Fourteen-year-old Till was murdered in a nondescript barn in the Mississippi Delta. But few know the barn still stands today, or fully understand its history. Thompson believes we should.
Fourteen-year-old Till was murdered in a nondescript barn in the Mississippi Delta. But few know the barn still stands today, or fully understand its history. Thompson believes we should.
With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
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Remembering a deadly hurricane, 35 years later Philip Hearn was a young UPI reporter stationed in Birmingham, Alabama, the night of August 17, 1969, when Hurricane Camille roared across Mississippi’s Gulf Coast, sweeping away virtually everything in its course. In Mississippi, the vicious Category 5 storm killed 172 people. As it continued into Tennessee, Kentucky, Ohio, West Virginia and Virginia with its still lethal winds and flash floods, it slaughtered another 175. Apart from the cost in human lives, Camille also destroyed an estimated $8.6 billion worth of property. Even today, signs of its devastation remain. Now, 35 years later, Hearn brings readers a cinematic reconstruction of the devastating storm in Hurricane Camille: Monster Storm of the Gulf Coast.

“I had no special interest [in hurricanes] at that time, except for the same interest that everyone else did in this area,” Hearn tells BookPage from his office at Mississippi State University, where he is a research writer. “Later on, when I went to the University of Southern Mississippi as news director for the public relations office, I came across the oral histories of the survivors of Camille. I found some of the accounts to be riveting. After I went through them, I realized that maybe I could do a series of newspaper stories [on the storm]. I did that in 1989, to coincide with the 20th anniversary of Camille. That was my starting point.” In 2000, at the urging of the chairman of USM’s history department, Hearn began his formal work on the book.

To manage the surfeit of eyewitness stories, Hearn focused on the accounts of 15 survivors. Eyewitness accounts are notoriously unreliable, particularly in times of excitement and stress. But Hearn says he found the survivors’ stories basically consistent and in accord with the news reports of the disaster. “They were the people,” he explains, “who had to struggle mightily for their own lives and who saw family and friends perish all around them.” One man, who had sought refuge in a church with his family, lost his wife, 11 of his children and one grandchild that terrible night. Another victim heard the double-doors of his house snap open and turned to see his new Oldsmobile floating in. An apartment building the inhabitants thought was storm-proof was quickly shredded to the foundation.

Although racial tensions were still running high in Mississippi in the late ’60s, there is no mention of them in the book. “I did not run into any unusual situation that involved the races,” says Hearn. “I think pretty much everyone who lived along that area [where the storm came ashore] was in the same boat. The devastation was so complete. As a matter of fact, it seemed like the people really rallied around one another.” There’s always a problem in sustaining drama with an event that’s brief and whose outcome is already known. But Hearn handles it deftly by holding the ravages of Camille at bay while he gives a brief history of hurricanes, describes how this particular one formed and then follows its killing winds as they roar into the Gulf, sweep over the barrier islands and collide catastrophically with the coast. He demonstrates time and again that he still has a reporter’s eye for precise detail, as in this passage: “The atomic-bomb effect of Camille’s 200-miles-per-hour wind gusts and 25-foot storm surge destroyed 100 years of growth and progress along the Mississippi coast in just three hours. Ancient oak trees were uprooted and washed into the mix with piers, signs, vehicles, boats, power poles, roofs, floors, walls, furniture, appliances, and other scattered residue of civilization. A variety of vessels, including large barges, were lifted from the Gulf and deposited on the beach as sand washed over the seawall, covering or crumbling large portions of U. S. Highway 90.” While Hearn’s descriptions of the storm’s aftermath are less dramatic, they are no less poignant. We learn that the man who lost most of his family coped with his grief by helping rescue workers recover their bodies and then tenderly laying them out side by side. “We’ve got to go on living,” Hearn quotes him as saying. “You can’t run away from it.” Thousands of animals perished in the storm, and hundreds of domesticated ones were killed deliberately “because no facilities or food existed for their care.” In the weeks and months that followed, Hearn reports, many of the survivors suffered severe emotional problems. One woman stepped out of her trailer, surveyed the destruction and shot herself. A psychiatrist estimated that divorces in the area “probably quadrupled” after Camille.

In spite of the formidable research skills and narrative flair he brought to the book, Hearn says that any credit for the book’s impact lies elsewhere. “These people told the story with their personal accounts. I just hoped I could blend it all together.” That he has done.

Remembering a deadly hurricane, 35 years later Philip Hearn was a young UPI reporter stationed in Birmingham, Alabama, the night of August 17, 1969, when Hurricane Camille roared across Mississippi’s Gulf Coast, sweeping away virtually everything in its course. In Mississippi, the vicious Category 5 storm killed 172 people. As it continued into Tennessee, Kentucky, […]
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Gordon and Mary Hayward have one of those gardens, the sort you marvel at and wonder how in the world. Their answer, in its simplest form: time and effort. But that's just the point: Maintenance, they begin, is gardening. That spirit fills Tending Your Garden: A Year-Round Guide to Garden Maintenance. Photo essays put you right there with the Haywards and their assistants, documenting step-by-step how to keep a beautiful garden. The book is packed full of professional techniques, the sort of traditional skills handed down from gardener to gardener. To-do lists from their Vermont garden are keyed to seasons (early spring, late fall) as well as to specific months, for ease in adjusting the calendar to your part of the world. Spending time with this book might be the next best thing to digging in alongside the masters themselves.

Gordon and Mary Hayward have one of those gardens, the sort you marvel at and wonder how in the world. Their answer, in its simplest form: time and effort. But that's just the point: Maintenance, they begin, is gardening. That spirit fills Tending Your Garden: A Year-Round Guide to Garden Maintenance. Photo essays put you […]
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The Boston Strangler was the prototype for modern serial killers. He was also more fearsome than those who would follow in his bloody footsteps in the impression of invincibility that he cast through his community in the early ’60s, before he was caught, or, more precisely, until Albert De Salvo was arrested and the terror came to an end. Doubt nonetheless lingers over whether De Salvo was in fact the perpetrator of 13 murders ascribed to the Strangler.

But another mystery haunts this case, involving a petty criminal named Roy Smith. Smith was convicted of killing Bessie Goldberg, an older woman who had hired him to do odd jobs at her home in Belmont, a suburb of Boston. Her death was identical in most respects to those attributed to the Strangler: She was choked from behind with a stocking, with no signs of protracted struggle, which suggested that the killer had somehow persuaded her to let him into her home. The jury’s guilty verdict sent Smith to prison for life yet the Boston Strangler remained active for months to come.

Meticulously, precisely, Sebastian Junger dissects the roles that Smith and De Salvo did or did not play in this drama in A Death in Belmont. Other characters emerge, none more compelling than Junger’s mother, who had a chilling encounter with De Salvo at the height of Strangler hysteria. Junger, whose previous works include The Perfect Storm, writes dispassionately, letting the narrative build its own momentum, unburdened by lurid, tabloid-oriented excess. A Death in Belmont, then, is primarily an intellectual exercise, in which the facts are enough to rivet the reader’s attention even as the author’s lines of inquiry weave elaborate patterns of examination.

The book ends with a series of unanswered questions, which point toward a different kind of wisdom, based on broader issues of right and wrong. It is a powerful and honest thing to end a book like this with something that feels more like a beginning. Robert L. Doerschuk is a former editor of Musician magazine.

The Boston Strangler was the prototype for modern serial killers. He was also more fearsome than those who would follow in his bloody footsteps in the impression of invincibility that he cast through his community in the early ’60s, before he was caught, or, more precisely, until Albert De Salvo was arrested and the terror […]
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You're an intelligent, confident, successful, beautiful woman, and something about that silly little advice book that was so popular back in 2005 just doesn't ring true. Surely it's impossible for any guy not to be into someone as wonderful as you.

If that's the way you feel, He Just Thinks He's Not That Into You: The Insanely Determined Girl's Guide to Getting the Man She Wants by Danielle Whitman is the book for you. If a man moves without giving you his new contact information, it's not because he's not into you—he just wants you to chase him for a change. Why are there endless books about how a woman should play hard to get (ridiculous!), but the minute a man does it, it's considered evasive? Whitman asks indignantly, before advising the lovelorn advice seeker to chase after happiness and flush it out into the open. This is 100-plus pages of tongue-in-cheek fun that will make you laugh out loud.

You're an intelligent, confident, successful, beautiful woman, and something about that silly little advice book that was so popular back in 2005 just doesn't ring true. Surely it's impossible for any guy not to be into someone as wonderful as you. If that's the way you feel, He Just Thinks He's Not That Into You: […]
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The New England flowering of philosophers, novelists and poets in the early 19th century produced a literary crop that is still influencing our writing and thinking today. Philosophers and essayists continue to quote Emerson. Nonfiction writers revere Thoreau. And novelists and short story writers, especially John Updike, bow toward Hawthorne.

Many readers, however, know Hawthorne’s reputation but not the man. Philip McFarland aims at both audiences in his vivid and dramatic book, Hawthorne in Concord, released to coincide with the 200th anniversary of Hawthorne’s birth. Although his detail and extensive notes will satisfy academics, he writes without assuming that a reader has prior familiarity with the subject. He is also admirably concise in this age of bloated biographies.

McFarland’s focus on Concord provides a good perspective on Hawthorne’s life. The novelist lived there three times, at three crucial periods in his own life and in that of his young nation. The book begins with the 1842 marriage of handsome, promising Nathaniel Hawthorne and bright but seriously ill Sophia Peabody. Provided with enough texture and emotional drama for a period novel, we find ourselves caught up in the prospects of this fascinating man whose writing was marked by so much imagination and compassion.

In the early days in Concord, Hawthorne struggles and almost fails at his chosen career. He and Sophia finally move in with his mother because he can’t make ends meet as a writer. Then, in the wake of The Scarlet Letter, Hawthorne triumphantly reclaims Concord only to be chosen as a consul to England.

Hawthorne’s third period in Concord rounds out this parable of the stages of a man’s life. Ill with what now seems to have been intestinal cancer, Hawthorne, with the devoted Sophia by his side, struggles with his writing and his mortality. It is a tribute to McFarland’s skills that we are so moved by the inevitable end of a biography.

The New England flowering of philosophers, novelists and poets in the early 19th century produced a literary crop that is still influencing our writing and thinking today. Philosophers and essayists continue to quote Emerson. Nonfiction writers revere Thoreau. And novelists and short story writers, especially John Updike, bow toward Hawthorne. Many readers, however, know Hawthorne’s […]
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Simon Loxley’s witty Type: The Secret History of Letters was released in Britain last winter, so it is possible that some clever television exec is already working on an adaptation. No kidding if you caught Michael Wood’s BBC series In Search of Shakespeare on public television, you’ll have an idea what to expect.

Loxley’s itinerary includes Gutenberg’s haunts in Mainz, Germany, a metal type repository at the Type Museum and a modern micro-foundry where everything is computerized. He darts around London streets once named for early type designers William Caslon and his son. Both the Declaration of Independence and the Bill of Rights were set in a Caslon face, he points out, and Ben Franklin who knew a thing or two about printing was a fan. Loxley also traverses London looking for various incarnations of the London Underground’s famous typeface. Created by Edward Johnston in 1916, touched up in the late 1970s and now licensed for commercial use, the face is one of the earliest examples of corporate identity.

A designer, teacher and typographer, Loxley discusses the nuances of typefaces with aplomb. Indeed, nothing escapes his developed aesthetic: “It costs no more, and takes no more effort, to choose a seat fabric that isn’t visually oppressive,” he writes of a garish bus seat. In the book’s last two chapters one of which is hilariously and ominously titled “Typocalypse” he laments the sometimes detrimental influence of the proliferation of desktop publishing on graphic design.

As with any specialized field, typography is filled with connections between its major players fostered through apprenticeships, bloodthirsty competition, etc. Loxley incorporates mini-bios of these characters (no pun intended) into Type. The result is a funny, informative romp through typography.

Simon Loxley’s witty Type: The Secret History of Letters was released in Britain last winter, so it is possible that some clever television exec is already working on an adaptation. No kidding if you caught Michael Wood’s BBC series In Search of Shakespeare on public television, you’ll have an idea what to expect. Loxley’s itinerary […]

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