The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
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Facing blindness due to a degenerative eye disorder, Andrew Leland provides a raw and honest depiction of the realities of his diagnosis and what it feels like to straddle two worlds.
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Even though Shakespeare refers to the great Egyptian queen as both “tawny” and “black” and his English contemporaries understood Egyptians to be dark-skinned, why did a major British production of Antony and Cleopatra not cast a Black Cleopatra until Doña Croll in 1991? Because too many of the Bard’s admirers have failed to address, or even notice, race in his plays.

Farah Karim-Cooper, a Pakistani American professor of literature and Shakespeare studies at King’s College London, challenges that willful ignorance in The Great White Bard: How to Love Shakespeare While Talking About Race. Karim-Cooper, who also serves as Director of Education at Shakespeare’s Globe, argues that the bad alternatives to an honest conversation about race in Shakespeare are either to dismiss his work or stubbornly cling to the stale tradition of brushing aside race—both of which oppose her desire for the plays to speak to a wider public.

Aiming to include non-academic readers in her audience, Karim-Cooper takes a close look at characters who are clearly people of color: Othello, Aaron the Moor and the Prince of Morocco. She considers more ambiguous cases, like Cleopatra and Caliban, and also ranges farther afield to depictions of otherness such as the witches in Macbeth, noting how Shakespeare routinely relies upon racialized imagery and dehumanizing language: white/fair equals good; dark equals bad and ugly.

Like his contemporaries, Shakespeare employs racist and antisemitic tropes in his characters, yet also writes them as multifaceted individuals. “Shakespeare often challenges us to hold two contradictory views simultaneously,” Karim-Cooper states. Indeed, Othello is brave and forthright as well as lethally jealous; we hear Caliban’s side of the story as well as Prospero’s. The evidence of Black people and interracial marriage in Tudor England introduces the possibility of Shakespeare having actually encountered people of color. And Karim-Cooper’s analysis of The Merchant of Venice might make one wonder whether Shakespeare knew any Jews passing as Christians for safety.

Our perception of Shakespeare’s work is ever-evolving: It wasn’t until the 18th century that he was even glamorized as “the Bard” by theater star David Garrick. Karim-Cooper’s candid discussion of more nuanced and informed approaches to interpreting Shakespeare can only help his work endure.

Karim-Cooper's candid discussion of more informed and nuanced approaches to interpreting Shakespeare can only help the Bard’s work endure.
Readers will experience the lows and highs of addiction, incarceration and rehabilitation as Love Hardin assembles the pieces of her shattered life into something beautiful again.

“Marriage is so unlike anything else,” writes George Eliot in Middlemarch. “There is something even awful in the nearness it brings.” By the time that novel was published in 1871, Eliot, born Mary Ann Evans, was 17 years into her partnership with George Lewes, himself an author and member of the mid-19th-century intelligentsia. Lewes was already married when he met Eliot but had long been estranged from his wife, who by that time had given birth to multiple children with another man. Eliot and Lewes determined to form their own sort of marriage despite being unable to marry legally; they even set off on a honeymoon to Germany. That excursion led to a lifelong union that became the complicated scandal of Eliot’s life, making her “unfit” for drawing room visits and causing her family to shun her, even as she penned wildly successful novels.

It’s impressive how King’s College London professor Clare Carlisle (Philosopher of the Heart) finds her way inside this deeply intimate partnership in The Marriage Question: George Eliot’s Double Life. Though Lewes was more exuberant and extroverted, Eliot guarded her private life closely. She had a deep desire for acceptance and love, which possibly led her to gloss over uncomfortable problems in her partnership with Lewes. On the one hand, Lewes was Eliot’s first cheerleader, encouraging her through her professional endeavors and proudly promoting her work in the literary sphere. On the other hand, Lewes could be difficult in ways that were typical for a Victorian husband. For example, the immense earnings from Eliot’s work were deposited into Lewes’ bank account, and he availed himself of them freely. He could also sometimes be controlling, according to Carlisle’s narrative, basking a little too much in Eliot’s reflected glory.

Wielding a combination of biography and thoughtful analysis of Eliot’s novels and verse, Carlisle examines what marriage has been historically and what it is today, noting that it is as sticky and complex as ever. In many ways, Eliot’s relationship was thoroughly modern: an unsanctified union with a female breadwinner who struggled to balance the demands of parenting with the time and space she needed to work. Carlisle demonstrates that Eliot’s thoughts on marriage were reflected in her work as she picked through romantic joys and frustrations, ruminating over the what-could-have-beens that haunt every long partnership.

There are no neat answers to Eliot’s marriage questions—“whether to marry, whom to marry, how to live in a marriage, whether to remain married,” as Carlisle summarizes it. Instead, The Marriage Question is a deep examination of long partnership—how it affects us, how it is negotiated—through Eliot’s deliciously thoughtful prose and reflective journal entries. Carlisle has written a book that seems to tell us a story about others but instead deeply informs us about ourselves.

Wielding a combination of biography and thoughtful analysis of George Eliot’s novels and verse, Clare Carlisle examines the sticky, complex concept of marriage.

For Michaele Weissman, the attraction to John MeIngailis was instantaneous: “He was tall and slender, with blond hair and a shaggy mustache. His face was angular. Nordic. With slate-blue eyes. He spoke English with a barely discernible accent. I thought he was gorgeous.” Yet even after 40 years of marriage, Weissman is mystified by her husband’s moods, their fights and his obsession with all things Latvian.

Weissman and MeIngailis are quite different, or so she thinks: She’s eight years younger, Jewish, American and a journalist, while MeIngailis, who escaped Latvia with his family as a child during WWII, is an MIT scientist, ardently attached to his native folklore and his refugee community. His devotion to Latvian rye bread (a dark, chewy, sourdough) perplexes her. “You wake up married to a rye-bread-loving stranger, and slowly you realize that your husband doesn’t want to be like you. . . . in fact he wants you to be like him!” she writes in an early chapter. “From this nexus of unresolvable difference the decades-long battle is engaged. . . . in time you realize this whirling dervish of mixed emotion, of love and fury, of compatibility, attraction, tenderness and contention: this is your life and your marriage.”

The Rye Bread Marriage: How I Found Happiness With a Partner I’ll Never Understand offers multiple stories: of Weissman’s growth as she seeks to understand MeIngailis’ eccentricities and her own; of their marriage, parenthood and stepparenthood; and of Latvian rye bread and its singular place in Latvian history and culture. This voicey, often funny memoir is comprised of 125 chapters of varying length, some just a page, some even shorter. Here’s the entirety of chapter 41, “Marriage: Second Definition”: “Marriage: An intimate relationship existing on a continuum between love and hate, with partners perpetually suspended between the two.” Some of the chapters form short, lyrical essays; some are more journalistic. The memoir really shines when Weissman recounts research visits to Latvia and Germany (where MeIngailis’ family took refuge at the end of the war) that led her to a deeper understanding of MeIngailis’ family history and the trauma of war and exile, as well as Latvian history and its unique bread.

The Rye Bread Marriage brings to mind two other quirky, memorable memoirs: Julie Klam’s The Almost Legendary Morris Sisters, and Amy Kraus Rosenthal’s Encyclopedia of an Ordinary Life. “How I Found Happiness with a Partner I’ll Never Understand” may be its subtitle, but by the time we reach the book’s lovely, life-affirming ending, it is clear that both partners do understand one another.

Even after 40 years of marriage, Michaele Weissman is mystified by her husband’s moods, their fights and his fixation on all things Latvian—but she still loves him.
The Underworld is Susan Casey’s dazzling answer to the age-old, tantalizing question about the ocean’s abyss: “What’s down there?”
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Four extraordinary women, with quite different and often controversial ideas, are the subjects of Wolfram Eilenberger’s masterfully researched and beautifully written The Visionaries: Arendt, Beauvoir, Rand, Weil, and the Power of Philosophy in Dark Times. Eilenberger’s much praised Time of the Magicians (2020) covered the lives of Martin Heidegger, Ludwig Wittgenstein, Ernst Cassirer and Walter Benjamin. Like that work, The Visionaries is a superb combination of biography, history and philosophy for general readers, this time covering the period from 1933 to 1943 and the impact of World War II on four writers’ lives. Each of these women recognized that “there was something fundamentally wrong with [the] world—and with the people in it,” Wilenberger writes. “But what exactly could it be? And how, in the early 1930s, was it possible for an individual to heal that increasingly oppressive malaise?”

Hannah Arendt left her native Germany in 1933 for France, where she helped others immigrate to Palestine, before coming to the U.S. to write and publish. Arendt wrote that she would like to identify with “the tradition of German-language writing and thought,” but she was denied the chance because she was Jewish. “Certain people are so exposed in their own lives that they become junction points and concrete objectifications of life,” she wrote, and indeed she became one such person. As a result, Arendt had a lifelong concern for human rights, and her 1951 book, The Origins of Totalitarianism, is considered a classic.

Ayn Rand immigrated from Russia to the United States in 1926 and experienced ups and downs as a writer, including a hit Broadway play. “From her earliest youth she had known exactly why she was in the world: to forge her own happiness in life and to create stories that showed the world as it should be—and not as it unfortunately was,” Wilenberger writes. Rand became a cultural icon with novels like The Fountainhead, Atlas Shrugged and other works.

Simone Weil left France to work as a journalist and social activist. Weil felt that the only definite way out of the crisis of their time was to return to the “great source texts of humanity,” Wilenberger writes. Throughout her lifetime, Weil engaged with the works of Homer and Plato, the Bhagavad Gita, the Stoics and Christian writers, and her 1949 book, The Need for Roots, continues to be read today.

Simone de Beauvoir remained in France as a teacher, novelist and essayist. Within a year after the German occupation of Paris, Beauvoir wrote, “I was at last prepared to admit that my life was not a story of my own telling, but a compromise between myself and the world at large.” With the publication in 1949 of The Second Sex, a founding document of modern feminism, Beauvoir became an international celebrity.

Wilenberger’s engaging book will enlighten and entertain—in the best sense—many thoughtful readers.

The Visionaries delves into the controversial ideas of Hannah Arendt, Simone de Beauvoir, Ayn Rand and Simone Weil with a superb combination of biography, history and philosophy.
In her profound, often piercing new book Thin Skin, Jenn Shapland challenges readers to broaden their perspective and perhaps even join her in being just a little bit more sensitive.

Few of the myriad books about World War II have ever attempted to provide a comprehensive history of its 350,000 American servicewomen. Out of the dwindling female veterans alive today, many have never even been asked to provide their first-person accounts. While compiling Valiant Women: The Extraordinary American Servicewomen Who Helped Win World War II, Lena Andrews found that female veterans had often been led to feel their experiences were not worth preserving, as their service wasn’t “real war work.” After a vivid recounting of her work distributing supplies to men headed to the front, Merle Caples, 98, remarks, “Oh my god, there are people out there who still care about me?” In a vital and engrossing attempt to correct the record, Valiant Women convincingly demonstrates that “American women who donned military uniforms in World War II were . . . at the center of the Allied strategy for fighting and winning the war.”

Andrews, a CIA military analyst, searched for living veterans by perusing local newspapers for mentions of servicewomen honored at events such as centennial birthday celebrations. In addition to these moving interviews, she takes a thorough look at the history of and skepticism toward women’s service programs in the US military. After the Army and Navy established programs, the Coast Guard and Marine Corps followed, but the commander of the Marine Corps, Lieutenant General Thomas Holcomb, was suspicious of the whole idea and “entirely lacked the foresight to recognize the value in expanding the Corps to include nonwhite men and women.” Andrews also details the struggle led by two rival pilots Jacqueline Cochran and Nancy Harkness Love to establish a women’s flying corps in the US Army Air Forces. 

Possessing a clear narrative style and subject mastery, Andrews gives valuable context and meaning to these profiles of remarkable women, including Charity Adams, commander of the first Black WAC unit to serve abroad, and Dorothy Still, a Navy nurse in the Philippines, who spent three years as a prisoner of war with over 60 other women after the Japanese defeated American and Filipino forces on Bataan. 

Valiant Women provides a vital, authoritative account of an almost-forgotten history, reminding us of all the stories it is past time to remember. 

Valiant Women is a vital and engrossing attempt to correct the record and rightfully celebrate the achievements of female veterans of World War II.
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Lynn Melnick’s I’ve Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton is an extraordinary homage to one of country music’s leading ladies. Melnick’s early life was marked by abuse and trauma, and she fell in love with Parton’s music at age 14. Mixing her personal history with reflections on the singer’s significance as a cultural figure, Melnick creates a moving narrative of female endurance. Parton’s popular tunes, including “Jolene” and “Islands in the Stream,” serve as springboards for the chapters of this inspiring book.

In Unlikeable Female Characters: The Women Pop Culture Wants You to Hate, Anna Bogutskaya explores how our perception of what makes a “likable” woman has changed as more complex female characters have become prevalent in media. Bogutskaya uses tropes such as “the mean girl” and “the shrew” as reference points and celebrates how those misogynist terms have been, in some cases, reclaimed. Bogutskaya’s analysis of gender, sexuality and the power of the media will get book clubs talking as she explores famous figures such as Cardi B and Hillary Clinton.

Emily Nussbaum delivers a shrewd overview of the modern TV landscape with her dazzling collection of essays, I Like to Watch: Arguing My Way Through the TV Revolution. Over the course of the collection, Nussbaum—an unabashed fan of the tube—provides engaging analyses of audience viewing habits and storytelling trends and traditions. She also interviews showrunners and considers the significance of watershed series like “Buffy the Vampire Slayer.” Nussbaum’s lively writing style and gifts as a critic are on full display in this eye-opening collection.

Nerd: Adventures in Fandom From This Universe to the Multiverse, Maya Phillips’ smart, incisive essay collection, investigates the growth of nerd culture and its influence on modern media. Reading groups will appreciate Phillips’ personal yet wide-reaching critiques of cultural touchstones such as Harry Potter, Star Wars and Marvel comics and how they inspire feelings of belonging among fans. Phillips also delves into the complications of her own experiences as a Black woman engaging in fandoms without many Black characters. The evolution of pop culture, hero worship and the impact of fan bases are but a few of the rich themes in this intriguing book.

These great picks come with ready-made playlists and watchlists!

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