The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
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The bombing of Hiroshima and Nagasaki did not immediately bring World War II to an end. Bestselling author Evan Thomas (Ike’s Bluff) explains why in his superbly crafted military and diplomatic history Road to Surrender: Three Men and the Countdown to the End of World War II. “This book is a narrative of how the most destructive war in history ended—and very nearly did not,” he writes. “It asks what it was like to be one of the decent, imperfect people who made the decision to use a frighteningly powerful new weapon.” 

The three main figures, two American and one Japanese, were quite different from one another. The only thing they had in common was a desire to end the war. Henry L. Stimson, a Republican lawyer from New York, had been the secretary of state for Herbert Hoover and the secretary of war for William Howard Taft, Franklin Delano Roosevelt and Harry Truman. His responsibilities included making decisions about the use of the atomic bomb. Thomas writes that Stimson “embodied and preached a philosophy that would make the United States, for all its flaws, the world’s essential nation: the belief that American foreign policy . . . should balance humanitarian and ethical values with cold-eyed power used in the national interest.”

The other American was General Carl “Tooey” Spaatz, a West Point graduate who had been commander of strategic bombing in Europe before he was assigned the same responsibility in the Pacific. He was initially opposed to using the atomic bomb, but when the Japanese military continued to resist surrendering, he recommended dropping a third atomic bomb on Tokyo. Throughout his career, he remained deeply disturbed about the devastation and loss of life caused by these dreadful bombs.

The third man, career diplomat Shigenori Togo, became Japan’s foreign minister in 1941 and was very much against going to war with the United States. He left office for several years but returned in 1945 to take on a virtually impossible task: to push his military-led government toward surrender. As Thomas describes Japan’s predicament in 1945, “Some of the men now running the Japanese government want to bring the war to an end, but in a society where even the word surrender is forbidden, they cannot admit it.”

Whether the A-bomb should have been used at all remains a controversial subject. Thomas effectively shows, with meticulous scholarship, that even after two atomic bombs had been dropped, the most influential military leaders in Japan insisted on continuing to fight. “Had Japan fought on,” he writes, “likely many more people would have died, possibly millions more, in Asia as well as Japan.”

Drawing on a wide range of sources, including the primary figures’ diaries, Thomas makes the period come vividly alive. This moving account of three men of peace who had to make life or death decisions will interest history lovers everywhere.

Contrary to popular belief, the bombing of Hiroshima and Nagasaki did not immediately bring World War II to an end. In his new book, Evan Thomas explains why.
Say Anarcha is J.C. Hallman’s dual biography of the so-called “father of gynecology” and the enslaved woman he experimented on without anesthesia or meaningful consent.
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Every collection of Samantha Irby essays—this is her fourth, following 2020’s Wow, No Thank You.—is a masterclass in situating pitch-perfect comedy and deep sincerity side by side. Irby’s appeal, at least to this reader, has always been how she’s found humor in some of life’s most difficult experiences, including losing both parents when she was a teenager and living with chronic illness.

In Irby’s new book, Quietly Hostile, she’s still sharing her delightfully bizarre opinions—like in the essay “Dave Matthews’ Greatest Romantic Hits,” which ranks 14 of the musician’s tenderest songs in an attempt to convince people that her love for him is not a bit. Irby also hits readers right in the feels with essays about complicated families, like “O Brother, Where Art Thou?” about reconnecting with her older brother after 25 years. And as always, there are numerous gross-but-mostly-funny pieces about bodily fluids, including but not limited to diarrhea, peeing her pants and peeing on a sexual partner.

Yet Irby’s rising profile as a bestselling author and cult favorite television producer has had an impact on her Everywoman relatability. Quietly Hostile contains classic Irby humor, but her well-deserved success means the subjects she applies that humor to have irrevocably changed. For example, a handful of the essays are about writing for TV, including for Aidy Bryant’s Hulu comedy “Shrill” and HBO’s “Sex and the City” reboot. In this context, the otherwise on-brand diarrhea jokes (“During my interview I said ‘Can I give Carrie diarrhea?’ and I was hired immediately”) feel somewhat awkward. There is a dissonance between her self-deprecation and the reality that “Sex and the City” creator Michael Patrick King specifically reached out to Irby’s agent to ask if she’d be interested in writing for the new show.

This dissonance aside, Quietly Hostile is still very much worth a read. Irby is a truly hilarious writer and mines laughs from the wildest situations (even a trip to the emergency room for anaphylactic shock). And as a 40-something Black woman, a Midwesterner and a stepmother, she brings a unique and underrepresented perspective to the humor shelf of your local bookstore. This newest version of Irby’s unhinged yet subtly complex humor may not quite capture the magic of previous iterations, but she’s still someone who can (and did) write hundreds of words about what to do if you clog a public toilet—and you’ve got to admit, that’s pretty special.

Samantha Irby’s fourth essay collection plays the hits, offering readers a masterclass in situating pitch-perfect comedy and deep sincerity side by side.

Leg

Bitingly funny and full of blistering commentary and fierce familial love, Greg Marshall's memoir is a winning debut.
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New York City-based book publicist-turned-writer Amelia Possanza dedicates her book “to all the queers, ordinary and extraordinary, whose names have been destroyed by history, and to the rosy-fingered custodians of the queer archive.” Possanza is one such rosy-fingered custodian, a queer person attracted to the archives not just to understand history but also to understand her own story. “I was certain that if I uncovered enough lesbians in history, they would reveal a message or a lesson, a blueprint of how I might build my own life,” she writes.

Possanza’s debut book, Lesbian Love Story, is part archival research and part memoir. It includes seven chapters, each of which historicizes a lesbian love story. While the chapter on Sappho harkens back to antiquity, the other six span the 1890s through the 1990s, offering a lively lesbian mix: golf star Babe Didrikson Zaharias, groundbreaking memoirist Mary Casal, Chicana activist and writer Gloria Anzaldua and others. Possanza digs into the details of their lives with passionate engagement, frequently turning the narrative from the archival subject back to herself and exploring personal topics vis-a-vis these historical women: gender identity, the vagaries and politics of cross-dressing, the insidious narrowness of second-wave feminism, friendship, power dynamics in relationships and, most of all, obsessive love.

“In case it isn’t obvious yet,” Possanza writes in a late chapter, “I am an unforgivable romantic. I love love. Not as a means to an end, a steppingstone on the path to marriage and children, but as a surrender to passion, even when it’s surely doomed. Obsessive, selfish love that feasts on its own ruin.” As she unearths these romantic stories, Possanza also identifies the gaps within them, the moments when she wants to know more. To fill these silences, she imagines the scenes she longs to see, engaging with history not as a disembodied historian but as a young lesbian who wants answers, who wants to find her people. Though a blueprint does not, and cannot, neatly emerge from this sea of stories, Possanza does find the space, movement and complexity provided by a multifaceted past to buoy her ongoing becoming.

Amelia Possanza weaves her own memories through seven moving lesbian love stories from the archives in her debut book.
Krista Burton’s obsessive quest to visit each lesbian bar in the U.S. offers a hilarious and affectionate investigation into the past and future of queer gathering spots.
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At the intersection of books on witchcraft, creative writing guides and poetry anthologies alights Poetry as Spellcasting: Poems, Essays, and Prompts for Manifesting Liberation and Reclaiming Power, which manages to pull off something utterly unique.

Centering the experiences and perspectives of writers of color and queer writers, the contributors’ essays honor the work of Audre Lorde, Lucille Clifton, Selah Saterstrom and Rainer Maria Rilke, among others. They examine the connections among poetry, prayer and chant, and they explore the liberation that can come with revision. One writing prompt invites readers to compose a letter to an “absent presence” or an ancestor; another provides instructions for writing a collective poem with friends. “In this book,” editors Tamiko Beyer, Destiny Hemphill and Lisbeth White conclude, “we remember how the nexus between ritual and poetry can be a sacred container to manifest change and transformation.”

At the intersection of books on witchcraft, creative writing guides and poetry anthologies alights the utterly unique Poetry as Spellcasting.
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In Archives of Joy: Reflections on Animals and the Nature of Being, French Canadian author Jean-François Beauchemin looks back, around and into the mystic, to great effect. His brief and often breathtaking reflections on creatures he has encountered throughout his life meld into a salve for the troubled, weary or distracted mind and will appeal to fans of Brian Doyle, Ross Gay and Margaret Renkl.

In a one-paragraph essay called “Useful,” Beauchemin writes, “It might be said that I am rummaging around a lot in that great big suitcase of my childhood, but why the devil do we age, if it is not to encounter ourselves once more?” In “A Visitor,” he recounts a spiritual encounter from childhood, when “I had just learned my dog’s life expectancy was only fourteen years.” Immediately after reading this piece, I snapped a picture of it and sent it to a friend who is grieving a beloved pup; that’s the kind of small treasure this book is.

Jean-François Beauchemin’s brief, breathtaking reflections on creatures he has encountered throughout his life will appeal to fans of Brian Doyle, Ross Gay and Margaret Renkl.
The two centuries’ worth of nature prints contained in Capturing Nature would make a stunning addition to any nature lover’s library.

In her debut memoir in essays, Meet Me Tonight in Atlantic City, poet Jane Wong offers a nonlinear narrative of her life and her family’s lives. Her parents emigrated from China in the 1980s, when they were in their early 20s, and settled on the Jersey Shore to run a Chinese restaurant. “This is the story of lost enterprises,” Wong writes about Atlantic City in the elegiac title essay. “Of boarded-up pizza joints, lonely stuffed animals sans tipsy game operators, echoing parking lots with floating trash, and neon lights toppled over like sand castles.”

Those lost enterprises also refer to Wong’s father’s gambling addiction, which led to the downfall of the family restaurant, and his eventual disappearance from their lives. His experience is part of a larger story that also develops throughout the memoir: that of big gambling companies preying on Asian Americans, allowing gambling to take hold of vulnerable communities. These strands of systemic injustice are braided with Wong’s own memories of her childhood. “Here is one scene, on a shore of many: on the way back to Caesar’s Palace, my mother sits on a boardwalk bench, the dune grass behind her like the back of a throne,” she writes. “From her purse: stolen bread rolls from the Palace Buffet. She chews out all her anger on those bread rolls.”

In the gorgeous essay “Root Canal Street,” Wong links the cruelly casual racism she experienced in middle school and high school, her parents’ upbringing in rural Maoist China and trips with her mother to see unlicensed dentists in Chinatown, arranged by a friend of a friend whom they paid in baked goods. “A cornucopia for crowns: crispy almond biscuits; pineapple buns with golden cracks like some fantastical goose egg . . . egg tarts with their pools of custard glory; and chewy winter melon cakes with sesame seeds.” 

Wong writes with anger and clarity about men who have abused her and the racism she’s endured throughout her life, including at the Iowa Writers’ Workshop. But mostly this memoir is a story of family as Wong recalls her absent father, her intrepid and resilient mother, her brother and her grandparents. Interspersed between the book’s longer essays are sections devoted to Wongmom.com, an imaginary website where you could type a question or worry, and Wong’s mother would offer a reassuring answer. (And for those wondering about the book’s evocative title: Yes, the memoir includes a Bruce sighting.)

Meet Me Tonight in Atlantic City is experimental in form and dense with beautiful sensory images, particularly of food. In her own indelible way, Wong records her coming of age and finding her place in her family, in poetry and in the world.

Poet Jane Wong’s experimental memoir is dense with beautiful sensory images about coming of age in Atlantic City and contending with her father’s gambling addiction.
Geena Rocero was a trans pageant queen in the Philippines who became a successful model in the United States. As you'd expect, her life story is a completely engrossing whirlwind.

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