The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
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With today’s relentless news cycle, it’s easy to forget the genesis of our current media fascinations. You may think that the 1990s was when the media, celebrity trials and America’s love for gawking oozed together to create the concept of the courtroom as an entertainment venue. The truth is, you have to go back a bit.

Douglas Perry’s The Girls of Murder City provides a captivating look at the killer women who dominated headlines in Chicago and across the United States in 1924. More than a dozen women called Murderess’ Row in the Cook County Jail home, but two grabbed most of the attention: Belva Gaertner and Beulah Annan. Cabaret dancer Belva’s meeting with her drunken lover ended with him fatally shot and her glamorous clothes blood-splattered. And after shooting her lover in the apartment she shared with her husband, 23-year-old Beulah danced to her favorite record, “Hula Lou.”

Dripping with scandal, beauty and savvy, these women had a glorious chance to deliver the performances of a lifetime. They didn’t disappoint. Covering this for the Chicago Tribune was rookie reporter Maurine Watkins, who took her bitterness over the women’s manipulation of the system—Beulah changed her shooting story three times and the all-male jury still let her walk—and turned it into a hit Broadway play, Chicago.

Perry takes a sturdy foundation of murder, sex and Chicago’s scandal-happy newspapers and builds a nonfiction marvel. His bouncy, exuberant prose perfectly complements the theatricality of the proceedings, and he deftly maneuvers away from the main story without ever losing momentum. Perry uncovers illuminating background details on the Chicago newspaper wars and the female inmates who took a backseat to Belva and Beulah, and pushes Watkins back into the spotlight. He captures the pulse of a city that made New York look like a suburban block party. The Girls of Murder City not only illustrates the origins of a new media monster, but reminds us that we’ve never been that innocent.

Dripping with scandal, beauty and savvy, these women had a glorious chance to deliver the performances of a lifetime. They didn’t disappoint.
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What appears on our national and global dinner plates has come under intense scrutiny in the last decade, as many of the world’s food production practices are devastating the natural abundance and health of planet Earth. In the wake of such eye-opening books as Mark Kurlansky’s Cod and, more recently, Jonathan Safran Foer’s Eating Animals comes journalist Paul Greenberg’s excellent investigation into global fisheries and fishing practices, Four Fish: The Future of the Last Wild Food.

Admittedly, Greenberg is a fish guy. As a youngster he avidly fished for bass, first in a pristine pond near his Connecticut home; then, as a teenager, he took to the sea in a beat-up aluminum boat. “I thought of the sea,” he writes, “as a vessel of desires and mystery, a place of abundance I did not need to question.”

But boys grow up, and other interests crowd out childhood passions. The allure of fishing faded until Greenberg decided to revive the habit in the early 2000s. Returning to his former fishing grounds, he found that the flounder, blackfish and mackerel that he used to catch in abundance had moved on, dwindled or disappeared. He traveled up and down the Eastern Seaboard and down into Florida, “fishing all the way” and meeting many fisherman, all of whom had the same complaint: “Smaller fish, fewer of them, shorter fishing windows . . . fewer species to catch.”

Visiting fish markets (another childhood habit), Greenberg noted that “four varieties of fish consistently appeared that had little to do with the waters adjacent to the fish market in question: salmon, sea bass, cod and tuna.” Over the next decade, he determined to find out why “this peculiarly consistent flow of four fish from the different waters of the globe” was ending up on our dinner plate.

What follows is an extraordinarily attentive, witty, sensitive and commonsense narrative about salmon, sea bass, cod and tuna that covers their origination, life cycles and the ever-evolving saga of their exploitation by humans. Backed by rigorous research and enlivened by Greenberg’s man-on-the-spot reportage, the book charts the history and rise of the world’s appetite for these four fish, the industrial fishing practices and the “epochal shifts” in these fish populations—from habitat damage and overfishing of the last wild stocks to the often dubious farming and aquaculture enterprises that now dominate the fish production marketplace.

While Greenberg believes that we need the oceans’ harvest to feed an ever-increasing human population, he acknowledges that a “primitive” human greed has helped land us in an ecological tangle. But this inspiring book doesn’t just diagnose the problem; Greenberg puts forth an ameliorating set of principles that can help us to live in better balance with the “wild oceans” that sustain us.

What appears on our national and global dinner plates has come under intense scrutiny in the last decade, as many of the world’s food production practices are devastating the natural abundance and health of planet Earth. In the wake of such eye-opening books as Mark…

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In attempting to reach her autistic son, Elaine Hall developed imaginative new ways to connect with other autistic children. These miracle breakthroughs, as well as a performing arts program she started for autistic children, were the subject of an award-winning HBO documentary, Autism: The Musical. Hall relates this incredible journey in her heartwarming memoir, Now I See the Moon.

Once a highly successful film and television acting coach for children, Hall consistently distinguishes herself by employing creative approaches to motherhood. When she learns that Neal, the two-year-old boy she adopted from a Russian orphanage, is autistic, she recalls a Chinese proverb: “Barn’s burnt down—now I see the moon.” And here is where the hero quest of a devoted mother begins.

Hall enters her son’s world, flapping her hands, crawling under tables and spinning as Neal does in order to understand his heightened sensory perceptions, his difficulty with communicating through speech and his remarkable gifts. She witnesses his protectiveness toward other children, his occasional psychic ability and his high intelligence, and she learns to empathize with the physical pain and panic he experiences when subjected to loud noises.

Hall writes unflinchingly about the strains and sacrifices of parenting an autistic child, yet more importantly, her work encourages parents to accept their child’s uniqueness, to question and rethink what is best regardless of established practices, and to appreciate the miracles that come with never giving up on developing pathways to communication.

Now I See the Moon is an amazing story written by an indomitable woman and an important book for anyone wanting to nurture and appreciate the special gifts of autistic children.

In attempting to reach her autistic son, Elaine Hall developed imaginative new ways to connect with other autistic children. These miracle breakthroughs, as well as a performing arts program she started for autistic children, were the subject of an award-winning HBO documentary, Autism: The Musical.…

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Magellan, Amundsen, Armstrong: If the mere mention of these names ignites your passion for exploration, discovery and adventure, James M. Tabor’s latest book will indulge you on all counts and then some. Blind Descent chronicles the deadly dangerous, awe-inspiring quest to reach the Earth’s core and the race to get there first by two fiercely competitive men of polar-opposite personalities—the quiet, self-effacing Ukrainian, Alexander Klimchouk, and Bill Stone, the brash, commanding (and sometimes controversial) American.

Far beyond the relative tameness of commercial caves or even the daunting challenges of spelunking, this mission takes the men and their teams “thousands of feet deep and many miles long” into the uncharted subterranean mysteries of the supercave. Danger is ever-present; falling, flooding, asphyxiation, hurricane-force winds, hypothermia and the “particularly insidious derangement called The Rapture” (to name just a few of the many hazards) pose ongoing threats to life and limb. Compounding the tension and peril is the added menace of living and maneuvering in unrelenting, unnerving darkness.

Tabor’s you-are-there style captures the excitement of these expeditions with the immediacy of an Indiana Jones movie, and the ensuing human dramas which unfold—deaths, divorces, liaisons and love affairs—are equally compelling. He also deftly handles the science involved, explaining how these endeavors offer important insight into subjects ranging from pandemic prevention to new petroleum preserves. And then there’s the ever-evolving equipment angle, like the dogged, problem-solving Bill Stone’s invention of the MK1 rebreather, the breakthrough technology that first thrilled divers in 1987 when Stone stayed underwater an incredible 24 hours. The device now allows cavers to get past the formidable underground rivers and lakes that previously blocked their passage to greater depths.

“Caves are scientific cornucopias,” Tabor writes, but “only quite recently have sophisticated batteries and digital recording technology made it possible to take cameras far down into supercaves,” bringing these expeditions the kind of attention their “mountaineering, aquanaut, and astronaut counterparts” have long enjoyed. In Blind Descent, Tabor’s access to actual video footage and photographs (some stunning examples are included) as well as logs and journals enhance his exhilarating prose. A former contributing editor to Outside magazine and Ski magazine, and the writer and host of the popular PBS series “The Great Outdoors,” Tabor’s many talents culminate in this risk-it-all tale of tragedy and triumph.

Magellan, Amundsen, Armstrong: If the mere mention of these names ignites your passion for exploration, discovery and adventure, James M. Tabor’s latest book will indulge you on all counts and then some. Blind Descent chronicles the deadly dangerous, awe-inspiring quest to reach the Earth’s core…

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More than 65 million American households have a pet, so it’s difficult to comprehend that many living creatures in this country are neglected, abused and cruelly murdered each year. Why Animals Matter: The Case for Animal Protection explores this contradiction as it exposes the suffering of domestic and wild animals in America. Bypassing complicated philosophical arguments, authors Erin E. Williams of the Humane Society of the United States and Margo DeMello of the House Rabbit Society coolly present sordid details of the human-animal relationship in America, from the meat, textile, hunting and medical experiment industries, to the use of animals as family and entertainment. The realities are brutal and no myths are left unturned: That delicious Sunday roasted chicken survived on a factory farm in a cage so small it couldn’t flap its wings, covered in feces and fattened until it couldn’t stand, to provide dinner at the cheapest price possible. Rationalizations and arguments about history, necessity and overpopulation don’t stand up to the heavily footnoted studies and points made here; if you’re going to eat that chicken, at least honor it by acknowledging what it went through to get to your table. Why Animals Matter ends with a manifesto for compassion and decency toward all living things, but remains a difficult look at America’s heart of darkness.

More than 65 million American households have a pet, so it's difficult to comprehend that many living creatures in this country are neglected, abused and cruelly murdered each year. Why Animals Matter: The Case for Animal Protection explores this contradiction as it exposes the…
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Dog lovers and literary groupies alike will adore Shaggy Muses: The Dogs Who Inspired Virginia Woolf, Emily Dickinson, Elizabeth Barrett Browning, Edith Wharton and Emily Bronte. This intimate glimpse of famous writers reveals brilliant, often reclusive and sometimes unbalanced artists who used beloved pets as confessors, companions, muses and even emotional stand-ins. Elizabeth Barrett Browning’s dog Flush was her constant companion when he wasn’t being snatched by the dognappers common in 19th-century London. Flush became a literary go-between and romantic rival when the dashing Robert Browning came to call; he bit Browning twice, but they made up while walking the streets of Italy. Emily Bronte, who grew up to write the wild and disturbing Wuthering Heights, displayed disturbing behavior as a young girl by beating the family’s mastiff, then nursing its wounds. Edith Wharton posed with two Chihuahuas perched on her shoulders and obsessed over an annoying pack of Pekinese to avoid her husband’s infidelities and mental illness. Virginia Woolf described her purebred puppy as an angel of light who made her husband believe in God, perhaps counterbalancing the fact that the dog wet the floor eight times in one day. And Carlo the Newfoundland was the only audience for the reclusive poet Emily Dickinson, who insisted that she was more interested in Carlo’s approval than writing to please the public. When the dog died, Dickinson’s brief note to a friend was as poignant as any of her poems. Carlo died, she wrote. Would you instruct me now?

Dog lovers and literary groupies alike will adore Shaggy Muses: The Dogs Who Inspired Virginia Woolf, Emily Dickinson, Elizabeth Barrett Browning, Edith Wharton and Emily Bronte. This intimate glimpse of famous writers reveals brilliant, often reclusive and sometimes unbalanced artists who used beloved pets as…

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