The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
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In the monumental, absorbing A New Literary History of America, editors Greil Marcus and Werner Sollors have assembled a fascinating collection of writings on a range of subject matters: everything from maps, diaries and Supreme Court decisions to religious tracts, public debates, comic strips and rock and roll.

Over 200 essays were commissioned for A New Literary History of America, and the contributors range from Jonathan Lethem to Sarah Vowell to visual artist Kara Walker. They are contemporary poets, novelists, journalists, screenwriters, painters, professors and what the editors call “cultural citizens”—not specialists who simply observe the culture, but enthusiasts who participate in it. Each provides a unique perspective and acts as an invaluable guide through this “matrix of American culture.” The editors’ aim is “not to smash a canon or create a new one” but to “generate a new and fresh sense of America.” Beginning in 1507 with the Spanish conquistadors, the book covers it all, from the Salem witch trials to Hawaiian queens to Malcolm X and Mickey Mouse.

In 1,000-odd pages, Marcus and Sollors have compiled a remarkable history of America. Their expanded definition of literary encompasses “not only what is written but also what is voiced, what is expressed, what is invented, in whatever form.” Most of all, A New Literary History of America is a reminder of just how vibrant and diverse United States history—and culture—really is.

Lacey Galbraith writes from Nashville.

In the monumental, absorbing A New Literary History of America, editors Greil Marcus and Werner Sollors have assembled a fascinating collection of writings on a range of subject matters: everything from maps, diaries and Supreme Court decisions to religious tracts, public debates, comic strips and…

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Beatrix Potter’s characters have been loved by generations of children and adults since the early 1900s, but, as former professor Linda Lear reveals in her new biography Beatrix Potter: A Life in Nature, she was also a scientific illustrator, mycologist (person who studies fungi), businesswoman and conservationist. Lear also a biographer of environmentalist Rachel Carson spent a decade researching Potter’s life, becoming intimately acquainted with her journals, sketchbooks, story ideas and letters. The resulting book does an excellent job of giving the reader a sense of the time and place in which Potter lived and the real-life locations and people featured in her stories, and includes family photos and a peek at Potter’s scientific illustrations.

Potter introduced Peter Rabbit and his friends in illustrated letters she sent to children of her acquaintance. Initially a self-published author, she wrote and illustrated 23 books by the time of her death at age 77. Children’s books were just one chapter in Potter’s life, however. In her early 20s, she was an avid toadstool hunter and scientist. Her conclusions (initially pooh-poohed by the male scientific establishment) were later proven and accepted and her illustrations are still used today for the study and identification of fungi.

Amid all her work and study, Potter fell in love, and when her fiance her London publisher and editor, Norman Warne died a month after their engagement, Potter left London and bought a farm. There, she embarked on what Lear calls the third act of her life, and deepened her appreciation for and knowledge of the natural world. When she died in 1943, she left significant parcels of land to England’s National Trust.

Lear paints an appealing, revealing picture of an independent, accomplished and loving woman who used her art and research to educate herself and a host of readers. The publication of this biography coincides with the release of Miss Potter, a biopic starring Renee Zellweger and Ewan McGregor, but read the book first! Linda M. Castellitto still has her Peter Rabbit coloring book.

 

Beatrix Potter's characters have been loved by generations of children and adults since the early 1900s, but, as former professor Linda Lear reveals in her new biography Beatrix Potter: A Life in Nature, she was also a scientific illustrator, mycologist (person who studies fungi),…

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William Faulkner wrote: “The past is never dead. It’s not even past.”

That argument gained credence when James Ford Seale was arrested more than 40 years after he and fellow Ku Klux Klan members tortured and murdered two young black men in Mississippi. The ghosts of his victims, and others who lost their lives during the long struggle for civil rights, seem eerily present in the courtroom during Seale’s murder trial, as chronicled in The Past is Never Dead: The Trial of James Ford Seale and Mississippi’s Struggle for Redemption. Author Harry N. MacLean’s main objective is to cover the trial in which a now aging and feeble Seale is accused of the 1964 killings of Charles Moore and Henry Dee. But the book’s broader theme concerns an underlying racial tension MacLean detects in Mississippi, and how the state’s white residents are still trying to atone for sins their ancestors committed against blacks. Thus, the steamy courtroom air seems thick with the spirits of hate-crime victims Medgar Evers, Emmett Till and other lost souls of the South.

Even while MacLean is covering Seale’s trail, he spends time traveling across Mississippi. His goal is to understand and describe the complex culture of the state. MacLean’s approach is effective when he recounts Mississippi’s struggle to recover from the Civil War, the rise of The Klan and the racial clashes during the 1960s. Equally engaging is his account of how Mississippi attempts to exorcise its demons, as when one small town tries to erect a memorial to Emmett Till. But the narrative loses its way when MacLean takes side trips to Faulkner’s hometown of Oxford, and later visits with an old black blues musician who admits he’s never heard of James Ford Seale. Fortunately, these distractions are short, and the drama of the murder trial is enough to keep the reader interested and the story moving forward.

In sum, The Past is Never Dead works both as a true crime potboiler and as a broader allegory of the South’s search for redemption.

John T. Slania is a journalism professor at Loyola University in Chicago.

William Faulkner wrote: “The past is never dead. It’s not even past.”

That argument gained credence when James Ford Seale was arrested more than 40 years after he and fellow Ku Klux Klan members tortured and murdered two young black men in Mississippi. The ghosts of…

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With a string of wildly successful books behind her, communications expert Deborah Tannen turns to the emotionally charged topic of sisterhood. Written in a conversational style, You Were Always Mom’s Favorite! offers a look into the passionate dynamics that occur in the relationships between sisters, a visceral connection that can be both symbiotic and suffocating, life-changing and joyful. No one can relate to you like a sister, no one can share your experiences like a sister and conversely, no one can push your buttons like a sister.

Tannen bases her work on interviews—or as she prefers to say, focused conversations—with more than 100 women, ranging in age from late teens to their early 90s. One of the many strengths of this powerful book is the way she highlights the stories the women tell about their lives. We learn how their sisters were there for them in a time of crisis, how they converse in a unique way (“sisterspeak”) and how they provide a lifeline for each other. Many subjects felt that their sisters were someone “to talk to and laugh with,” someone who shares the same childhood memories. In the interviews, Tannen skillfully weaves the poignant (“I can’t imagine life without her”) with the mundane (“I love her to death but she drives me crazy”) and a fascinating picture emerges. Is sisterhood a bond or bondage?

In The Other Boleyn Girl, Anne says to Mary, “I was born to be your rival. And you, mine. We’re sisters, aren’t we?” A sisterly relationship can be challenging, fraught with peril and misunderstandings. One misstep, one false note in a heart-to-heart conversation, and the connection is severed or irreparably damaged.

Tannen, one of three sisters herself, has written a captivating book that offers a window into this fascinating topic.

Mary Kennedy is a psychologist and mystery writer in Delaware. Her new series, The Talk Radio Mysteries, will be released in January.

With a string of wildly successful books behind her, communications expert Deborah Tannen turns to the emotionally charged topic of sisterhood. Written in a conversational style, You Were Always Mom’s Favorite! offers a look into the passionate dynamics that occur in the relationships between sisters,…

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James Monroe served in more public positions than anyone else in American history. He was both a U.S. congressman and a senator, a governor of Virginia, secretary of state and secretary of war, ambassador to France and Great Britain and minister to Spain, and the fifth U.S. president, serving two terms. A hero of the American Revolution, Monroe served at Valley Forge and was seriously wounded in battle at Trenton. Despite such an imposing resume, Monroe’s contributions to the nation are usually overshadowed by those of his close friends Thomas Jefferson and James Madison.

In his compelling new biography, The Last Founding Father: James Monroe and a Nation’s Call to Greatness, Harlow Giles Unger demonstrates that Monroe was a major player with significant achievements, including the Louisiana Purchase. Even his supposed diplomatic failures look like impossible tasks. Unger, an award-winning author of 15 books, including four biographies of other founding fathers, deftly guides us through Monroe’s pre-presidential period, which includes assisting a wounded Lafayette during the Revolution and rescuing Thomas Paine from a French prison.

Unger argues that the three presidents between Washington and Monroe—John Adams, Jefferson and Madison—were merely “caretakers” whose administrations left the country divided and bankrupt, her borders vulnerable and, after the War of 1812, despite the heroic efforts of Monroe as acting secretary of war, the capital seriously damaged. Holding two top cabinet positions (secretary of state was the other) Monroe was hailed for his brilliant military strategy and astute management of peace negotiations. As president, Monroe was a transitional figure, the last of the founding generation, but also responsible for westward expansion and economic recovery. He worked hard to achieve unity, appointing representatives of a wide range of views. He made long tours of the country that helped to bring people together. Despite problems, including the Panic of 1819, there were good reasons to refer to his presidency as “the era of good feelings.”

Unger vigorously refutes those historians who claim that Secretary of State John Quincy Adams wrote what Monroe is best known for, the “Monroe Doctrine.” Monroe had almost eight years of experience as a seasoned diplomat in the most sensitive posts, was a highly regarded lawyer and a gifted politician. Once he decided to include in his seventh annual message to Congress a manifesto about the U.S. staying free of entangling alliances and defining America’s sphere of influence, he conducted a series of cabinet meetings in which he asked for written and oral arguments on the subject. Adam’s diplomatic experience did give him more influence than others, yet, Unger notes, only one of Adams’ submissions appears in the final policy statement.

The Monroes were a close-knit family and James’ beautiful wife Elizabeth was a formidable influence, especially in matters of taste and style. She also demonstrated extreme courage in 1795. Realizing that her husband, who had obtained the release of Americans from French prisons, might jeopardize his diplomatic status if he tried to rescue someone who had only honorary American citizenship, she decided to go herself. She was able to get Lafayette’s wife, Adrienne, freed after 16 months in prison.

Unger’s outstanding biography of Monroe is consistently illuminating and a fine introduction to its subject.

Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

James Monroe served in more public positions than anyone else in American history. He was both a U.S. congressman and a senator, a governor of Virginia, secretary of state and secretary of war, ambassador to France and Great Britain and minister to Spain, and the…

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In the tight-lipped tradition of Greta Garbo, J.D. Salinger and Thomas Pynchon, bluegrass legend Ralph Stanley has been verbally parsimonious in disclosing details about his life and art—until now. Here he opens up, talking freely about his shadowy absentee father, his immensely gifted but hard-drinking older brother, Carter, and the heart-wrenching ordeal of trying to make a living playing a kind of music too few people wanted to hear.

Born in 1927 in southwestern Virginia, Stanley was steeped in ancient folksongs, hymns, parlor ballads and the sounds of a newer, jazzier string band music being perfected by the Kentuckian Bill Monroe, who dubbed this emerging genre “bluegrass.” The day he returned from military service in 1946, he and Carter formed the Stanley Brothers band with Carter as front man and chief songwriter. Over the next 20 years, the Stanley Brothers achieved a stature within the bluegrass community that rivaled Monroe’s.

Then, in 1966, Carter finally drank himself to death and in so doing thrust his younger brother into the spotlight. In that role, Stanley mentored such formidable young talents as Ricky Skaggs, Keith Whitley and Larry Sparks, even as he was carving out his own reputation as a stunningly emotional vocalist. Although long revered by bluegrass fans, Stanley didn’t become a superstar until he was featured on the soundtrack album for the Coen Brothers’ 2000 movie, O Brother, Where Art Thou?

His chilling a cappella rendition of “Oh Death” on that album won him a Grammy and sparked two successful arena tours.

As fascinating as Stanley’s personal revelations are, this book’s greatest value lies in his documentary-like descriptions of the hardships rural musicians faced in the 1940s and ’50s—crowded cars, band rivalries, long and dangerous roads and hand-to-mouth living. It’s little wonder then that Stanley can say at age 82, “I ain’t afraid to die, but I am scared of what would happen if my voice were to fail me . . . because singing is really all I’ve got to give anymore.”

Edward Morris writes from Nashville.

In the tight-lipped tradition of Greta Garbo, J.D. Salinger and Thomas Pynchon, bluegrass legend Ralph Stanley has been verbally parsimonious in disclosing details about his life and art—until now. Here he opens up, talking freely about his shadowy absentee father, his immensely gifted but hard-drinking…

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