James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
Jonathan D. Katz’s About Face celebrates the 50th anniversary of the Stonewall uprising with deep scholarship and thrilling artworks.
Jonathan D. Katz’s About Face celebrates the 50th anniversary of the Stonewall uprising with deep scholarship and thrilling artworks.
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On a hot Florida Friday night in mid-July of 1949, Willie Haven Padgett had little on his mind but a night of dancing and drinking and whatever else that might lead to as he picked up Norma Lee Tyson. After a night of fun at the American Legion Hall in Clermont, they left to head home. Neither they nor the little community of Groveland, Florida, could have had any idea how all of their lives would change in the course of a few hours.

On the way home, Padgett pulled off the road onto a quiet, sandy driveway, where his Ford’s engine rattled noisily and died and his tires sank into the sand. As Norma waited for him to turn the car around, Samuel Shepherd and Walter Irvin, two black army veterans, were headed over to Eatonville, an all-black town where they could enjoy a night away from the segregated tensions of Groveland and the surrounding towns. Coming across Padgett and Tyson, the two men stopped to help. Before long, however, Padgett’s deep-seated racism emerged in his attitude and in his remarks to the pair; Shepherd decked Padgett, and he and Irvin knew in an instant that nothing good would come of this event. In a matter of days, Shepherd, Irvin and two other young black men, Charles Greenlee and Ernest Thomas—who became known as the Groveland Boys—stood accused and eventually convicted of raping Norma Lee Tyson.

With rich detail and drawing upon never-before-seen material from the FBI archives, Gilbert King (The Execution of Willie Francis) intersperses the sordid features of this tale of Southern injustice—the many trials and appeals, the eventual acquittal of Shepherd and Irvin, Shepherd’s murder by a disgruntled sheriff—with the story of Thurgood Marshall, the future Supreme Court justice, then a highly regarded NAACP lawyer who worked tirelessly to acquit the four men. Marshall emerges as a crusader, deeply committed to equal opportunity for blacks, who operated on the principle that “laws can not only provide concrete benefits, they can even change the hearts of men—some men, anyhow—for good or evil.” With a cast of characters that seem to come straight out of the pages of an Erskine Caldwell novel—corrupt sheriff Willis McCall; a shady prosecutor; everyday workers who emerge at night in the robes of the KKK—Devil in the Grove is an engrossing chronicle of a little-heard story from the pre-Civil Rights era.

On a hot Florida Friday night in mid-July of 1949, Willie Haven Padgett had little on his mind but a night of dancing and drinking and whatever else that might lead to as he picked up Norma Lee Tyson. After a night of fun at…

As a young boy, Howard Frank Mosher would sit at the knee of his honorary uncle, Reg Bennett, and beg him to tell stories. Bennett promised that when Mosher turned 21, the two would embark on a road trip starting in Robert Frost’s New England. Then they’d strike out for the Great Smoky Mountains of Thomas Wolfe, drop by Faulkner’s home in Oxford, Mississippi, check out James T. Farrell’s Chicago and visit its great bookstore, Brentano’s (now long closed), and eventually walk the streets of Raymond Chandler’s L.A. and Dashiell Hammett’s San Francisco.

Although they never had the chance to make that trip together, Mosher sets off on this long-deferred journey in 2007 after learning he has early-stage prostate cancer. This reminder of his mortality, as well as the publication of his new novel, motivates him to get behind the wheel of his 20-year-old Chevy, which he affectionately calls “The Loser Cruiser,” and set out on the Great American Book Tour, stopping to visit more than 150 of America’s best independent bookstores.

In 65 short chapters, Mosher colorfully reflects on his home and family in the Northeast Kingdom of Vermont, and its lively and eccentric characters, such as the Prof, the old-school, two-fisted school superintendent with whom Mosher gets into a fist fight; and Verna, the Moshers’ first landlady, who made and sold moonshine whiskey and married the federal agent who refused to arrest her when he found her still. He amuses and delights us with tales of his misadventures in the Loser Cruiser, in cheap hotels and greasy spoons across America, and at his many readings and signings at bookstores both large and small, confirming that independent booksellers such as Denver’s Tattered Cover and Oxford’s Square Books are keeping alive the book as we know it.

Mosher’s lively humor and his energetic love of books and reading provide us with animated and generous reflections on the people, places and objects that he loves enough to live for.

As a young boy, Howard Frank Mosher would sit at the knee of his honorary uncle, Reg Bennett, and beg him to tell stories. Bennett promised that when Mosher turned 21, the two would embark on a road trip starting in Robert Frost’s New England.…

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Hollywood surely will be calling for the movie rights: The Mark Inside is a natural for an adaptation to the big screen. Author Amy Reading has written a page-turner about the true story of a Texas rancher who loses his life savings to a group of con men, and seeks revenge by turning the con on them.

It’s the story of J. Frank Norfleet, who strolled into Dallas one day in 1919 to sell a plot of land, only to lose all his money in a stock market swindle. Five con men pick Norfleet as their mark, weaving an elaborate trap to persuade him to invest his cash in a phony stock market trade. When it’s all over, Norfleet is cheated out of close to $140,000, the equivalent of nearly $1.7 million in today’s dollars. Embarrassed, angry and depressed, Norfleet doesn’t simply return to his ranch to lick his wounds. He decides to capture the crooks using his own bit of subterfuge. He straps on a sidearm, grabs a suitcase full of disguises and spends four years crossing the country on the trail of the offenders, donning phony beards and colorful costumes as he seeks out his enemies.

Reading, who holds a Ph.D. in American Studies, is adept at tracking down original source material for this real-life story. A key source is Norfleet’s own memoir of the events, but since it seems to contain a number of unlikely happenstances and other exaggerations, Reading finds newspaper articles, police records and legal documents to either set the record straight, or at least offer a different, and more believable, perspective on aspects of the tale. Additionally, she provides readers with some historical background on con artists and fascinating details of how they run their scams.

Reading relishes Norfleet’s entertaining and colorful account of his detective work; though she adds integrity and introspection to the tale, she doesn’t let the facts get in the way of a good story. With her wonderful writing and eye for sensational material, The Mark Inside is a nonfiction book that reads like a work of fiction. Only time will tell whether the movie version will live up to the quality of the book.

Hollywood surely will be calling for the movie rights: The Mark Inside is a natural for an adaptation to the big screen. Author Amy Reading has written a page-turner about the true story of a Texas rancher who loses his life savings to a group…

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As evident from his book’s subtitle, “Theodore Roosevelt’s Doomed Quest to Clean Up Sin-Loving New York,” Richard Zacks has a pleasingly colorful writing style. Luckily it is a style that mirrors, especially at the outset of this little-known and somewhat dappled adventure, the brashness of its central historical figure, Theodore Roosevelt.

In the early 1890s, a few short years before the city of Brooklyn joined with New York to become what we now know as the five boroughs of metropolitan New York City, a political and moral reform movement arose in the city, especially among well-heeled (and largely Republican) civic leaders. The city then had a population of roughly two million people, among them 30,000 prostitutes. To summarize in a blander manner than the lively Mr. Zacks: A series of investigations revealed that prostitution had links to police corruption, which in turn had links to Tammany Hall, the largely immigrant, working-class political machine that controlled New York City. The result was that in 1894, voters threw the bums out and installed a reform mayor, who appointed 36-year-old Teddy Roosevelt president of a four-man, bipartisan-at-least-in-name police commission to clean things up.

The ambitious Roosevelt, who had been wasting away in a Washington, D.C., civil service post, leapt at the chance. At first his vigorous efforts and his widely reported nighttime rambles in the city’s rollicking, vice-ridden neighborhoods were very popular. But then Roosevelt decided the police should enforce the laws against selling alcohol on Sundays. Roosevelt’s ethical (and valid) point was that allowing police to selectively enforce or ignore the alcohol ban led to favoritism and corruption.

The problem was, Sunday was the only day off for working people, and enforcement deprived them of a customary form of entertainment—socializing in the city’s saloons. Meanwhile the law did not prohibit sales of alcohol in hotels and the clubs of wealthy gentlemen. Class warfare? Tammany Democrats thought so, and they used Roosevelt’s efforts to thoroughly whip the city’s Republicans in the next election. For the remaining years of his term, Roosevelt was mired in grinding conflict with fellow commissioners and undermined by upstate Republican politicians who distanced themselves from him in order to maintain their own political power. He finally sought escape in a political patronage job in Washington.

Theodore Roosevelt’s term as police commissioner was, as Zacks entertainingly points out in his layered and well-researched Island of Vice, a significant learning experience for the future president. And probably also for residents of New York City, who never gave their native son a majority of their votes.

As evident from his book’s subtitle, “Theodore Roosevelt’s Doomed Quest to Clean Up Sin-Loving New York,” Richard Zacks has a pleasingly colorful writing style. Luckily it is a style that mirrors, especially at the outset of this little-known and somewhat dappled adventure, the brashness of…

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When Pablo Picasso said, “I’d like to live as a poor man with lots of money,” many people probably wrote the statement off as a bit of verbal cubism and forgot it. Author Laura Vanderkam (168 Hours) found wisdom there, and in All the Money in the World she explores how much is enough, and how to derive more joy from what we have by using it wisely. Underlying her look at family size, wedding expenses, backyard chicken ranching and other costly endeavors is the knowledge that while none of us will ever have all the money in the world, many of us have more than we need and don’t realize it.

On some level, All the Money in the World is less about money than about using it as a way to clarify one’s priorities. Vanderkam points out that the $5,000 most couples spend on engagement and wedding rings is great if you’re all about the bling, but spend $300 on something less flashy and you can fund a lot of nights out, day trips, bouquets, et cetera, to enrich your relationship over time. One isn’t a better choice than the other; the point is that it is a choice, not a lock-step march to the altar with specific accessories.

Vanderkam also plays with the notion of family size, exploring data that suggest once you have one child (and a home and a minivan), the cost per child to add to your family drops considerably, and continues to do so with each additional child. Again, that’s not an inducement to rush out and produce a litter, but the freedom to consider a larger family (which will nevertheless demand sacrifices) if it’s what you want.

All of these ideas are held to the light at multiple angles, and while money is often a source of stress and concern, it becomes something fun to toy with here. That’s helpful, because one of the twists one encounters as income increases is a reduction in pleasure when material goods are easier to come by: the so-called hedonic treadmill effect. Getting back to the ability to enjoy them with a sense of abundance and appreciation is at the heart of what Picasso was talking about, and there are numerous tips and a final section dedicated to helping readers explore how to do just that. If you want to earn more, or simply enjoy what you already have, All the Money in the World is a great launch pad.

When Pablo Picasso said, “I’d like to live as a poor man with lots of money,” many people probably wrote the statement off as a bit of verbal cubism and forgot it. Author Laura Vanderkam (168 Hours) found wisdom there, and in All the…

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Buildings and roadways no more define a city than mere walls and aisles could ever define a church. Architecture and infrastructure are byproducts of the human story—embodiments of our historical and present-day sagas captured in rip-rap, wood and stone. In his new book, Londoners, Canadian journalist (now London resident) Craig Taylor set out to define the city of London and its inhabitants through a collection of ordinary people’s stories. The end product is not a guide or an authoritative historical tome, but a unique 21st-century “snapshot of London here and now.”

Londoners has been likened by other reviewers to the oral histories of Studs Terkel, but Taylor’s curation does not frame decades long past; it mines the voices of those now inhabiting London. Over the five years of what he called his “London Chase,” Taylor interviewed more than 200 people from more than 600 square miles of the city environs. He sought not the usual “official” voices, but ordinary people inhabiting London’s “Victorian pubs and chain cafes, sitting rooms and offices.” The result is a sometimes weird, often wonderful and always emotionally resonant narrative of 83 voices telling stories of love, disgust, ennui, lust, delight—tales about being a resident, whether permanently, temporarily or formerly, of today’s London.

In sections grouped under quirky headings such as “Arriving,” “Getting on with It” and “Gleaning on the Margins,” Taylor’s interviewees run the gamut of sensibilities, proclivities and eccentricities. There’s a bird’s-eye description of London from on high from a commercial airline pilot; nostalgic reminiscences and incisive observations from Smartie, a London cabbie; bizarre stories of passenger mishaps from Dan, the rickshaw driver; and insights into lustful London from dominatrix Mistress Absolute. And if you’ve ever wondered if the voice intoning “Mind the Gap” in the London Underground stations belongs to a real person, here’s your chance to find out.

Londoners is a truly unique “non”-taxonomy. In a departure from his original intention, Taylor never reached an absolute classification of the inhabitants of this iconic city, but instead produced something much better: a true-to-life exploration of the constantly shifting landscapes of people’s hearts and minds, their despairs and desires—all centered on the streets and structures of foggy London town. Says Smartie, “I like the idea of escaping all the nonsense of London, but . . . my heart and soul are here in the city . . . that’s where I’ll always be.”

Buildings and roadways no more define a city than mere walls and aisles could ever define a church. Architecture and infrastructure are byproducts of the human story—embodiments of our historical and present-day sagas captured in rip-rap, wood and stone. In his new book, Londoners, Canadian…

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