The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
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Think back to the last time you made a decision based solely on cold, hard logic. Having trouble? Much as we’d like to be rational, the truth is we’re often ruled by our emotions. We go back to the store that feels comfortable, we buy the dress that makes us feel sexy, we eat at the restaurant that makes us feel at home. Here’s the lesson all marketers and managers should heed: It’s time to get in touch with your emotions, and three new business books can show you how to achieve this elusive goal.

Going out of your mind

Jack Zufelt is a top professional speaker, a successful trainer and a highly acclaimed consultant and entrepreneur. Not exactly the guy you’d expect to dismiss goal-setting, self-help books and even motivational speakers in his new book The DNA of Success: Know What You Want to Get What You Want . Success is "an inside job," says Zufelt, one that defies the rational baggage of "shoulds" and "ought-tos." Instead, he says it’s time to get out of your head and tap into your emotions to find out what your heart truly yearns for. Those "core desires" in turn ignite the powerful "conquering forces" that motivate you to overcome all obstacles.

To be honest, it is work digging down to those core desires, but the process can be revelatory and even fun when done with a partner. The reward is in finally figuring out what you truly desire and discovering the passion to go out and achieve it.

Zufelt simplifies the complex ideas with his positive, can-do approach and includes plenty of personal stories. He moves beyond business applications to show how your core desires relate to creating family relationships, growing spiritually and improving self-image.

The road to riches

The team that created the blockbuster First, Break All the Rules is back with new revelations in Follow This Path (Warner, $26.95, 256 pages, ISBN 0446530506). Most companies are hoping to find the road to riches by tweaking price or by slapping "new & improved!" everywhere, but that’s a dead end, say Curt Coffman and Gabriel Gonzalez-Molina. Customers base their loyalty on the way your company makes them feel, and it’s your employees that make or break that connection.

The commonsense ideas are based on a study by the Gallup Organization that questioned more than 10 million customers, three million employees and 200,000 managers. The findings concluded that what customers buy and keep buying is based on how they feel, and the best way to connect with a customer’s emotion is not through brands, slogans or jingles, but another human being. It’s a wake-up call for companies who are ignoring the untapped resources of their work force. The ideas seem simple develop employees’ strengths instead of fixing weaknesses; don’t treat everyone the same way but finding a company that recognizes the emotion-driven economy is rare.

Follow This Path creates an easy-to-follow road map for managers who want to engage and inspire their employees. The authors outline 34 different talent areas, describe the kind of work environment employees want and show managers how to achieve it. The 12 conditions of a great workplace ("There is someone at work who encourages my development" and "I have a best friend at work") might sound like utopia for workers, but today’s great companies are finding a way to make it a reality.

The pursuit of pleasure

Melinda Davis’ The New Culture of Desire is a challenging look at what motivates us in today’s hyper-connected world (Free Press, $26, 288 pages, ISBN 074320459X). The goal of Davis’ company, The Next Group, is to get inside the minds of today’s consumers, and during the past six years they have probed the shift in human desires. According to Davis, the old motivators sex, money and power have taken a back seat to the new driving force in human behavior: the pursuit of pleasure.

Davis begins by laying out the complicated assertion that the physical world is dead, and we’ve moved into what she calls "imaginational reality." With pervasive technology and media coming at us from every direction, we have abandoned concrete reality and now live our lives in our heads. It’s a thought-provoking idea that has the scary ring of truth.

Now that we’ve transitioned into a new reality, we’ve developed a new survival instinct, says Davis. Instead of worrying about physical attacks, we’re now protecting our brains from assault. We’ve all become "imaginational age mental patients" looking for a product or service to be our healer.

If Davis still sounds like the crazy one, think about the $15 billion we spend each year on antidepressants. And that doesn’t include the tab on bubble baths, chocolate, alcohol and all the other guilty pleasures we use to self-medicate. Whether you agree with Davis’ ideas or not, The New Culture of Desire is fascinating reading that leaves you thinking about the changed reality in which we live.

Busting the Boom-Boom Room

Nick Cuneo was the ultimate macho boss. The Smith Barney branch manager was notoriously creative with the F-word, kept a gun in his desk and instituted an infamous basement party room dubbed the Boom-Boom Room where happy hour started as early as 10 a.m. The Garden City, New York, branch and its boss were consistently top performers for the financial services firm, but the good times didn’t make up for the consistent abuse and intimidation directed toward female employees. Fed up with the groping and discrimination, women Cuneo had labeled with such nicknames as the Stepford Wife and the Playboy Bunny fought back with a class action lawsuit.

Journalist Susan Antilla tells the riveting story in Tales from the Boom-Boom Room: Women vs. Wall Street (Bloomberg, $26.95, 384 pages, ISBN 1576600785). Antilla followed the case from its beginnings, and the result is an intriguing cross between Liar’s Poker and A Civil Action. Readers get a fascinating look at the appalling behavior Wall Street chose to ignore and a guide through the machinations of a landmark case.

Led by outspoken broker Pamela Martens, women from Smith Barney branches across the country came together to expose the sexual hazing and unequal pay practices that damaged their careers. Most of the women involved in the suit are now forbidden to talk about the case because of settlement agreements, but Antilla vividly re-creates the characters and events. This story doesn’t come with a happy ending; many of the women quit their jobs or left the industry altogether and some dropped their complaints rather than face the daunting legal process with no sure reward. But Wall Street fears bad publicity even more than litigation, and this riveting human and legal drama will ensure that the stories told by these courageous women won’t be forgotten.

 

Think back to the last time you made a decision based solely on cold, hard logic. Having trouble? Much as we'd like to be rational, the truth is we're often ruled by our emotions. We go back to the store that feels comfortable, we…

Back in the hardscrabble past, our grandparents walked barefoot 10 miles in the snow to get to school on time. Sound like a joke? Not for New Yorker editor Dorothy Wickenden, whose grandmother Dorothy Woodruff, with her best friend Rosamond Underwood, broke trail on horseback in a blizzard to get to their teaching post at the rural one-room schoolhouse in Elkhead, Colorado.

Nothing Daunted tells the delightful true story of how Dorothy and Rosamond, two well-bred Smith College graduates, lit out for the frontier in 1916 to work as schoolteachers rather than do the expected thing and marry. Little did they know that idealistic Ferry Carpenter, the lawyer and rancher who masterminded the building of the Elkhead school, hoped that importing schoolteachers would provide wives for the local ranchers and cowboys. (He requested a photo with each job application.)

Dorothy and Rosamond embrace the hardships of mountain life with irrepressible good humor. One of the first lessons they learn is that wearing spurs on horseback reduces their commute time to school by 15 minutes. Their pupils, the ragtag children of local ranchers and miners, charm and frustrate in equal measure; of maintaining order in the classroom, Dorothy writes, “my boys . . . say such funny things—but they are regular imps of Satan, too.”

Ferry Carpenter is a charismatic figure, a man of all trades drawn to the egalitarian West, able and willing to fill in as a Domestic Science teacher when it becomes clear that neither Dorothy nor Rosamond can cook. Ferry and Bob Perry, the son of a mine owner, engage in a friendly rivalry for the affections of Rosamond, but it’s hard for Ferry to compete after Bob endures a kidnapping and bravely escapes his assailants.

Nothing Daunted began life as a 2009 New Yorker article, after Wickenden fortuitously discovered her grandmother’s Elkhead letters. Scrupulously researched, it is both an entertaining and an edifying read, bringing early 20th-century Colorado to vivid life.

Back in the hardscrabble past, our grandparents walked barefoot 10 miles in the snow to get to school on time. Sound like a joke? Not for New Yorker editor Dorothy Wickenden, whose grandmother Dorothy Woodruff, with her best friend Rosamond Underwood, broke trail on horseback…

In one of the most hilarious and poignant scenes in his classic comedy Annie Hall, Woody Allen brilliantly depicts the art of seduction. One afternoon after a tennis match, Annie (Diane Keaton) invites Alvy (Allen) back to her apartment for a drink; standing on her terrace, the two range over a number of topics even as subtitles flash across the bottom of the screen depicting each character’s real thoughts. As much as they might desire each other’s bodies, they crave the pleasure that intellectual foreplay nourishes. In addition, when these two cease to desire each other and seek mere physical gratification, the relationship ends.

As Elaine Sciolino, the Paris correspondent for the New York Times, so vividly reveals in her alluring and irresistible exploration of plaisir (blandly translated into English as “pleasure”), seduction in France does not always involve body contact.

As we come to learn in La Seduction, seduction in France encompasses a grand mosaic of meanings; what is constant is the intent: to attract or influence, to win over, even if just in fun. With a slow passionate burn, she explores the early history of the idea of seduction, teaching us that intellectual foreplay, the allure of the flesh and the temptation of scent all artfully enhance the pleasure of playing political, economic or sexual games. For the French, if an individual seduces with a delicious meal and a glass of excellent wine, a promise of romance, an intoxicating scent and a lively game of words, then he or she has led you to a place where you can find freedom to enjoy and savor the best that life has to offer.

Drawing on interviews with politicians, artists, philosophers and men and women from all walks of life, as well as her deeply charming and absorbing readings of French film and literature, Sciolino captivates us with scenes of seduction played out in political offices, butcher shops and sidewalk cafes. Her perhaps most memorable line—“I had never had a gastronomic orgasm before I met Guy Savoy”—reminds us of the power of food to seduce. In France, she observes, food is consistently presented as a source of pleasure, and gustatory pleasure is so close to amatory delight that the lines may sometimes blur.

Sciolino’s charming tales of the French art of seduction will entertain and delight readers, and instruct us in how best to embrace life’s joys and celebrate every moment of our lives and loves.

In one of the most hilarious and poignant scenes in his classic comedy Annie Hall, Woody Allen brilliantly depicts the art of seduction. One afternoon after a tennis match, Annie (Diane Keaton) invites Alvy (Allen) back to her apartment for a drink; standing on her…

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The spirit that animates – or at least haunts – Deborah Baker’s excellent account of the Beats in India, A Blue Hand, is not the spirit of its main protagonist, the troubled, sweet-natured poet-mystic Allen Ginsberg, but rather an elusive seeker, chanter of Swinburne and one-time girlfriend of poet Gregory Corso, Hope Savage.

Ginsberg left New York for India in the fall of 1961, after months of delay and indecision, propelled by a vision of God he had in a Harlem apartment years earlier. He was met eventually by his lover, Peter Orlovsky, and the pair joined poet Gary Snyder and his then-wife Joanne Kyger for some weeks in exploring India, while Corso (the one truly unlikable figure in this history), remained ambivalently, fearfully at home, and William Burroughs and Jack Kerouac followed other paths. Driven by unknown dreams or demons, Savage had long ago slipped the bonds of her eminent South Carolina family and of Corso and traveled by herself to Iran and Afghanistan. By the time Ginsberg arrived in India, she was already there.

Drawing with marvelous artistry from the papers and archives of Ginsberg and others, Baker presents readers with the manifold textures of the Beats’ inner quest – the dreams and nightmares, the drug use (which Ginsberg almost comically hoped would fast-track enlightenment), the personal and artistic rivalries, the poetry and the sometimes-numbing, sometimes-uplifting encounters with India itself. Baker, who was a finalist for the 1994 Pulitzer Prize for a biography of poet Laura Riding, wields here a scalpel-like pen: "Allen Ginsberg lay in a sweat-drenched puddle of self-pity," she writes early in the book. "He had so wanted to be a saint, but what was he supposed to suffer for?"

In May of 1963, Ginsberg headed home. According to Baker, "despite his passion for the idea of India, there was something improbable about Allen Ginsberg’s pilgrimage there. Unlike many of those who came after him, he neglected to leave much of his past behind. Instead, he brought most of it with him."

Savage, on the other hand, had cut her ties with the past and, it seems, absorbed the Eastern spiritual ideal of self-abnegation. Baker writes that she searched assiduously for Savage but never found her, not even a trace.

 

The spirit that animates - or at least haunts - Deborah Baker's excellent account of the Beats in India, A Blue Hand, is not the spirit of its main protagonist, the troubled, sweet-natured poet-mystic Allen Ginsberg, but rather an elusive seeker, chanter of Swinburne…

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From 1929 to 1934, Florence Wolfson faithfully recorded the details of her life in a diary she received on her 14th birthday – and what a life it was. A precocious, exquisitely attired Manhattanite with an artistic bent, Florence took advantage of every opportunity for adventure, sometimes flirting with scandal. She frequented the Metropolitan Museum of Art, newly opened in 1929; saw live performances by actresses Helen Hayes, Katherine Cornell, Lynn Fontaine and Eva La Gallienne. She had a copy of the banned Ulysses and read Galsworthy’s Forsyte Saga novels as they were published. Among her classmates at Hunter College, where she edited the literary magazine, were Joy Davidman (whose marriage to C.S. Lewis was chronicled in Shadowlands) and Bel Kaufman, who recalled “a young woman who used to appear in class in fawn-colored riding breeches. . . . How I envied those riding breeches and the exotic life she lived.” That life is presented in cinematic scope in Lily Koppel’s The Red Leather Diary.

Koppel, a New York Times reporter, came across Florence’s diary in 2003, when she happened upon a Dumpster loaded with old trunks, vintage clothing and other unclaimed items from the recesses of her building, where Florence had once lived. Intrigued, Koppel tracked her down with the help of a 1930s-fascinated lawyer-turned-detective.

Florence’s life reads like E.L. Doctorow’s Ragtime in places, with all the famous paths crossed and situations experienced; while descriptions of city life recall Marjorie Hart’s Summer at Tiffany. Together, Koppel and Florence take readers through a world dizzy with new ideas, rhythms and inventions, but not immune to the effects of the Depression and later the coming of world war.

From 1929 to 1934, Florence Wolfson faithfully recorded the details of her life in a diary she received on her 14th birthday - and what a life it was. A precocious, exquisitely attired Manhattanite with an artistic bent, Florence took advantage of every opportunity for…
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Most of us know that eyewitness testimony is often inaccurate. But what about our own memories? Especially our recollections of emotionally charged events—so-called “flashbulb memories”? We’re pretty sure that they’re vividly accurate, even when they aren’t.

Why that is is just one of a complex of psychological phenomena Tali Sharot explores in her illuminating and vastly entertaining first book, The Optimism Bias. Sharot, a researcher in neuropsychology at the Wellcome Trust Center for Neuroimaging at University College London, makes two major claims here: Most of us are optimistic, and we are optimistic because our brains have evolved to make us so. Why? Because the optimistic belief that we are all slightly better than the average “makes health and progress more likely,” and that set of mild illusions has helped humans to survive and progress. “Optimism,” Sharot writes, “may be so essential to our survival that it is hardwired into our most complex organ, the brain.”

Such observations could smack of psychobabble, except for the fact that Sharot and colleagues have produced fascinating brain imaging experiments and data that support her assertions. You can’t read this book and disagree that, as Sharot writes, “the human brain . . . is extremely efficient at turning lead into gold.”

Sharot subtitles her book “A Tour of the Irrationally Positive Brain.” “Tour” is a good description, as she explores facets of our ability to delude ourselves, taking us on a magical mystery tour of our perceptions, rather than making a step-by-step argument. “Tour” also evokes the pleasure Sharot gives us in her surprising, research-based observations (“Political stability is one of the nine strongest indicators of a nation’s well-being, and human rights is one of the two strongest.”), her use of contemporary examples (“from the dark skies of Sham el-Sheikh to the crowded lockers of the Los Angeles Lakers”) and her pleasing sense of humor (discussing experiments with mice, for example, she acknowledges that humans are quite different but notes “like humans, however, these mammals are frequently found in the kitchen in the middle of the night, searching for leftovers”).

Sharot also acknowledges that optimism, at least extreme optimism, has its downside—sometimes leading to risky, life-threatening behavior. So while she doesn’t directly say it, her book certainly suggests that we need a little humility to accompany our certainties. A little—but not too much.

Most of us know that eyewitness testimony is often inaccurate. But what about our own memories? Especially our recollections of emotionally charged events—so-called “flashbulb memories”? We’re pretty sure that they’re vividly accurate, even when they aren’t.

Why that is is just one of a…

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