derek B. Miller’s World War II art heist and Abbott Kahler’s thriller debut are among January’s top reads.

Gardening Can Be Murder  

Horticultural expert Marta McDowell has explored the links between writers and gardens in previous books about Beatrix Potter, Frances Hodgson Burnett and U.S. presidents. It’s only natural that she’s turned her attention to the ways in which gardens have played a role in mysteries. After all, she says, “In gardens, the struggle between life and death is laid bare.”

McDowell’s Gardening Can Be Murder is as full of delights as an English cottage garden in summer. McDowell explores the connection between gardens to mysteries from all sorts of angles (as any good detective would). She provides an overview of gardening detectives from classic to contemporary, beginning with Sergeant Cuff in Wilkie Collins’ 1868 thriller The Moonstone. Cuff is a “horticulturally inclined investigator” who dreams of retiring from catching thieves to grow roses. Naturally, McDowell includes Miss Jane Marple, who often makes use of gardening and bird-watching to inform her keen-witted observations of life—and death—in St. Mary Mead. 

McDowell discusses gardens as crime scenes, as well as gardens and flowers as motives. In a chapter playfully entitled “Means: Dial M for Mulch,” she recounts examples of the deadly use of garden implements in crime fiction. Poisons, of course, merit their own chapter, and McDowell also investigates authors such as Agatha Christie, who lovingly cared for the gardens of her country home, Greenway; Rex Stout, “an indoor plant whiz”; and contemporary author Naomi Hirahara, who writes the Japantown mystery series as well as books on Japanese American gardens.

Along with photos and period illustrations, the book is visually enhanced by Yolanda Fundora’s distinctive silhouette illustrations. As an added bonus, McDowell appends a reading list of plant-related mysteries, ranging from The Moonstone to 21st-century writer Alan Bradley’s Flavia de Luce series. It’s not always possible to garden in winter, so dig into this book and enjoy! 

★ The League of Lady Poisoners

Lisa Perrin, an illustrator who teaches at the Maryland Institute College of Art, begins her highly entertaining and lavishly illustrated study of 25 female poisoners with this dedication: “For my parents, who really hoped my first book would be a nice children’s picture book.” And while The League of Lady Poisoners may not be for young children, it’s a sure bet that adults will eat up (pun intended) this original, thought-provoking and visually stunning book.

Perrin’s sense of color and design makes it a pleasure to simply turn the pages. The distinctive arsenic green on the eye-catching cover is used to excellent effect throughout, often as the sole color offsetting a stylized pen-and-ink illustration. For example, a skeleton with green bloodlines graces Perrin’s introduction to poisons, which includes a “toxic timeline” tracing the knowledge of plant poisons back to around 3000 BCE in ancient Egypt. There are also some gorgeous botanical illustrations of poisonous plants and creatures. (One can’t help wonder: Will they inspire some new nature-themed mysteries?)

Perrin organizes her profiles by the motives that led these women to perform their deadly deeds: money and greed, anger and revenge, and love and obsession. Each main subject appears as a full-page, color illustration, beginning with Locusta, a poison expert and assassin for hire in first-century Rome. 

While some names, such as Cleopatra, will be familiar to readers, Perrin’s well-documented research has unearthed little known stories including that of the women of Nagyrév, a small village in Hungary, who in the early 1900s sought to poison their abusive husbands with arsenic. With the aid of a midwife, the poisoning “epidemic” took hold, with at least 40 confirmed murders. Years later, when the police finally investigated, some women were sent to prison or executed while others women died by suicide to avoid such fates. 

Despite its gruesome subject matter, The League of Lady Poisoners is a beautiful book. And who knows? Perhaps Perrin will turn her attention to fictional poisoners next.

Murderabilia

Readers interested in the history of true crime will be fascinated by Harold Schechter’s clever new book, Murderabilia. The title refers to objects owned by killers or otherwise connected to their crimes—artifacts that are often sold on the internet in the present day. But as Schechter makes clear, this impulse to look at or collect grisly mementos has been around for a long time. 

Schechter brings a lifetime of research to this topic: He is Professor Emeritus at Queens College, where he has taught for four decades. Along with nonfiction works about serial killers, he’s also penned detective novels featuring Edgar Allan Poe and has a novelist’s sense of what makes a good story. And the stories here are good. As he uncovers the history of 100 grisly artifacts, Schechter provides a fascinating examination of the often unexpected and surprising ways in which crime has seeped into social history and popular culture. 

Schechter begins in 1808, with the tombstone of Naomi Wise, a North Carolina indentured servant who became pregnant by a clerk named Jonathan Lewis. Lewis promised to elope with Wise, but instead he strangled her. This sad tale was memorialized in the murder ballad “Little Omie”; in other words, we’re not the first to find the gruesome compelling.

Given the author’s deep familiarity with Poe, the master of the macabre makes an appearance here too, with Schechter linking one of Poe’s detective stories to the 1841 murder of Mary Rogers, a cigar girl. Schechter also details other kinds of murderabilia, including a hammer wielded by John Colt to murder a printer; a kind of bottled mineral water that nurse Jane Toppan laced with poison and used to kill 31 people; and a shovel used by serial killer H.H. Holmes.

Short chapters and copious illustrations make Murderabilia a great choice to leave on the night table to dip into before bed. Then again, given the subject matter, maybe not.

If you don’t have a clue what to get the true crime lovers and cozy mystery readers on your gift list, fear not—we’ve done the detecting for you.
STARRED REVIEW

September 29, 2021

A quartet of books for pop-culture lovers

Your favorite pop culture fanatic will adore these fun and fascinating new books about the TV, movies, and other media we know and love. They’ll laugh, cry, nostalgically sigh — and immediately want to press “play.”

Share this Article:

The prolific and hilarious Keegan-Michael Key—known for his work in “Key & Peele,” “Mad TV,” “Schmigadoon!” and as President Obama’s “anger translator”—shares his passion and enthusiasm for sketch comedy in the aptly titled The History of Sketch Comedy: A Journey Through the Art and Craft of Humor, co-authored with his wife, film producer Elle Key.

The book, based on their Webby Award-winning podcast, is a wonderful soup-to-nuts compendium of everything sketch. The authors trace its origins from ancient Greece to today’s comedians, and take readers around the U.S. and abroad as they consider influential American comedy schools and highlight the British comedians who are “courageous trailblazers who have influenced comedy around the world.”

Key also revisits his Detroit upbringing, detailing his comedy education in college and on various stages. Aspiring comedians will benefit from the book’s educational elements: With copious examples of (and scripts from) favorite sketches and shows, their creators analyze what, exactly, makes them so funny and memorable. Guest essays from stars like Ken Jeong, Carol Burnett, Julia Louis-Dreyfus and Tracy Morgan add to the fun, as do tangents about beloved colleagues like Jordan Peele and “one of the godfathers of modern sketch,” Bob Odenkirk. The History of Sketch Comedy is a highly informative and entertaining read that’s sure to inspire instant binge-watching and a groundswell of sketch-centric enthusiasm.

Keegan-Michael Key and Elle Key’s History of Sketch Comedy is a wonderful soup-to-nuts compendium of everything sketch.

Following on the success of his 2017 memoir, Cured, Lol Tolhurst returns with what he calls a “memoir of a subculture.” Goth: A History is Tolhurst’s compendious exploration of the music, art, literature and fashion that made up the dark side of post-punk. The Cure—which he co-founded as drummer with Robert Smith and Michael Dempsey—is often seen as one of the instigators of the movement, alongside bands like Bauhaus, Siouxsie and the Banshees, and Joy Division. Richly illustrated with flyers and photos from Tolhurst’s private collection, Goth is a coffee table book for the discriminating vampire.

Goth was always more than black eyeliner and black clothes; in Tolhurst’s reading, it reflects the bleak social and political context of Margaret Thatcher’s England. As a philosophy, it suggests a melancholic point of view and a willingness to contemplate obsessive love, madness and death. In Goth, Tolhurst catalogs the poets and artists whose work appeals to those who also love goth music. Sylvia Plath’s novel The Bell Jar was a massive influence on Tolhurst, as were the poets T.S. Eliot and Anne Sexton. Emily Bronte’s Wuthering Heights is obviously goth, as are the death- and madness-drenched poems of Charles Baudelaire. David Bowie, Alice Cooper and Marc Bolan of T. Rex each have goth elements and were also early influences on Tolhurst.

Inevitably, a good part of this book focuses on Tolhurst’s time with The Cure as the drummer and later keyboardist. (He left the band in 1989). He dwells on The Cure’s three early albums, culminating in the magisterial fourth, “Pornography,” as exemplary goth music. But he is also generous in his assessment of other bands, tracing the continuation of goth music from the post-punk era in England to the Los Angeles goth scene and beyond. Structured as mini essays, Goth can feel disjointed, and Tolhurst at times is repetitive. But fans will find themselves immersed. It’s a beautiful book, full of concert photos, portraits and band flyers. Tolhurst is a passionate storyteller and an elder goth statesman worth listening to.

The Cure’s Lol Tolhurst explores the influences and impact of goth music and culture in an immersive new coffee table book.

Insider deputy editor Walt Hickey won the 2022 Pulitzer Prize for Illustrated Reporting and Commentary. His wide-ranging, captivating You Are What You Watch: How Movies and TV Affect Everything makes it easy to see why.

The average American spends three-plus hours a day consuming media. “Across a lifetime,” Hickey writes, “that’s 22 percent of our time on Earth!” No wonder we’re curious about how media affects us. He asserts that, contrary to those who consider our favorite media a “bogeyman, a brain melter, a violence inciter, a waste,” it actually is “complex, fascinating, and often rather good.”

Hickey fascinates as he demystifies pop culture, sharing the outcomes of his experiments and studies. He’s a data journalist, and cheeky and informative visuals—charts, graphs, maps and little photos of famous people’s heads—bolster his pro-pop-culture assertions and illuminate personal stories, such as when he subjected his nervous system to a “Jaws” rewatch to discern which scenes most affected him. Colorful charts like “Movies Make People Exhale the Same Chemicals at the Same Times” bring his research into focus. He notes that when “The Hunger Games” film debuted in 2012, USA Archery’s merchandise sales quintupled. Similarly, the premieres of 1943’s “Lassie Come Home” and 1992’s “Beethoven” were both followed by spikes in the popularity of collies and Saint Bernards.

The author’s keen eye for detail and ability to see connections across genres enliven the narrative beyond theory and talking points. From the WWE to the Tax Reform Act of 1976, Scooby-Doo to geopolitics, Hickey offers a bounty of enthusiasm for our favorite stories.

Pulitzer Prize winner Walt Hickey champions pop culture with a cornucopia of studies, experiments and visuals in You Are What You Watch.

Anyone immediately transported to a riverside pier by the lyric “So open up your morning light” will love Thea Glassman’s Freaks, Gleeks, and Dawson’s Creek: How Seven Teen Shows Transformed Television. “Today’s teen shows are leading the charge when it comes to progressive, diverse, and creative storytelling,” Glassman writes, but they wouldn’t exist without the seven predecessors she covers in her impressive debut: “The Fresh Prince of Bel-Air,” “My So-Called Life,” “Dawson’s Creek,” “Freaks and Geeks,” “The O.C.,” “Friday Night Lights” and “Glee.”

In a wealth of new interviews with creators, writers, actors, crew and more insiders, Freaks, Gleeks, and Dawson’s Creek shares behind-the-scenes details that will delight devoted fans and excited newbies alike. While all of the shows drew heavily from their creators’ own teenage years, Glassman points out the unique choices and approaches that made each iconic. For example, “Fresh Prince” subverted typical sitcom format and “painted a nuanced picture of the Black experience. “My So-Called Life” inspired the first online campaign to save a show, and “Dawson’s Creek” had the first openly gay character in the teen sphere.

While Glassman acknowledges controversies that touched each show, she focuses on the creativity, heart and hard work that led to a groundbreaking era of teen TV. After all, as writer and pop-culture maven Jennifer Keishin Armstrong writes in her introduction, “There is no drama like teenage drama, in life and in fiction.”

This survey of seven teen shows explores how they broke ground with creativity, heart and hard work, paving the way for the genre’s progressive and diverse oeuvre today.

Get BookPage in your inbox

Sign up to receive reading recommendations in your favorite genres every Tuesday. 

Recent Features

Your favorite pop culture fanatic will adore these fun and fascinating new books about the TV, movies, and other media we know and love. They’ll laugh, cry, nostalgically sigh — and immediately want to press “play.”
Feature by

In The Book of (More) Delights, poet and essayist Ross Gay continues the practice of recording everyday pleasures that made his 2019 volume, The Book of Delights, an award-winning bestseller. In Gay’s hands, the habit has become an exercise in ecstasy, a way to cultivate gratitude and develop a spirit of inquiry.   

Gay’s guidelines for compiling delights—“write them daily, write them quickly, and write them by hand”—has resulted in a collection of 81 essays that span a year. His newest enthusiasms (yellow jackets, Snoopy, paper menus) may seem simple at first glance, but they yield arresting complexities under his observant eye. Each piece in the book is a snapshot moment of relished experience that emphasizes discovery and revelation. 

Gay’s images are precise and poetic (garlic sprouts look like “little green periscopes”; a favorite spoon has “a slight impression—as though touched by an angel—on the handle”), and his reflections on aging, relationships and the passage of time are heartening. Informal yet inspired, off-the-cuff yet beautifully composed, his essays reveal the riches hidden in quotidian experience. With a reading list of works that have influenced Gay’s process, The Book of (More) Delights provides abundant avenues to appreciate our world.  

In his gem of a memoir, Bartleby and Me: Reflections of an Old Scrivener, Gay Talese takes stock of his working life as a journalist and author—a remarkable run of roughly seven decades. Now 91, Talese entered the business as a copy boy at the New York Times. Over the course of his career, he helped define contemporary nonfiction narrative through innovative magazine pieces and books like Honor Thy Father (1971), which featured the novelistic techniques of New Journalism. 

Bartleby and Me finds Talese focusing on his early years and inspirations, most notably his fascination with the “nobodies” of the world—figures reminiscent of Herman Melville’s reticent character Bartleby, who toil in obscurity and usually never make the news. These unassuming yet oddly intriguing individuals (to wit, “a seventy-eight-year-old grandfather’s clock of a man” named George Bannon, who rings the bell during boxing matches at Madison Square Garden) have long served as subject matter for his work.  

Talese also shares anecdotes related to writing and research and reconsiders classic works like his 1966 Esquire profile “Frank Sinatra Has a Cold.” For the most part, his backdrop is New York, and the volume reads as a tribute to the city as a place of endless evolution. Wistful, understated and urbane, Bartleby and Me is vintage Talese—the exemplary work of a gentleman journalist. 

Fans with an insatiable appetite for the mysteries of Martin Walker will savor Bruno’s Cookbook: Recipes and Traditions from a French Country Kitchen. Bruno Courreges, the clever, self-possessed hero of Walker’s popular series, serves as police chief for St. Denis, a rustic village in the Périgord region of southwestern France. Bruno is an exceptional detective and accomplished cook, and in each book in the series, the ritual of mealtime, whether it be a leisurely lunch or convivial dinner, proves to be an important component of his daily routine. 

Inspired by his gastronomic passion, Bruno’s Cookbook, which was co-authored by Walker and his wife, Julia Watson, has more than 90 recipes neatly categorized according to the suppliers of the ingredients, from the winemaker (le vigneron) to the fisherman (le pecheur). The volume is packed with handsome photos, insights into the food culture of the Périgord and dishes to please every palate, including intriguing menu items like Snails in Garlic and Butter, Bruno’s Meatballs with Garlic-Roasted Tomatoes and A Most Indulgent Chocolate Cake. (Of interest to the canine diner: a recipe for Balzac’s Best Dog Biscuits.) Easy-to-follow cooking instructions and copious Bruno-related anecdotes make this a delicious gift for the well-read epicure.

Transporting readers to the green moors of Yorkshire, The Wonderful World of James Herriot: A Charming Collection of Classic Stories provides a detailed portrait of the beloved veterinarian and author.

Herriot, whose real name was James Alfred Wight, published his first book, If Only They Could Talk, in 1970. In that volume, he adopted the narrative approach that made his work so popular, writing from a first-person perspective that blended fact and fiction as he detailed his rounds as a country veterinarian, all in a voice that was poetic, affable and expert. His subsequent books, including All Creatures Great and Small, served as the basis for two PBS TV series of the same name.

The Wonderful World of James Herriot is a sampler of stories from Herriot’s works with lively supplementary text by his children, Jim Wight and Rosie Page. Featuring chapters on Herriot’s career, family life and the Yorkshire region, it offers fresh perspectives on the man and his work. Herriot aficionados needn’t fret—Siegfried and Tristan Farnon put in plenty of appearances. Brimming with personal photos and enchanting illustrations, it’s a perfectly cozy collection from start to finish.

We’ve collected a quartet of treats for the bibliophiles on your list.

Trending Nonfiction

Author Interviews

Recent Features