The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
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Near the historic seaside community of Gloucester, Massachusetts, lies a 3,600-acre woodland known as Dogtown. Once a colonial village, it was abandoned nearly 200 years ago—although “abandoned” might not be the appropriate term. Its history of pirates, witches, ghosts and unearthly forces has been a magnet ever since to those seeking a closer commune with all of nature’s forces. One such person is Elyssa East. Her book Dogtown is at once a memoir, a narrative of the region’s history and the story of the violent crime that occurred there in 1984.

Growing up in Georgia, East was fed on tales of“Revolutionary and Civil War heroes, and of plantation noblesse oblige.” As a child, she wanted to be like these people, but felt she never could. She believed, though, that there must be a region and a history to which she could belong. Dogtown, she thought, might be that place.

East learned of Dogtown (named for the 18th-century widows who kept dogs for protection) through the paintings of Marsden Hartley, an American artist who painted the giant boulders (many 20 feet tall) deposited there during the Ice Age. Suffering from his own personal demons, Hartley went to Dogtown in the summer of 1931. He fell under the region’s mystical spell and again found his muse. One particular painting, “Mountains in Stone, Dogtown,” captured East’s imagination. As she writes, “I began to wonder what kind of story a place named Dogtown would tell. I imagined that one day I would find this unusual landscape and the source of Hartley’s inspiration, as if doing so would complete some undone part of me.”

In Dogtown, East uses alternating chapters to chronicle her personal experiences, the town’s history and the grisly murder of schoolteacher Anne Netti in 1984. This brutal slaying put a curse on the region that, until recently, kept most people away. Only now, she believes, is Dogtown becoming cherished again.

East’s research is meticulous. If, at times, there is more historical information than necessary, it can be forgiven. She may not have found exactly what she was looking for in Dogtown, but she did find an abundance of material for a worthy first book.

Rebecca Bain is a freelance writer in Nashville.

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Anita Diamant’s novel, The Last Days of Dogtown.

Near the historic seaside community of Gloucester, Massachusetts, lies a 3,600-acre woodland known as Dogtown. Once a colonial village, it was abandoned nearly 200 years ago—although “abandoned” might not be the appropriate term. Its history of pirates, witches, ghosts and unearthly forces has been a…

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On top of writing acclaimed biographies of Benjamin Franklin and Albert Einstein, former Time managing editor Walter Isaacson has written pieces for seemingly every notable publication in America. This admirable body of work will be elevated even further by Isaacson’s first-rate collection, American Sketches, which offers brief but incisive looks at some of the key figures in recent history.

The book’s beauty is that the entries (ranging from reviews to profiles to eulogies) serve as a kind of late 20th- to early 21st-century history book. Isaacson has shaken hands with history over the last 25 years, whether it was the United States making peace with the Soviet Union, the advances of the digital revolution or the destruction wrought by Hurricane Katrina on his native New Orleans. As a man steeped in American history and the news industry—he was also the CEO of CNN—Isaacson shares his keen observations on the Clintons, Colin Powell and George W. Bush.

With sections devoted to Franklin and Einstein, Isaacson also reveals how the past can inspire the future. He connects Franklin to President Barack Obama by explaining, “I hoped that more politicians would emerge who were sage and sensible, and I came to believe that Obama was the most like Franklin of all our national politicians.” And in his essay “A New Way to View Science,” Isaacson stresses that though Einstein might be associated with hard-to-grasp ideas, people shouldn’t plead ignorance on science.

Ever the biographer, Isaacson delves into icons, discovering what exactly Madeleine Albright did as secretary of state; using a Q&A with Woody Allen to reveal that the famed director eschewed his nerdy onscreen persona when ditching longtime companion Mia Farrow for her adopted daughter; and characterizing George Plimpton as having chosen casualness over literary greatness.

Budding writers should take special note: Isaacson is far from jaded, always curious and open to discovery. It is fitting, then, that while helping out in New Orleans he found his next biography subject: fellow Big Easy native Louis Armstrong. It turns out journalism does have a future, though it might be in unlikely places.

Pete Croatto is a freelance writer based in New Jersey.

On top of writing acclaimed biographies of Benjamin Franklin and Albert Einstein, former Time managing editor Walter Isaacson has written pieces for seemingly every notable publication in America. This admirable body of work will be elevated even further by Isaacson’s first-rate collection, American Sketches, which…

For years, the author of How to Sew a Button never needed to know how to sew a button. After all, as a senior staff writer at SELF magazine, Erin Bried interviews celebrities around the globe, and her every mundane need—from a mani-pedi to house-cleaning, laundry and meals—is taken care of by people who are paid to do so. Gradually, however, came the realization that through neglect, her practical life skills had dwindled to nil. She found herself afflicted with a classic case of domestic incompetence. Sensing rightly that she was far from alone, she wrote this guide to help the similarly challenged.

Her argument is that all of us are capable of making a decent pie crust, doing our own nails, hanging a picture and hemming a pair of trousers, and that surely we’d feel better if we tried. Why farm out daily details to specialists if we can take care of them ourselves? We’d save money and self-respect. And it isn’t as if we have to do it all, all the time. The goal is to know how to do a few crucial things here and there, and to know when to ask for help. If you can roast a chicken, unclog a toilet, iron a shirt, balance a checkbook, introduce people, swaddle a baby and keep houseplants alive, you qualify as a Domestic Goddess by any reasonable standards.

And standards are kept reasonable by the influence of a unique panel of experts behind each of the many topics. The author interviewed 10 grandmothers who survived the Great Depression with a “make do or do without” attitude, and whose collective wisdom weeds the necessary from the nonsense. Readers are honorary heirs to these balabustas (Yiddish for masterful homemakers), and can approach each gentle lesson as the need arises.

Combating domestic illiteracy one button at a time, How to Sew a Button is a refreshing take on DIY and self-care, valuable for women at any stage of life.

Joanna Brichetto uses her grandmother’s old sewing box regularly. 

For years, the author of How to Sew a Button never needed to know how to sew a button. After all, as a senior staff writer at SELF magazine, Erin Bried interviews celebrities around the globe, and her every mundane need—from a mani-pedi to house-cleaning,…

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The Parthenon in Athens is inarguably one of the most famous buildings in the world. We think of it as the epitome of classical Greek culture. But the Parthenon was a Christian church for nearly as many centuries as it was a pagan temple. And for centuries after that, it was a mosque, complete with minaret. Yet we have chosen to restore the Parthenon as it was for only a portion of its history, largely because the men who made the decision in the 19th century had been educated to be Hellenophiles. As first-time author Edward Hollis, an architect specializing in altering historic buildings, demonstrates with much charm in The Secret Lives of Buildings, any structure is a cultural product. As the culture changes, so does the structure’s meaning, appearance and use.

The Parthenon’s shape-shifts are a leitmotif for Hollis as he takes the reader through the lively stories of a dozen other structures—not buildings per se, because he includes two walls (Berlin and Western) and a sculpture (the Four Horses in Venice). Each chapter illustrates a particular theme, from the “evolution” of Gloucester Cathedral through the work of masons riffing on their teachers’ legacies, to the “misunderstanding” that caused Charles V to build an unlovable Renaissance palace next to his beloved Moorish Alhambra.

This is not “just the facts” history. Hollis begins most of his chapters with “Once upon a time,” and deliberately gives them a fairy tale feel. The fascinating chapter on the “Santa Casa” of Loreto does not scientifically challenge the religious belief that it was miraculously transported from the Middle East to Italy, via Croatia. In fact, he uses such legends to help make his case.

A couple of interesting stories stray into more offbeat locales. The ghastly Hulme Crescents project in Manchester, England, was a 1970s public housing complex, a catastrophe from day one. It was eventually demolished, but not before becoming a birthplace of punk rock and rave parties. As the innumerable chunks of the Berlin Wall sitting on coffee tables around the world show, even bad structures can have interesting afterlives. 

The Parthenon in Athens is inarguably one of the most famous buildings in the world. We think of it as the epitome of classical Greek culture. But the Parthenon was a Christian church for nearly as many centuries as it was a pagan temple. And…

Oprah calls him “America’s Doctor.” He has his own talk show. With Dr. Michael Roizen, he’s the author of the best-selling YOU series of health books, CDs and DVDs. Now, in YOU: Having a Baby, Dr. Mehmet Oz tackles pregnancy.

Unlike the pregnancy books that “tell you what to do,” YOU: Having a Baby seeks to “explain why.” This “ ‘just say know’ mantra” is the book’s strength. As in the other YOU books, Drs. Roizen and Oz make the science of the body clear, accessible and fascinating. The first five chapters alone contain more useful information about genetics, placentas, Rh factor, miscarriages and brain development than the entire pregnancy section at your neighborhood bookstore.

Alongside the science, YOU: Having a Baby provides the usual pregnancy advice. Pregnant women should sleep on their sides, exercise, gain a moderate amount of weight and talk to their babies in utero. There is a diet plan with recipes, a workout routine (with cutesy exercise names like “Car Seat Reaches” and “Soccer Mom”), descriptions of anesthesia options for labor and lists of what to purchase for your new baby and pack in your hospital bag.

What distinguishes these fairly straightforward pieces of advice is the book’s emphasis on the “cutting-edge field” of epigenetics, or how environment shapes the expression of genes. According to Drs. Roizen and Oz, a pregnant woman’s actions program the genes of her unborn child, determining everything from future weight to intelligence. This means that “your responsibility for creating a healthy environment for your offspring is bigger than you may have even thought.”

For some women, this exhortation will be reassuring; for others, it may feel burdensome and oppressive. But all women can certainly benefit from learning about how and why their bodies and babies experience the dramatic physical and mental developments of pregnancy and birth.

Rebecca Steinitz is a writer in Arlington, Massachusetts.

Oprah calls him “America’s Doctor.” He has his own talk show. With Dr. Michael Roizen, he’s the author of the best-selling YOU series of health books, CDs and DVDs. Now, in YOU: Having a Baby, Dr. Mehmet Oz tackles pregnancy.

Unlike the pregnancy books that “tell…

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According to Jen Yates, author of the hilarious new collection Cake Wrecks: When Professional Cakes Go Hilariously Wrong, “A Cake Wreck is any cake that is unintentionally sad, silly, creepy, inappropriate.” For Yates, the pursuit of the hilariously mis-decorated cake is “about finding the funny in unexpected, sugar-filled places.”

When she began blogging at CakeWrecks.com in May 2008, Yates’ intentions were modest. She wanted a place to collect photos for baking inspiration, as well as a way to share the occasional laugh with family and friends. She never imagined so many readers would respond to her signature wit, or that in less than a year, tens of thousands of people from around the world would be regularly visiting her site for sugary highs (and lows).

Many of the photographs in Cake Wrecks are taken “on the front lines” in bakeries and submitted by CakeWrecks.com readers. But this book isn’t “just the blog put to paper,” Yates assures us, for there is “lots (and lots) of new, never-before-seen Wreckage” to be had—75 percent of the book, to be exact.

Even better, Yates provides the history behind many of the cakes on display. There’s the story of the one that started it all—it read “Best Wishes Suzanne/Under Neat that/We will miss you”—and this reader’s personal favorite, the sprinkled and space-age wonder that is Darth Vader cradling a sleeping and pink-ribboned baby girl.

It’s all here, each wreck a disaster of hilarity. In Cake Wrecks, Yates proves there’s plenty of the weird, wonderful and truly great to go around.  

According to Jen Yates, author of the hilarious new collection Cake Wrecks: When Professional Cakes Go Hilariously Wrong, “A Cake Wreck is any cake that is unintentionally sad, silly, creepy, inappropriate.” For Yates, the pursuit of the hilariously mis-decorated cake is “about finding the funny…

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