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<b>A filmmaker’s dramatic rise and fall</b> Oscar Micheaux was an innovator and a revolutionary force as a filmmaker, entrepreneur and novelist, unquestionably black America’s first multimedia champion. But as Patrick Milligan’s exceptional new biography <b>Oscar Micheaux</b> shows, he was also a complex, driven figure whose ambition sometimes clouded his judgment, and whose objectives were so epic he was fated to fail in a society that during his lifetime neither acknowledged his greatness nor respected his achievements. Yet Micheaux wrote, produced and directed 40 feature-length films in every genre from musicals to Westerns, romances, gangster sagas and comedies during an amazing run from 1919 to 1948.

Micheaux considered himself a cinematic propagandist, and his productions an antidote to the horrendous images Hollywood was presenting where blacks were consigned to roles depicting them exclusively as servants, sexually crazed hoods or lazy bums. He had no limits regarding concept and saw absolutely nothing odd or unconventional about including interracial romances in films, examining color issues within the black community or spotlighting cruelty and injustice that occurred among everyday people.

But as Micheaux steadily built his film empire, he regularly encountered controversy and difficulty. Milligan details accusations of preference toward lighter-skinned performers and reveals that the celebrated director engaged in one case of plagiarism that had tragic consequences. Still, he also was responsible for numerous landmark feats, among them writing, producing and directing <i>The Homesteader</i> in 1919, not only filling all three roles on a production two years before Charlie Chaplin did the same thing to much larger fanfare, but also becoming the first African-American to do so; and later releasing <i>The Exile</i>, the first full-length African-American talking film, in 1931.

Milligan leaves no source untapped in his comprehensive account, using unpublished letters and financial records, among other things, to trace Micheaux’s life, fully documenting his spectacular rise and subsequent sad fall (he died in poverty in 1951). Though he was honored with the Director’s Guild of America Golden Jubilee Special Award in 1986 and a year later given a star on Hollywood Boulevard, Micheaux’s remarkable contributions remain unknown to even many hardcore film buffs. Fortunately, Milligan’s seminal work at least begins the process of getting him the attention and respect he deserves.

<i>Ron Wynn writes for the Nashville</i> City Paper <i>and other publications.</i>

<b>A filmmaker’s dramatic rise and fall</b> Oscar Micheaux was an innovator and a revolutionary force as a filmmaker, entrepreneur and novelist, unquestionably black America’s first multimedia champion. But as Patrick Milligan’s exceptional new biography <b>Oscar Micheaux</b> shows, he was also a complex, driven figure whose ambition sometimes clouded his judgment, and whose objectives were so […]
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Having catapulted over my handlebars on too many occasions to count (with two broken collarbones to mark my mishaps) and having met my share of dogs, coyotes, peacocks, cougars, bears and bulls on the back roads of Northern California, I feel a deep kinship with the 27 cyclist- sufferers who offer up their bruised but mostly undaunted spirits in Cycling’s Greatest Misadventures.

True, I have not had a live rat caught in my front spokes ("Riding Tandem with Rodent"). Nor have I sought to repair a flat with dental floss ("Genius, Not Genius"). Or taken a seriously wrong path while mountain biking in Bolivia ("The Jungle is Hungry"). Or, for that matter, used a bike ride as a sort of grand treasure hunt among rural junk piles ("Lost and Found in Boise, Idaho"). But I really, truly catch these writers’ drifts.

Most of these mostly short (two- to seven-page) vignettes have a wry joke-is-on-me tone with that blend of steely bravado and self-deprecating humor you find at the third rest stop of a century on a drizzly day. Some pieces are historical: "Iron Riders," for example, tells the history of a seemingly crazy 19th-century attempt to turn Buffalo Soldiers into bicycle cavalry. Some strike a more somber note: "The Shock and Numbness Are Starting to Set In" tells of a bike tour leader who sees sweet, elderly cyclists in her charge killed by criminally inattentive drivers. The volume also contains some wince-inducing photos in its "Bike Crash Photo Gallery."

All in all, Cycling’s Greatest Misadventures proves an interesting read for cyclists and armchair cyclists alike. These riders’ pain is our gain.

Having catapulted over my handlebars on too many occasions to count (with two broken collarbones to mark my mishaps) and having met my share of dogs, coyotes, peacocks, cougars, bears and bulls on the back roads of Northern California, I feel a deep kinship with the 27 cyclist- sufferers who offer up their bruised but […]
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The Salwen family lived the American Dream. Fast-track careers afforded parents Kevin and Joan a beautiful home, luxury cars, world travel and private school educations for their teenage children, Hannah and Joseph. In their affluent neighborhood, new was better and more was the norm. But one day, witnessing the sharp social contrast between a homeless man and a man driving a Mercedes, Hannah experienced a profound “aha” moment that sparked a family dialogue—one that ultimately led the Salwens to sell their Atlanta McMansion and commit half the proceeds to a worthy charity.

The resulting book, The Power of Half, is a poignant story with a powerful message about creating a new family standard that involves giving rather than taking. With today’s economic concerns, the Salwens’ book is not only timely but truly inspiring. The idea of “the power of half” is simply a point of measure to help people to gauge their giving efforts. Ideally, readers will come away from this work with a realization that we all have something to give. Whether one contributes money, time or talent, the effort is its own reward.

Through a unique roundtable dynamic that gave each family member an equal say in all project decisions, it’s clear the Salwens did more than talk the talk. They walked the walk. The Power of Half reveals some remarkable life lessons, including working templates that serve to better ourselves and the world. For this family, the effects of their project were surprisingly twofold. In choosing to help the plight of villages in Africa, the Salwens not only transformed the lives of others, but in the process they experienced several powerful transformations of their own.

The tandem writing team of father and daughter emphatically reinforces the concept of family working together. The generational blend of thoughts, ideas and energies, moving towards a common goal, is undoubtedly a mighty force. This thought-provoking read compels us to appreciate what we have. More importantly, it is an affirmation of life’s true worth, realized in our sense of self, in our commitment to family and in our efforts to leave a positive imprint on the world. The message is truly empowering.

Carol Davala is a freelance writer in Lake Wales, Florida, where, inspired by The Power of Half, she contributes to knitting projects for the charitable WarmUpAmerica organization.

The Salwen family lived the American Dream. Fast-track careers afforded parents Kevin and Joan a beautiful home, luxury cars, world travel and private school educations for their teenage children, Hannah and Joseph. In their affluent neighborhood, new was better and more was the norm. But one day, witnessing the sharp social contrast between a homeless […]
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In the current focus on the sectarian violence in Iraq between Sunnis and Shiites, it’s easy to forget that the country was once a more cosmopolitan place, with Jews and Christians living among the Muslims. Few are left, but small communities hang on, including about 20,000 Armenian Christians. Shant Kenderian’s prosperous, well-educated family was once among them, but his mother didn’t want to stay. After her marriage broke up, she took Shant and his brother to Chicago. Shant, at 15, found himself the lucky possessor of a green card legal U.S. residency.

But he missed his father and, at 17, made what turned out to be a serious error. He went back to Baghdad in 1980, just as Iraq’s war with Iran began. The borders shut down. What happened next is the subject of 1001 Nights in Iraq, Kenderian’s stirring memoir of his forced service in the Iraqi navy, his capture by the Americans during the First Gulf War in 1990-1991 and his ceaseless quest to return to the U.S.

Kenderian brings a rare perspective to his experiences that of an Armenian who can see both the Iraqi Muslims and the Americans with an outsider’s objectivity. He describes the Iraqi military as an institution of brutality and incompetence, filled with clueless draftees understandably terrified of their government. The book’s most exciting and tragic scenes come as Kenderian’s patrol boat is blown up by an Iraqi mine a friendly fire disaster made even worse when the wounded crew is abandoned by a Red Crescent vessel.

The Americans come off somewhat better, but Kenderian runs into as much stubborn ignorance as kindness during his weeks as a prisoner of war. A faction among his interrogators believe he must be a spy because he speaks English. But other Americans are decent and curious, and Kenderian even finds romance with a female truck driver.

Throughout, Kenderian is sustained by his belief in God and his faith that the Americans will finally see reason. Today, as we again struggle in Iraq, his story can remind all sides of their common humanity.

Anne Bartlett is a journalist in Washington, D.C.

 

In the current focus on the sectarian violence in Iraq between Sunnis and Shiites, it’s easy to forget that the country was once a more cosmopolitan place, with Jews and Christians living among the Muslims. Few are left, but small communities hang on, including about 20,000 Armenian Christians. Shant Kenderian’s prosperous, well-educated family was once […]
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The crucial matters of civilization, contends Ted Conover in The Routes of Man, invariably occur on and alongside roads, be they ground-based pathways or navigable rivers. Here is where cities are built, commerce conducted, cultures mingled, empires extended and invaders admitted. Just about every good thing a road enables is matched by something bad; the same route that conveys one’s goods to market can just as swiftly bring back disease and political disruption, or it can create a momentarily bustling economy at the expense of scarce natural resources.

To demonstrate the more particular consequences of modern roads, Conover invites the reader to accompany him on sometimes long and frequently hazardous journeys through Peru, the Himalayas, East Africa, the West Bank, China, Lagos and Nigeria. In Lagos, he hangs out with an ambulance crew stationed beside an incredibly clogged and robber-infested freeway. In China, he joins a rally of newly minted car enthusiasts for a weeklong excursion from Beijing to Hubei province. In the Himalayas, he trudges with villagers along the frozen river that is their only winter outlet to the outside world.

Conover rides “shotgun” in the West Bank with both Palestinian residents and the Israeli soldiers who patrol and monitor the region’s roads. Ubiquitous and maddeningly arbitrary in their operation, the soldiers’ checkpoints are an unrelenting source of frustration and humiliation to the Palestinians: “Most permit both vehicles and pedestrians to pass, but some allow only pedestrians. Some close at dusk and open at dawn. . . . Some allow anything to pass once the soldiers have left for the night. And some change the rules from day to day.”

Although the narrative occasionally gets bogged down in what appears to be detail for its own sake, The Routes of Man is an absorbing read. Conover may not reach any grand conclusions about the future of roads, but he does illuminate the myriad functions of these vital but underappreciated structures—not the least of which is their symbolic importance to the human race, which is constantly on the move. 

The crucial matters of civilization, contends Ted Conover in The Routes of Man, invariably occur on and alongside roads, be they ground-based pathways or navigable rivers. Here is where cities are built, commerce conducted, cultures mingled, empires extended and invaders admitted. Just about every good thing a road enables is matched by something bad; the […]
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Dearest Reader, It is my sincerest hope you will not consider me a shameful gossip if I whisper to you in these brief lines some of the subjects elucidated in Janet Gleeson’s Privilege and Scandal: The Remarkable Life of Harriet Spencer, Sister of Georgiana. Many secrets, hitherto buried between the lines of Harriet’s many letters (both to her and from her), are forthrightly revealed in Gleeson’s edifying, yet thoroughly beguiling biography of this vivacious, attractive and intelligent woman. Harriet Spencer, (who became Countess of Bessborough and is a feisty ancestor of the famed, though ill-fated, Princess Di) turned heads and raised eyebrows in 18th-century Britain by embroiling herself (a married woman!) in many peccadilloes regarding her participation in politics, gambling and illicit amours. The salacious details of that which I can only hint at here her lifelong involvement with a younger man, the painful particulars of her dalliance with playwright Richard Sheridan and how she managed to keep secret the birth of two of her six children are to be discovered in Gleeson’s detailed accounting.

But remember, dear reader, that a lady’s reputation in the Regency era is everything, and that such a lady a dynamic and influential figure of the Whig aristocracy, who braved social condemnation by giving voice to the reasoning of her acute mind, who was ever a faithful sister and friend, and who was such a loving and devoted mother, that, upon hearing her son was wounded in the Battle of Waterloo, raced alone across war-torn Europe to be at his side to such a one should every courtesy of confidence be given. Therefore, lest my words insinuate more than they illuminate, I pray you, burn my letter, and buy the book! Linda Stankard, your faithful correspondent, writes from Nanuet, New York.

Dearest Reader, It is my sincerest hope you will not consider me a shameful gossip if I whisper to you in these brief lines some of the subjects elucidated in Janet Gleeson’s Privilege and Scandal: The Remarkable Life of Harriet Spencer, Sister of Georgiana. Many secrets, hitherto buried between the lines of Harriet’s many letters […]

My first thought upon seeing the title of this book was, wow, talk about preaching to the choir. I love librarians: their quiet efficiency, their confident bookishness and the way they can always help no matter the request, from a picture book on potty training to the latest chick lit to an obscure bluegrass CD. But as Marilyn Johnson postulates in the gloriously geeky This Book Is Overdue, librarians are no longer ladies in cardigans hovering over the card catalog. The new librarians are bloggers, information junkies and protectors of freedom and privacy in the Patriot Act era. Says Johnson, “The most visible change to librarianship in the past generation is maybe the simplest: Librarians have left the building.”

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