The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
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Many years ago, a friend who was part of the team that helped construct the Internet gave me the best single piece of advice I have ever received about e-mail: Don’t ever write anything in an e-mail that you wouldn’t put up on a billboard in Times Square. With Send: The Essential Guide to Email for Office and Home, New York Times Op-Ed editor David Shipley and Will Schwalbe, editor-in-chief at Hyperion, may well have done for e-mail correspondence what another celebrated pair, William Strunk and E.B. White, did for formal composition in The Elements of Style. A breezy, one-sitting wall-to-wall read packed with actual and frightening examples of e-mails gone horribly wrong, Send is thoughtfully indexed and scrupulously annotated, making it a perfect candidate for any office bookshelf. In addition to highly practical chapters, such as The Anatomy of an Email, with 10 subchapters on everything from the To: line to the sign-off, the book contains many amusing factoids and sidebars. (Did you know that the first spam message was sent in 1978?) Shipley and Schwalbe spend a fair amount of time by no means too much reminding us that e-mails fail to carry important cues built into other forms of communication, and advise us on when e-mail might not be the best medium to deliver a message. If we’re determined to use e-mail against their advice, though, the pair walks us through a number of scenarios designed to help us avoid the most common mistakes before they escalate into a full-fledged flame war.

The book’s title even serves as an acronym for the four most valuable characteristics of successful e-mail: Simple. Effective. Necessary. Done. If you have a computer, you’d be wise to keep a copy of Send within an arm’s length of it.

Many years ago, a friend who was part of the team that helped construct the Internet gave me the best single piece of advice I have ever received about e-mail: Don't ever write anything in an e-mail that you wouldn't put up on a billboard…
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British author Sara Wheeler sets a daunting task for herself in her latest book, Too Close to the Sun: The Audacious Life and Times of Denys Finch Hatton to wrest her subject from the enduring portrait created by his longtime lover Karen Blixen in Out of Africa (not to mention Robert Redford’s cinematic portrayal). Wheeler succeeds, at least to some extent, presenting an in-depth profile of the legendary denizen of British East Africa (now Kenya) while also capturing the essence of life in the colony during the first quarter of the 20th century, contrasting and reflecting the world as depicted by Blixen.

Intriguingly aloof, devastatingly charming, equally comfortable facing down charging game, discussing literature or enjoying fine wine (which he always seemed to have on hand), Denys Finch Hatton seems the perfect embodiment of the age of gentleman explorers. Nineteenth-century explorers had brought Africa into the drawing room, Wheeler writes, and after their Eton and Oxford educations, scions of wealthy families traipsed out to the latest colonial hotspot seeking adventure or as social and tax changes left the aristocracy short on capital renewed fortunes. Finch Hatton followed family protocol in doing both, falling in love with Africa on his first visit in 1910, at the age of 23. Before finding his life’s work as a hunter and pilot, he tried his hand at dairy farming and became a decorated officer during the African campaign in the First World War.

Though we think of Finch Hatton as the consummate expatriate, he in fact returned to England often and always managed to be in the middle of things. He attended the coronation of King George V during one visit and went to parties with the Prince of Wales (the future Duke of Windsor), who he would later lead on safari, during another. He saw performances by Josephine Baker in Paris and Nijinsky in London. He befriended Kermit Roosevelt (Teddy’s son) en route to Mesopotamia.

Naturally, many Finch Hatton associates familiar to readers of Blixen’s works also figure in Too Close to the Sun: Berkeley Cole, Lord Delamere and Bror Blixen (Karen’s husband). Aviatrix Beryl Markham is also in the book. For most of us, however, the most fascinating member of Finch Hatton’s circle is Karen Blixen herself. Tania [Blixen] was part of Denys’s deepening contact with Kenya, and her lyrical response to the landscape and the people attracted him, Wheeler writes of their intense, yet fragile relationship.

In her introduction, Wheeler says she started out disliking Blixen, but made peace with her over the course of her research and travels. It is a result of those travels that Wheeler is able to set scenes so wonderfully a talent she shares with Blixen whether she’s describing the atmosphere of Finch Hatton’s favorite childhood home, a war-weary London or striking Kenyan sunsets. Putting her subject into context is an important aspect of Too Close to the Sun, because though he always lived life on his own terms, part of the allure of Finch Hatton will always be the intersection of time and place.

MiChelle Jones made a pilgrimage to Rung-stedlund, Karen Blixen’s family home near Copenhagen, in 2001.

British author Sara Wheeler sets a daunting task for herself in her latest book, Too Close to the Sun: The Audacious Life and Times of Denys Finch Hatton to wrest her subject from the enduring portrait created by his longtime lover Karen Blixen in Out…
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Flowers and expressions of love go hand in hand, and with Mother’s Day coming up, Peter Loewer’s latest book, Loves Me, Loves Me Not: The Hidden Language of Flowers is an especially timely tome. Loewer, a prolific natural sciences author, artist and host of The Wild Gardener radio show, explores the symbolic expression attached to different flowers through the ages. Everyone knows roses are a symbol of love, but did you know that the carnation, a symbol for Mother’s Day since 1907, can also carry such varied meanings as bravery, love and friendship or vanity and pride ? Or that you should be sure to make your intentions known when giving petunias, since they can imply a variety of meanings ranging from your presence comforts me to resentment ? Loewer’s delightful illustrations accompany each flower’s historical interpretation, and the book makes a nice gift by itself or paired with a favorite flower. When you want to send a consolation message, a happy marriage wish or simply say thinking of you, these and many more sentiments can be conveyed by following this handy guide.

Flowers and expressions of love go hand in hand, and with Mother's Day coming up, Peter Loewer's latest book, Loves Me, Loves Me Not: The Hidden Language of Flowers is an especially timely tome. Loewer, a prolific natural sciences author, artist and host of…
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For 118 years, beginning with the ascent of Henry VII to the throne in 1485 and continuing through the sequential reigns of Henry VIII and his children, Edward VI, Mary and Elizabeth, England suffered under the divisive, rapacious and bloody rule of the Tudors. While this era was underscored by Henry VIII’s legal and material dispossession of the Catholic Church in England, the Tudors further created misery, says G.J. Meyers, author of The Tudors, by engaging in profligate personal spending, fighting elective and wasteful wars and being actively hostile toward the plight of common citizens. Such advances as occurred in the theater, higher education and naval power happened, Meyer contends, in spite of the Tudors, rather than because of them.

So why are the Tudors so widely celebrated in virtually every medium from popular song to TV dramas? Why do many still regard Queen Elizabeth’s reign (1558-1603) as England’s Golden Age? Meyer argues that such mythmaking arose to aid descendants of the powerful ruling class Henry VIII created when he redistributed the Church’s vast wealth among his favorites. “No longer needing or willing to tolerate a monarch as overbearing as the Tudors had been at their zenith,” he says, “that new elite nevertheless continued to need the idea of the Tudors, of the wonders of the Tudor revolution, in order to justify its own privileged position. . . . Centuries of relentless indoctrination and denial ensued, with the result that England turned into a rather curious phenomenon: a great nation actively contemptuous of much of its own history.”

The story of Henry VIII’s serial marriages is well-known in its broader outlines and is, at first, almost comic to witness, as the king twists this way and that to appear a pious and dutiful Catholic while simultaneously seeking to satisfy his own considerable lusts. But the humor fades quickly. As his impatience grows at Rome’s unwillingness to grant him a divorce from his first wife, Henry finds it convenient to become, in effect, his own Pope, his own interpreter and executioner of God’s will. Once he reaches this stage, of course, Catholicism in England becomes ipso facto a religious affront and must be eradicated—along with the enormous holdings in land and property it has accumulated over the centuries.

Still, there is the sticky matter of turning the English masses (and his own children, for that matter) against the only Church they’ve ever known, and one that has reliably acted as a safety net for the poor. These are the seedbeds of “heresy” and rebellion that Henry VIII and his successors confront with such brutality and disregard for justice that one winces to read about it. Even under the comparatively gentle Queen Mary, who ruled for only five years, more than 300 people were barbarously executed, most of whom Meyer judges to have been “incapable of posing a threat to church or state.”

Meyer does a masterful job of delineating the ever-shifting lines of intrigue during the various Tudor reigns and of keeping tabs on a dizzying array of genetic, romantic and political relationships. He also provides crucial background chapters on Parliament, the English theater, village and monastic life, schools and schooling, John Calvin, the Tower of London, the Council of Trent and other significant entities and occurrences that stood apart from the English court even as they were affected by it.

Assiduously researched and laid out, The Tudors is hard-edged history without the beguiling romantic overlay. Meyer never renders his assessments vulnerable by falling in love with (or in awe of) the figures he chronicles, and his book is the better for it.

Edward Morris reviews from Nashville.

For 118 years, beginning with the ascent of Henry VII to the throne in 1485 and continuing through the sequential reigns of Henry VIII and his children, Edward VI, Mary and Elizabeth, England suffered under the divisive, rapacious and bloody rule of the Tudors. While…

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If they’re listed in order of importance, the Fourth Commandment (“Remember the Sabbath day, to keep it holy”) actually beats out admonitions against thievery and murder as more central to a religious life. But what does it mean to “remember” the day? How come for strict Orthodox Jews the proscribed Sabbath activities include tearing sheets of toilet paper, while for others limited access to Facebook and Twitter are punishment enough? And what’s the point of all this, anyway?

These are the questions former New York Times and Slate writer Judith Shulevitz confronts in The Sabbath World. Beginning with her own family’s history of keeping the Sabbath in a ramshackle manner at best (kosher butchered meat, yes; separate plates, no; shrimp or pork if eating out or at someone else’s house, yes), she explores the history behind the rituals in an effort to better understand her own reluctance to continue the tradition.

Shulevitz describes the book as a “spiritual autobiography” and acknowledges that the time spent researching the topic “was not exactly a socially productive obsession. Saying that I’d been reading up on the Sabbath was a good way to cut a vigorous conversation short.” She blends theory, scholarship, history and memoir, letting us follow the path of her discoveries. Originally, she writes, “Resting on the seventh day may initially have been no more than an accidentally savvy social arrangement—the wise management of land and human resources in an early, fragile agricultural society—and only later acquired theological connotations.” In the present day, there’s a move toward a secular Sabbath for people suffering from information and technology overload; shutting off the cell phone and going tweet-free for a day can help us to better hear our own voices again.

The book is at its best when Shulevitz is sharing her own stories; some of the history can be as tough to decipher as Talmudic law itself, but her personal take on things is always accessible. (“The one thing I do consistently on Friday nights is drink.”) Her point turns out to be that accessing this ancient tradition ultimately reveals both our divinity and our humanity. Or, in her lovely turn of phrase, “We have to remember to stop because we have to stop to remember.”

Heather Seggel reads and writes from Ukiah, California.

If they’re listed in order of importance, the Fourth Commandment (“Remember the Sabbath day, to keep it holy”) actually beats out admonitions against thievery and murder as more central to a religious life. But what does it mean to “remember” the day? How come for…

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Evelyn Waugh’s novel Brideshead Revisited was a bestseller in England and the U.S. in the 1940s and a huge success as a BBC and PBS series in the 1980s. In her compelling and insightful biography, Mad World: Evelyn Waugh and the Secrets of Brideshead, Paula Byrne shows how personal the book was for Waugh. He wrote the novel for himself, he said, with little regard for sales. He strenuously denied that the setting or the characters were based on a specific home or family, emphasizing this with an Author’s Note, signed E.W., that reads: “I am not I: thou are not he or she: they are not they.” Yet it has long been accepted that a real family, the Lygons, and their home, Madresfield, or “Mad,” as it was affectionately called by Waugh and the family, were the inspiration for the novel.

Byrne’s very readable book has several aspects. Her extensive research enables her to separate truth from fiction with regard to Waugh and the Lygons, demonstrating, for example, that the novelist made use of composite characters and the experiences of others, rather than creating portraits directly from his own life. Byrne’s depiction of the remarkable and tragic Lygons, often quite different from the family in the novel, would make for fascinating reading even if they had never known Waugh. His first visit to “Mad” was in 1931, shortly after his conversion to Roman Catholicism in 1930. Byrne shows how Waugh, for whom friendship was an art, enjoyed his visits with the Lygons, in particular the daughters Dorothy and Maimie, and her detailed discussion of Brideshead helps us to better understand “the obsessions that shaped his life: the search for an ideal family and the quest for a secure faith.”

Byrne believes that Waugh has been misrepresented as difficult and unpleasant, often to those closest to him. By tracing his entire life, she gives us enough background to make our own judgments. Throughout much of his life he felt like an outsider; as a writer, this stimulated his imagination and his comic vision. Yet Waugh wrote that his years at Oxford were “essentially a catalogue of friendships,” many of which continued throughout his life. His life, his son Bron wrote, revolved around jokes; this was the witty Waugh whose company the Lygon daughters enjoyed. At the same time, he could be snobbish, acerbic and cutting. At Oxford in the 1920s he began drinking heavily, a habit that would continue until his death in 1966.

This superb book combines literary biography, family history and literary criticism. The result is an irresistible mix that is both an authoritative look at Waugh’s best-known novel and an excellent introduction to the life and work of one of England’s greatest 20th-century writers, and to the world he knew.

Roger Bishop is a frequent contributor to BookPage.

Evelyn Waugh’s novel Brideshead Revisited was a bestseller in England and the U.S. in the 1940s and a huge success as a BBC and PBS series in the 1980s. In her compelling and insightful biography, Mad World: Evelyn Waugh and the Secrets of Brideshead, Paula…

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