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Historian Julia Fox’s absorbing new dual biography of Katherine of Aragon and her sister Juana, Queen of Castile, gives fans of Showtime’s “The Tudors” an engrossing, star-crossed family history of Henry VIII’s first wife. Epic in scale, Fox’s Sister Queens shows how Katherine and Juana were groomed by their parents, King Ferdinand and Queen Isabella of Spain, for royal marriages and political intrigue.

Using ample primary sources, such as letters Katherine wrote to her father from England, Fox goes behind the scenes to reveal the sisters’ heartbreak and stoicism as they lived out the royal fates allotted to them. Katherine was originally sent from Spain to marry Prince Arthur, Henry’s older brother, but when Arthur died suddenly after a few weeks of marriage, Katherine’s position in the English court—and Spain’s alliance with England—was thrown into question. Seven years of holding firm to her marginalized position finally won her betrothal to Henry VIII—but how much of a victory was it?

Juana’s life story is even more dramatic. Married to Duke Philip of Burgundy—“Philip the Handsome”—Juana became a duchess, with the promise of one day becoming the Holy Roman Empress. An initially passionate attachment to her husband lapsed into bitterness and estrangement due in part to his many affairs, but also due to her violent response to them (she physically attacked one of his mistresses). Known to history as “Juana the Mad,” she may have suffered from mental illness exacerbated by the political machinations of her husband, her father and, later, her son. After Philip’s untimely death, when she refused to be parted from his coffin, the legend of her madness was firmly established. By confining her to convents, both Ferdinand and her son Charles were able to usurp Juana’s political power after her ascension to the Spanish throne following her mother’s death.

Fox examines the myths surrounding Juana and Katherine in light of the historical record, and her biography of the sisters provides a balanced scholarly assessment of such legends as Juana’s attachment to Philip’s corpse. Sister Queens balances history and drama in telling a fascinating story about larger-than-life characters in a dramatic political climate.

Historian Julia Fox’s absorbing new dual biography of Katherine of Aragon and her sister Juana, Queen of Castile, gives fans of Showtime’s “The Tudors” an engrossing, star-crossed family history of Henry VIII’s first wife. Epic in scale, Fox’s Sister Queens shows how Katherine and Juana were groomed by their parents, King Ferdinand and Queen Isabella […]
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In August of 1814, Maryland was invaded by foreign troops. After months of naval clashes in the Chesapeake and raids on shore, the British landed a serious force at Benedict, on the Patuxent River. And who was tracking their every move from a short distance and sending dispatches back to President James Madison? The U.S. secretary of state.

Yes, James Monroe, known as “Colonel” Monroe for his Revolutionary War service, was personally skulking behind bushes, risking capture or death, as he scouted the enemy. Imagine, if you will, Hillary Clinton running agents in Kandahar. Of course, you can’t, and that’s the point: The U.S. was a sparsely populated, fragile country in 1814, with a tiny, amateurish government and an ill-trained army. Monroe was probably the best man for the job.

As we begin to commemorate the 200th anniversary of the War of 1812, author Hugh Howard brings that very different world alive in Mr. and Mrs. Madison’s War, an engrossing narrative history of a conflict that few today know much about. Howard ranges widely, as the war did, from the Great Lakes to New Orleans to the Mid-Atlantic Coast. His descriptions of the human carnage during the naval battles are particularly dramatic and moving. At the book’s heart is the personal experience of Madison and his gregarious wife Dolley, culminating in her legendary insistence on saving an iconic portrait of George Washington before she fled the White House ahead of the arrival of British troops in Washington. They burned the mansion and the Capitol, but subsequent American victories turned the tide.

Still, even the most positive assessment of the war, which was begun by Madison to end British impressment of American sailors and, he hoped (too optimistically), to expand U.S. territory into Canada, must conclude that it was hardly an American triumph. We lost as many battles as we won, and the ultimate peace treaty didn’t even mention the impressment issue, or much else. (The British stopped impressing Americans because they won the war against Napoleon and didn’t need the men anymore.)

And yet, this murky war was the source of what Howard calls the “rich, patriotic mythology” that helped solidify U.S. independence and fortify the country for the booming decades to come. It was a struggle of memorable personalities and phrases: “Don’t give up the ship.” “We have met the enemy and they are ours.” “Oh, say does that star-spangled banner yet wave.” Howard reminds us of the gumption and bravery behind those words.

In August of 1814, Maryland was invaded by foreign troops. After months of naval clashes in the Chesapeake and raids on shore, the British landed a serious force at Benedict, on the Patuxent River. And who was tracking their every move from a short distance and sending dispatches back to President James Madison? The U.S. […]
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Vienna circa 1900 was a virtual paradise for artists, intellectuals and those who enjoyed their company. It was during this cultural golden age that the painter Gustav Klimt, having pulled himself up from poverty and into fame as a “workaholic artist and serial philanderer,” created his best-known works. Among them was a portrait, three years in the making, of Adele Bloch-Bauer, born in Vienna but of Jewish descent. She was The Lady in Gold.

Anne-Marie O’Connor’s book traces the history of the famous painting as well as those whose lives it intersected. The title alone tells part of the story: When the Nazis stole the painting during the war, leaving Bloch-Bauer’s name attached to it would have meant acknowledging that the painting’s subject was Jewish; far simpler then to reduce her to “the lady in gold.” Thus “Adele’s identity disappeared with a simple stroke of the pen.” Sixty years after its theft, the painting became the subject of lengthy litigation between Bloch-Bauer’s surviving family members and the Austrian government, a case that improbably ended up before the U.S. Supreme Court. The painting was ultimately returned to the heirs and sold at auction for a record sum. It’s currently on display in a New York gallery, but O’Connor’s focus is more on the journey than its end point.

The biographical sketches of Klimt, Bloch-Bauer and their families and community are richly drawn. While any book following the plight of Jews in Vienna at the time of the Holocaust will of course be full of sorrows, there are bright spots and humor as well. Having the paintings returned brings nobody back to life, but they do testify to a time when the Jewish elite were not just accepted but celebrated in Vienna. Klimt, derided by critics for “objectifying” women, found them to be his greatest champions for acknowledging and portraying female sexuality. It’s widely known that he carried on affairs with his models, and the historical assumption is that Adele Bloch-Bauer was no exception, but there is no proof to be found. One of Klimt’s grandsons was asked about it and, acknowledging there’s no way to tell, nevertheless added, “I’m certain he tried.”

Part history and part mystery, The Lady in Gold is a striking tale.

Vienna circa 1900 was a virtual paradise for artists, intellectuals and those who enjoyed their company. It was during this cultural golden age that the painter Gustav Klimt, having pulled himself up from poverty and into fame as a “workaholic artist and serial philanderer,” created his best-known works. Among them was a portrait, three years […]
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Both proportionately and absolutely, more people in industrialized countries are living alone today than ever before, Eric Klinenberg asserts. This has been made possible, he says, by four primary factors: the massive entrance of women into the workplace; urbanization, which allows “singletons” to form interest-oriented social relationships to replace or supplement traditional family links; the spread and improvement in mass communications that both entertain and enable people to keep in touch with each other; and longer life spans.

Klinenberg is a professor of sociology at New York University and editor of the Public Culture journal. In probing this subject, he leavens his copious array of statistics with dozens of anecdotes about individuals who live alone either by choice or by circumstance. In many cases, having a place of one’s own to retreat to is an unalloyed benefit, a step in the direction of self-determination and personal freedom; in others, it is a lonely and often perilous existence, the grim solitude before the grave.

Klinenberg doesn’t take sides. Having established the contours and likely continuation of this demographic trend, his focus is on its social and political implications. What does it mean for municipal planning? For single women and men who eventually may want to marry and/or have children? For old people who have lost their mates and/or the ability to care for themselves? For the environment? As with most situations in which there are competing interests, there is no one solution that satisfies all.

America, though a vigorous participant in this trend, is not at the forefront of it. According to Klinenberg’s figures, more than half of American adults are single and one out of every seven of these live alone—a total of around 35 million. The proportion is greater in Sweden, Norway, Denmark and Finland, where from 40 to 45 percent of adults live alone. Some of the most imaginative planning appears to be taking place in Sweden, where dwelling complexes and mixed communities have been designed to accommodate and socially enrich singletons of every age, from college students to seniors.

Given this phenomenon, what are we to do about it, if anything? Klinenberg concludes Going Solo with this proposition: “What if, instead of indulging the social reformer’s fantasy that we would all just be better off together, we accepted the fact that living alone is a fundamental feature of modern societies and we simply did more to shield those who go solo from the main hazards of the condition?” This book is a catalog of possibilities.

Both proportionately and absolutely, more people in industrialized countries are living alone today than ever before, Eric Klinenberg asserts. This has been made possible, he says, by four primary factors: the massive entrance of women into the workplace; urbanization, which allows “singletons” to form interest-oriented social relationships to replace or supplement traditional family links; the […]
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For the general reader with an interest in American history, but perhaps not enough devotion to plow through the 800-plus pages of Edmund Morris’ fine volume on TR, there will soon be another option for learning about Roosevelt and the 41 other men who have held the presidency. Times Books, an imprint of Henry Holt, is launching a new series of brief and accessible biographies of the American presidents. The first volume, out this month, is Theodore Roosevelt by noted novelist and historian Louis Auchincloss. The series is edited by acclaimed historian Arthur M. Schlesinger Jr. and will offer what the publisher describes as "penetrating, meditation-length biographic essays" on each president. Volumes due out later this year include James Madison by Garry Wills, Grover Cleveland by Henry Graff and John Quincy Adams by Robert V. Remini.
 
Auchincloss’ portrait of Teddy Roosevelt is concise but thorough, giving a clear picture of the man who was known as much for his personal image as for his historical accomplishments. One chapter is devoted to excerpts from TR’s presidential correspondence, and the letters offer a revealing glimpse of a man who was at once frank, judgmental, wise and tender.

For the general reader with an interest in American history, but perhaps not enough devotion to plow through the 800-plus pages of Edmund Morris’ fine volume on TR, there will soon be another option for learning about Roosevelt and the 41 other men who have held the presidency. Times Books, an imprint of Henry Holt, […]
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As a real estate agent, I’ve seen homes in many price ranges. But whether a house has a market value of $50,000 or $500,000, it’s not the price tag but the personal touches that turn four sheetrock walls into a warm, welcoming room. If your kitchen needs some kick, or you want to make your boudoir more bewitching, we’ve found three excellent books to help you define and design your own distinctive spaces.

Decorating dilemmas For the economically minded or anyone else who wants a creative challenge, Trade Secrets from Use What You Have Decorating by Lauri Ward (Putnam, $27.95, 256 pages, ISBN 0399148094) is a delightful foray into inexpensive ideas and treatments that yield dramatic, room-changing results. Ward, who has her own decorating Web site (www.decorate.com) and appears regularly in the national media as a design expert, shares her extensive knowledge in this unintimidating, “brass tacks” book. Having worked with hundreds of homeowners, she offers their real-life decorating dilemmas as examples of transformations that can be readily accomplished without great investments of time or money. And she offers tons of tips, like using unconventional curtain rods a hockey stick or a golf club in a sport fan’s room, or a bamboo pole or dried tree branch in nature-oriented settings. But Ward’s Trade Secrets is more than a list of decorating tips and tricks; there are solid chapters on basic fundamentals such as “Home Offices,” “The Bottom Line on Flooring” and “Decorating with Paint and Paper.” The illustrations are not lavish; they are simple black and white drawings, but they fit the thrifty tone and complement the simple, “you can do this too” approach for which Ward is known.

A sense of adventure If you need more visual appeal before you can be inspired to create, Tracy Porter’s Home Style: Creative and Livable Decorating Ideas for Everyone by Tracy Porter (Hyperion, $24.95, 144 pages, ISBN 0786868112) contains enough sensuous, eye-catching photographs to stimulate even the most neutral-toned imagination. Still, plenty of space is left (whole pages) for Porter’s ample lists of tips on topics like “Display Ideas,” “Decorating Your Mantels” or (another of my favorites surprise, surprise) “Decorating with Books.” Like Ward, Porter encourages you to take interesting pieces you may already have and use them in new and adventuresome ways. For example, she proposes hanging an heirloom chandelier in an unconventional spot in a nursery or over a bathtub or using a vintage screen door as an interior door, where an airy, inviting and unusual feature would say “Welcome!” An added bonus to this book is the final section that gives how-to instructions on many of the exquisite little treasures found in the earlier pages, like her “Make and Create” drawerpulls, lampshades or switch plates, most of which can be accomplished with your own household “finds” and a hot-glue gun.

Achieving real style Straight Talk on Decorating by Lynette Jennings is angled toward a more “mature” budget, but Jennings, host of Discovery Channel’s Lynette Jennings Design, brings her warm, witty, conversational tone to the pages of this practical, unpretentious “production.” Her own homes in Toronto and Atlanta are featured in sumptuous photos, as she explains why each room works to satisfy both the elements of pleasing design and the living requirements of real people. “Real style,” she admonishes, “means being sure of who you are, how you want to live, and what you want for your loved ones.” One of the most provocative portions of this book is Jennings’ treatment of color. In debunking decorating myths, she encourages homeowners to go against traditional real estate wisdom and boldly paint those safe, white “easy sell” walls. She argues that a beautiful home, “a home full of colorful personality. . . will be the most memorable, intriguing, and valuable to a prospective buyer.” And, I have to admit the photographs in this book make a mighty good case for her “go ahead and give it some color” arguments. In fact, real estate agents take note any of these books would make great house-warming gifts to pass to your clients at closing, along with the keys to their new homes!

As a real estate agent, I’ve seen homes in many price ranges. But whether a house has a market value of $50,000 or $500,000, it’s not the price tag but the personal touches that turn four sheetrock walls into a warm, welcoming room. If your kitchen needs some kick, or you want to make your […]

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