Phil Hanley’s frank, vulnerable, funny memoir recounts his journey from struggling student to successful comedian who wears his dyslexia “like a badge of honor.”
Phil Hanley’s frank, vulnerable, funny memoir recounts his journey from struggling student to successful comedian who wears his dyslexia “like a badge of honor.”
Preventable and curable, tuberculosis is still the world’s deadliest disease. John Green illuminates why in Everything Is Tuberculosis.
Preventable and curable, tuberculosis is still the world’s deadliest disease. John Green illuminates why in Everything Is Tuberculosis.
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Captain Robert Scott was a loser: the second person to reach the South Pole. In Race to the Pole: Tragedy, Heroism, and Scott’s Antarctic Quest, Sir Ranulph Fiennes draws a picture of a smart, ambitious young British naval officer trying to succeed.

Scott wasn’t necessarily the kind of man you would think of as an explorer. When chance threw opportunity his way, he approached it with the methodical precision he showed in every other aspect of his life. Scott emerges as a discoverer more along the lines of Lewis and Clark than Christopher Columbus, a role that was taken up by his rival and nemesis, the Norwegian Roald Amundsen. Meticulously researched and detailed, Race to the Pole tells the story of Scott’s two journeys into the frozen unknown. The first, from 1902 to 1904, was man’s initial scientific foray to the southernmost continent; indeed, it was this voyage that determined that Antarctica was a continent. Fiennes makes it clear that the mission’s success was due in large part to Scott’s leadership and organization; just surviving temperatures of 30 degrees below zero is achievement enough, much less exploring one’s surroundings. Scott’s party ultimately ventured some 470 miles north of the pole, and returned to England to great acclaim with a wealth of scientific information. His second journey, while even more successful in knowledge gained, ended tragically for Scott and the four men who accompanied him on his final push for the pole. Ill weather and circumstance killed Scott and his party, who were driven on in part by the subterfuge of Amundsen, when they were only 12 miles from salvation. Years later, some of the surviving crew were bitter about their leader, but using their own diaries and contemporaneous writings, Fiennes makes it clear that this was bitterness brought on by age and regret.

As an experienced Antarctic explorer himself, Fiennes is uniquely qualified to counter modern researchers’ criticism of Scott and to give a balanced portrait of this long-ignored hero.

Captain Robert Scott was a loser: the second person to reach the South Pole. In Race to the Pole: Tragedy, Heroism, and Scott's Antarctic Quest, Sir Ranulph Fiennes draws a picture of a smart, ambitious young British naval officer trying to succeed.

Scott…
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Phyllis Theroux’s captivating new work, The Journal Keeper, is a multi-dimensional pleasure. It brings to mind Norman Rockwell’s Triple Self-Portrait, in which Rockwell shows us three images of himself: from the back as he works, in the mirror where he is observing his own face and on the canvas where he is rendering an interpretation of his image. Likewise, in The Journal Keeper, Theroux also offers us a multilayered view of herself that is at once whimsical and profound.

She is the writer simply writing, chronicling her life as it is lived, offering her observations, thoughts and reflections: “Yesterday afternoon, the sun shattered a jug of hydrangeas into shards of light on my dining room table. It was there for anyone to look at but I only did so in passing, the way a king glances casually out the carriage window at his kingdom.” She is the spiritually awakened writer, looking back over a lifetime of journal-keeping and realizing “a hand much larger and more knowing” was often guiding her pen across the page. She is the writer writing about writing: “It is like drilling for oil, having the faith that it is down there. But beyond or beneath that faith is the commitment to dig, whether the oil is there or not.” She is the writer/teacher, encouraging others to keep their own personal “ship’s log.”

And because mothers and daughters so often reflect each other, Theroux’s relationship with her aging mother adds yet another dimension to the narrative. On her mother’s 85th birthday, contemplating the loss she must inevitably face, she writes, “She is such a continual gift, when I imagine her gone I cannot quite see myself there.” Theroux’s account tenderly paints a portrait of her remarkable mother in her final years, displaying her own gifts as a caregiver and best friend in the process. But whatever her subject—growing old, spiritual growth, life in a small town, her students and teaching life, even a new romantic passion (at 64! Break out the old Beatles record!)—Theroux is able to reach deep inside and step outside herself with inspiring aplomb.

Linda Stankard lives multi-dimensionally in Rockland County, New York.

Phyllis Theroux’s captivating new work, The Journal Keeper, is a multi-dimensional pleasure. It brings to mind Norman Rockwell’s Triple Self-Portrait, in which Rockwell shows us three images of himself: from the back as he works, in the mirror where he is observing his own face…

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Coke or Pepsi. Bush or Gore. Sink or swim. If asked to select from any of these pairs, you might assume taste, political affiliation and basic human nature would influence your respective choices. But in Sheena Iyengar’s view, it’s more likely that emotional ties to a brand, the randomness of where a name appears on a ballot and the notion that survival is still possible are what swayed you in one direction or another.

And Iyengar should know. A professor at Columbia University and innovator in the study of choice, her work has been cited by many authors; you’ll probably find that you’ve heard of at least one of her studies before, such as the “jam study.” Iyengar and her research team set up an experiment in a Draeger’s supermarket in which they let customers sample from either six or 24 flavors of gourmet jam. Thirty percent of those who sampled from the smaller batch bought a jar of jam, but only 3 percent who sampled from the larger group made a purchase. The moral? Sometimes less to choose from leads to more in terms of sales; too many choices may dissuade us from making any choice at all.

In The Art of Choosing, Iyengar recounts her studies and observations with an emphasis on helping us to be more thoughtful and better-informed when faced with decisions. Sometimes that’s just a matter of knowing you have choices; at other times, eliminating multiple options is the key to wise decisions. “Unlike captive animals,” she writes, “. . . we have the ability to create choice by altering our interpretations of the world.” So can we filter out bias and rely only on our core values to make decisions?

The book’s studies and hypothetical questions draw from psychology, economics, medicine, philosophy and other fields to show how often choice is an issue; this grab-bag approach keeps the writing from bogging down in any one topic while still making points effectively. Iyengar’s wit and engaging writing style ease the reader through chapters on harder choices, from taking a loved one off life support to the paradox inherent in American life: that freedom of choice should make us happy, but having too many options is overwhelming and often leads to depression. These and other hard choices—even “Sophie’s Choice”—are thoughtfully explored. She also offers a description of her parents’ arranged marriage as an example of freedom from choice.

Iyengar hopes that understanding the thinking behind our choices may lead us to “metaphorical multilingualism,” or understanding that goes beyond mere tolerance. She manifests it in her own work by writing with “sighted” language despite being blind since early childhood, and she encourages others to take a step outside what they might consider normal in order to enlarge their own views on life. Read The Art of Choosing, and be prepared to see the options life presents you through new eyes.

Heather Seggel reads and writes in Ukiah, California.

 

 

Coke or Pepsi. Bush or Gore. Sink or swim. If asked to select from any of these pairs, you might assume taste, political affiliation and basic human nature would influence your respective choices. But in Sheena Iyengar’s view, it’s more likely that emotional ties to…

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Do you, dear reader, dither over Mr. Darcy? Enthuse about the archness of Emma? Wail about the likes of Willoughby? If so, you just might be a Janeite. If that’s the case—and even if not—there is much to divert and please in Claire Harman’s well-blended biography and cultural commentary, Jane’s Fame: How Jane Austen Conquered the World. Harman, an award-winning biographer, turns her sharp scholarly eye, acutely sensible prose and considerable wit on the life of the “divine Jane” in this gem of a book, tracing Austen’s early years and literary pursuits through to the present-day cult of Austenmania.

There is, nearly 200 years on, still much mystery surrounding Jane Austen’s life. Though she left behind, upon her death in July 1817 at age 41, various papers, manuscripts and correspondences, much of that catalog was destroyed, lost or sold off. This biography-history fills in many blanks, brimming with entertaining anecdotes and quotes, robust scholarship and ironic humor. Harman’s research exhaustively mines the materials and memorabilia contained in the body of institutions, trusts and Austenian scholarship as well as Austen’s own surviving letters, in which she declares that “tho’ I like praise as well as anybody, I like . . . Pewter too.” This pointed statement, though brief, gives insight into Jane, the hard-headed businesswoman—a characteristic most definitely not universally acknowledged in James Edward Austen-Leigh’s rather saccharine 19th-century biography of his famous aunt.

Harman insightfully portrays Jane, the writer and published author; tracks Jane’s rising fame and readership against the broad historical backdrop of the 18th and 19th centuries; identifies the trends of Austenian literary consumption and criticism (Mark Twain was not a fan); follows the “canonization” of all things Austen in print, theater and film; and finally, with tongue firmly placed in cheek, explicates how Jane Austen became a 21st-century brand through the power of TV and film—a phenomenon helped not a little by the memorable vision of Colin Firth in a clinging wet shirt. 

Do you, dear reader, dither over Mr. Darcy? Enthuse about the archness of Emma? Wail about the likes of Willoughby? If so, you just might be a Janeite. If that’s the case—and even if not—there is much to divert and please in Claire Harman’s well-blended…

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Sisters: Tenth Anniversary Edition revisits 13 sets of sisters originally featured in Sisters, the sleeper New York Times bestseller of the early 1990s, along with some new siblings. Surprising, difficult and touching sentiments are revealed in Sharon J. Wohlmuth’s updated photos and Carol Saline’s interviews: aging, illness, disillusionment and death have caught up with some of the women, while affection and deep emotional bonds are more pervasive than ever. Famous sister reunions include the stunning trio of supermodel Christy Turlington, now a mother, and sisters Erin and Kelly; Coretta Scott King and Edythe Scott; musical sisters Irline, Louise and Barbara Mandrell; and Clare, Jeanne and Chris Evert. But some of the most moving reunions include the Green sisters, now in their 90s and separated for the first time in their lives; Janice Coffey, whose brother is now her sister, Elizabeth; and Julie Johnson, who happily gave birth to a baby boy, now 10 years old, for her sister Janet. Deanna Larson is a writer in Nashville.

Sisters: Tenth Anniversary Edition revisits 13 sets of sisters originally featured in Sisters, the sleeper New York Times bestseller of the early 1990s, along with some new siblings. Surprising, difficult and touching sentiments are revealed in Sharon J. Wohlmuth's updated photos and Carol Saline's interviews:…
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The “Native universe” could describe the whole of the Americas and Caribbean, as well as the varied, mysterious and complex societies of Native peoples. Native Universe: Voices of Indian America is the inaugural book of the new National Museum of the American Indian at the Smithsonian in Washington, D.C. The book provides a fascinating overview of Native American history and traditions and presents perspectives on the role of Native people in current society by Indian tribal leaders, writers, scholars, poets and storytellers. Native Universe is packed with stunning pictures of ancient clothing, tools and artifacts that accompany numerous essays on rituals, beliefs, cultural milestones and how they all connect to modern Native American life. Among the subjects covered are: the “accidental” gift of horses descended from mounts of Spanish colonial soldiers, which became a “profound agent of change” for Native peoples; “This Land Belongs to Us,” the brief and heartbreaking statement of Lakota chief Sitting Bull in 1882 before the Battle of the Little Big Horn; documents and pictures from a revisit of Wounded Knee during the 1970s Indian movement; a discussion of the war bonnet, a symbol appropriated by American popular culture; and the ancient warrior culture exemplified in modern times by Hopi tribal member Lori Ann Piestewa, who lost her life in the Iraq War.

Deanna Larson is a writer in Nashville.

The "Native universe" could describe the whole of the Americas and Caribbean, as well as the varied, mysterious and complex societies of Native peoples. Native Universe: Voices of Indian America is the inaugural book of the new National Museum of the American Indian at the…

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