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The obituary in the New York Times wasn’t particularly long or prominently displayed, but something about it drew the attention of writer John Grisham. The Times article on December 9, 2004, reported the death of Ronald Williamson, an Oklahoma man who had narrowly escaped execution, only to die of liver disease 10 years later. What fascinated Grisham, he would later reveal, were the similarities between Williamson’s background and his own. Both men had aimed for careers in professional baseball though Grisham eventually gave up on sports, turned to the law and became a best-selling author of legal suspense. Williamson’s life trajectory was equally dramatic, but in the opposite direction. A star pitcher and catcher on his Ada, Oklahoma, high school team, Williamson was drafted by the Oakland A’s in 1971 and spent six years in the minor leagues before an arm injury ended his career. Returning home to Ada, Williamson moved in with his mother and began to show signs of mental illness.

In 1982, Williamson’s hometown was rocked by the brutal rape and murder of cocktail waitress Debra Sue Carter, whose body was found in her garage apartment. The case went unsolved until 1987, when Williamson and a friend, Dennis Fritz, were arrested and charged with the murder. The main witness against the two was a man named Glen Gore, who claimed that the pair had been at the club where Carter worked on the night of her slaying. Williamson was convicted of first-degree murder and sentenced to death, while Fritz received a life sentence.

Five days before his scheduled execution in 1994, a public defender succeeded in winning a stay on the grounds that Williamson had ineffective counsel at trial. When DNA testing revealed that physical evidence from the crime scene matched Glen Gore rather than Williamson, he was exonerated and freed from prison in 1999; five years later he died in a nursing home from cirrhosis of the liver.

Not in my most creative hour could I imagine a story as compelling as Ron Williamson’s, says Grisham, who bought rights to the story from Williamson’s family shortly after reading the Times obit. His new book, The Innocent Man: Murder and Injustice in a Small Town, is his first nonfiction effort, a look at the crime, the trial and Williamson’s eventual release. If Grisham’s publisher, Doubleday, has any concerns about promoting a work of nonfiction, they are certainly not showing it, instead stressing the similarities between The Innocent Man and Grisham’s fiction. It’s a natural story for John to tell, says Doubleday president Stephen Rubin. It has many of the same themes present in his novels legal suspense, the death penalty, wrongful conviction, even baseball. It’s the ultimate true legal thriller. Grisham knows a thing or two about legal thrillers, having penned 15 bestsellers in the category, from the 1991 blockbuster The Firm to 2005’s The Broker. Along the way, he has also made several departures from the genre, including the autobiographical novel A Painted House and the Grinch-like holiday book, Skipping Christmas.

Grisham practiced civil and criminal law in Mississippi for almost a decade before devoting himself to writing. A generous philanthropist, he contributed $5 million to rebuild the Gulf Coast after Hurricane Katrina, setting up a fund that he and his wife, Renee, administered from their kitchen table. The only thing that really matters in life is helping other people, Grisham told the Jackson Clarion-Ledger. What fun is it to accumulate a lot of money and sit on it?

The obituary in the New York Times wasn’t particularly long or prominently displayed, but something about it drew the attention of writer John Grisham. The Times article on December 9, 2004, reported the death of Ronald Williamson, an Oklahoma man who had narrowly escaped execution, only to die of liver disease 10 years later. What […]
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She is that famous enigmatic face without eyebrows and only a half-smile, but who was Mona Lisa and what is the mystery of her enduring allure? History professor Donald Sassoon, purportedly the world’s leading expert on the Mona Lisa, tells all in Leonardo and the Mona Lisa Story: The History of a Painting Told in Pictures.

More than 400 gorgeous color visuals illustrations, paintings and photographs are the centerpiece of Sassoon’s voluptuous biography. The volume is further embellished with lively, informative captions, plus five charming and erudite essays on da Vinci’s humble beginnings; how he came to paint Lisa Gherardini; the painting’s rise in popularity in the literary culture of the Napoleonic Age; its theft from the Louvre; and its eventual rise to global iconic status through imitation, parody and commercial use. But why does the lady intrigue millions? Says Sassoon, the Mona Lisa’ has moved outside her frame, beyond her historical context. . . . She has saturated popular culture and has become whatever others want her to be.

She is that famous enigmatic face without eyebrows and only a half-smile, but who was Mona Lisa and what is the mystery of her enduring allure? History professor Donald Sassoon, purportedly the world’s leading expert on the Mona Lisa, tells all in Leonardo and the Mona Lisa Story: The History of a Painting Told in […]
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A well-known epigram says that revenge is a dish best served cold. This is evident in the elaborate schemes of Dutch art forger Han van Meegeren, as revealed in Frank Wynne’s I Was Vermeer. A journalist and translator, Wynne blends reportorial skill with a love of irony to tell van Meegeren’s life story, the saga of a frustrated, paranoid and drug-addicted 20th-century artist who was born to be a painter; unfortunately, he was fifty years too late. Van Meegeren wanted desperately to be an artist. Though his autocratic father routinely destroyed his sketchbooks, he pursued his dream via secret tutelage by a school friend’s artist father. By the time he departed to study architecture in Delft, he was well-schooled in the methods of the Dutch Masters. Van Meegeren neglected his studies to practice painting in the manner of Rubens, Rembrandt and Vermeer his especial muse. Finding little critical acclaim for his old-style paintings amid the contemporary tide of artistic innovation, the forger was born: He vowed revenge, made millions and fooled the art world establishment (as well as the Nazis) by creating exquisite fake Vermeers, many of which ended up in Europe’s most hallowed art museums.

Set in tumultuous times, I Was Vermeer has the makings of a noir thriller, and Wynne attempts to plot and pace it as such. The action, however, loses suspenseful momentum as he develops sub-themes of how ego-driven art criticism fosters forgery, and minutely discusses the forger’s craft (including van Meegeren’s reproduction of the craquelure, or age lines, in his most famous Vermeer forgery, The Supper at Emmaus ). Crime thriller or forgery primer, this intriguing read also proves another epigram: Beauty is in the eye of the beholder.

A well-known epigram says that revenge is a dish best served cold. This is evident in the elaborate schemes of Dutch art forger Han van Meegeren, as revealed in Frank Wynne’s I Was Vermeer. A journalist and translator, Wynne blends reportorial skill with a love of irony to tell van Meegeren’s life story, the saga […]
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English journalist Sarfraz Manzoor peeks behind the curry curtain in modern U.K. Pakistani culture in his memoir, Greetings from Bury Park. As the rope in a tug-of-war between two cultures pulling in strikingly contradictory directions, he finds himself in a situation similar to that of Jesminder Bhamra, the young Brit of Sikh descent at the center of Gurinder Chadha's film Bend It Like Beckham. Instead of being infatuated with a now-aging footballer, though, he's infatuated with a now-aging rock icon.

Even for those of us rock fans no farther than a bus ride from the Jersey shore where he ascended to Bosshood three decades ago, Bruce Springsteen has come to represent all things American: hard work, hard play, hard rock. Oh, and one more item, even more precious to a young misfit whose hard-toiling immigrant dad regarded his passion as frivolity at best and wastefulness at worst – freedom. While Manzoor may have taken his obsession with Springsteen's lyrics and lifestyle several leagues beyond simple fandom, he does uncover a simple truth: No engine has sufficient horsepower to permit us to slip the surly bonds of our upbringing.

In some ways, Sarfraz's journey mirrors Springsteen's own: first rebellious, then reflective, finally reconciled. InManzoor's case, the last came a bit too late, as his father passed away the very same day Sarfraz's first byline graced the pages of the Manchester Evening News, proof positive that the Vauxhall assembly line – Manzoor senior's path – wasn't the only road to respectability.

When Manzoor visits America, both pre- and post-9/11, he's forced to confront the fact that his Muslim heritage and his British residency have conspired to tangle him in the roots he once longed to sever, and which now seem more comforting than confining. The mature Manzoor is now living out his own Springsteen lyric: "Some folks got fortune, some got eyes of blue / What you got will always see you through / You're a lucky man."

 

Thane Tierney's musings on The Boss may be found in the "World of Bruce Springsteen" feature on the Apple iTunes website.

English journalist Sarfraz Manzoor peeks behind the curry curtain in modern U.K. Pakistani culture in his memoir, Greetings from Bury Park. As the rope in a tug-of-war between two cultures pulling in strikingly contradictory directions, he finds himself in a situation similar to that of Jesminder Bhamra, the young Brit of Sikh descent at the […]
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Author and gospel lyricist Gloria Gaither captures the sublime and sacred joys of the Christmas season in He Started the Whole World Singing, a heartwarming compendium of her original prayers, stories and songs, rounded out with time-honored Gaither family recipes. The book, named for an original song by Gaither, gives an intimate peek into the faith and spiritual devotions of her family, prompting a deeper vision of Christmas. Accompanied by a CD produced by husband Bill Gaither, this thoughtful, spiritual celebration of Christmas is sure to inspire comfort in our often cold world. Alison Hood still waits up for Santa every Christmas Eve and eats way too many cookies while keeping watch at the hearth.

Author and gospel lyricist Gloria Gaither captures the sublime and sacred joys of the Christmas season in He Started the Whole World Singing, a heartwarming compendium of her original prayers, stories and songs, rounded out with time-honored Gaither family recipes. The book, named for an original song by Gaither, gives an intimate peek into the […]
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While her Jewish "aunts" played mah-jongg in their Queens kitchen, young Martha Frankel preferred the "uncles" poker games in the living room every Friday night. By age 10, she had learned to read the Daily Racing Form and was accompanying her CPA father to the track. This early entree into gambling would come to haunt Frankel much later in life, when her world turned to Hats & Eyeglasses, a poker term for a losing hand and the title of her candid, conversational and even comical new memoir.

When Frankel's father died just before she started high school, she filled the void with alcohol, drugs and men, and smugly prided herself on never becoming hooked, like some of her relatives. As she developed a loving, stable relationship with her artist husband, she began writing articles for Details magazine and enjoyed immediate success, jet-setting around the world to interview celebrities.

Although Frankel hadn't touched a card since her parents' game nights, she returned to poker in her mid-40s to conduct research for a screenplay. For advice, she turned to a former professional player she knew; to her mother, who earned extra money playing during the Depression; and to Michael, a mentor who encouraged her during her first fearful Wednesday night games. Poker was so immediately thrilling that she refused assignments worth thousands of dollars to practice her game all day. When she needed to pay bills, she built her schedule around her Wednesday night games. And when she was good enough – and she was good all right – she scheduled her Hollywood interviews around lunch, so she could reach the casinos by evening and sleep in the morning.

Thinking her life couldn't get any better, Frankel discovered online poker and quickly became addicted. No matter that she was losing more money than she could hope to recover, that she was abandoning her family and friends. As Frankel confronts her shame and family tendencies, her raw yet touching storytelling will inspire gambling addicts, their loved ones and those who simply want to know more about this debilitating compulsion.

Angela Leeper is an educational consultant and writer in Wake Forest, North Carolina.

While her Jewish "aunts" played mah-jongg in their Queens kitchen, young Martha Frankel preferred the "uncles" poker games in the living room every Friday night. By age 10, she had learned to read the Daily Racing Form and was accompanying her CPA father to the track. This early entree into gambling would come to haunt […]

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