James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
Jonathan D. Katz’s About Face celebrates the 50th anniversary of the Stonewall uprising with deep scholarship and thrilling artworks.
Jonathan D. Katz’s About Face celebrates the 50th anniversary of the Stonewall uprising with deep scholarship and thrilling artworks.
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Woodsy and seductive, with a hint of spice, Coming to My Senses: A Story of Perfume, Pleasure, and an Unlikely Bride offers a luscious immersion in the world of perfume obsession. But what makes this memoir so appealing are its deeper notes, the ones that linger on after reading: the story of a how a no-nonsense, underemployed English Ph.D., who usually dresses like “an unmade bed,” discovers the pleasures of femininity and her own senses through an affair with fragrance.

Stumbling onto the world of perfume blogs late one night, Alyssa Harad discovers a new and fascinating world of scent and language; she is as seduced by the perfumes as by the challenge of describing them. Samples start arriving in the mail, and Harad begins to develop a “vocabulary of scents” to describe the “scratchy, dirty richness” of patchouli or the “drugged, dreamy” sensation of jasmine. One afternoon, a magical transformation occurs: A honeyed wine fragrance inspires her to dump the sweats, and put on earrings and lipstick—the freelance writer as Cinderella!

The elegance of Harad’s narrative comes as much from what it doesn’t say as what it does. Unlike many contemporary memoirs, Coming to My Senses contains no trauma, no bad childhood and no exposé of her relationship with boyfriend V. (she mentions postponing their wedding, but we never learn exactly why). Such reticence is refreshing, even ladylike, and after all, there is so much to say about the scents of saffron and vetiver, the “aunties” back home in Boise and the unexpected kindness of Bergdorf’s salespeople. We never miss the trauma. In fact, this memoir performs a kind of inspirational function: I’m wearing a blend of gardenia and cherry blossom as I write this. Now if I could just get out of these yoga pants.

Woodsy and seductive, with a hint of spice, Coming to My Senses: A Story of Perfume, Pleasure, and an Unlikely Bride offers a luscious immersion in the world of perfume obsession. But what makes this memoir so appealing are its deeper notes, the ones that…

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The advance buzz for Barack Obama centers on the diary entries kept by Genevieve Cook, who was the one-time girlfriend of the man who would become the 44th president of the United States. Obama was 22 at the time, a recent graduate of Columbia University, living in New York and searching for his place in life. The diary entries, excerpted in Vanity Fair prior to the book’s publication, are intriguing because they reinforce the image of Obama being cool and aloof. Indeed, the 18-month relationship collapses under the weight of inertia as Obama decides to move to Chicago to become a community organizer. The rest, as they say, is history.

While Cook’s often-whiny diary entries are juicy, they represent only a fraction of what makes Barack Obama a great book. Author David Maraniss, a two-time Pulitzer Prize winner, uses his skills as a journalist to uncover new details about Obama and his ancestors. The book traces the Obama family tree back to his great-grandparents in Kansas and in Kenya. It follows Obama as a young boy as he hopscotches across the globe from Hawaii to Indonesia, and then as a young man attending college in Los Angeles, and later New York. The chronicles of this circuitous journey only reinforce how remarkable a story it is that Obama ended up in the White House.

Barack Obama fills in the blanks of Obama’s own memoir, Dreams from My Father, because Maraniss is such a thorough reporter and researcher. The author of a memoir has a singular perspective, and can be selective with the particulars, while a biographer strives to find all the facts. Obama’s book creates the frame for the portrait. Maraniss’ book connects the dots.

What is fascinating about Barack Obama is that it ends before Obama enters politics. In fact, the protagonist doesn’t appear until the seventh chapter. Maraniss explains that he took this approach to delve deeply into Obama’s background and discover what shaped his character: Growing up as a biracial child with no father and a mother who was often gone; raised by white grandparents who struggled with their prejudices, the future president faced many challenges. “It helped explain his caution, his tendency to hold back and survey life like a chessboard,” Maraniss writes. As Obama finishes his fourth year in office, some say he is even more of an enigma. Barack Obama is a book guaranteed to bring more clarity to his story.

The advance buzz for Barack Obama centers on the diary entries kept by Genevieve Cook, who was the one-time girlfriend of the man who would become the 44th president of the United States. Obama was 22 at the time, a recent graduate of Columbia University,…

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Until the mid-19th century, the only way to obtain a divorce in England was through a private act of Parliament. Given the difficulty of such a process, it made divorce effectively impossible for anyone but the rich and powerful.

Then, in 1858, came the revolution: Divorce Court. The unhappy rushed to take advantage of the new law, and domestic secrets were exposed to all. Perhaps the most sensational resulting scandal involved Henry and Isabel Robinson, the subject of Kate Summerscale’s riveting Mrs Robinson’s Disgrace: The Private Diary of a Victorian Lady.

It started when Henry Robinson, a prosperous manufacturer, read his wife’s secret diary and found what he believed was evidence of her infidelity with a respected doctor who ran a flourishing health spa. Henry filed for divorce, naming the doctor as co-respondent. With the diary—emotional, erotic, but not specific—as evidence, the newly appointed divorce judges had to decide whether the marriage should end and who should pay the cost.

Summerscale, whose earlier book The Suspicions of Mr Whicher, focused on the same period, has found a story that wonderfully encapsulates much of the social ferment of the time. Isabel was a talented but frustrated woman whose friends were among the progressive intelligentsia. Her marriage a disaster, she lost her religious faith and found comfort in phrenology. Her putative lover—who denied everything and told everyone she was crazy—was a pioneer in health care.

Summerscale uses the diary, private letters, newspaper stories and public documents to seamlessly and dispassionately tell Isabel’s still-poignant story.

Until the mid-19th century, the only way to obtain a divorce in England was through a private act of Parliament. Given the difficulty of such a process, it made divorce effectively impossible for anyone but the rich and powerful.

Then, in 1858, came the revolution: Divorce…

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Marcus Samuelsson made his name as one of the youngest executive chefs in Manhattan and a familiar face on the Food Network.

What might be less familiar is Samuelsson’s fascinating personal history, which he lays bare in Yes, Chef. Born in Ethiopia, Samuelsson and his sister became dangerously ill with tuberculosis. Their mother walked with them from their remote village to Addis Ababa, where she died. The children were adopted by a loving Swedish family.

Samuelsson spent much of his childhood at the elbow of his Swedish grandmother, an excellent home cook, and went on to work at restaurants in Europe. But after a horrific car accident killed one of his closest friends, Samuelsson sought an apprenticeship to take him away from his grief. He landed at New York’s Aquavit, a restaurant that is, he writes, “more Swedish in its menu than any I had ever worked in.”

This was the beginning of a love affair with New York City. To read his descriptions of the food he eats, from steamed buns in Chinatown to roasted meats from street vendors, is to almost viscerally experience the smells, sounds and sights of the city.

Although he traveled the world learning about every cuisine from French to Mexican, Samuelsson was at a loss when a student asked him to describe trends in African cooking. He had not set foot on the continent since he was a toddler. Rediscovering his Ethiopian roots led him to open the successful Red Rooster in 2010, deliberately choosing the underappreciated streets of Harlem as the site for the restaurant.

Samuelsson’s is the most unlikely of journeys, and he takes readers along every step of the way in this delicious memoir.

Marcus Samuelsson made his name as one of the youngest executive chefs in Manhattan and a familiar face on the Food Network.

What might be less familiar is Samuelsson’s fascinating personal history, which he lays bare in Yes, Chef. Born in Ethiopia, Samuelsson and his sister…

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In the era of the War on Terror, it is common for soldiers to serve two, three, even four tours of duty. Yet even after 11 years of combat in Afghanistan and Iraq, the consequences of repeated deployment remain largely hidden from view. Brian Castner’s new memoir, The Long Walk, shatters stereotypes about the private wars that veterans fight once they return home. Throughout his raw and compelling narrative, Castner meditates on whether soldiers lament or celebrate their redeployment, arguing that it can offer a very real, if ironic, sense of relief from the pressures at home.

At the very least, redeployment allows soldiers to put the skills they learned on the battlefield back into practice—skills that have little place in civilian life. An electrical engineer-turned-Air Force officer, Castner earned a Bronze Star as the commander of an Explosive Ordinance Disposal unit in Iraq. After two tours disarming improvised weapons in Balad and Kirkuk, Castner began to experience extreme bouts of anxiety at home. He calls his debilitating combination “the Crazy”— a combination of Post Traumatic Stress Disorder and Traumatic Brain Injury. In an especially poignant passage, he compares his condition to feeling like you’re stuck in a classroom on the last day of school, taking an exam, while your friends shout at you from outside to finish. It’s an itch, an unbearable restlessness, with no promise of relief.

For the veterans living with PTSD or TBI, and for those active-duty soldiers exhausted by their redeployment schedules, the powerful story of Castner’s sacrifice and hard-fought personal victories may prove cathartic. For the rest of us, The Long Walk is an invaluable look into the private, lonely wars waged by those who fight on our behalf.

In the era of the War on Terror, it is common for soldiers to serve two, three, even four tours of duty. Yet even after 11 years of combat in Afghanistan and Iraq, the consequences of repeated deployment remain largely hidden from view. Brian Castner’s…

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For a country, and a generation, accustomed to immediate gratification, the idea of waiting for wine either to understand it or to enjoy it is only beginning to take hold. Even with the growing availability of wines by the glass or tasting flights, most Americans still know few words of winespeak beyond “Cabernet” and “Chardonnay” and still think them synonymous with steak and seafood. And the concept of drinking wines that were bottled before the Bastille fell or the 19th century turned, as I’ve been lucky enough to do, strikes many casual and perfectly contented drinkers as sheer pretension. But for those who may be increasingly intrigued by the subtleties of the world’s wines, the Christmas season turns up several prime gift ideas.

Robert Parker is the 900-pound gorilla of wine criticism, and during the last few years has arguably become the industry guerrilla, as well. His own personal preferences and the undoubted power of his ratings, published monthly in the Wine Advocate, has clearly pressured many winemakers to alter their style. And his castigating of other wine writers who accept free samples is more than a little disingenuous (“I purchase more than 75 percent of the wines I taste, and though I have never requested samples, I do not feel it is unethical to accept unsolicited samples.”). Although the latest (the sixth) edition of Parker’s Wine Buyer’s Guide occasionally falls prey to this sanctimony, it is yet another example of his thoroughness, bulldog bluntness and unexpected humor. His tongue-in-cheek translations of winemaker jargon are priceless, as are his comments on the distinction between consumers and mere “collectors.” Nor is he a price snob: His lists of regional best bargains under $12 or $15 should be bookmarked for quick reference. Still, this may not be the best choice for someone just setting out to make respectable choices from restaurant wine lists. Parker’s knowledge of seasonal affect, so to speak, may be more than many beginners need to know, although serious collectors will find his summaries of older vintages helpful. The book’s subtitle describes it as “The Complete, Easy-to-Use Reference on Recent Prices and Ratings for More than 8,000 Wines from All the Major Wine Regions,” and one can well believe it.

Michael Broadbent has been a Master of Wine for more than 40 years and head of Christie’s wine department for 35 years. His Vintage Wine: Fifty Years of Tasting Three Centuries of Wines (Harcourt, $50, 560 pages, ISBN 0151007047) is an unobtrusively erudite mixture of history and anecdote with personal observation and characterization it has an unmistakably British sense of propriety and, well, good sportsmanship. Broadbent writes with a fine painterly palate, to force a pun, and a sometimes surprising sensual abandon that fully captures each wine. Again, however, this is a fairly compendious reference aimed at the serious drinker, or at least the platinum-card diner.

The small but wide-ranging Oz Clarke’s Pocket Wine Guide 2003 (Harcourt, $14, 320 pages, ISBN 0151008760) is disappointing only because the limited space allotted each entry Clarke covers regions, specific wineries and varietals alphabetically forces him to omit the pungent thumbnail witticisms that are his trademark. But it would be a fine volume to keep in the car’s glove compartment for unexpected buying sprees. The revised version of Clarke’s New Wine Atlas (Harcourt, $60, 336 pages, ISBN 0151009139), on the other hand, is very nearly what it sounds like a collection of maps but its glossy photos and labels and cut-to-the-chase intelligence are just the things to remove a budding connoisseur’s terror of terrior.

Dorothy J. Gaiter and John Brecher have made their career, and marriage, drinking as unabashed ordinary people, and their Friday “Tastings” column in the Wall Street Journal is democratically aimed at casual wine clubs and amateur collectors. The Wall Street Journal Guide to Wine (Broadway, $26, 304 pages, ISBN 0767908147) is ideal for novice wine drinkers, focusing on the basic flavors of various wines basic in description, too, which may reassure less experienced readers put off by “hints of tobacco” or “musty bookbindings.” It’s not a comprehensive guide, and is sometimes too conversational (“Whoa! the first blind flight of these [New Zealand sauvignon blancs] blew us away!”), but it would make a good gift for a neighbor you’d like to swap Friday dinners with. Eve Zibart is a writer for The Washington Post and author of The Ethnic Food Lover’s Companion.

For a country, and a generation, accustomed to immediate gratification, the idea of waiting for wine either to understand it or to enjoy it is only beginning to take hold. Even with the growing availability of wines by the glass or tasting flights, most Americans…

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