The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
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The Wager: A Tale of Shipwreck, Mutiny and Murder (8.5 hours), the latest work of narrative nonfiction from David Grann (Killers of the Flower Moon), details the gruesome experiences of 18th-century British sailors who were marooned on an island off the coast of Patagonia, living for months on the verge of starvation. Their harrowing tale of survival, which plummets to the very depths of desperation, is rendered with such visceral realism that you feel a hair’s breadth from experiencing it for yourself. Only a fraction of the original crew survived to return to Britain to tell their story, which became a source of inspiration for centuries of fictional shipwreck narratives. 

Grann reads the author’s note and acknowledgments, but the rest of the audiobook is performed by prolific narrator and actor Dion Graham (Malcolm X, “The Wire”), whose clear, powerful voice provides a strong backbone for the story. As an American, he could be seen as representing the modern historian looking back on this captivating saga.


Read more: David Grann reveals why a disastrous shipwreck from the 1740s struck him as a parable for our own turbulent times.

This harrowing tale of survival at sea is rendered with such visceral realism that you feel a hair’s breadth from experiencing for yourself.

Mothers—for better, worse or somewhere in between—shape the people we become. Whatever lessons we learn from their example, whatever traits we inherit, go on to become shaping forces for our identities and lives. Author and historian Tracy Borman (Henry VIII, The King’s Witch) illustrates this in Anne Boleyn & Elizabeth I: The Mother and Daughter Who Forever Changed British History. Despite living in a strict patriarchal society, the love and influence of her infamous mother guided Queen Elizabeth I through her tumultuous life and much-glorified reign.

As one of England’s Chief Curators of Historic Palaces and the author of Elizabeth’s Women, Borman is well placed to explore the intertwined lives of Anne Boleyn, Henry VIII’s second wife and reformer of the English faith, and their daughter, the celebrated “Virgin Queen” Elizabeth I. This required some detective work, as both time and circumstance make the relationship seem practically nonexistent: Anne was executed when Elizabeth was only 3, and for many years after, Anne either went unmentioned in court to avoid provoking Henry VIII’s vicious temper or was slandered as a “strumpet” and seductress who had an affair with her own brother and enchanted the king with witchcraft. Even before Anne’s death, royal custom stipulated that princes and princesses were raised by nursemaids in separate households from their parents. It would be unsurprising if Anne had been an invisible figure to Elizabeth, holding little to no influence over the woman and ruler she became.

Yet Borman insists this was not so. Citing evidence from correspondence, material objects and the observations of witnesses during Anne’s brief reign as queen and Elizabeth’s long one, Borman re-creates the relationship between the two women as loving and full of significance, even after Anne’s death. Letters and receipts for purchased items reveal a mother who adored her small daughter and took their separation hard, consoling herself by ensuring Elizabeth was impeccably cared for, primarily by Boleyn relatives. Many of these caretakers would go on to become lifelong advisors and friends to Elizabeth, helping to sustain her through her uncertain adolescence and her imprisonment during her sister Mary’s years on England’s throne. From her coronation to her deathbed, Elizabeth’s time as queen was peppered with mementos of Anne: She incorporated her mother’s badge into her own insignia, packed her court with her Boleyn relations and honored those who had been allies during Anne’s lifetime and could share stories with Elizabeth about her charismatic, brilliant mother.

Anne Boleyn & Elizabeth I offers a fresh perspective on Tudor history. Set against the many volumes about Henry VIII’s rule and Elizabeth I’s influence, Borman’s book triumphantly pulls the fiery, educated Anne from the shadows and restores her to her rightful place as a reformer, patron and queenmaker.

Historian Tracy Borman triumphantly shows that Anne Boleyn’s love and influence guided her daughter, Queen Elizabeth I, through her tumultuous life and much-glorified reign.
Black Folk illuminates the intelligence, sense of community, hard work, resilience and courage of the Black working class, whose members have made crucial contributions to American history.
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Gloria Dickie, an award-winning journalist and climate correspondent for Reuters, begins her intensive study of the eight remaining species of bears by recalling the familiar children’s story of Goldilocks. “We have entered the bears’ home without permission and selfishly laid claim to what we found there,” Dickie writes in Eight Bears: Mythic Past and Imperiled Future, alluding to everything humans have done to endanger these creatures.

Dickie brings readers along for the global trek she took while reporting and writing this book. Eight Bears is divided into three geographic parts, according to her subjects’ habitats: South America is home to the elusive spectacled bear in Ecuador and Peru; sloth, sun, moon and panda bears live in Asia, including India, Vietnam and China; and in North America, readers meet the American black and brown bears (United States) and the polar bear (Canada).

There is a lot to learn here about the mythic panda, the shy spectacled bear, the aggressive sloth bear, the controversial grizzly, the potentially doomed polar bear and others, and Dickie shows just how vulnerable they all are. Climate change is everywhere, threatening animals and humans with droughts, deforestation, warming seas and withering food sources. Human greed, corruption and exploitation make things worse; the captors of sloth “dancing bears” in India and the extractors of bear bile in Vietnam, for example, have earned their infamy. In the U.S., the pros and cons of continuing to protect grizzlies while ranchers and farmers deal with the dire consequences of their predation are up for debate. In other parts of the world, different species are being forced to share dwindling food sources, such as the spectacled bear and the puma as lowlands warm in the Andes. Six of these eight bear species are on the verge of extinction, and in addition to outlining their peril, Dickie also speaks with several of the activists and scientists who are working to secure a better future for them.

Our relationship with bears has been complicated but tender, Dickie notes. Remember the whimsical Paddington Bear, the beloved Berenstain Bears, the cute stuffed teddy bear in a baby’s crib? And the panda bear, so idolized that it is given as a political gift to China’s favored friends? Perhaps it is just such a history that can inspire more work to save them from extinction.

Gloria Dickie’s study of the eight remaining species of bears is laced with climate change warnings as she explores all the ways humans both love and endanger these creatures.
Sarah Weinman’s second true crime anthology confronts how social media, misogyny, racism and classism shape how we perceive crime.

If you haven’t heard of Dickey Chapelle, you’re not alone. But Lorissa Rinehart’s authoritative biography, First to the Front: The Untold Story of Dickey Chapelle, Trailblazing Female War Correspondent, makes it clear that this courageous photojournalist, who was the first female war correspondent to be killed in combat, deserves wider recognition.

Born Georgette Louise Meyer in 1918 in Milwaukee, Wisconsin, Chapelle had an early love of aviation and even studied for a time at MIT. After she flunked out of school, Chapelle’s parents sent her to live with her grandparents in Florida, where she got a job publicizing a Miami airshow. After being sent to Havana to cover another airshow, the ambitious Chapelle pitched a story to the New York Times. When the ace pilot crashed before her eyes, she raced to a phone booth to dictate the story. A chance encounter with a fellow journalist on the scene led to a job offer in New York City, where she took photography classes from an older photojournalist named Tony Chapelle. The two eventually married—and then divorced, after his violent behavior escalated in tandem with her growing success as a journalist.

Rinehart’s account follows Chapelle’s wide-ranging international career from Panama to the Pacific, to 1950s postwar Europe, to Laos, Vietnam and a host of other locations. Chapelle covered conflicts as well as humanitarian crises, and Rinehart details her exceptional courage, her understanding of Cold War politics and her unflinching commitment to telling the stories of people oppressed by harsh regimes or fighting for independence. 

Rinehart also explores the reasons why Chapelle is not well known despite her extraordinary career. Saying she was “ahead of her time” may sound like a platitude, but Rinehart demonstrates that Chapelle’s storytelling truly was different from many of her fellow journalists, who accused Chapelle of being obsessed with her career and not being objective. While some journalists relied heavily on government sources, Chapelle took an intense, immersive approach to stories, prioritizing “the voices, the lives, and the experiences of those she reported on,” Rinehart writes.

Chapelle died in 1965 while embedded with U.S. Marines in Vietnam. With her trademark black-rimmed glasses and pearl earrings, Chapelle was unforgettable, fearless and compassionate. At the time of her death at age 47, she had been reporting in conflict zones across the world for 25 years.

First to the Front is a valuable, long-overdue tribute to an American woman whose work and commitment to human rights is more relevant than ever.

Lorissa Rinehart’s authoritative biography makes it clear why Dickey Chapelle, a courageous photojournalist and the first female war correspondent to be killed in combat, deserves wider recognition.
Might you be a goblin? A weirdo who loves plants and cozy clutter? Read this book to find out, and prepare to both feel seen and up your goblin game.
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When I was a kid, bubble letters were very on-trend, and I spent hours perfecting my ABCs in bubble form. How I wish I’d had Huyen Dinh’s How to Be a Rule-Breaking Letterer: A Guide to Making Perfectly Imperfect Art back then to goad me into becoming a bona fide word-artist, or at least to nudge me toward further experimentation.

Dinh’s personal story is of the “good girl gets fed up and flees corporate malaise, follows passion” variety (one I’m rather partial to). Now, after years of struggling, she is no longer afraid to make what pleases her. While she neatly breaks down lettering fundamentals—developing your typographic eye, mastering brushstrokes, talking the talk (ascenders and descenders and swashes, oh my!)—her bigger agenda is to encourage free thought, to open up readers to their own preferences and to the wealth of ideas just waiting to be plucked from thin air. She’s quite candid about her own process and clunky first drafts, too, which is always a plus.

Huyen Dinh neatly breaks down hand lettering fundamentals, but her bigger agenda is to encourage free thought and open up readers to their own preferences and ideas.
Some retirees quilt; others fish. And then there’s Barbara Rae-Venter, who identified the Golden State Killer using investigative genetic genealogy and sparked a forensic revolution.

“I started my life with one thing: science. Astronomy, to be specific. And I dove into it,” writes Aomawa Shields in the introduction to her memoir, Life on Other Planets. “Then I found something else I liked: the arts. Acting, to be specific. So I dove into that instead. Neither one by itself felt fully right.” 

Beginning with her initial glimmers of love for the stars and planets as a preteen, Shields tells her story chronologically, with writing that is immediate, sometimes poetic. In a scene rich in detail, she recounts the snowy winter night when, as a high school student at Phillips Exeter Academy, she first glimpsed Jupiter and its moons through a telescope. “That I could measure something in space, just by looking—this was the shattered ceiling of the Earth, ascending up and through the atmosphere into nothing,” she writes. At MIT and then the University of Wisconsin, Shields steeped herself in astronomy. But the pull of acting, which she discovered in high school playing the role of Truvy in Steel Magnolias, never faded, and she eventually put her work in STEM on hold to pursue an M.F.A. in acting at UCLA.

Shields’ nonlinear path through science, acting, the arts and back to astronomy (she returned to graduate school at age 35 and is now a tenured professor of astronomy and physics at UC Irvine) makes up the rest of the memoir’s narrative. Yes, she faced a bevy of struggles: As a Black woman, Shields was buffeted by racism in graduate school, as well as by self-doubt and impostor syndrome. She’s also candid about the sometimes-difficult balance of marriage, family and work, and her worry about whether she’s “Black enough” in certain settings. Throughout, Shields is an illuminating guide to her own idiosyncratic journey, seamlessly unpacking complicated concepts about stars and planets.

In Life on Other Planets, Shields has written an inspiring memoir about charting her own path and merging her scientific and artistic pursuits. Along the way, she also gives us glimpses of the wonder she’s found while studying the cosmos.

Astrobiologist Aomawa Shields’ Life on Other Planets is an inspiring memoir about charting her own path and merging the two worlds of science and art.
In his latest true crime investigation, James Renner refuses to let the murder of Shaker Heights, Ohio, teenager Lisa Pruett be washed away by the tide of time.

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