The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
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The back-to-the-land movement was nearing its peak in 1971, when Susan Hand Shetterly, her husband and their young son moved to a small cabin in coastal Maine with “no electricity, no plumbing, no phone.” Almost 40 years later, unlike most of her peers who soon beat a retreat back to urban comfort, Shetterly still calls Maine home, a word that resonates powerfully throughout Settled in the Wild, her clear-eyed and loving tribute to the land, wildlife and people of her adopted community.

Though the essays in Settled in the Wild touch on the stuff of memoir—a second child, a divorce and work as a teacher, writer and wild bird rehabilitator—Shetterly focuses most acutely on the natural world she inhabits: walking, swimming, caring for animals, chopping trees and, always, observing. Whether she is telling the story of an injured raven who gradually leaves her care for the wild, describing the dead tree outside her kitchen window which turns out to be an ecosystem of its own or observing her neighbors as they navigate the changes that come with the development some welcome and others resist, Shetterly’s nuanced and attentive prose brings her world to life.

Over the course of the book, several related themes emerge. Like Shetterly, who believed from childhood that she belonged in the country, the book’s eels, alewives, ravens and dogs have an innate, even ancestral sense of home. However, their homes are shared, and the sharing is not always pretty: Settled in the Wild is full of dead and injured animals, some harmed by people, some by other animals who hunt, kill and eat as nature intends them to do. Human intervention, on the other hand, takes nature in unforeseen directions. “Cormorants,” one of the book’s most powerful essays, details the ups and downs of local bird populations, undone and restored by the acts of people whose solutions to problems inevitably create new problems, leaving Shetterly, finally, “in hell.” For her readers, though, this wise and subtle book is a gem: beautiful, insightful and realistic, a lesson in embracing the world as it is while envisioning how it might be.

Rebecca Steinitz is a writer in Arlington, Massachusetts.

The back-to-the-land movement was nearing its peak in 1971, when Susan Hand Shetterly, her husband and their young son moved to a small cabin in coastal Maine with “no electricity, no plumbing, no phone.” Almost 40 years later, unlike most of her peers who soon…

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On March 23, 2003, when Operation Iraqi Freedom was still a new venture for American troops, 18 vehicles became separated from the rest of their army convoy. Following faulty directions, the group entered a hostile town, where they were overcome by militant villagers. In her new book, I’m Still Standing, Shoshana Johnson writes of the ordeal that followed.

Johnson, who is this country’s first female black POW, wasn’t even sure why she’d been deployed—she’d spent her career in the Army as a cook. Meals in the desert were either field rations or provided by a civilian dining service, so she had little to do once she arrived in Iraq. But in the attack that killed 11 of her fellow soldiers, Johnson and six male soldiers were taken prisoner. Johnson had sustained severe injuries to both of her legs; two of the others were also injured.

For the next 22 days, until they were rescued by Marines acting on a tip, the seven POWs were shuffled from cell to cell, building to building, town to town. They were often separated; their injuries were given only cursory attention; their meals were inadequate bowls of rice, sometimes with a piece of chicken. Worst of all, they had no idea if they would be released, kept in prison indefinitely or executed. The last two options seemed the most likely.

Johnson writes of the horror of this uncertainty, of the unending boredom of days with nothing to do but imagine the worst scenarios, of hostile guards—or even worse, a flirtatious one who would stroke her neck or try to hold her hand. She also includes the more mundane details of the prisoners’ grim existence: dirty clothes, the lack of bathing facilities or even toilet paper. But Johnson isn’t entirely censorious about her treatment by the Iraqis. Several treated her with kindness, even becoming protective of her. And she still wonders if the three policemen who were their final captors might have been the ones to tip off the Marines.

When she and her fellow captives were finally released and landed in Kuwait, a chaplain approached Johnson and asked if he could pray with her. “The chaplain took my hand to begin the prayer, but before he could even say the first words, I started crying. I was overwhelmed with how much I had to pray about. There had been days of sheer terror, days of utter hopelessness. So many awful things that could have happened didn’t. Instead there were times when I had been grateful for the kindnesses so many of our captors had shown. And now I was free and on my way home. It was overwhelming.”

In fact, events after Johnson’s return to the U.S. were at times nearly as emotionally devastating as her ordeal in Iraq. Fellow soldiers became jealous of the attention the POWs received, and the Army refused to include PTSD treatment as part of her insurance coverage. She believes reporters even gave more coverage to Jessica Lynch (also captured by other Iraqis that day) because she was blonde and Johnson was black. It was distressing enough that Johnson left the Army; these days, she has returned to culinary school and also does public speaking, and she struggles with depression, guilt over living when her fellow soldiers died and anger at her treatment by the Army. Yet Shoshana Johnson proves with this book that she is, in fact, still standing.

Rebecca Bain is a freelance writer in Nashville.

On March 23, 2003, when Operation Iraqi Freedom was still a new venture for American troops, 18 vehicles became separated from the rest of their army convoy. Following faulty directions, the group entered a hostile town, where they were overcome by militant villagers. In her…

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Oral Lee Brown’s story of perseverance and triumph goes far beyond being a heart-warming narrative. It is a sobering and revealing work that reaffirms the shopworn axiom that one person can make a difference. The Promise: How One Woman Made Good on her Extraordinary Pact to Send a Classroom of First-Graders to College, co-written with journalist Caille Millner, spotlights Brown’s zeal to ensure that every student in an East Oakland, California, first-grade classroom has the chance for a college education and better future. A simple encounter in a corner store triggers this campaign when a young girl borrows a quarter and uses it to buy bread and bologna for her family.

Despite earning only $45,000 a year in 1987, Brown eventually sent 19 of the 23 students to college 12 years later. Having already overcome growing up impoverished in Mississippi during the segregation era, Brown is no stranger to beating the odds. She accomplishes her goal through a combination of strategic savings, savvy investments and juggling multiple jobs. She eventually creates the Oral Lee Brown Foundation and gathers donations from various people in the community. But Brown also endures pain and heartache while becoming a confidant, mentor and surrogate mother to the children known as “Brown’s babies.” The men in her life often prove unable or unwilling to understand or appreciate her efforts, and she’s sometimes disappointed or saddened by the children’s behavior. However, Brown also revels in their success, and she makes the same promise to three new classrooms of first-, fifth- and ninth-graders in 2001.

While not every child’s final story is a happy one, The Promise certainly offers a blueprint for people who see injustice and inequality, but feel powerless to challenge or change it. Oral Lee Brown is a true giant and heroic figure whose example reflects her unwillingness to accept the notion that environment and family background inevitably must cause some children to be overlooked and left behind. Ron Wynn writes for the Nashville City Paper and several other publications.

Oral Lee Brown's story of perseverance and triumph goes far beyond being a heart-warming narrative. It is a sobering and revealing work that reaffirms the shopworn axiom that one person can make a difference. The Promise: How One Woman Made Good on her Extraordinary Pact…
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Readers who pick up Goldie Hawn’s new memoir in search of a steamy Hollywood tell-all may be disappointed. Though the 59-year-old Hawn, a show-biz insider since the ’60s, doubtless has plenty of those types of tales, her introspective memoir, co-written with British journalist and author Wendy Holden, focuses more on Hawn’s lifelong journey to wisdom and self-fulfillment.

Each of us goes through transitions and transformations, Hawn writes in the preface to A Lotus Grows in the Mud. The important thing is that we acknowledge them and learn from them. That is the idea behind this book. Not to tell my life story, but to speak openly and from the heart. Expressed by any other star, this sentiment might be scoffed at, but coming from Goldie Hawn, one of America’s most personable and beloved performers, you can believe it’s genuine. Goldie Studlendgehawn was born on November 21, 1945, and raised in Takoma Park, Maryland, a suburb of Washington, D.C. Her parents were both performers her mother ran a dance school, and her father played the violin. Hawn was an entertainer from an early age, and in Lotus she shares stories of her childhood, her days as a go-go dancer, her first taste of success on Laugh-In and her transition to Hollywood leading lady and brilliant comic actress. She also speaks openly about her two marriages (to Gus Trikonis and to Bill Hudson, father of her first two children, Oliver and Kate) and her relationship with longtime partner Kurt Russell. The two met on the set of the 1968 film The One and Only, Genuine, Original Family Band. Russell played a lead role, while Hawn had a bit part. When they met again on the set of the 1984 film Swing Shift, the two began a romantic relationship. They’ve been together ever since and had a son, Wyatt, in 1986, but they have not chosen to marry. As Hawn explained to Harper’s Bazaar in April, A marriage paper doesn’t do anything but sometimes close a door psychologically. I’ve always said, if I’m in a cage and you leave the door open, I’m going to fly in and fly out, but I’ll always come home. She and Russell divide their time among their homes in California, Aspen and Vancouver, where their son, Wyatt, plays hockey. Over the course of her career, Hawn has received many award nominations and a Best Supporting Actress Oscar (for her performance in Cactus Flower). She and Russell run a successful production company, Cosmic Entertainment. But as she reveals in her memoir, perhaps her favorite role is that of mother to her children. She’s also a grandmother in 2004 her daughter Kate Hudson had a son, Ryder, with her husband, former Black Crowes frontman Chris Robinson. Being a grandmother is amazing, Hawn told the San Francisco Chronicle soon after Ryder’s birth. It brings unbelivable joy. Joy comes easily to Hawn, who says the ability to choose happiness is in my DNA. Though she continues to grow spiritually and intellectually, the actress believes that fundamentally, she hasn’t changed much since her Laugh-In days. I’ve grown up, Hawn says. I’ve gone through the trials and tribulations of life. I’ve lost my parents since then. I’ve had two failed marriages. Yet the essence of that person I was has remained. Fans will enjoy getting to know that person in this frank, reflective memoir.

Readers who pick up Goldie Hawn's new memoir in search of a steamy Hollywood tell-all may be disappointed. Though the 59-year-old Hawn, a show-biz insider since the '60s, doubtless has plenty of those types of tales, her introspective memoir, co-written with British journalist and author…
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The power of a personal story is wielded to strong effect in Barbara Demick’s Nothing to Envy: Ordinary Lives in North Korea, a largely oral history “based upon seven years of conversations with North Koreans.” In an expertly constructed narrative that blends riveting storytelling, thorough research and astute investigate reporting, Demick paints a shocking picture of daily life in the socialist Republic of North Korea through the stories of six defectors now living in South Korea.

At the close of World War II, after Japan’s surrender in 1945, the U.S. military arbitrarily divided the Korean peninsula into two sectors, North and South, to be overseen by the Soviet Union and the United States. Kim Il-sung soon came to power in North Korea, creating an Orwellian socialist regime that plunged the country into economic chaos and famine. By the 1990s, manufacturing and trade had stopped, jobs and salaries dried up and government systems regulating health care and food distribution crumbled. Millions of people starved to death. Those who survived lived in darkness, both metaphorical and, due to the universal lack of electrical power, actual.

The book’s chilling opening, which shows an entirely darkened night sky over North Korea, stands in terrible contrast to the “enlightened” doctrine that every North Korean is taught: that their country is superior, that their “dear father” (now Kim Il-sung’s son, Kim Jong-il) is their loving protector-provider and that they have “nothing to envy.” The stories of the North Koreans profiled give the lie to this line of propaganda; theirs are lives of deprivation, secrecy and fear.

Nothing to Envy is an eye-opening book about a country that remains mostly hidden and off-limits to the rest of the world. Demick expertly balances her excellent grasp of North Korea’s history and culture with six sensitively presented personal stories, each rife with the emotional trauma of cultural betrayal, to create an indelible portrait of one of the last modern Communist regimes.

Alison Hood writes from Marin County, California.

The power of a personal story is wielded to strong effect in Barbara Demick’s Nothing to Envy: Ordinary Lives in North Korea, a largely oral history “based upon seven years of conversations with North Koreans.” In an expertly constructed narrative that blends riveting storytelling, thorough research…

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Save for our popular culture and our fast food, there is little that the United States exports anymore. But move over Miley, Madonna and McDonald’s: America’s newest export is madness. At least, that’s the thesis of Ethan Watters’ Crazy Like Us.

Watters argues that Americans are as overbearing and influential in their treatment of mental health as they are with their other major exports. “In teaching the rest of the world to think like us,” he writes, “we have been, for better and worse, homogenizing the way the world goes mad.” More specifically, American-born psychoses like depression, post-traumatic stress disorder and anorexia are being taught to people in foreign countries. And because American drug companies stand to make billions from treating these worldwide maladies, they are encouraging this behavior.

Watters argues that because of cultural, religious and other historical differences, a one-size-fits-all approach to mental health treatment doesn’t work: “Cross-cultural researchers and anthropologists . . . have shown that the experience of mental illness cannot be separated from culture.” He supports his position with detailed case studies in which Western doctors failed in their treatment of mental health disorders in foreign countries. And from his research, he makes some eyebrow-raising allegations, such as that in Hong Kong, teenagers began suffering from anorexia after Western experts started raising awareness of the disorder. He also posits that when Western crisis counselors swooped in to treat the PTSD they expected after a tsunami devastated a portion of Sri Lanka, in some cases they actually caused local communities more distress.

The major defect of Crazy Like Us is that it doesn’t spend enough time acknowledging that perhaps in some cases, the lessons Americans are teaching foreign nations about mental health treatment might actually be worthwhile. For instance, do Third World countries with no concept of mental disorders benefit in any way when Western doctors provide treatment? Still, the provocative thesis and the exhaustive research behind Watters’ examples makes Crazy Like Usworthy of consideration as we grapple to understand the impact of globalization—even if it is just a state of mind.

John T. Slania is a journalism professor at Loyola University in Chicago.

Save for our popular culture and our fast food, there is little that the United States exports anymore. But move over Miley, Madonna and McDonald’s: America’s newest export is madness. At least, that’s the thesis of Ethan Watters’ Crazy Like Us.

Watters argues that Americans are…

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